Dance Research

Papers
(The TQCC of Dance Research is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-02-01 to 2024-02-01.)
ArticleCitations
Good Pain, Bad Pain: Dancers, Injury, and Listening to the Body5
Approaches to Dance (4): Moving, Teaching, Thinking, Writing: A Minor Excavation4
‘How can we know the dancer from the dance?’ Perspectives on Musicality in Human Movement4
Dance History and Digital Humanities Meet at the Archives: An Interim Project Report on Dunham's Data3
Popular Dance as Archive: Re-imagining Keeps the Fosse Aesthetic Preserved3
Exhibiting Images of Disabled Dancers: Comparison, Reconstruction or Disruption?2
Dance and the (Digital) Archive: A Survey of the Field2
Poetic Transformations in Matisse's Earliest Dance Images2
Expanding Dance Archives: Access, Legibility, and Archival Participation2
Dance, Diaspora and the Role of the Archives: A Dialogic Reflection upon the Black Dance Archives Project (UK)1
La Ville et la Cour se Mélèrent – Napoleon's Propaganda Quadrilles (1793–1813)1
Dancing Right(s): Dance, Disability and Legal Empowerment in Post-War Sri Lanka1
Patrizia Veroli and Gianfranco Vinay (eds), Music-Dance: Sound and Motion in Contemporary Discourse1
Susan Leigh Foster, Valuing Dance: Commodities and Gifts in Motion1
Performance History Revealed: The Performance Databases of Rambert and the Royal Ballet1
Dance Overview of the Australian Performing Arts Collection1
Orality at Work in the Body-Archive. A Case Study with Tanztheater Wuppertal Pina Bausch's Italian Dancers1
The Limitations of the Archive: Lost Ballet Histories and the Case of Madame Mariquita1
Kathrina Farrugia-Kriel (ed.), Princess Poutiatine and the Art of Ballet in Malta1
Thinking Strategically about Dance Making: An Analysis of the Structuring Stage and the Strategies Choreographers Use for Varying Dance Works1
The Oral Archive as a Form of Dance Archive1
Mark Franko (editor), The Oxford Handbook of Dance and Reenactment1
Sabine Sörgel, Contemporary African Dance Theatre: Phenomenology, Whiteness and the Gaze1
Emily Wilcox, Revolutionary Bodies: Chinese Dance and the Socialist Legacy1
Introduction1
Dance Lessons, Mirrors and Minuets: Martin Engelbrecht's Engraving Das Tantzen / La Danse0
TanzArchivLeipzig – Disappearing Content and Traces of Past Events0
Lise Uytterhoeven, Sidi Larbi Cherkaoui: Dramaturgy and Engaged Spectatorship0
Margaret in the Community of Renaissance and Early Modern Scholarship0
Introduction: Studies in Practice as Research0
The Influence of André Levinson and Arnold Haskell in the Attempts to Develop a Ballet Culture in Catalonia during the First Half of the Twentieth Century0
Sigurd Leeder: A Forgotten Master?0
Front matter0
Margaret’s Living Legacy for Dance0
Christel Stalpaert, Guy Cools and Hildegard De Vuyst (eds), The Choreopolitics of Alain Platel's les Ballets C de la B: Emotions, Gesture, Politics0
Beyond the Opera House: Some Victorian Ballet Burlesques0
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Leach Glover, ‘Dancing Master to the Royal Family’ Part One: The Professional Dancer in Context0
Susanne Foellmer, Maria Katharina Schmidt, and Cornelia Schmitz (eds.), Performing Arts in Transition: Moving Between Media0
The Spider and the Crab: Ways of Being with Practice-as-Research0
Rebecca L. Farinas and Julie Van Camp (eds.), The Bloomsbury Handbook of Dance and Philosophy0
A Personal Tribute from Margaret’s Husband0
Back matter0
A Neoliberal Semi-Public Space in the Era of the JDP: Tango in Istanbul0
Arianna Beatrice Fabbricatore (ed.), Il Virtuoso Grotesco. Gennaro Magri Napoletano0
Geographies of Gender: Social Politics of the Partner Dance Venue0
Beth Genné, Dance Me a Song: Astaire, Balanchine, Kelly, and the American Film Musical0
Grace Barnes, National Identity and the British Musical0
The Batsheva Dance Company Archive Project0
Kathryn Dickason, Ringleaders of Redemption. How Medieval Dance Became Sacred0
Leach Glover, ‘Dancing Master to the Royal Family’, Part Two: Teachers of Dancing0
Micah Salkind, Do You Remember House?: Chicago's Queer of Color Undergrounds0
Margaret as a Reader of French Renaissance Literature0
Dance Archives in Brazil: A Brief Introduction0
Sara Houston, Dancing with Parkinson's0
Susan Manning, Janice Ross and Rebecca Schneider (eds), Futures of Dance Studies0
Ann Cooper Albright, How to Land: Finding Ground in an Unstable World0
Mark Franko, Choreographing Discourses: A Mark Franko Reader, edited by Mark Franko with Alessandra Nicifero0
Chopin's Alston and Alston's Chopin0
The Tangible and Intangible: Dance and the Safeguarding of Intangible Cultural Heritage0
Emilyn Claid, Falling through Dance and Life0
Turning Movement into Words: The Technique Writings of Tamara Karsavina and Agrippina Vaganova0
Back matter0
Samuel Beckett’s Brush with Ballet0
So Revealing: Ballerinas on Antebellum US Stages0
Ecosystemic Practice-Research (for the Benefit of Others)0
Skinner Releasing Technique: A Movement and Dance Practice, ed. Manny A. Emslie0
Approaches to Dance (3): Naïveté and Curiosity0
Nicole Haitzinger and Alexandra Kolb (eds.), Dancing Europe: Identities, Languages, Institutions0
Decolonising or Recolonising: Struggles on Cultural Heritage0
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Gerald Dowler, The Golden Age: Ballet in Soviet Russia, 1917–19910
Margaret and the Festival Book: The French Royal Entry in the Renaissance: the Status of the Printed Text0
Dancing on the Strand: The Adelphi Theatre’s Dance Repertoire, 1840–18600
Alberto Spadolini's Box: Dance, Silence and the Archive0
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Massimiliano Locanto, Stravinsky and the Musical Body: Creative Process and Meaning0
Dancing and the Stance: Mapping a Creative Practice in African Dance-Drama0
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Philipa Rothfield, Dance and the Corporeal Uncanny: Philosophy in Motion0
Yvette Hutchison and Chukwuma Okoye (eds), African Theatre: Contemporary Dance0
Arianna Béatrice Fabbricatore (ed.), La Danse théâtrale en Europe. Identités, Altérités, Frontières0
Back matter0
Hanna Walsdorf (ed.), Ritual Design for the Ballet Stage: Revisiting the Turkish Ceremony in ‘Le Bourgeois gentilhomme’ (1670)0
‘What's in a Name?’ Taxonomic Choices in the Field of Dance Studies0
Nietzsche's Looming Presence in the 1930s Dance Polemics of John Martin and Lincoln Kirstein0
An Autoethnographic Analysis of a Space for Belly Dancing Women: Istanbul Educational and Cultural Association of Oriental Dancers0
Foreword0
Dancing with Diversity: Performing Possibilities, Transforming Disabilities0
Diaghilev's Ballets Russes in Spain and its Legacy0
Margaret's Contribution to Festivals Research0
Margaret and the Warburg Institute0
Bruce Baird, A History of Butô0
‘Brexit put us in the Fridge, Covid in the Freezer’: The Impact of Covid-19 and Brexit on UK Freelance Dance Artists0
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Henrietta Bannerman and Richard Bannerman, Changing the Face of British Dance: Fifty Years of London Contemporary Dance School0
Arabella Stanger, Dancing on Violent Ground: Utopia as Dispossession in Euro-American Theater Dance0
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Margaret as Dance Scholar and Friend0
Comprehending Dance through Empathy: A Spectator’s Total Body-Mind Experience of Watching Wind of May (Moon, 2020)0
Anthony Crickmay and the Art of Dance Photography0
Isabelle Choinière, Enrico Pitozzi and Andrea Davidson, Through the Prism of the Senses: Mediation and New Realities of the Body in Contemporary Performance. Technology, Cognition and Emergent Rese0
Editorial Introduction: Tributes to Margaret McGowan and Clement Crisp0
Staging the Folk: Choreographic Issues of National Representation0
Janet Borgerson and Jonathan Schroeder, Designed for Dancing: How Midcentury Records Taught America to Dance0
Spectacular Choreographies of Epic Proportions: Ricki Starr, the Ballet Dancing Wrestler0
The Publications of Margaret M. McGowan from 2007–20220
Performing for Napoleon: Production Quarrels at the Paris Opéra0
Archives of the Dance (27), The Establishment of Beijing Dance School in the First-Hand Report of Soviet Specialist O. A. Il'ina: Introduction, Translation, Notes0
Creativity, Skill, Integrity, Intelligence and Community: A Conversation on the Nature of Practice in Hip Hop0
Lucia Ruprecht, Gestural Imaginaries: Dance and Cultural Theory in the Early Twentieth Century0
Carrie Noland, Merce Cunningham: After the Arbitrary0
Richard Emerson, Rhythm and Colour: Hélène Vanel, Loïs Hutton and Margaret Morris0
‘It was as if my ballet had never existed!’: August Bournonville and the Reception of Brudefærden i Hardanger0
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Hyperathletic Artistry: Nathan Chen and Yuzuru Hanyu Performing Asian Masculinities0
Mark Franko, The Fascist Turn in the Dance of Serge Lifar: Interwar French Ballet and the German Occupation0
Billy Cowie, Poetic Dance: A Choreographic Handbook0
Robert Cohan0
Developing Craft in the Ballet Class0
Samuel N. Dorf, Performing Antiquity: Ancient Greek Music and Dance from Paris to Delphi, 1890–19300
Olivia Sabee, Theories of Ballet in the Age of the ‘Encyclopédie’0
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