Journal of the Royal Musical Association

Papers
(The TQCC of Journal of the Royal Musical Association is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)
ArticleCitations
One into Three: Context, Method and Motivation in Revising and Reworking Dance Maze for Solo Piano8
From the History of Jazz in Europe towards a European History of Jazz: The International Federation of Hot Clubs (1935–6) and ‘Jazz Internationalism’5
Sonic Figurations for the Anthropocene: A Musical Bestiary in the Compositions of Liza Lim4
Contributors4
Structural Confusion in the Cantigas de Santa Maria: Navigating Unstable Narratives in the Miracles of Castrojeriz1
Hetero/Homo/ Trans-Sexualities : Diffractive Readings of a Queer Production of Otto Nicolai’s The Merry Wives of Windsor1
Round Table: A ‘Musical League of Nations’? Music Institutions and the Politics of Internationalism between the Wars1
Reflections on Women in Music1
E-Flat Minor1
Szymanowski’s Third Piano Sonata and First String Quartet and the Artistic Theory and Practice of Stanisław Ignacy Witkiewicz: ‘Pure Form’, Subjectivity, and the Burlesque1
Writing Joseph Bologne into Musical History vis-à-vis Mozart: The Symphonie Concertante from Paris to Salzburg1
Bernier and Italy: Bernardo Pasquini’s Partimenti and Nicolas Bernier’s Counterpoint1
Variations on the Musical Sublime1
Dr Cooke’s Protest: Benjamin Cooke, Samuel Arnold, and the Directorship of the Academy of Ancient Music0
Music and Internationalism in Nazi Germany: Provenance and Post-War Consequences0
RMA volume 150 issue 1 Cover and Front matter0
Studies in Shellac0
Domination over the Risorgimento: Anton Bruckner’s Seventh Symphony in Luchino Visconti’s Senso (1954)0
RMA volume 148 issue 1 Cover and Back matter0
Children Possessed: Adam Maor and Yonatan Levy’s Opera The Sleeping Thousand (2019)0
‘On which they (merely) held drones’: Fugitive Tapes from the Theatre of Eternal Music Archive, 1963–60
Possibilities of the Interval: Heidegger and the Reimagining of the Interval in Luigi Nono’s A Carlo Scarpa0
Donna Elvira and the Dark Places of the Heart0
Contributors0
RMA volume 147 issue 2 Cover and Front matter0
Conducting Problems and Graphic Issues as Reasons for Revising a Composition0
Quiet Colonialism: Listening to the Cancuc Uprising of 17120
RMA volume 150 issue 2 Cover and Front matter0
Lip-Synching as an Account of Oneself: Digital Music Videos and the Voice–Gesture Relationship0
Contributors0
Performing Internationalism: The ISCM as a ‘Musical League of Nations’0
Universal Neumes: Chant Theory in Messiaen’s Aesthetics0
Multi-Voice Commentary for Sample-Based Music: An Inclusive Approach0
Screening Rites0
Squabbling for Freedom: Improvisation, Democracy, and Subjectivity at the London Musicians Collective0
Worker Internationalism, Local Song and the Politics of Urban Space0
Listening to Egyptian and Uyghur Soundscapes: A Review in Letters between Cambridge and Istanbul0
On Making a New Realization of Uspud by Erik Satie and J. P. Contamine de Latour0
Contributors0
Margaret Bent on Motets0
Music and Austrofascism: Radio, Pan-Germanism and the Reinvention of the Wiener Symphoniker0
Approaching Incidental Music: ‘Reflexive Performance’ and Meaning in Till Damaskus (III)0
The Dent Medal0
‘The Most Beautiful Sound’: The Queer Nexus of Listening and Voice in the Early Modern Italian Convent0
The Dent Medal0
Listening as an Affective Practice: Affective Economies and Affective Orientations at Live Performances of Hindustani Music0
Louise Farrenc and Nineteenth-Century French Feminist Musical Praxis0
Sounds of Captivity: Prisoner-of-War Recordings in the First World War0
Openness, Phenomenology, Politics: Luciano Berio and the Neoavanguardia in the Early 1960s0
A Matter of Hono[u]r: Editing and Performing Beethoven’s Late Quartets in 1840s London0
Singing the ‘Pope’s Dregs’: The Liber Precum Publicarum of 1560 And its Use0
Florentín Giménez’s Folk-Style Songs: A Practical Reading of Paraguayan Cultural Identity0
From ‘Sorceress’ to Ambassador: Reading Anna Caroline de Belleville’s Symbiotic Relationships with her Pianos0
Wagner’s ‘Bridal Chorus’ from Lohengrin and its Use as a Wedding March0
Difference in Contact: Early Music, Colonialism and the Archive0
Re-translating Mahler’s Das Lied von der Erde0
Contributors0
How Music and Our Faculty for Music Are Made for Each Other0
RMA volume 148 issue 1 Cover and Front matter0
Translating Rousseau Between Venice and Istanbul: Enlightenment and Connected History in an Armenian Music Treatise (1812)0
Editorial0
Why Positionality Matters in Today’s Historiography0
Music, Language, and Technology in More-Than-Human Sonic Cultures0
RMA volume 149 issue 2 Cover and Back matter0
‘The Mind is not Limited by the Skin’: The Expert Piano Technician’s Experience of Working on Pianos of Professional Concert Performers0
Modern Latin American Art Music at the Berkshire Music Center at Tanglewood (1941–46)0
RMA volume 149 issue 2 Cover and Front matter0
Classical Music’s Conflicted Futures: Perspectives on the Industry and Academia from Recent Scholarship0
RMA volume 150 issue 1 Cover and Back matter0
Dragging Music: Towards a Queer Socio-Cultural Semiotics0
Musical Samplers in the Museum of Musical Works: The Nature, Status, and Value of Nineteenth-Century Oxford Degree Exercises0
RMA volume 150 issue 2 Cover and Back matter0
RMA volume 149 issue 1 Cover and Back matter0
Screening Rites – ADDENDUM0
Making History, Combining Sounds: British Colonialism, Italian Culture, and Musical Growth in the Maltese Wind Band Tradition0
Letting Beethoven’s Hair Down: Dancing and Musicking in Vienna0
Was Carlo Gesualdo’s Honour Killing Liturgical?0
A Tale of Two Jubas: Metastasian Opera and Racialized Difference0
Enter Children, with Childhood0
The Composer’s Catalogue and the ‘Right to be Forgotten’: Hans Werner Henze’s Ein Werkverzeichnis, 1946–19960
Contributors0
RMA volume 149 issue 1 Cover and Front matter0
Contributors0
RMA Medals and Prizes0
Call my Agent! The Emergence of the Composer’s Agent as Power Broker in the BBC’s Commissioning of New Music: The Case of Maxwell Davies’s Third Symphony (1983)0
RMA volume 147 issue 1 Cover and Front matter0
Neo-Nazi Imagery and Musical References in Finnish Far-Right Group Soldiers of Odin Online Videos0
I Wish I Knew How it Would Feel to Drive the New Ford Fusion Hybrid: Making Sense of Music in Car Commercials0
Primal Listening: Human Minds and Animal Ears in the Age of Comparative Anatomy0
By Myself but Not Alone. Agency, Creativity and Extended Musical Historicity0
The Influence of Narcoculture on Popular Music: A Critical Look at Reggaeton’s Narco-Messages and Narco-Representations0
Contributors0
Psalm Differentiae in the Fifteenth-Century Olivetan Psalter Manuscript at the Łódź Archdiocesan Museum in Poland0
Scriabin’s Lisztian-Stravinskian Sonata Forms0
Provenance of the Pauline Gradual of Jasna Góra in Poland from 15960
RMA volume 148 issue 2 Cover and Front matter0
Post-Première Revision: Guillaume de Machaut and Written Music in the Late Middle Ages0
The Melakarta s and the ‘République Modale’: Naturalizing Indian Scales in French Musical Modernism0
Round Table: Score Revisions Post-Première0
‘Integrated Tool Competency’: A Conceptual Framework for Understanding the Role of the Absent Tools of Musical Composition0
Challenging Classical Music’s Genre Conventions: Findings from a Project on Youth Voice in Instrumental Education0
Sibelian Formal Principles in the First Movement of Malcolm Arnold’s Fifth Symphony0
RMA volume 148 issue 2 Cover and Back matter0
RMA volume 147 issue 2 Cover and Back matter0
Wrong Notes, Cowpats, and Freak Fests0
Music History, the Practice Turn, and Maria Yudina’s Journey through the Soviet ‘Thaw’, 1959–630
Heller’s Wonders: Music, Conjuring, and Virtuoso Pianism0
Rationalizing the Revolution: Jazz in Hanns Eisler’s Kampfmusik0
Childhood’s Charms and Nature’s Enchantments: Listening to Enescu’s Impressions d’enfance0
Reconstructing a ‘Special Relationship’ from Scattered Archives: America, Britain, Europe and the ISCM, 1922–450
The Xeremies of the Banda Municipal de Barcelona: From the Symphonic Turn of the Cobla to the Invention of0
RMA volume 147 issue 1 Cover and Back matter0
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