New Theatre Quarterly

Papers
(The TQCC of New Theatre Quarterly is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-06-01 to 2026-06-01.)
ArticleCitations
Risky Hitchhiking, and Other Stories about the Theatre of the Eighth Day3
NTQ volume 40 issue 2 Cover and Back matter2
LIFT and the London 2012 Olympics: Spectacular Experiences2
Antonio Bibbò Irish Literature in Italy in the Era of the World Wars Cham: Palgrave Macmillan, 2022. 304 p. £89.99. ISBN: 978-3-030-83585-9.2
NTQ volume 40 issue 4 Cover and Front matter1
NTQ volume 39 issue 2 Cover and Back matter1
Contemporary Censorship Debates in Germany1
NTQ volume 39 issue 2 Cover and Front matter1
NTQ volume 39 issue 3 Cover and Front matter1
The Rock Musical: From Creation to Curation (2015–2020)1
Nicosia Shakes Women’s Activist Theatre in Jamaica and South Africa: Gender, Race, and Performance Space Urbana, Chicago, and Springfield: University of Illinois Press, 2023. 212 p. £23.99. ISBN: 978-1
Origins, Influences, and Developments in Quick-Change and Protean Acting in British Popular Entertainment, 1800–19301
NTQ volume 39 issue 4 Cover and Front matter1
Catherine Hindson Theatre in the Chocolate Factory: Performance at Cadbury’s Bournville 1900–1935 Cambridge: Cambridge University Press, 2023. 248 p. £85. ISBN: 978-1-009-27188-2.1
Aesthetic Breakthrough and Cultural Intervention in the Productions of Two Modern Kunqu Plays1
Adam Alston Staging Decadence: Theatre, Performance, and the Ends of Capitalism London: Methuen Drama, 2023. 248 p. £76.50. ISBN: 978-1-350-23704-9.1
Performing A Taste of Millefeuille : Puppetry, Performativity, and Cross-Cultural Adaptation0
‘The Best Thing I Ever Did on the Stage’: Edward Gordon Craig and the Purcell Operatic Society0
Hi and Mighty: On the Czech Theatre Showcases0
Lisa Woynarski Ecodramaturgies: Theatre, Performance and Climate Change London: Palgrave Macmillan, 2020. 239 p. £71.50. ISBN: 978-3-030-55853-6.0
Trish McTighe, Céline Thobois-Gupta, and Nicholas E. Johnson, eds. Samuel Beckett and Ecology London: Methuen Drama, 2025. 264 p. £85. ISBN: 978-1-350360
Penny Farfan and Lesley Ferris, eds.Critical Perspectives on Contemporary Plays by Women: The Early Twenty-First Century Ann Arbor: University of Michigan Press, 2021. 316 p. $34.95. ISBN: 978-0
NTQ volume 39 issue 4 Cover and Back matter0
Post Scriptum Budapest: The Tenth International Meeting of Theatre (MITEM)0
SoloSIRENs Collective’s Cessair: Feminist Performed Ethnography0
NTQ volume 40 issue 1 Cover and Back matter0
Cultural Erasure in British Theatre Criticism: HOME X and Chinese Literary Heritage0
NTQ volume 38 issue 4 Cover and Front matter0
NTQ volume 40 issue 2 Cover and Front matter0
Not Billington, not Zoella, and Definitely not a ‘Fangirl’: Social Distinction within Communities of Amateur Theatre Critics0
Embodied Gestures of Human Rights: Remorse, Sentiment, and Sympathy in Romantic Regency Drama0
NTQ volume 38 issue 3 Cover and Front matter0
‘Droughts and Flooding Rains’: Ecology and Australian Theatre in the 1950s0
The 2023 Theatre Olympics in Budapest0
British Theatre from Agitprop to ‘Primark Playwriting’0
Creating Earthquakes0
Who Saw Her Die? Unfixing the Danse sacrale in Le Sacre du printemps0
‘Everything Now is Lost’: Stanislavsky’s Last Class at the Opera-Dramatic Studio0
Peta Tait Forms of Emotion: Human to Nonhuman in Drama, Theatre, and Contemporary Performance London and New York: Routledge, 2022. 255 p. £96. ISBN 978-0-367-64497-0.0
‘Generational Drag’: All-Child Performances in the Seventeenth and Nineteenth Centuries in Britain0
Artaud’s Civil War: ‘Theatre and the Plague’ in the Time of Covid-190
NTQ volume 40 issue 4 Cover and Back matter0
Stanislavsky’s Failed Bildungsroman0
From Sideshow to Centre Ring: The Historiography of Popular Entertainment0
Jon Venn Madness in Contemporary British Theatre: Resistances and Representations Cham: Palgrave Macmillan, 2021. 222 p. £47.99. ISBN: 978-3-030-79782-9.0
The Ecological Resonance of Imogen’s Journey in Montana’s Parks0
In Interview: Key Features of Contemporary British Drama0
Shakespeare’s Polar Bears0
Dialogue: The Role of the Editor0
NTQ volume 39 issue 1 Cover and Front matter0
Unspoken Indigenous History on the Stage: The Postcolonial Plays of Jack Davis0
Playwriting Manuals, 1888–1925: Jerome K. Jerome, Alfred Hennequin, Agnes Platt, and Moses Malevinsky0
Yury Butusov (1961–2025): Unbridled Creativity0
NTQ volume 39 issue 3 Cover and Back matter0
NTQ volume 38 issue 4 Cover and Back matter0
NTQ volume 41 issue 1 Cover and Back matter0
Kunqu in Europe0
Editorial0
John Freedman, ed. A Dictionary of Emotions in a Time of War: Twenty Short Works by Ukrainian Playwrights Chapel Hill, North Carolina: Laertes Press, 2023. 299 p. £20.00. ISBN 978-1-942281-44-3.0
The Ageing Self through Dramaturgies of Memory Loss and Love: Tristan Bernays’ Old Fools and Nick Payne’s Elegy0
The Translation of Protest: The Worldwide Readings Project of Andrei Kureichyk’s Insulted. Belarus0
Documentary and Community Theatre with Young People in Madrid: The Creative Process of Mundo Quinta0
Kokyu Studio in Wrocław: A Place of Practice0
William W. Lewis and Sean Bartley, eds.Experiential Theatres: Praxis-Based Approaches to Training 21st Century Theatre Artists New York: Routledge, 2023. 298 p. £23.99. ISBN: 978-1-032-03603-8.0
‘… parents unknown … unheard of …’: Not I and the ‘Mother and Baby Homes Report’0
Garden Kun Opera and Cultural Tourism0
Dialogic Interplay between Film and Theatre: Flaherty’s Docufilm Man of Aran in Martin McDonagh’s The Cripple of Inishmaan0
Othello: A Moor Rorschach Test0
Suzanne Little, Samid Suliman, and Caroline Wake, eds. Performance, Resistance, and Refugees Abingdon: Routledge, 2023. 191 p. £36.99. ISBN: 978-0-367-690
Ric Knowles International Theatre Festivals and Twenty-First-Century Interculturalism Cambridge: Cambridge University Press, 2022. 313 p. £78. ISBN: 978-1-316-51724-6.0
Shimella Community Theatre of Israeli-Ethiopian Jews0
Documenting Crisis: Artistic Innovation and Institutional Transformations in the German-Speaking Countries and the UK0
A Private Honesty: Torture and Interiority in the Theatre of Sarah Kane0
Beckett’s Wasted Breath0
Pier Paolo Pasolini and the Sacred0
Born of Revolution: A Short History of Festival de Almada0
Traditional Rituals as Conduits for Political Ascendancy: The Pang Lhabsol Festival of Sikkim, India0
Relations between Theatre and Power: The Iranian Quarterly Faslnameh Teatr (1977—)0
Dassia N. Posner and Kevin Bartig, with Maria De Simone, eds.Three Loves for Three Oranges: Gozzi, Meyerhold, Prokofiev Bloomington, Indiana: Indiana University Press, 2021. 427 p. £40.00. ISBN0
David Linton Nation and Race in West End Revue 1910-1930 Basingstoke: Palgrave Macmillan, 2021. 197 p. £59.99. ISBN: 978-3-030-75211-8.0
In Conversation in Apocalyptic Times0
Empathetic Exchange of Censored Scenes: Southeast Asian Theatre’s Bold Experiment0
Burning Hope: Staging Queer Ecology in a Time of Wildfire0
Mark Edward and Stephen Farrier, eds. Drag Histories, Herstories, and Hairstories: Drag in a Changing Scene Volume 2 London: Methuen Drama, 2021. 215 p. £67.50. ISBN: 978-1-350-10436-5.0
NTQ volume 39 issue 1 Cover and Back matter0
NTQ volume 38 issue 3 Cover and Back matter0
SITI Training: Viewpoints and the Suzuki Method for Cross-Cultural Collaboration0
Interview with Laween Palestinian Cooperative: Theatre in the Time of Genocide0
NTQ volume 41 issue 1 Cover and Front matter0
Teiji Furuhashi’s Lovers: Digital Resuscitations of the Moving Body in Tokyo and New York0
Critical Disengagement: The Epistemic and White Supremacist Violence of Theatre Criticism in Canada and the USA0
The Hegemonic Ashkenaziness of Hebrew Theatre0
City Women: Managers and Leading Ladies at the City of London Theatre, 1837–18480
Stanislavsky’s Legacy: From Vasily Toporkov to Oleg Yefremov and Oleg Tabakov0
‘A Single Purpose: The Conquest of the Foreign Art Markets’: Theatre and Cultural Diplomacy in Mussolini’s Italy (1919–1927)0
Misinterpretation and Misplacement in Intercultural Theatrical Communications between China and Japan: Ichikawa Sadanji’s and Morita Kanya’s Kabuki Tours in 1920s China0
Embodied Voice Valery Nikolayevich Galendeyev 12.5.1946 – 24.1.20240
Open Letter0
Edward Gordon Craig as Teacher-Dictator0
NTQ volume 40 issue 3 Cover and Back matter0
Theatre as Nature Writing: What We See When We Look0
Feminist Rereading of Shabih’khani in Iran0
NTQ volume 40 issue 1 Cover and Front matter0
NGOs and the Neo-Liberalization of Political Theatre in Pakistan: Ajoka’s Surrender to the Politics of Rights0
Mysticism as Transgression in Chista Yasrebi’s Rahil0
Decolonization and Theatre History0
Amateur Village Drama and Community in England, 1900–19500
Democratic Performance with the Jana Natya Manch in India0
The Sense of an Ending: Contemporary Visions of Medea0
Performing Northern Ireland after Brexit: Stephen Rea in David Ireland’s Cyprus Avenue and Clare Dwyer Hogg’s Hard Border0
Elisabeth Angel-Perez and Aloysia Rousseau, eds. The New Wave of British Women Playwrights: 2008–2021 Berlin: De Gruyter, 2023. 262 p. £82. ISBN: 978-3-110-79622-3.0
Howard Webber Before the Arts Council: Campaigns for State Funding of the Arts in Britain, 1934–1944 London: Bloomsbury, 2021. 264 p. £85. ISBN: 978-1-3501-6793-3.0
Seeing it Feelingly: On Affect and Bodyworld in Performance0
In Interview: On the Development of Video in the Theatre0
NTQ volume 40 issue 3 Cover and Front matter0
Jordana Cox Staged News: The Federal Theatre Project’s Living Newspapers in New York Amherst and Boston: University of Massachusetts Press, 2023. 168 p. £29.95. ISBN: 978-1-62534-679-7.0
Cross-Cultural Dialogue and the German Theatre in St Petersburg0
What is ISTA (International School of Theatre Anthropology)?0
Bergson and the Mechanics of the Bedroom Farce0
The Craiova International Shakespeare Festival Celebrates Thirty Years0
Aleks Sierz Good Nights Out: A History of Popular British Theatre, 1940–2015 London: Methuen, 2020. 228 p. £90. ISBN 978-1-350046-21-4.0
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