New Theatre Quarterly

Papers
(The TQCC of New Theatre Quarterly is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-09-01 to 2025-09-01.)
ArticleCitations
Tracy C. Davis and Peter W. Marx, eds. The Routledge Companion to Theatre and Performance Historiography Abingdon: Routledge, 2021. 518 p. £190.00. ISBN 978-1-138-57551-6.3
LIFT and the London 2012 Olympics: Spectacular Experiences2
Antonio Bibbò Irish Literature in Italy in the Era of the World Wars Cham: Palgrave Macmillan, 2022. 304 p. £89.99. ISBN: 978-3-030-83585-9.2
NTQ volume 40 issue 2 Cover and Back matter2
NTQ volume 39 issue 2 Cover and Front matter1
NTQ volume 40 issue 4 Cover and Front matter1
Revisiting the Absurd: Posthuman Affects in Samuel Beckett’s Theatre1
Risky Hitchhiking, and Other Stories about the Theatre of the Eighth Day1
Adam Alston Staging Decadence: Theatre, Performance, and the Ends of Capitalism London: Methuen Drama, 2023. 248 p. £76.50. ISBN: 978-1-350-23704-9.1
NTQ volume 39 issue 2 Cover and Back matter1
NTQ volume 39 issue 3 Cover and Front matter1
Nicosia Shakes Women’s Activist Theatre in Jamaica and South Africa: Gender, Race, and Performance Space Urbana, Chicago, and Springfield: University of Illinois Press, 2023. 212 p. £23.99. ISBN: 978-1
Aesthetic Breakthrough and Cultural Intervention in the Productions of Two Modern Kunqu Plays1
The Rock Musical: From Creation to Curation (2015–2020)1
NTQ volume 39 issue 4 Cover and Front matter1
Contemporary Censorship Debates in Germany1
The Potentials and Challenges of Zoom Live Theatre during Coronavirus Lockdown: Pandemic Therapy and Corona Chicken (Part Two)0
NTQ volume 38 issue 1 Cover and Back matter0
Penny Farfan and Lesley Ferris, eds.Critical Perspectives on Contemporary Plays by Women: The Early Twenty-First Century Ann Arbor: University of Michigan Press, 2021. 316 p. $34.95. ISBN: 978-0
William W. Lewis and Sean Bartley, eds.Experiential Theatres: Praxis-Based Approaches to Training 21st Century Theatre Artists New York: Routledge, 2023. 298 p. £23.99. ISBN: 978-1-032-03603-8.0
Post Scriptum Budapest: The Tenth International Meeting of Theatre (MITEM)0
Documentary and Community Theatre with Young People in Madrid: The Creative Process of Mundo Quinta0
Philip Auslander In Concert: Performing Musical Persona Ann Arbor: University of Michigan Press, 2021. 294p. £36. ISBN: 978-0-472-05471-8.0
NTQ volume 39 issue 4 Cover and Back matter0
‘Concealment of What is Closed’: Western Necrocivilization in David Greig’s Version of Aeschylus’s The Suppliant Women0
Bergson and the Mechanics of the Bedroom Farce0
Feminist Rereading of Shabih’khani in Iran0
Marco Galea and Szabolcs Musca , eds.Redefining Theatre Communities: International Perspectives on Community-Conscious Theatre-Making Intellect: Bristol and Chicago, 2019. 262 p. £76.00. ISBN: 0
‘… parents unknown … unheard of …’: Not I and the ‘Mother and Baby Homes Report’0
Shakespeare on the Baltic Shore: Jerzy Limon (1950–2021) – CORRIGENDUM0
‘Je n’ai pas envie de chanter ce soir’: A Re-examination of Samuel Beckett’s Opera Collaboration Krapp, ou La Dernière bande0
Kunqu in Europe0
The Nazi Occupation of Theaterwissenschaft0
NTQ volume 40 issue 1 Cover and Back matter0
Elisabeth Angel-Perez and Aloysia Rousseau, eds. The New Wave of British Women Playwrights: 2008–2021 Berlin: De Gruyter, 2023. 262 p. £82. ISBN: 978-3-110-79622-3.0
Mysticism as Transgression in Chista Yasrebi’s Rahil0
NTQ volume 40 issue 2 Cover and Front matter0
Seda Ilter Mediatized Dramaturgy: The Evolution of Plays in the Media Age London: Methuen Drama, 2021. 240 p. £85. ISBN: 978-1-350-03115-9.0
Creating Earthquakes0
Kokyu Studio in Wrocław: A Place of Practice0
Democratic Performance with the Jana Natya Manch in India0
Hidden Identities, Forgotten Histories: Female Provincial Touring Artists in Britain, 1887–19000
A Private Honesty: Torture and Interiority in the Theatre of Sarah Kane0
Aylwyn Walsh Prison Cultures: Performance, Resistance, Desire Bristol: Intellect, 2019. 300 p. £85.00. ISBN 978-1-7893-8105-4.0
The Ageing Self through Dramaturgies of Memory Loss and Love: Tristan Bernays’ Old Fools and Nick Payne’s Elegy0
In Interview: Key Features of Contemporary British Drama0
Empathetic Exchange of Censored Scenes: Southeast Asian Theatre’s Bold Experiment0
Seeing it Feelingly: On Affect and Bodyworld in Performance0
‘The Best Thing I Ever Did on the Stage’: Edward Gordon Craig and the Purcell Operatic Society0
Artaud’s Civil War: ‘Theatre and the Plague’ in the Time of Covid-190
Howard Webber Before the Arts Council: Campaigns for State Funding of the Arts in Britain, 1934–1944 London: Bloomsbury, 2021. 264 p. £85. ISBN: 978-1-3501-6793-3.0
Aleks Sierz Good Nights Out: A History of Popular British Theatre, 1940–2015 London: Methuen, 2020. 228 p. £90. ISBN 978-1-350046-21-4.0
In Interview: On the Development of Video in the Theatre0
Covid Conversations 5: Robert Wilson0
NTQ volume 38 issue 4 Cover and Back matter0
Playwriting Manuals, 1888–1925: Jerome K. Jerome, Alfred Hennequin, Agnes Platt, and Moses Malevinsky0
Interview with Laween Palestinian Cooperative: Theatre in the Time of Genocide0
Jon Venn Madness in Contemporary British Theatre: Resistances and Representations Cham: Palgrave Macmillan, 2021. 222 p. £47.99. ISBN: 978-3-030-79782-9.0
John Freedman, ed. A Dictionary of Emotions in a Time of War: Twenty Short Works by Ukrainian Playwrights Chapel Hill, North Carolina: Laertes Press, 2023. 299 p. £20.00. ISBN 978-1-942281-44-3.0
NTQ volume 38 issue 1 Cover and Front matter0
Empowering Civil Society: The Theatricality of Protest in Malta0
In Conversation in Apocalyptic Times0
Stanislavsky’s Legacy: From Vasily Toporkov to Oleg Yefremov and Oleg Tabakov0
Edward Gordon Craig as Teacher-Dictator0
Mark Edward and Stephen Farrier, eds. Drag Histories, Herstories, and Hairstories: Drag in a Changing Scene Volume 2 London: Methuen Drama, 2021. 215 p. £67.50. ISBN: 978-1-350-10436-5.0
Locating the Impolitical in American Theatre: Albee’s Who’s Afraid of Virginia Woolf? and Schechner’s Dionysus in 690
Antiquity to Modernity: Mei Lanfang’s Preparatory and Presentational Strategies for his American and Soviet Visits0
NTQ volume 40 issue 3 Cover and Front matter0
NTQ volume 38 issue 2 Cover and Back matter0
The Hegemonic Ashkenaziness of Hebrew Theatre0
Moscow’s Golden Mask Festival: The Russian Case (Online, 2021)0
Lisa Woynarski Ecodramaturgies: Theatre, Performance and Climate Change London: Palgrave Macmillan, 2020. 239 p. £71.50. ISBN: 978-3-030-55853-6.0
NTQ volume 40 issue 3 Cover and Back matter0
NTQ volume 38 issue 2 Cover and Front matter0
Amateur Village Drama and Community in England, 1900–19500
‘Droughts and Flooding Rains’: Ecology and Australian Theatre in the 1950s0
Deleuze, Beckett, and the Art of Multiplicity0
NGOs and the Neo-Liberalization of Political Theatre in Pakistan: Ajoka’s Surrender to the Politics of Rights0
Pier Paolo Pasolini and the Sacred0
Sound Patterns as Connectors: An Experimental Production of Three Sisters0
Willmar Sauter Aesthetics of Presence: Philosophical and Practical Reconsiderations Newcastle-upon-Tyne: Cambridge Scholars Publishing, 2021. 206 p. £61.99. ISBN: 978-1-5275-6206-6.0
Raging in Delhi and Rajasthan: Post-show Audience Discussions of Medea0
Traditional Rituals as Conduits for Political Ascendancy: The Pang Lhabsol Festival of Sikkim, India0
Teiji Furuhashi’s Lovers: Digital Resuscitations of the Moving Body in Tokyo and New York0
Garden Kun Opera and Cultural Tourism0
David Linton Nation and Race in West End Revue 1910-1930 Basingstoke: Palgrave Macmillan, 2021. 197 p. £59.99. ISBN: 978-3-030-75211-8.0
Dassia N. Posner and Kevin Bartig, with Maria De Simone, eds.Three Loves for Three Oranges: Gozzi, Meyerhold, Prokofiev Bloomington, Indiana: Indiana University Press, 2021. 427 p. £40.00. ISBN0
From Sideshow to Centre Ring: The Historiography of Popular Entertainment0
Tribunal Theatre in Spain: Jauría and the La Manada Gang Rape0
The 2023 Theatre Olympics in Budapest0
Political Control, Administrative Simplicity, or Economies of Scale? Four Cases of the Reunification of Nationalized Theatres in Russia, Germany, Austria, and France (1918–45)0
Unspoken Indigenous History on the Stage: The Postcolonial Plays of Jack Davis0
Reviving al-Nabi Musa: Performance, Politics, and Indigenous Sufi Culture in Palestine0
What is ISTA (International School of Theatre Anthropology)?0
Performing Northern Ireland after Brexit: Stephen Rea in David Ireland’s Cyprus Avenue and Clare Dwyer Hogg’s Hard Border0
Burning Hope: Staging Queer Ecology in a Time of Wildfire0
NTQ volume 39 issue 1 Cover and Back matter0
Fintan Walsh, ed. Theatres of Contagion: Transmitting Early Modern to Contemporary Performance London: Bloomsbury Methuen, 2020. 216 p. £67.50. ISBN: 978-1-350-08598-5.0
Relations between Theatre and Power: The Iranian Quarterly Faslnameh Teatr (1977—)0
Misinterpretation and Misplacement in Intercultural Theatrical Communications between China and Japan: Ichikawa Sadanji’s and Morita Kanya’s Kabuki Tours in 1920s China0
SITI Training: Viewpoints and the Suzuki Method for Cross-Cultural Collaboration0
The Translation of Protest: The Worldwide Readings Project of Andrei Kureichyk’s Insulted. Belarus0
Covid Conversations 4: Stacy Klein0
Critical Disengagement: The Epistemic and White Supremacist Violence of Theatre Criticism in Canada and the USA0
The Craiova International Shakespeare Festival Celebrates Thirty Years0
Cross-Cultural Dialogue and the German Theatre in St Petersburg0
Othello: A Moor Rorschach Test0
Hi and Mighty: On the Czech Theatre Showcases0
Not Billington, not Zoella, and Definitely not a ‘Fangirl’: Social Distinction within Communities of Amateur Theatre Critics0
Embodied Voice Valery Nikolayevich Galendeyev 12.5.1946 – 24.1.20240
NTQ volume 38 issue 3 Cover and Front matter0
Catherine Hindson Theatre in the Chocolate Factory: Performance at Cadbury’s Bournville 1900–1935 Cambridge: Cambridge University Press, 2023. 248 p. £85. ISBN: 978-1-009-27188-2.0
NTQ volume 38 issue 4 Cover and Front matter0
Shimella Community Theatre of Israeli-Ethiopian Jews0
British Theatre from Agitprop to ‘Primark Playwriting’0
Lisa Stead Reframing Vivien Leigh: Stardom, Gender, and the Archive New York: Oxford University Press, 2021. 250 p. £25.99. ISBN 978-0-19-00651-1.0
Embodied Gestures of Human Rights: Remorse, Sentiment, and Sympathy in Romantic Regency Drama0
‘A Single Purpose: The Conquest of the Foreign Art Markets’: Theatre and Cultural Diplomacy in Mussolini’s Italy (1919–1927)0
‘Everything Now is Lost’: Stanislavsky’s Last Class at the Opera-Dramatic Studio0
Caoimhe McAvinchey Applied Theatre: Women and the Criminal Justice System London: Bloomsbury Methuen Drama, 2020. 247 p. £75.00. ISBN: 978-1-4742-6255-2.0
Open Letter0
NTQ volume 39 issue 1 Cover and Front matter0
The Sense of an Ending: Contemporary Visions of Medea0
NTQ volume 37 issue 4 Cover and Back matter0
Peta Tait Forms of Emotion: Human to Nonhuman in Drama, Theatre, and Contemporary Performance London and New York: Routledge, 2022. 255 p. £96. ISBN 978-0-367-64497-0.0
NTQ volume 40 issue 4 Cover and Back matter0
Jan Suk Performing Immanence: Forced Entertainment Berlin, Boston: De Gruyter, 2021. 193 p. £72.50. ISBN: 978-3-11-071095-3.0
NTQ volume 38 issue 3 Cover and Back matter0
Decolonization and Theatre History0
Jordana Cox Staged News: The Federal Theatre Project’s Living Newspapers in New York Amherst and Boston: University of Massachusetts Press, 2023. 168 p. £29.95. ISBN: 978-1-62534-679-7.0
The Ecological Resonance of Imogen’s Journey in Montana’s Parks0
NTQ volume 40 issue 1 Cover and Front matter0
NTQ volume 37 issue 4 Cover and Front matter0
Who Saw Her Die? Unfixing the Danse sacrale in Le Sacre du printemps0
Stanislavsky’s Failed Bildungsroman0
Dialogue: The Role of the Editor0
Shakespeare’s Polar Bears0
Beckett’s Wasted Breath0
Documenting Crisis: Artistic Innovation and Institutional Transformations in the German-Speaking Countries and the UK0
Nicholas Ridout Scenes from Bourgeois Life Ann Arbor: University of Michigan Press, 2020. 224 p. $70.00 ISBN: 978-0-472-13200-3.0
‘Generational Drag’: All-Child Performances in the Seventeenth and Nineteenth Centuries in Britain0
SoloSIRENs Collective’s Cessair: Feminist Performed Ethnography0
City Women: Managers and Leading Ladies at the City of London Theatre, 1837–18480
Celebration or Critique? Performing Peer Gynt in the Heart of Norway0
NTQ volume 39 issue 3 Cover and Back matter0
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