Popular Music and Society

Article	Citations
The Institutionalization of Inequality: Female Vocalists’ Struggles in the Chinese Jazz Scene	16
Drowning Out Escapism: Performances of Transformative Confinement in the Work of Beyoncé and Harry Styles	12
“Just Beyond Our Reach”: Reggae, Decolonization, and Ambiguity in Aotearoa New Zealand	11
Ton Steine Scherben: A Unique Hybrid of Psychedelic Rock and Battle Song	11
Eluding the State, Reimagining Malaysia: Controversy and Multicultural Heteroglossia in Namewee’s Music Videos	11
Rockin’ the Free World! How the Rock & Roll Revolution Changed America and the World	10
Rock and Roll, Desegregation Movements, and Racism in the Post-Civil Rights Era: An “Integrated Effort,”	9
The Furious Women and Victim Men of Turkish Pop Music: A Lyrical Exploration of Turkish Pop Hits of the 2000s	6
American Punk and the Rhetoric of “Political Correctness”	6
The Law of Averages: The Use and Abuse of Statistics in UK Music Streaming Debates	5
Fikret Kızılok’s Songs as an Object of Memory and Protest in Türkiye	5
R. Serge Denisoff Award	4
Listening, but Not Being Heard: Young Women, Popular Music, Streaming, and Radio	4
This City Needs Street Music: Practices, Experiences, and Meanings in the Busking Scene of Hong Kong	4
Listening to Bob Dylan	4
Rock and Roll, Desegregation Movements, and Racism in the Post-Civil Rights Era: An “Integrated Effort,” Rock and Roll, Desegregation Movements, and Racism in the Post-Civil Rights Era:	4
Singing a New Technology of Car Riding: Jitney-Bus Songs, 1915-1917	3
DIY House Shows and Music Venues in the US: Ethnographic Explorations of Place and Community DIY House Shows and Music Venues in the US: Ethnographic Explorations of Place and Community	3
Copyright and the Ethics of Sampling: The Lesson of the Czech Music Scene	3
R. Serge Denisoff Award	3
Distillation of Sound: Dub and the Creation of Culture	2
Rap Music and the Youth in Malawi: Reppin’ the Flames	2
Presenting the Studio on Record Covers: Changing the Understanding of Swedish Jazz Records	2
“Town’s Dead”: Contemporary Irish Popular Music and Dublin City	2
Ramsey Lewis (1935-2022)	2

How Music Empowers: Listening to Modern Rap and Metal How Music Empowers: Listening to Modern Rap and Metal , Steven Gamble, New York, Routledge, 2021, 188 pp., $48.95 (	2
Audiencing in China: Foreign Rock Musicians’ Perceptions of Difference and Sameness	2
Black Fatherhood, Hip Hop, and Inner Life: Reading Rapsody’s “The Man” and Mama Sol and the N.U.T.S.’s “Manhood”	2
Lesbian Feminist Music and Meaningful Community Work	2
Popular Music Ontology (Taylor’s Version): Re-Recordings, the Rock Ideology, and Taylor Swift	2
“Filipino Seekers of Fortune”: Jazz as Labor in 1920s Colonial Asia	1
“The Secret Sauce”: Popular Jazz Performances on TikTok	1
Women in the Studio: Creativity, Control and Gender in Popular Music Sound Production	1
Managed Hearts: Emotional Labor and Structural Change in the Work of Young Female Music Managers in Hungary	1
Bob Dylan in the Attic: The Artist as Historian	1
Make It Funky for Me: Black British Women’s Explorations of Britishness, Womanhood, and Artistry Through 2000s Music	1
Sad Girls on TikTok: Musical and Multimodal Participatory Practices as Affective Negotiations of Ordinary Feelings and Knowledges in Online Music Cultures	1
Holographic ABBA: Examining Fan Responses to ABBA’s Virtual “Live” Concert	1
Tlaxihuiqui	1
Musicians as Workers and the Gig Economy	1
The Lo-Fi Lens: Interpretations of Memphis Rap Tape Rips in the Online Mediascape	1
Performing Affects: Precarity, Liminality, Belonging, and the Strategies of a Migrant Bandleader within a South African Music Scene	1
“More Where That Came From”: How the Voice of Randy Travis Helps to Normalize AI	1
One Chord Is Fine, Two Chords Are Pushing It, Three Chords and You’re Into Jazz	1
Aesthetic Tensions in Metal Production: Genre Expectations, Technological Mediation, and Creative Freedom	1
From Beyond the Grave: Woody Guthrie Vs. Old Man Trump	1
One More Turn after the Algorithmic Turn? Spotify’s Colonization of the Online Audio Space	1
The Return to Craft: Taylor Swift, Nostalgia, and Covid-19	1
Rocking the Closet: How Little Richard, Johnnie Ray, Liberace, and Johnny Mathis Queered Pop Music	1
Introspecting the History: Rhetorical Constructions in the Interconnectedness of Chinese Folk and Hip-Hop Music	1
Digital Man or Jocko Homo: Rush, Devo, and competing visions of the technofuture	1
“More Champion than the Champions”: Female Masculinity in Lālehzari Music and Filmfarsi	1
Popular Music and LGBTQ+ Identities in the Age of Streaming: An Explorative Audience Study	1
What was Lo-Fi?	1
Recording Currently and Formerly Incarcerated Musicians: An Interview with Fury Young of FREER Records	1
Judith Durham (1943-2022)	1
Who’s Got the 7?: A Local Music Scene’s Resistance to the Demise of the Vinyl Record	1
Mexican Canto Nuevo: Music, Politics, and Resistance	1
Reconfiguring Genre, Style, and Idiolect: Investigating Progressive Rock’s Meta-Genre and Affordances	0
Stolen Time: Black Fad Performance and the Calypso Craze	0
Designed for Hi-Fi Living: The Vinyl LP in Midcentury America Designed for Hi-Fi Living: The Vinyl LP in Midcentury America , by Janet Borgerson and Jonathan Schroeder,	0
On the Passing of Willie Colón	0
Songwashing and Cultural Boycotting the Eurovision Song Contest: A Soft Power/Disempowerment Analysis of Israel’s Entry to Eurovision 2024 during the Israel-Hamas War	0
Beatlemania in America: Fan Culture from Below	0
The Closing of the Rock ‘n’ Roll Camp for Girls in Portland	0
What is “Heavy” in Metal? A Netnographic Analysis of Online Forums for Metal Musicians and Producers	0
Greg Shaw Award	0
Independent Music in Russia: Escapism, Patriotism and Protest (2008–2022)	0
The Beatles Reconceptualized as Jazz: A Musical Entry Point into Cultural, Racial, and Historical Considerations	0
Dutch Politics of Music-Washing at Eurovision: The Monstrous Hybrid of Commodified Musical Legacies of Slavery, Imperialist Utopianism, and White Nationalism	0
“Everyday Fidelity”: Analyzing Sound Quality in Ubiquitous Listening Practices	0
Other Ways of Knowing the Danish Music Industry: From Disorientation to Feminist Collective Capacity	0
Patches of Survival in the Anthropocene: Melancholy and Ecstasy within Go_A’s 2021 Eurovision Song Contest Performance of “SHUM” (ШУМ)	0
“Shade Never Made Anybody Less Gay”: Taylor Swift’s Performance of Allyship and the Neoliberalization of Activism	0
Sensing Vinyl: Ritual, Memory, Materiality	0

“I Am at Home, I Am French”—Notions of Be/Longing in Afro-French Rapper Black M’s Music	0
The Politics and Power of Bob Dylan’s Live Performances: Play a Song for Me	0
Disney’s “Jungle Sound”: Jazz and Wildness in Disney Animation	0
Communicating Healing Through Ethnic Music: An Analysis of Shona Indigenous Approaches to Psycho-Social Support for the Bereaved as Projected Through Selected Songs by Oliver Mtukudzi	0
Scott Walker and the Song of the One-All-Alone	0
The Performance of Authenticity: The Making of Jazz and the Self in Autobiography The Performance of Authenticity: The Making of Jazz and the Self in Autobiography , Teo	0
Lalo Schifrin (1932–2025)	0
“Pedro Navaja” and the Making of Rubén Blades, the Storyteller	0
Small Venues: Precarity, Vibrancy and Live Music	0
Sound Shelter: Ease of Listening as a Way of Dwelling	0
Listening at Home and Beyond: Music Polymedia and Everyday Life	0
Introduction to Special Issue: Home, Work, and Music - Toward a Domestic Turn in Popular Music Studies	0
Correction	0
The Genesis and Structure of the Hungarian Jazz Diaspora The Genesis and Structure of the Hungarian Jazz Diaspora , by Ádám Havas, New York, Routledge, 2022, 194 pp., $1	0
Searching for “Australia’s Woodstock”: The Forgotten Australian Rock Festivals of 1970 – 1975	0
Music-making Beyond the Pub: The Importance of Community Music and DIY Enterprise in Maintaining Regional Music Scenes (Gippsland Case Study)	0
“She Takes Me by the Hand”: Gender and Intergenerational Relationality in a Peruvian Carnival Music Video Production	0
The Birth of Breaking: Hip-Hop History from the Floor Up	0
Defiant Sounds: Heavy Metal Music in the Global South	0
Stylistic Contrasts and Social Implications in “You Can’t Always Get What You Want”	0
Howard S. Becker, 1928–2023	0
Making and Visualizing Music in the Bedroom and Living House, Before and During the COVID-19 Pandemic, with Billie Eilish and Fiona Apple	0
Listen to the Boat Engines: The Intimate Voicing of Taiwanese Indigenous Cosmopolitanism in Far Ocean Fishing Songs	0
Bobby Sherman (1943–2025)	0
Lyrical, Musical, and Thematic Dualities in Wings’ Venus and Mars	0
Die Jim Crow	0
Peter Blegvad and Song-as-Philosophy	0
R. Serge Denisoff Award	0
The (New) Awakening of Soviet Jazz Culture in the 1960s	0
Property, Policy, and the Home as Recording Space in Iceland	0
Fangirling While Black: K-pop, Affect, and the Reproduction/Rejection of Blackness	0
Gear: Cultures of Audio and Music Technologies	0
The Jazzmen: How Duke Ellington, Louis Armstrong, and Count Basie Transformed America	0
Singing the New Scot: Parody, Contrafacta, and Dainty Protest Songs in Cape Breton	0
Correction	0
“Big Map Idea”: Diasporic Currents in South African Music	0
Being a Musician in Socialist Mozambique: From Invisibility to Unfeasibility (1974–1994)	0
Soundtracking Conspiracy Theory: Nonfictional Worldmaking and Audio-Epistemic Strategies in Loose Change 9/11: An American Coup (2009/2015)	0
Groove Therapy	0
Uncharted Territory: What Numbers Tell Us about the Biggest Hit Songs and Ourselves	0
Crooner: Singing from the Heart from Sinatra to Nas	0
Light Come Shining: The Transformations of Bob Dylan	0
Musicians’ Unions and Live Music: Historical and Contemporary Challenges in Australia, the United Kingdom, and the United States	0
The Birth of Porto’s Jazz Scene: Culture, Spaces, and Networks	0
Recording in and Around Home: Situating the Authentic and the Local in the Digital Dissemination of Folk Music from Bengal	0
The Labor Process of Relational Labor: The Case of the K-pop Fan Platform “Bubble”	0
Peter Gabriel: Global Citizen Peter Gabriel: Global Citizen , by Paul Hegarty, London, Reaktion Books, 2018, 248 pp., $16.00 (paperback), ISBN 978-1-78023-976-7	0
“I’d Have to Be Crazy if I Did it Strictly on a Financial Basis”: Australian Regional Music Venues, Burnout, and Precarious Music Ecologies	0
Out on the Floor: Exploring the London Lesbian Club Scene of the 1980s and 1990s	0
The Life and Writings of Ralph J. Gleason: Dispatches from the Front	0
“Both Sides Now”: Folk-Rock Authorship, Interpretation, and the Cover Version	0
Subverting the Restorative Nostalgia of Black Metal: Reading Swiss Band Zeal & Ardor Through an Afropessimistic Lens	0
Pharoah Sanders (1940-2022)	0
Mobile Safe Spaces and Preset Emotions: Making Music with Apps as a Digital Technology of the Self	0
Blacksound: Making Race and Popular Music in the United States	0
God Gave Rock and Roll to You: A History of Contemporary Christian Music	0
K-Pop and the Creative Participatory Engagement of Thai Fans: When Cultural Hybridity Becomes Cultural Authenticity	0
The Force of Environmental Lyrics in Pop Songs: The Case of Gorillaz’s Plastic Beach	0
Re-Membering Music Worlds: Exhibiting the Rebel Women of Manchester’s Suffragette City	0
De-Professionalization in the Recording Studio: How the Movement Towards Remote DIY Home Recording Has Impacted the Professional Trajectory of Australian Session Vocalists	0
Cover Culture: The Social Reproduction of a Repetitive Practice in İzmir’s Popular Music Scene	0
Cherokee Missed: Indigenous Influence and Natural Metaphysics in the Music of Jimi Hendrix	0
“I’m in the House Bored”: TikTok’s Sonic Mediation of Boredom and Class in the Pandemic Home	0
Screaming, Crying, Writing Up: Literary Music Journalism Books as a Legitimization of Contemporary Fangirl Practices	0
Stories and Data: Australian Musicians Navigating the Spotify for Artists Platform	0
Jimmy Cliff (1944–2025)	0
Musicking Assemblages and the Material Contingency of Sound: Mostly Other People Do the Killing’s Re-enactment of Kind of Blue	0
Métis In the Mainstream: The Ambivalent Blackness and Legacy of Henri Salvador	0
Major Labels: A History of Popular Music in Seven Genres Major Labels: A History of Popular Music in Seven Genres , by Kelefa Sanneh, New York, Penguin, 2021, 496 pp., $	0
“I’ll Also with My Poverty, Buy All Your Sadness”: Tataloo and the Tatality Fanbase in Iran	0
Achievement in Sound: Brian Wilson, 1942‒2025	0
David Johansen (1950–2025)	0
“I Felt Like a Normal Human Being”: Professional DJs’ Experiences of the COVID-19 Lockdowns	0
Pop Music Diegesis and the 360º Video	0
White Stripes, White Rock: The Uncontested Blues Appropriations of the White Stripes	0
Revisiting the South Korean Youth Culture and T’ongkit’a Music	0
Ornette Coleman: The Territory and the Adventure Ornette Coleman: The Territory and the Adventure , Maria Golia, London, Reaktion, 2022, 368 pp., $22.50 (hardback), ISBN	0
Safer Covachas —Preserving Digital Music in Cassettes: Grassroots Archiving Practices of Independent Record Labels in Contemporary Argentina	0
Rockin’ the Regime: Mormon Missionaries, American Popular Music, and the Fading of Spanish Fascism	0
“Redirect the Hate”: Plato, Powerviolence, and the Metaphysics of Anger	0

The Benefits of Collaborative Popular Music Songwriting: A Spectrum of Artist-Songwriter Involvement	0
Western Bias, Canonicity, and Cultural Globalization: Introduction to “Jazz Diasporas”	0
“Go Out and Bring Me Lazarus”:O Brother, Allegory, and a Work Song’s Circuitous Journey	0
Local Digital: Staging Geographies and Sonic Identities Through Auto-Tune Effects and Streaming Sites in North Indian Popular Music	0
Thirteen Bloodlines Planning a Genocide: COVID Conspiracies as a Form of White Ignorance in the Finnish Rap Song “Tuku Tuku”	0
An Exploration of the East Indian and African Music Traditions in Trinidad and Tobago: The Case of Mungal Patasar and Pantar	0
Tree Indeed	0
Introduction: Gender and Popular Music Knowledge	0
Critiquing the “What Is Jazz” Puzzle in a Diasporic Setting: “Jazz-Related” Performance and Patronage in Australia before “Jazz”	0
Walk Away Renee	0
Stage, Street, Garden, or Parlour: The Ubiquitous Popular Songs of Late Georgian England	0
Segue-me à Capela: Inclusion and Resilience Strategies in Traditional Portuguese Music	0
“Everybody Says Goodbye”: Musical Vanitas in Depeche Mode’s Memento Mori	0
Showing Off as Selling Out: Online (Self-)Promotional Strategies of Grassroots Electronic Dance Musicians	0