OOIR: Observatory of International Research

Papers

(The median citation count of New Theatre Quarterly is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-02-01 to 2025-02-01.)

Article	Citations
Wei Feng Intercultural Aesthetics in Traditional Chinese Theatre From 1978 to the Present London: Palgrave Macmillan, 2020. 277 p. £59.99. ISBN 978-3-030-40634-9.	3
Reviving al-Nabi Musa: Performance, Politics, and Indigenous Sufi Culture in Palestine	2
Tracy C. Davis and Peter W. Marx, eds. The Routledge Companion to Theatre and Performance Historiography Abingdon: Routledge, 2021. 518 p. £190.00. ISBN 978-1-138-57551-6.	2
‘Droughts and Flooding Rains’: Ecology and Australian Theatre in the 1950s	2
Antonio Bibbò Irish Literature in Italy in the Era of the World Wars Cham: Palgrave Macmillan, 2022. 304 p. £89.99. ISBN: 978-3-030-83585-9.	1
Covid Conversations 3: Elizabeth LeCompte and Kate Valk	1
NTQ volume 40 issue 1 Cover and Front matter	1
Jon Venn Madness in Contemporary British Theatre: Resistances and Representations Cham: Palgrave Macmillan, 2021. 222 p. £47.99. ISBN: 978-3-030-79782-9.	1
NTQ volume 39 issue 4 Cover and Back matter	1
NTQ volume 40 issue 2 Cover and Back matter	1
Lisa Woynarski Ecodramaturgies: Theatre, Performance and Climate Change London: Palgrave Macmillan, 2020. 239 p. £71.50. ISBN: 978-3-030-55853-6.	1
Marco Galea and Szabolcs Musca , eds.Redefining Theatre Communities: International Perspectives on Community-Conscious Theatre-Making Intellect: Bristol and Chicago, 2019. 262 p. £76.00. ISBN:	1
Seeing it Feelingly: On Affect and Bodyworld in Performance	1
William W. Lewis and Sean Bartley, eds.Experiential Theatres: Praxis-Based Approaches to Training 21st Century Theatre Artists New York: Routledge, 2023. 298 p. £23.99. ISBN: 978-1-032-03603-8.	1
Caoimhe McAvinchey Applied Theatre: Women and the Criminal Justice System London: Bloomsbury Methuen Drama, 2020. 247 p. £75.00. ISBN: 978-1-4742-6255-2.	1
Shimella Community Theatre of Israeli-Ethiopian Jews	1
In Interview: On the Development of Video in the Theatre	1
Lisa Stead Reframing Vivien Leigh: Stardom, Gender, and the Archive New York: Oxford University Press, 2021. 250 p. £25.99. ISBN 978-0-19-00651-1.	1
The Ageing Self through Dramaturgies of Memory Loss and Love: Tristan Bernays’ Old Fools and Nick Payne’s Elegy	1
LIFT and the London 2012 Olympics: Spectacular Experiences	1
The Hegemonic Ashkenaziness of Hebrew Theatre	1
Simon McBurney, Theatrical Soundscapes, and Postdigital Communities	0
Risky Hitchhiking, and Other Stories about the Theatre of the Eighth Day	0
City Women: Managers and Leading Ladies at the City of London Theatre, 1837–1848	0
‘… parents unknown … unheard of …’: Not I and the ‘Mother and Baby Homes Report’	0

The Potentials and Challenges of Zoom Live Theatre during Coronavirus Lockdown: Pandemic Therapy and Corona Chicken (Part Two)	0
Performing National Identity in the Interwar Period: The Sarrasani Circus in Germany and Latin America	0
NGOs and the Neo-Liberalization of Political Theatre in Pakistan: Ajoka’s Surrender to the Politics of Rights	0
‘Je n’ai pas envie de chanter ce soir’: A Re-examination of Samuel Beckett’s Opera Collaboration Krapp, ou La Dernière bande	0
‘Concealment of What is Closed’: Western Necrocivilization in David Greig’s Version of Aeschylus’s The Suppliant Women	0
Artaud’s Civil War: ‘Theatre and the Plague’ in the Time of Covid-19	0
Stanislavsky’s Failed Bildungsroman	0
The Translation of Protest: The Worldwide Readings Project of Andrei Kureichyk’s Insulted. Belarus	0
Moscow’s Golden Mask Festival: The Russian Case (Online, 2021)	0
NTQ volume 39 issue 2 Cover and Back matter	0
NTQ volume 37 issue 3 Cover and Back matter	0
Penny Farfan and Lesley Ferris, eds.Critical Perspectives on Contemporary Plays by Women: The Early Twenty-First Century Ann Arbor: University of Michigan Press, 2021. 316 p. $34.95. ISBN: 978-	0
NTQ volume 40 issue 2 Cover and Front matter	0
Covid Conversations 5: Robert Wilson	0
NTQ volume 39 issue 1 Cover and Back matter	0
Maggie B. Gale A Social History of British Performance Cultures 1900–1939: Citizenship, Surveillance and the Body Abingdon, Oxford: Routledge, 2020. xii + 244 p. £34.99. ISBN: 978-1-13-830438-3.	0
Dialogue: The Role of the Editor	0
BITEF Before and After 1989: Representation to Deconstruction of Social and Cultural Paradigms	0
Sam Haddow Precarious Spectatorship: Theatre and Image in an Age of Emergencies Manchester: Manchester University Press, 2019. 175 p. £80.00. ISBN: 978-1-5261-3841-5.	0
NTQ volume 40 issue 4 Cover and Back matter	0
British Theatre from Agitprop to ‘Primark Playwriting’	0
Cross-Cultural Dialogue and the German Theatre in St Petersburg	0
Embodied Voice Valery Nikolayevich Galendeyev 12.5.1946 – 24.1.2024	0
The Injustice of Language: Nando Taviani (1942–2020)	0
Creating Earthquakes	0
Burning Hope: Staging Queer Ecology in a Time of Wildfire	0
Epic Cruelty: On Post-Pandemic Performance	0
NTQ volume 37 issue 4 Cover and Back matter	0
NTQ volume 38 issue 2 Cover and Front matter	0
‘Everything Now is Lost’: Stanislavsky’s Last Class at the Opera-Dramatic Studio	0
Who Saw Her Die? Unfixing the Danse sacrale in Le Sacre du printemps	0
Peta Tait Forms of Emotion: Human to Nonhuman in Drama, Theatre, and Contemporary Performance London and New York: Routledge, 2022. 255 p. £96. ISBN 978-0-367-64497-0.	0
Covid Conversations 1: Peter Sellars	0
A Private Honesty: Torture and Interiority in the Theatre of Sarah Kane	0
NTQ volume 38 issue 1 Cover and Back matter	0
Tribunal Theatre in Spain: Jauría and the La Manada Gang Rape	0
Hidden Identities, Forgotten Histories: Female Provincial Touring Artists in Britain, 1887–1900	0
Alison Child Tell Me I’m Forgiven: The Story of Forgotten Stars Gwen Farrar and Norah Blaney Wales: Tollington Press, 2019. 335 p. £11.99. ISBN: 978-1-90934-715-1.	0
NTQ volume 39 issue 1 Cover and Front matter	0
NTQ volume 40 issue 3 Cover and Back matter	0
Trying Again, Failing Again: Samuel Beckett and the Sequel Play	0
Shakespeare’s Polar Bears	0
NTQ volume 38 issue 3 Cover and Front matter	0
NTQ volume 38 issue 2 Cover and Back matter	0
Beckett’s Wasted Breath	0
SITI Training: Viewpoints and the Suzuki Method for Cross-Cultural Collaboration	0
Edward Gordon Craig as Teacher-Dictator	0
Empowering Civil Society: The Theatricality of Protest in Malta	0
NTQ volume 38 issue 4 Cover and Front matter	0
A Conversation on Directing Opera	0

Locating the Impolitical in American Theatre: Albee’s Who’s Afraid of Virginia Woolf? and Schechner’s Dionysus in 69	0
Not Billington, not Zoella, and Definitely not a ‘Fangirl’: Social Distinction within Communities of Amateur Theatre Critics	0
From Sideshow to Centre Ring: The Historiography of Popular Entertainment	0
NTQ volume 37 issue 4 Cover and Front matter	0
NTQ volume 39 issue 3 Cover and Back matter	0
Playwriting Manuals, 1888–1925: Jerome K. Jerome, Alfred Hennequin, Agnes Platt, and Moses Malevinsky	0
Making the Representation Real: The Actor and the Spectator in Milo Rau’s ‘Theatrical Essays’ Mitleid and La Reprise	0
Post Scriptum Budapest: The Tenth International Meeting of Theatre (MITEM)	0
Elisabeth Angel-Perez and Aloysia Rousseau, eds. The New Wave of British Women Playwrights: 2008–2021 Berlin: De Gruyter, 2023. 262 p. £82. ISBN: 978-3-110-79622-3.	0
Dorota Sajewska, trans. Simon Włoch Necroperformance: Cultural Reconstructions of the War Body Zurich and Warsaw: Diaphanes and Zbigniew Raszewski Theatre Institute, 2019. 461 p. £38.00. ISBN: 978-3-0	0
‘The Best Thing I Ever Did on the Stage’: Edward Gordon Craig and the Purcell Operatic Society	0
Political Control, Administrative Simplicity, or Economies of Scale? Four Cases of the Reunification of Nationalized Theatres in Russia, Germany, Austria, and France (1918–45)	0
The Craiova International Shakespeare Festival Celebrates Thirty Years	0
The Ecological Resonance of Imogen’s Journey in Montana’s Parks	0
Catherine Hindson Theatre in the Chocolate Factory: Performance at Cadbury’s Bournville 1900–1935 Cambridge: Cambridge University Press, 2023. 248 p. £85. ISBN: 978-1-009-27188-2.	0
The Childhood of Theatre: The Errant Method for an ‘Infant Public’	0
NTQ volume 37 issue 2 Cover and Front matter	0
David Linton Nation and Race in West End Revue 1910-1930 Basingstoke: Palgrave Macmillan, 2021. 197 p. £59.99. ISBN: 978-3-030-75211-8.	0
In Interview: Key Features of Contemporary British Drama	0
Celebration or Critique? Performing Peer Gynt in the Heart of Norway	0
Feminist Rereading of Shabih’khani in Iran	0
Interview with Laween Palestinian Cooperative: Theatre in the Time of Genocide	0
Open Letter	0
Susan Broadhurst and Sara Price , eds.Digital Bodies: Creativity and Technology in the Arts and Humanities Basingstoke: Palgrave Macmillan, 2017. xxii + 270 p. £99.99. ISBN: 978-1-349-95240-3.	0
Critical Disengagement: The Epistemic and White Supremacist Violence of Theatre Criticism in Canada and the USA	0
Adam Alston Staging Decadence: Theatre, Performance, and the Ends of Capitalism London: Methuen Drama, 2023. 248 p. £76.50. ISBN: 978-1-350-23704-9.	0
Shakespeare on the Baltic Shore: Jerzy Limon (1950–2021)	0
Othello: A Moor Rorschach Test	0
Kokyu Studio in Wrocław: A Place of Practice	0
NTQ volume 37 issue 1 Cover and Front matter	0
Ecological Adaptation in Montana: Timon of Athens to Timon of Anaconda	0
NTQ volume 40 issue 4 Cover and Front matter	0
NTQ volume 39 issue 2 Cover and Front matter	0
Documenting Crisis: Artistic Innovation and Institutional Transformations in the German-Speaking Countries and the UK	0
Tennessee Williams’s Creative Frisson, Censorship, and the Queering of Theatre	0
NTQ volume 37 issue 3 Cover and Front matter	0
NTQ volume 38 issue 4 Cover and Back matter	0
Decolonization and Theatre History	0
Sound Patterns as Connectors: An Experimental Production of Three Sisters	0
Covid Conversations 4: Stacy Klein	0
NTQ volume 40 issue 1 Cover and Back matter	0
Unspoken Indigenous History on the Stage: The Postcolonial Plays of Jack Davis	0
Poppies, Ropes, and Shadow Play: Transcultural Memories of the First World War during Brexit	0
Aesthetic Breakthrough and Cultural Intervention in the Productions of Two Modern Kunqu Plays	0
Stanislavsky’s Legacy: From Vasily Toporkov to Oleg Yefremov and Oleg Tabakov	0
Embodied Gestures of Human Rights: Remorse, Sentiment, and Sympathy in Romantic Regency Drama	0
What is ISTA (International School of Theatre Anthropology)?	0
Garden Kun Opera and Cultural Tourism	0
Hi and Mighty: On the Czech Theatre Showcases	0
Relations between Theatre and Power: The Iranian Quarterly Faslnameh Teatr (1977—)	0
NTQ volume 39 issue 4 Cover and Front matter	0
NTQ volume 37 issue 1 Cover and Back matter	0
Body and Gesture in Derek Walcott’s Theatre	0
Shakespeare on the Baltic Shore: Jerzy Limon (1950–2021) – CORRIGENDUM	0
Aylwyn Walsh Prison Cultures: Performance, Resistance, Desire Bristol: Intellect, 2019. 300 p. £85.00. ISBN 978-1-7893-8105-4.	0
Performing Northern Ireland after Brexit: Stephen Rea in David Ireland’s Cyprus Avenue and Clare Dwyer Hogg’s Hard Border	0
Nicholas Ridout Scenes from Bourgeois Life Ann Arbor: University of Michigan Press, 2020. 224 p. $70.00 ISBN: 978-0-472-13200-3.	0
Raging in Delhi and Rajasthan: Post-show Audience Discussions of Medea	0
Mysticism as Transgression in Chista Yasrebi’s Rahil	0
Amateur Village Drama and Community in England, 1900–1950	0
Catherine M. Cole Performance and the Afterlives of Injustice: Dance and Live Art in South Africa and Beyond Ann Arbor: University of Michigan Press, 2020. 232 p. £85.00. ISBN 978-0-472-07458-7.	0
NTQ volume 39 issue 3 Cover and Front matter	0
Mark Edward and Stephen Farrier, eds. Drag Histories, Herstories, and Hairstories: Drag in a Changing Scene Volume 2 London: Methuen Drama, 2021. 215 p. £67.50. ISBN: 978-1-350-10436-5.	0
Empathetic Exchange of Censored Scenes: Southeast Asian Theatre’s Bold Experiment	0
In Conversation in Apocalyptic Times	0
NTQ volume 38 issue 3 Cover and Back matter	0
Howard Webber Before the Arts Council: Campaigns for State Funding of the Arts in Britain, 1934–1944 London: Bloomsbury, 2021. 264 p. £85. ISBN: 978-1-3501-6793-3.	0
Dominic Johnson Unlimited Action: The Performance of Extremity in the 1970s Manchester: Manchester University Press, 2019. 232 p. £17.99. ISBN 978-1-5261-3551-3.	0
Dassia N. Posner and Kevin Bartig, with Maria De Simone, eds.Three Loves for Three Oranges: Gozzi, Meyerhold, Prokofiev Bloomington, Indiana: Indiana University Press, 2021. 427 p. £40.00. ISBN	0
Jordana Cox Staged News: The Federal Theatre Project’s Living Newspapers in New York Amherst and Boston: University of Massachusetts Press, 2023. 168 p. £29.95. ISBN: 978-1-62534-679-7.	0
Mark Edward and Stephen Farrier, edsContemporary Drag Practices and Performers: Drag in a Changing Scene. Volume 1 London: Methuen Drama, 2020. 209 p. £67.50. ISBN: 978-1-35008-294-6.	0
Fintan Walsh, ed. Theatres of Contagion: Transmitting Early Modern to Contemporary Performance London: Bloomsbury Methuen, 2020. 216 p. £67.50. ISBN: 978-1-350-08598-5.	0
Aleks Sierz Good Nights Out: A History of Popular British Theatre, 1940–2015 London: Methuen, 2020. 228 p. £90. ISBN 978-1-350046-21-4.	0
NTQ volume 37 issue 2 Cover and Back matter	0
Border Crossings: The First Twenty-Five Years	0
Contemporary Censorship Debates in Germany	0
Documentary and Community Theatre with Young People in Madrid: The Creative Process of Mundo Quinta	0
The Sense of an Ending: Contemporary Visions of Medea	0
The Nazi Occupation of Theaterwissenschaft	0
Pests and People in Stef Smith’s Human Animals	0

‘Generational Drag’: All-Child Performances in the Seventeenth and Nineteenth Centuries in Britain	0
Body and Gesture in Derek Walcott’s Theatre - CORRIGENDUM	0
Democratic Performance with the Jana Natya Manch in India	0
Sherril Dodds, ed.The Bloomsbury Companion to Dance Studies London, New York: Bloomsbury Academic, 2019. 443 p. £130.00. ISBN 978-1-350-02446-5.	0
Philip Auslander In Concert: Performing Musical Persona Ann Arbor: University of Michigan Press, 2021. 294p. £36. ISBN: 978-0-472-05471-8.	0
Antiquity to Modernity: Mei Lanfang’s Preparatory and Presentational Strategies for his American and Soviet Visits	0
Bergson and the Mechanics of the Bedroom Farce	0
John Freedman, ed. A Dictionary of Emotions in a Time of War: Twenty Short Works by Ukrainian Playwrights Chapel Hill, North Carolina: Laertes Press, 2023. 299 p. £20.00. ISBN 978-1-942281-44-3.	0
Dramatizing Chinese Intellectuals of the Republican Era in Face for Mr. Chiang Kai-shek: Encoding Nostalgia in a Comedy of Ideas	0
Jan Suk Performing Immanence: Forced Entertainment Berlin, Boston: De Gruyter, 2021. 193 p. £72.50. ISBN: 978-3-11-071095-3.	0
Traditional Rituals as Conduits for Political Ascendancy: The Pang Lhabsol Festival of Sikkim, India	0
The Rock Musical: From Creation to Curation (2015–2020)	0
The 2023 Theatre Olympics in Budapest	0
Willmar Sauter Aesthetics of Presence: Philosophical and Practical Reconsiderations Newcastle-upon-Tyne: Cambridge Scholars Publishing, 2021. 206 p. £61.99. ISBN: 978-1-5275-6206-6.	0
Pier Paolo Pasolini and the Sacred	0
Revisiting the Absurd: Posthuman Affects in Samuel Beckett’s Theatre	0
Misinterpretation and Misplacement in Intercultural Theatrical Communications between China and Japan: Ichikawa Sadanji’s and Morita Kanya’s Kabuki Tours in 1920s China	0
Deleuze, Beckett, and the Art of Multiplicity	0
‘A Single Purpose: The Conquest of the Foreign Art Markets’: Theatre and Cultural Diplomacy in Mussolini’s Italy (1919–1927)	0
NTQ volume 38 issue 1 Cover and Front matter	0
NTQ volume 40 issue 3 Cover and Front matter	0
Nicosia Shakes Women’s Activist Theatre in Jamaica and South Africa: Gender, Race, and Performance Space Urbana, Chicago, and Springfield: University of Illinois Press, 2023. 212 p. £23.99. ISBN: 978-	0
Kunqu in Europe	0
Covid Conversations 2: Anne Bogart	0
Teiji Furuhashi’s Lovers: Digital Resuscitations of the Moving Body in Tokyo and New York	0
SoloSIRENs Collective’s Cessair: Feminist Performed Ethnography	0
Seda Ilter Mediatized Dramaturgy: The Evolution of Plays in the Media Age London: Methuen Drama, 2021. 240 p. £85. ISBN: 978-1-350-03115-9.	0