New Theatre Quarterly

Papers
(The TQCC of New Theatre Quarterly is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-12-01 to 2025-12-01.)
ArticleCitations
Risky Hitchhiking, and Other Stories about the Theatre of the Eighth Day3
LIFT and the London 2012 Olympics: Spectacular Experiences2
Antonio Bibbò Irish Literature in Italy in the Era of the World Wars Cham: Palgrave Macmillan, 2022. 304 p. £89.99. ISBN: 978-3-030-83585-9.2
Tracy C. Davis and Peter W. Marx, eds. The Routledge Companion to Theatre and Performance Historiography Abingdon: Routledge, 2021. 518 p. £190.00. ISBN 978-1-138-57551-6.2
Nicosia Shakes Women’s Activist Theatre in Jamaica and South Africa: Gender, Race, and Performance Space Urbana, Chicago, and Springfield: University of Illinois Press, 2023. 212 p. £23.99. ISBN: 978-1
Contemporary Censorship Debates in Germany1
NTQ volume 40 issue 4 Cover and Front matter1
The Rock Musical: From Creation to Curation (2015–2020)1
Adam Alston Staging Decadence: Theatre, Performance, and the Ends of Capitalism London: Methuen Drama, 2023. 248 p. £76.50. ISBN: 978-1-350-23704-9.1
NTQ volume 39 issue 2 Cover and Front matter1
NTQ volume 39 issue 3 Cover and Front matter1
NTQ volume 40 issue 2 Cover and Back matter1
Aesthetic Breakthrough and Cultural Intervention in the Productions of Two Modern Kunqu Plays1
NTQ volume 39 issue 4 Cover and Front matter1
Catherine Hindson Theatre in the Chocolate Factory: Performance at Cadbury’s Bournville 1900–1935 Cambridge: Cambridge University Press, 2023. 248 p. £85. ISBN: 978-1-009-27188-2.1
Philip Auslander In Concert: Performing Musical Persona Ann Arbor: University of Michigan Press, 2021. 294p. £36. ISBN: 978-0-472-05471-8.0
‘A Single Purpose: The Conquest of the Foreign Art Markets’: Theatre and Cultural Diplomacy in Mussolini’s Italy (1919–1927)0
Reviving al-Nabi Musa: Performance, Politics, and Indigenous Sufi Culture in Palestine0
Lisa Stead Reframing Vivien Leigh: Stardom, Gender, and the Archive New York: Oxford University Press, 2021. 250 p. £25.99. ISBN 978-0-19-00651-1.0
Kokyu Studio in Wrocław: A Place of Practice0
NTQ volume 40 issue 1 Cover and Front matter0
‘Everything Now is Lost’: Stanislavsky’s Last Class at the Opera-Dramatic Studio0
NGOs and the Neo-Liberalization of Political Theatre in Pakistan: Ajoka’s Surrender to the Politics of Rights0
NTQ volume 40 issue 2 Cover and Front matter0
Mysticism as Transgression in Chista Yasrebi’s Rahil0
NTQ volume 40 issue 4 Cover and Back matter0
Dialogue: The Role of the Editor0
NTQ volume 39 issue 1 Cover and Front matter0
Decolonization and Theatre History0
Traditional Rituals as Conduits for Political Ascendancy: The Pang Lhabsol Festival of Sikkim, India0
The Ecological Resonance of Imogen’s Journey in Montana’s Parks0
Playwriting Manuals, 1888–1925: Jerome K. Jerome, Alfred Hennequin, Agnes Platt, and Moses Malevinsky0
Howard Webber Before the Arts Council: Campaigns for State Funding of the Arts in Britain, 1934–1944 London: Bloomsbury, 2021. 264 p. £85. ISBN: 978-1-3501-6793-3.0
Seeing it Feelingly: On Affect and Bodyworld in Performance0
NTQ volume 39 issue 3 Cover and Back matter0
David Linton Nation and Race in West End Revue 1910-1930 Basingstoke: Palgrave Macmillan, 2021. 197 p. £59.99. ISBN: 978-3-030-75211-8.0
NTQ volume 39 issue 4 Cover and Back matter0
NTQ volume 38 issue 3 Cover and Back matter0
Burning Hope: Staging Queer Ecology in a Time of Wildfire0
Covid Conversations 5: Robert Wilson0
What is ISTA (International School of Theatre Anthropology)?0
William W. Lewis and Sean Bartley, eds.Experiential Theatres: Praxis-Based Approaches to Training 21st Century Theatre Artists New York: Routledge, 2023. 298 p. £23.99. ISBN: 978-1-032-03603-8.0
In Interview: On the Development of Video in the Theatre0
John Freedman, ed. A Dictionary of Emotions in a Time of War: Twenty Short Works by Ukrainian Playwrights Chapel Hill, North Carolina: Laertes Press, 2023. 299 p. £20.00. ISBN 978-1-942281-44-3.0
Othello: A Moor Rorschach Test0
Cross-Cultural Dialogue and the German Theatre in St Petersburg0
Empowering Civil Society: The Theatricality of Protest in Malta0
‘Concealment of What is Closed’: Western Necrocivilization in David Greig’s Version of Aeschylus’s The Suppliant Women0
Not Billington, not Zoella, and Definitely not a ‘Fangirl’: Social Distinction within Communities of Amateur Theatre Critics0
Edward Gordon Craig as Teacher-Dictator0
‘… parents unknown … unheard of …’: Not I and the ‘Mother and Baby Homes Report’0
Fintan Walsh, ed. Theatres of Contagion: Transmitting Early Modern to Contemporary Performance London: Bloomsbury Methuen, 2020. 216 p. £67.50. ISBN: 978-1-350-08598-5.0
NTQ volume 38 issue 3 Cover and Front matter0
Caoimhe McAvinchey Applied Theatre: Women and the Criminal Justice System London: Bloomsbury Methuen Drama, 2020. 247 p. £75.00. ISBN: 978-1-4742-6255-2.0
NTQ volume 39 issue 2 Cover and Back matter0
‘Je n’ai pas envie de chanter ce soir’: A Re-examination of Samuel Beckett’s Opera Collaboration Krapp, ou La Dernière bande0
NTQ volume 38 issue 2 Cover and Front matter0
NTQ volume 38 issue 4 Cover and Front matter0
Kunqu in Europe0
Deleuze, Beckett, and the Art of Multiplicity0
NTQ volume 38 issue 4 Cover and Back matter0
Pier Paolo Pasolini and the Sacred0
Seda Ilter Mediatized Dramaturgy: The Evolution of Plays in the Media Age London: Methuen Drama, 2021. 240 p. £85. ISBN: 978-1-350-03115-9.0
Garden Kun Opera and Cultural Tourism0
Creating Earthquakes0
Hidden Identities, Forgotten Histories: Female Provincial Touring Artists in Britain, 1887–19000
NTQ volume 39 issue 1 Cover and Back matter0
Democratic Performance with the Jana Natya Manch in India0
A Private Honesty: Torture and Interiority in the Theatre of Sarah Kane0
The Hegemonic Ashkenaziness of Hebrew Theatre0
SITI Training: Viewpoints and the Suzuki Method for Cross-Cultural Collaboration0
Political Control, Administrative Simplicity, or Economies of Scale? Four Cases of the Reunification of Nationalized Theatres in Russia, Germany, Austria, and France (1918–45)0
Mark Edward and Stephen Farrier, eds. Drag Histories, Herstories, and Hairstories: Drag in a Changing Scene Volume 2 London: Methuen Drama, 2021. 215 p. £67.50. ISBN: 978-1-350-10436-5.0
‘Generational Drag’: All-Child Performances in the Seventeenth and Nineteenth Centuries in Britain0
NTQ volume 38 issue 1 Cover and Front matter0
Jordana Cox Staged News: The Federal Theatre Project’s Living Newspapers in New York Amherst and Boston: University of Massachusetts Press, 2023. 168 p. £29.95. ISBN: 978-1-62534-679-7.0
Beckett’s Wasted Breath0
NTQ volume 40 issue 3 Cover and Front matter0
Documenting Crisis: Artistic Innovation and Institutional Transformations in the German-Speaking Countries and the UK0
Relations between Theatre and Power: The Iranian Quarterly Faslnameh Teatr (1977—)0
Critical Disengagement: The Epistemic and White Supremacist Violence of Theatre Criticism in Canada and the USA0
Locating the Impolitical in American Theatre: Albee’s Who’s Afraid of Virginia Woolf? and Schechner’s Dionysus in 690
Jon Venn Madness in Contemporary British Theatre: Resistances and Representations Cham: Palgrave Macmillan, 2021. 222 p. £47.99. ISBN: 978-3-030-79782-9.0
The Translation of Protest: The Worldwide Readings Project of Andrei Kureichyk’s Insulted. Belarus0
Documentary and Community Theatre with Young People in Madrid: The Creative Process of Mundo Quinta0
Shakespeare’s Polar Bears0
Misinterpretation and Misplacement in Intercultural Theatrical Communications between China and Japan: Ichikawa Sadanji’s and Morita Kanya’s Kabuki Tours in 1920s China0
SoloSIRENs Collective’s Cessair: Feminist Performed Ethnography0
Post Scriptum Budapest: The Tenth International Meeting of Theatre (MITEM)0
Hi and Mighty: On the Czech Theatre Showcases0
NTQ volume 40 issue 3 Cover and Back matter0
The Ageing Self through Dramaturgies of Memory Loss and Love: Tristan Bernays’ Old Fools and Nick Payne’s Elegy0
Antiquity to Modernity: Mei Lanfang’s Preparatory and Presentational Strategies for his American and Soviet Visits0
Bergson and the Mechanics of the Bedroom Farce0
‘Droughts and Flooding Rains’: Ecology and Australian Theatre in the 1950s0
Lisa Woynarski Ecodramaturgies: Theatre, Performance and Climate Change London: Palgrave Macmillan, 2020. 239 p. £71.50. ISBN: 978-3-030-55853-6.0
NTQ volume 40 issue 1 Cover and Back matter0
From Sideshow to Centre Ring: The Historiography of Popular Entertainment0
Amateur Village Drama and Community in England, 1900–19500
British Theatre from Agitprop to ‘Primark Playwriting’0
Open Letter0
Celebration or Critique? Performing Peer Gynt in the Heart of Norway0
Elisabeth Angel-Perez and Aloysia Rousseau, eds. The New Wave of British Women Playwrights: 2008–2021 Berlin: De Gruyter, 2023. 262 p. £82. ISBN: 978-3-110-79622-3.0
Empathetic Exchange of Censored Scenes: Southeast Asian Theatre’s Bold Experiment0
Raging in Delhi and Rajasthan: Post-show Audience Discussions of Medea0
The 2023 Theatre Olympics in Budapest0
The Sense of an Ending: Contemporary Visions of Medea0
Dassia N. Posner and Kevin Bartig, with Maria De Simone, eds.Three Loves for Three Oranges: Gozzi, Meyerhold, Prokofiev Bloomington, Indiana: Indiana University Press, 2021. 427 p. £40.00. ISBN0
Aleks Sierz Good Nights Out: A History of Popular British Theatre, 1940–2015 London: Methuen, 2020. 228 p. £90. ISBN 978-1-350046-21-4.0
Peta Tait Forms of Emotion: Human to Nonhuman in Drama, Theatre, and Contemporary Performance London and New York: Routledge, 2022. 255 p. £96. ISBN 978-0-367-64497-0.0
Jan Suk Performing Immanence: Forced Entertainment Berlin, Boston: De Gruyter, 2021. 193 p. £72.50. ISBN: 978-3-11-071095-3.0
‘The Best Thing I Ever Did on the Stage’: Edward Gordon Craig and the Purcell Operatic Society0
Stanislavsky’s Failed Bildungsroman0
Who Saw Her Die? Unfixing the Danse sacrale in Le Sacre du printemps0
Teiji Furuhashi’s Lovers: Digital Resuscitations of the Moving Body in Tokyo and New York0
In Interview: Key Features of Contemporary British Drama0
Artaud’s Civil War: ‘Theatre and the Plague’ in the Time of Covid-190
Unspoken Indigenous History on the Stage: The Postcolonial Plays of Jack Davis0
Interview with Laween Palestinian Cooperative: Theatre in the Time of Genocide0
City Women: Managers and Leading Ladies at the City of London Theatre, 1837–18480
NTQ volume 38 issue 1 Cover and Back matter0
Stanislavsky’s Legacy: From Vasily Toporkov to Oleg Yefremov and Oleg Tabakov0
In Conversation in Apocalyptic Times0
The Potentials and Challenges of Zoom Live Theatre during Coronavirus Lockdown: Pandemic Therapy and Corona Chicken (Part Two)0
Embodied Voice Valery Nikolayevich Galendeyev 12.5.1946 – 24.1.20240
The Craiova International Shakespeare Festival Celebrates Thirty Years0
Penny Farfan and Lesley Ferris, eds.Critical Perspectives on Contemporary Plays by Women: The Early Twenty-First Century Ann Arbor: University of Michigan Press, 2021. 316 p. $34.95. ISBN: 978-0
NTQ volume 38 issue 2 Cover and Back matter0
Performing Northern Ireland after Brexit: Stephen Rea in David Ireland’s Cyprus Avenue and Clare Dwyer Hogg’s Hard Border0
Feminist Rereading of Shabih’khani in Iran0
Embodied Gestures of Human Rights: Remorse, Sentiment, and Sympathy in Romantic Regency Drama0
Shimella Community Theatre of Israeli-Ethiopian Jews0
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