Empirical Studies of the Arts

Papers
(The TQCC of Empirical Studies of the Arts is 2. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-05-01 to 2025-05-01.)
ArticleCitations
Musical Activity as Avoidance-Based Emotion Regulation During the COVID-19 Pandemic: Evidence Across Continents15
The Aesthetic Emotion Lexicon: A Literature Review of Emotion Words Used by Researchers to Describe Aesthetic Experiences13
The Relations of Empathy and Gender to Aesthetic Response and Aesthetic Inference of Visual Artworks9
Wikipedia and Shostakovich Meets Goya: Elaborative Narration and Music Enhance Affect Derived From Art8
Artist Names as Human Brands: Brand Determinants, Creation and co-Creation Mechanisms7
Detection of Emotions in Artworks Using a Convolutional Neural Network Trained on Non-Artistic Images: A Methodology to Reduce the Cross-Depiction Problem7
I Love Music! It Harmonizes Me! : Listening to Music Based on Adaptive Function of Music Listening (AFML) and its Influence on Study Engagement in Physical Education – A Cross-Secti7
An Aesthetic Model for Popular Illustration6
Education, Gender, and Blue-Chip Gallery Representation: The Importance of Educational Prestige in a Male-Dominated Art World5
Examining the Mediating Effects of Cognitive Style on the Relation Between Music Competence and Creativity5
Can Narrative Bibliotherapy Reduce Vulnerability to Eating Disorders? Evidence from a Reading Experiment4
“Listening” to Paintings: Synergetic Effect of a Cross-Modal Experience on Subjective Perception4
AI Performer Bias: Listeners Like Music Less When They Think it was Performed by an AI3
Immersed in Art: The Impact of Affinity for Technology Interaction and Hedonic Motivation on Aesthetic Experiences in Virtual Reality3
Preference for Harmony: A Preference for Structural Simplicity, Familiarity, or Both?3
The Impact of Pseudo-Profound Bullshit Titles on Memory for Artist-Created and AI-Generated Art3
Drawing and Memory: What is the Content of Children’s Drawings and How Does it Differ From Their Verbal Reports?3
Students’ Personal Experience vis-à-vis Personal Interest Towards Philippine Traditional Dances with Respect to Dance Steps, Music, Costume, and Dance History for Preservation Endeavors: Does it Matte3
Flourishing Aims of Art Museums: A Survey of Art Museum Professionals3
Ethos Theory of Music: Toward An Empirical Confirmation Through Moral Foundations Theory3
Do Prestige and Animacy Matter to Art Experts? Exploring Social Learning, Signaling, Perceptual, and Cognitive Explanations3
The Effects of Psychotic Tendencies on Aesthetic Preferences of Paintings2
Effects of an Art Intervention Program Using Ambiguous Image-Text Interactions on Creative Thinking2
Perceived Intense Emotions and Their Influence on Cultural Identification Processes: A Mixed-Method Study of a Classical Music Festival2
Shades of Grey: Quantifying a Database of 18 Aesthetic Moods in Classical Chinese Poetry2
Psychological Coaching for Performing Artists: Perceptions of and Reflections on Finding Ways to Manage Performance Anxiety2
Can Fashion Aesthetics be Studied Empirically? The Preference Structure of Everyday Clothing Choices2
Effect of Pictorial Depth Cues on Illusory Spatial Depth of the Lin Family Garden2
Understanding Consumer Preferences for Hedonic Furniture: A Push-Pull-Mooring Analysis2
Audiovisual Associations in Saint-Saëns’ Carnival of the Animals: A Cross-Cultural Investigation on the Role of Timbre2
Humans Prefer to See and Imagine Drawing Curved Objects2
Editorial2
Exposure to Fernando Botero’s Art Is Associated with Lower Implicit Bias Against People with Obesity2
The Influence of Demographic Factors on Word Usage in Texts Written About Artworks2
Three Forms of Tears at Art Museums: A Phenomenological Study of Viewers’ Tear-Shedding Experiences Through Blog Narratives2
Artists and Mate Preferences: The Effects of Being a Painter and Intellectuality2
The Artistic Characteristics of Modern Calligraphy After 1985: An Exploration Based on Grounded Theory2
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