OOIR: Observatory of International Research

Papers

(The median citation count of Dance Research is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-02-01 to 2025-02-01.)

Article	Citations
Beth Genné, Dance Me a Song: Astaire, Balanchine, Kelly, and the American Film Musical	10
Back matter	7
Front matter	5
Sarah Woodcock, Dynamo Michael Somes: A Life in the Royal Ballet	4
Joellen A. Meglin, Ruth Page: The Woman in the Work	3
Editorial Introduction	2
Clement Crisp	2
A Neoliberal Semi-Public Space in the Era of the JDP: Tango in Istanbul	2
Front matter	2
Rebecca L. Farinas and Julie Van Camp (eds.), The Bloomsbury Handbook of Dance and Philosophy	2
Developments in Dance Research: The UK Dance Research Matters Programme	1
Editorial Introduction: Tributes to Margaret McGowan and Clement Crisp	1
Bruce Baird, A History of Butô	1
‘It was not Sinai’: Wayfaring with Nijinsky in and around St. Moritz. Some Reflections on Practising Dance History in the Field	1
Spectacular Choreographies of Epic Proportions: Ricki Starr, the Ballet Dancing Wrestler	1
Front matter	1
Approaches to Dance (3): Naïveté and Curiosity	1
Introduction: Studies in Practice as Research	1
Gerald Dowler, The Golden Age: Ballet in Soviet Russia, 1917–1991	1
So Revealing: Ballerinas on Antebellum US Stages	1
Archives of the Dance (27), The Establishment of Beijing Dance School in the First-Hand Report of Soviet Specialist O. A. Il'ina: Introduction, Translation, Notes	1
Angie Hiesl and Roland Kaiser (eds), War schön. Kann weg… Alter(n) in der Darstellenden Kunst	0
Philipa Rothfield, Dance and the Corporeal Uncanny: Philosophy in Motion	0
Henrietta Bannerman and Richard Bannerman, Changing the Face of British Dance: Fifty Years of London Contemporary Dance School	0
Sabine Sörgel, Contemporary African Dance Theatre: Phenomenology, Whiteness and the Gaze	0

Grace Barnes, National Identity and the British Musical	0
The Influence of André Levinson and Arnold Haskell in the Attempts to Develop a Ballet Culture in Catalonia during the First Half of the Twentieth Century	0
Robert Cohan	0
Arabella Stanger, Dancing on Violent Ground: Utopia as Dispossession in Euro-American Theater Dance	0
Exhibiting Images of Disabled Dancers: Comparison, Reconstruction or Disruption?	0
Massimiliano Locanto, Stravinsky and the Musical Body: Creative Process and Meaning	0
Dancing on the Strand: The Adelphi Theatre’s Dance Repertoire, 1840–1860	0
Carrie Noland, Merce Cunningham: After the Arbitrary	0
Back matter	0
‘What's in a Name?’ Taxonomic Choices in the Field of Dance Studies	0
The Evolving Prospects of Bharatanatyam: An Enquiry on Changing Religious Landscape	0
‘How can we know the dancer from the dance?’ Perspectives on Musicality in Human Movement	0
Sara Houston, Dancing with Parkinson's	0
Comprehending Dance through Empathy: A Spectator’s Total Body-Mind Experience of Watching Wind of May (Moon, 2020)	0
Good Pain, Bad Pain: Dancers, Injury, and Listening to the Body	0
Patrizia Veroli and Gianfranco Vinay (eds), Music-Dance: Sound and Motion in Contemporary Discourse	0
Kathryn Dickason, Ringleaders of Redemption. How Medieval Dance Became Sacred	0
Susan Manning, Janice Ross and Rebecca Schneider (eds), Futures of Dance Studies	0
Back matter	0
Front matter	0
‘It was as if my ballet had never existed!’: August Bournonville and the Reception of Brudefærden i Hardanger	0
A Personal Tribute from Margaret’s Husband	0
India's Graham: Martha Graham's Impact on Indian Modern Dance	0
Billy Cowie, Poetic Dance: A Choreographic Handbook	0
Susan Leigh Foster, Valuing Dance: Commodities and Gifts in Motion	0
Ecosystemic Practice-Research (for the Benefit of Others)	0
Lise Uytterhoeven, Sidi Larbi Cherkaoui: Dramaturgy and Engaged Spectatorship	0
Lucia Ruprecht, Gestural Imaginaries: Dance and Cultural Theory in the Early Twentieth Century	0
Margaret's Contribution to Festivals Research	0
Olivia Sabee, Theories of Ballet in the Age of the ‘Encyclopédie’	0
Nicole Haitzinger and Alexandra Kolb (eds.), Dancing Europe: Identities, Languages, Institutions	0
Foreword	0
Approaches to Dance (4): Moving, Teaching, Thinking, Writing: A Minor Excavation	0
Sigurd Leeder: A Forgotten Master?	0
Creativity, Skill, Integrity, Intelligence and Community: A Conversation on the Nature of Practice in Hip Hop	0
Kathrina Farrugia-Kriel (ed.), Princess Poutiatine and the Art of Ballet in Malta	0
Hanna Walsdorf (ed.), Ritual Design for the Ballet Stage: Revisiting the Turkish Ceremony in ‘Le Bourgeois gentilhomme’ (1670)	0
Janet Borgerson and Jonathan Schroeder, Designed for Dancing: How Midcentury Records Taught America to Dance	0
Mark Franko, Choreographing Discourses: A Mark Franko Reader, edited by Mark Franko with Alessandra Nicifero	0
Margaret in the Community of Renaissance and Early Modern Scholarship	0
Performing for Napoleon: Production Quarrels at the Paris Opéra	0
Improvisation is…	0
Turning Movement into Words: The Technique Writings of Tamara Karsavina and Agrippina Vaganova	0
Hyperathletic Artistry: Nathan Chen and Yuzuru Hanyu Performing Asian Masculinities	0
Archives of the Dance (28): Chisenhale Dance Space	0
Steve Paxton: Extraordinarily Ordinary and Ordinarily ExtraordinaryA Performance Review	0
Archives of the Dance (29): Richard Alston Dance Company Archive at the V&A	0
Decolonising or Recolonising: Struggles on Cultural Heritage	0
Arianna Beatrice Fabbricatore (ed.), Il Virtuoso Grotesco. Gennaro Magri Napoletano	0
Back matter	0

Back matter	0
Mark Franko, The Fascist Turn in the Dance of Serge Lifar: Interwar French Ballet and the German Occupation	0
The Publications of Margaret M. McGowan from 2007–2022	0
Balanchine and Constructivism: The Path to Neoclassicism	0
Staging the Folk: Choreographic Issues of National Representation	0
Impact of Dancing on Physical and Mental Health: A Systematic Literature Review	0
The Accidental Giselle: Paris 1924	0
Margaret and the Warburg Institute	0
Front matter	0
Dancing and the Stance: Mapping a Creative Practice in African Dance-Drama	0
Diaghilev's Ballets Russes in Spain and its Legacy	0
Front matter	0
Emilyn Claid, Falling through Dance and Life	0
An Autoethnographic Analysis of a Space for Belly Dancing Women: Istanbul Educational and Cultural Association of Oriental Dancers	0
Margaret’s Living Legacy for Dance	0
Leach Glover, ‘Dancing Master to the Royal Family’, Part Two: Teachers of Dancing	0
Front matter	0
‘Brexit put us in the Fridge, Covid in the Freezer’: The Impact of Covid-19 and Brexit on UK Freelance Dance Artists	0
Dancing Right(s): Dance, Disability and Legal Empowerment in Post-War Sri Lanka	0
Isabelle Choinière, Enrico Pitozzi and Andrea Davidson, Through the Prism of the Senses: Mediation and New Realities of the Body in Contemporary Performance. Technology, Cognition and Emergent Rese	0
La Ville et la Cour se Mélèrent – Napoleon's Propaganda Quadrilles (1793–1813)	0
Back matter	0
Dance Lessons, Mirrors and Minuets: Martin Engelbrecht's Engraving Das Tantzen / La Danse	0
Back matter	0
‘Where Burns the Artist's Soul’: Tamara Karsavina's Writings on Artistry and Expression	0
Alexandra Baybutt, Contemporary Dance Festivals in the Former Yugoslav Space. (In)dependent Scenes	0
Skinner Releasing Technique: A Movement and Dance Practice, ed. Manny A. Emslie	0
Gabriele Klein and Franz Anton Cramer (eds), Materialities in Dance and Performance. Writing, Documenting, Archiving	0
Leach Glover, ‘Dancing Master to the Royal Family’ Part One: The Professional Dancer in Context	0
Dancing with Diversity: Performing Possibilities, Transforming Disabilities	0
Developing Craft in the Ballet Class	0
Christel Stalpaert, Guy Cools and Hildegard De Vuyst (eds), The Choreopolitics of Alain Platel's les Ballets C de la B: Emotions, Gesture, Politics	0
Nietzsche's Looming Presence in the 1930s Dance Polemics of John Martin and Lincoln Kirstein	0
Poetic Transformations in Matisse's Earliest Dance Images	0
Samuel N. Dorf, Performing Antiquity: Ancient Greek Music and Dance from Paris to Delphi, 1890–1930	0
Arianna Béatrice Fabbricatore (ed.), La Danse théâtrale en Europe. Identités, Altérités, Frontières	0
Margaret and the Festival Book: The French Royal Entry in the Renaissance: the Status of the Printed Text	0
Introduction	0
Back matter	0
Front matter	0
Noyale Colin, Catherine Seago, and Kathryn Stamp (eds), Ethical Agility in Dance, Rethinking Technique in British Contemporary Dance	0
Samuel Beckett’s Brush with Ballet	0
The Spider and the Crab: Ways of Being with Practice-as-Research	0
Margaret as a Reader of French Renaissance Literature	0
The Tangible and Intangible: Dance and the Safeguarding of Intangible Cultural Heritage	0
Margaret as Dance Scholar and Friend	0