Journal of the Royal Musical Association

Papers
(The TQCC of Journal of the Royal Musical Association is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-08-01 to 2026-08-01.)
ArticleCitations
From the History of Jazz in Europe towards a European History of Jazz: The International Federation of Hot Clubs (1935–6) and ‘Jazz Internationalism’10
Contributors5
RMA volume 151 issue 1 Cover and Back matter4
Sonic Figurations for the Anthropocene: A Musical Bestiary in the Compositions of Liza Lim4
E-Flat Minor1
Hetero/Homo/ Trans-Sexualities : Diffractive Readings of a Queer Production of Otto Nicolai’s The Merry Wives of Windsor1
RMA Medals and Prizes1
Reflections on Women in Music1
On Making a New Realization of Uspud by Erik Satie and J. P. Contamine de Latour1
Writing Joseph Bologne into Musical History vis-à-vis Mozart: The Symphonie Concertante from Paris to Salzburg1
Variations on the Musical Sublime1
Structural Confusion in the Cantigas de Santa Maria: Navigating Unstable Narratives in the Miracles of Castrojeriz1
Classical Music’s Conflicted Futures: Perspectives on the Industry and Academia from Recent Scholarship1
RMA volume 150 issue 2 Cover and Back matter1
Bernier and Italy: Bernardo Pasquini’s Partimenti and Nicolas Bernier’s Counterpoint1
Round Table: A ‘Musical League of Nations’? Music Institutions and the Politics of Internationalism between the Wars1
Performing Internationalism: The ISCM as a ‘Musical League of Nations’1
RMA volume 148 issue 2 Cover and Back matter1
Szymanowski’s Third Piano Sonata and First String Quartet and the Artistic Theory and Practice of Stanisław Ignacy Witkiewicz: ‘Pure Form’, Subjectivity, and the Burlesque1
Lip-Synching as an Account of Oneself: Digital Music Videos and the Voice–Gesture Relationship0
Primal Listening: Human Minds and Animal Ears in the Age of Comparative Anatomy0
‘On which they (merely) held drones’: Fugitive Tapes from the Theatre of Eternal Music Archive, 1963–60
Approaching Incidental Music: ‘Reflexive Performance’ and Meaning in Till Damaskus (III)0
RMA volume 148 issue 1 Cover and Front matter0
Listening to Egyptian and Uyghur Soundscapes: A Review in Letters between Cambridge and Istanbul0
Louise Farrenc and Nineteenth-Century French Feminist Musical Praxis0
Margaret Bent on Motets0
RMA volume 151 issue 1 Cover and Front matter0
RMA Medals and Prizes0
Sounds of Captivity: Prisoner-of-War Recordings in the First World War0
Listening as an Affective Practice: Affective Economies and Affective Orientations at Live Performances of Hindustani Music0
Psalm Differentiae in the Fifteenth-Century Olivetan Psalter Manuscript at the Łódź Archdiocesan Museum in Poland0
RMA volume 150 issue 1 Cover and Front matter0
RMA volume 147 issue 2 Cover and Front matter0
Women Organ Grinders in Late Nineteenth-Century Britain: Gender, Labour, Identity, and Public Space0
RMA volume 148 issue 2 Cover and Front matter0
Children Possessed: Adam Maor and Yonatan Levy’s Opera The Sleeping Thousand (2019)0
‘The Mind is not Limited by the Skin’: The Expert Piano Technician’s Experience of Working on Pianos of Professional Concert Performers0
Editorial0
Squabbling for Freedom: Improvisation, Democracy, and Subjectivity at the London Musicians Collective0
Domination over the Risorgimento: Anton Bruckner’s Seventh Symphony in Luchino Visconti’s Senso (1954)0
Contributors0
Contributors0
RMA volume 147 issue 2 Cover and Back matter0
Provenance of the Pauline Gradual of Jasna Góra in Poland from 15960
Contributors0
Music, Language, and Technology in More-Than-Human Sonic Cultures0
Screening Rites0
Universal Neumes: Chant Theory in Messiaen’s Aesthetics0
Multi-Voice Commentary for Sample-Based Music: An Inclusive Approach0
RMA volume 149 issue 2 Cover and Front matter0
Florentín Giménez’s Folk-Style Songs: A Practical Reading of Paraguayan Cultural Identity0
Adjusting to the Other: Audiencing through Gesture in Karnatak Vocal Lessons0
Music History, the Practice Turn, and Maria Yudina’s Journey through the Soviet ‘Thaw’, 1959–630
Letting Beethoven’s Hair Down: Dancing and Musicking in Vienna0
Openness, Phenomenology, Politics: Luciano Berio and the Neoavanguardia in the Early 1960s0
Sibelian Formal Principles in the First Movement of Malcolm Arnold’s Fifth Symphony0
From ‘Sorceress’ to Ambassador: Reading Anna Caroline de Belleville’s Symbiotic Relationships with her Pianos0
Childhood’s Charms and Nature’s Enchantments: Listening to Enescu’s Impressions d’enfance0
A Tale of Two Jubas: Metastasian Opera and Racialized Difference0
Contributors0
RMA volume 149 issue 1 Cover and Front matter0
Dr Cooke’s Protest: Benjamin Cooke, Samuel Arnold, and the Directorship of the Academy of Ancient Music0
RMA volume 150 issue 2 Cover and Front matter0
Call my Agent! The Emergence of the Composer’s Agent as Power Broker in the BBC’s Commissioning of New Music: The Case of Maxwell Davies’s Third Symphony (1983)0
Challenging Classical Music’s Genre Conventions: Findings from a Project on Youth Voice in Instrumental Education0
By Myself but Not Alone. Agency, Creativity and Extended Musical Historicity0
Music Streaming as a Mediated Process: Algorithms and Assets0
Worker Internationalism, Local Song and the Politics of Urban Space0
Difference in Contact: Early Music, Colonialism and the Archive0
Why Positionality Matters in Today’s Historiography0
RMA volume 150 issue 1 Cover and Back matter0
A Matter of Hono[u]r: Editing and Performing Beethoven’s Late Quartets in 1840s London0
Contributors0
RMA volume 149 issue 1 Cover and Back matter0
Wagner’s ‘Bridal Chorus’ from Lohengrin and its Use as a Wedding March0
RMA volume 149 issue 2 Cover and Back matter0
The Dent Medal0
Scriabin’s Lisztian-Stravinskian Sonata Forms0
Contributors0
Dragging Music: Towards a Queer Socio-Cultural Semiotics0
Music and Austrofascism: Radio, Pan-Germanism and the Reinvention of the Wiener Symphoniker0
Re-translating Mahler’s Das Lied von der Erde0
Heller’s Wonders: Music, Conjuring, and Virtuoso Pianism0
Modern Latin American Art Music at the Berkshire Music Center at Tanglewood (1941–46)0
Singing the ‘Pope’s Dregs’: The Liber Precum Publicarum of 1560 And its Use0
Reconstructing a ‘Special Relationship’ from Scattered Archives: America, Britain, Europe and the ISCM, 1922–450
Screening Rites – ADDENDUM0
Musical Samplers in the Museum of Musical Works: The Nature, Status, and Value of Nineteenth-Century Oxford Degree Exercises0
‘The Most Beautiful Sound’: The Queer Nexus of Listening and Voice in the Early Modern Italian Convent0
Music and Internationalism in Nazi Germany: Provenance and Post-War Consequences0
The Xeremies of the Banda Municipal de Barcelona: From the Symphonic Turn of the Cobla to the Invention of0
How Music and Our Faculty for Music Are Made for Each Other0
Neo-Nazi Imagery and Musical References in Finnish Far-Right Group Soldiers of Odin Online Videos0
Wrong Notes, Cowpats, and Freak Fests0
Performance in the Round: Embedded Audiency at Music–Dance Events in Mali0
RMA volume 148 issue 1 Cover and Back matter0
Contributors0
Was Carlo Gesualdo’s Honour Killing Liturgical?0
Enter Children, with Childhood0
Donna Elvira and the Dark Places of the Heart0
‘Integrated Tool Competency’: A Conceptual Framework for Understanding the Role of the Absent Tools of Musical Composition0
Round Table: Audiency beyond the Concert Hall: Theory and Ethnographic Case Studies0
Possibilities of the Interval: Heidegger and the Reimagining of the Interval in Luigi Nono’s A Carlo Scarpa0
I Wish I Knew How it Would Feel to Drive the New Ford Fusion Hybrid: Making Sense of Music in Car Commercials0
Translating Rousseau Between Venice and Istanbul: Enlightenment and Connected History in an Armenian Music Treatise (1812)0
Rationalizing the Revolution: Jazz in Hanns Eisler’s Kampfmusik0
Studies in Shellac0
Making History, Combining Sounds: British Colonialism, Italian Culture, and Musical Growth in the Maltese Wind Band Tradition0
Quiet Colonialism: Listening to the Cancuc Uprising of 17120
The Melakarta s and the ‘République Modale’: Naturalizing Indian Scales in French Musical Modernism0
Ubiquitous Audiency: Recorded Music and Attention in Everyday Public-Space Encounters in China0
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