Journal of the Royal Musical Association

Papers
(The median citation count of Journal of the Royal Musical Association is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-02-01 to 2025-02-01.)
ArticleCitations
The Dent Medal5
Music, Language, and Technology in More-Than-Human Sonic Cultures2
RMA volume 146 issue 2 Cover and Front matter2
Histories of Hearing1
Constructing the Public Concert Hall1
The Influence of Narcoculture on Popular Music: A Critical Look at Reggaeton’s Narco-Messages and Narco-Representations1
‘Piano ou Clavecin?’ Joaquín Nin’s Feud with Wanda Landowska’s Harpsichord1
From the History of Jazz in Europe towards a European History of Jazz: The International Federation of Hot Clubs (1935–6) and ‘Jazz Internationalism’1
Groove in Cuban Son and Salsa Performance1
On the Politics of Performing Wagner Outdoors: Open-Air Opera,Gesamtkunstwerkand the Third Reich’s ‘Forest Opera’, 1933–451
One into Three: Context, Method and Motivation in Revising and Reworking Dance Maze for Solo Piano1
RMA volume 147 issue 2 Cover and Front matter1
Music in Radio Drama: The Curious Case of the Acousmatic Detective1
Conducting Problems and Graphic Issues as Reasons for Revising a Composition0
Contributors0
Contributors0
Oh, What a Musical War! A Retrospective after the First World War Centenary0
RMA volume 148 issue 2 Cover and Back matter0
RMA volume 148 issue 1 Cover and Back matter0
RMA volume 149 issue 1 Cover and Back matter0
Translating Rousseau Between Venice and Istanbul: Enlightenment and Connected History in an Armenian Music Treatise (1812)0
Victims of Compromise: The Elizabethan Psalm Tunes0
Before Pan Awoke: A Quiet Beginning for Mahler’s Third Symphony0
RMA volume 147 issue 1 Cover and Front matter0
Possibilities of the Interval: Heidegger and the Reimagining of the Interval in Luigi Nono’s A Carlo Scarpa0
Foundations, Market Failures and the Funding of New Music0
Re-examining Salon Space: Structuring Audiences and Music at Parisian Receptions0
Dr Cooke’s Protest: Benjamin Cooke, Samuel Arnold, and the Directorship of the Academy of Ancient Music0
Lip-Synching as an Account of Oneself: Digital Music Videos and the Voice–Gesture Relationship0
TransubstantiatingMiserere: James MacMillan’s Compositional Theology0
Between Hoffmann and Goethe: The Young Brahms as Reader0
Challenging Classical Music’s Genre Conventions: Findings from a Project on Youth Voice in Instrumental Education0
Wagner’s ‘Bridal Chorus’ from Lohengrin and its Use as a Wedding March0
Donna Elvira and the Dark Places of the Heart0
Children Possessed: Adam Maor and Yonatan Levy’s Opera The Sleeping Thousand (2019)0
Openness, Phenomenology, Politics: Luciano Berio and the Neoavanguardia in the Early 1960s0
Writing Joseph Bologne into Musical History vis-à-vis Mozart: The Symphonie Concertante from Paris to Salzburg0
‘Integrated Tool Competency’: A Conceptual Framework for Understanding the Role of the Absent Tools of Musical Composition0
By Myself but Not Alone. Agency, Creativity and Extended Musical Historicity0
Universal Neumes: Chant Theory in Messiaen’s Aesthetics0
How Music and Our Faculty for Music Are Made for Each Other0
Processes, Paradoxes and Illusions: Compositional Strategies in the Music of Hans Abrahamsen0
Domination over the Risorgimento: Anton Bruckner’s Seventh Symphony in Luchino Visconti’s Senso (1954)0
RMA volume 146 issue 1 Cover and Front matter0
Summer’s Gone: Late Style and Popular Music0
Dragging Music: Towards a Queer Socio-Cultural Semiotics0
A Matter of Hono[u]r: Editing and Performing Beethoven’s Late Quartets in 1840s London0
Music and Identity in Paraguay: Expressing National, Racial and Class Identity in Guitar Music Culture0
RMA volume 148 issue 1 Cover and Front matter0
Enter Children, with Childhood0
RMA volume 148 issue 2 Cover and Front matter0
Beethoven Biography at the 250th Anniversary0
Editorial0
‘Remplis l’air d’alegresse pour ce seigneur chery des cieux’: Music in the Entries of Nobility and Other Dignitaries in Late Renaissance France (c.1585–c.1615)0
RMA volume 146 issue 2 Cover and Back matter0
The Dent Medal0
Worker Internationalism, Local Song and the Politics of Urban Space0
Reconstructing a ‘Special Relationship’ from Scattered Archives: America, Britain, Europe and the ISCM, 1922–450
‘On which they (merely) held drones’: Fugitive Tapes from the Theatre of Eternal Music Archive, 1963–60
Szymanowski’s Third Piano Sonata and First String Quartet and the Artistic Theory and Practice of Stanisław Ignacy Witkiewicz: ‘Pure Form’, Subjectivity, and the Burlesque0
I Wish I Knew How it Would Feel to Drive the New Ford Fusion Hybrid: Making Sense of Music in Car Commercials0
Notating Deconstruction: What Can Ethnomusicological Transcription Learn from the Notational Practices of Contemporary Composers?0
Structural Confusion in the Cantigas de Santa Maria: Navigating Unstable Narratives in the Miracles of Castrojeriz0
Round Table: Score Revisions Post-Première0
Neo-Nazi Imagery and Musical References in Finnish Far-Right Group Soldiers of Odin Online Videos0
Contributors0
Listening to Egyptian and Uyghur Soundscapes: A Review in Letters between Cambridge and Istanbul0
Florentín Giménez’s Folk-Style Songs: A Practical Reading of Paraguayan Cultural Identity0
Post-Première Revision: Guillaume de Machaut and Written Music in the Late Middle Ages0
Classical Music’s Conflicted Futures: Perspectives on the Industry and Academia from Recent Scholarship0
Music and Austrofascism: Radio, Pan-Germanism and the Reinvention of the Wiener Symphoniker0
Music and Internationalism in Nazi Germany: Provenance and Post-War Consequences0
Singing the ‘Pope’s Dregs’: The Liber Precum Publicarum of 1560 And its Use0
‘Yet another guitar recital filled the Wigmore Hall’: The Popularization of the Classical Guitar in Britain,c.1950–c.19700
Music, Noise and Conflict: Sociotechnical Imaginaries, Acoustic Agency and Ontological Assumptions about Sound0
The Composer’s Catalogue and the ‘Right to be Forgotten’: Hans Werner Henze’s Ein Werkverzeichnis, 1946–19960
Black Opera, Operatic Racism and an ‘Engaged Opera Studies’0
Sonic Figurations for the Anthropocene: A Musical Bestiary in the Compositions of Liza Lim0
‘A crazy clutter of the mediaeval, medical mind’: Ken Russell, Peter Maxwell Davies and Modernist Medievalism in The Devils0
Popular Song and the Poetics of Experience0
Contributors0
Provenance of the Pauline Gradual of Jasna Góra in Poland from 15960
The Birth of ‘Modern’ Vocalism: The Paradigmatic Case of Enrico Caruso0
The Dent Medal0
RMA volume 146 issue 1 Cover and Back matter0
Contributors0
Listening for Realism in Charpentier’s Louise0
RMA volume 147 issue 1 Cover and Back matter0
RMA volume 147 issue 2 Cover and Back matter0
Approaching Incidental Music: ‘Reflexive Performance’ and Meaning in Till Damaskus (III)0
Variations on the Musical Sublime0
A Tale of Two Jubas: Metastasian Opera and Racialized Difference0
Letting Beethoven’s Hair Down: Dancing and Musicking in Vienna0
Round Table: A ‘Musical League of Nations’? Music Institutions and the Politics of Internationalism between the Wars0
Childhood’s Charms and Nature’s Enchantments: Listening to Enescu’s Impressions d’enfance0
Sibelian Formal Principles in the First Movement of Malcolm Arnold’s Fifth Symphony0
Wrong Notes, Cowpats, and Freak Fests0
Was Carlo Gesualdo’s Honour Killing Liturgical?0
Reflections on Women in Music0
Contributors0
Contributors0
‘The Mind is not Limited by the Skin’: The Expert Piano Technician’s Experience of Working on Pianos of Professional Concert Performers0
RMA volume 149 issue 1 Cover and Front matter0
Difference in Contact: Early Music, Colonialism and the Archive0
‘The Most Beautiful Sound’: The Queer Nexus of Listening and Voice in the Early Modern Italian Convent0
Performing Internationalism: The ISCM as a ‘Musical League of Nations’0
Alienated Entertainment: Ludwig Berger’s Meistersinger Film Der Meister von Nürnberg (1927)0
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