Popular Music

Papers
(The median citation count of Popular Music is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)
ArticleCitations
PMU volume 42 issue 4 Cover and Back matter15
Raving. By McKenzie Wark. Durham, NC: Duke University Press, 2023, 136 pp. ISBN: 978-1-4780-1938-110
Phonographic Encounters: Mapping Transnational Cultures of Sound, 1890–1945. Edited by Elodie A. Roy and Eva Moreda Rodríguez. London: Routledge, 2021. xv+268 pp. ISBN : 978-1-032-05711-88
Musical humour and caricatures in The Book of Mormon8
Reading Smile: History, Myth and American Identity in Brian Wilson and Van Dyke Parks’ Long-Lost Album. By Dale Carter. London: Routledge, 2021. 166 pp. ISBN: 978-0-367-62286-26
Naná Vasconcelos's Saudades. By Daniel B. Sharp. Bloomsbury Academic, 33 1/3 Brazil series, 2021. 272 pp. ISBN: 978-1-501-34570-85
Public revolutionaries, private conservatives: rock performances of leftist political thought5
Living from Music in Salvador: Professional Musicians and the Capital of Afro-Brazil. By Jeff Packman. Middletown, CT: Wesleyan University Press, 2021. 320 pp. ISBN: 978-0-819-58048-15
Creole Soul: Zydeco Lives. By Burt Feintuch. Edited by Jeannie Banks Thomas. With photographs by Gary Samson. Jackson, MI: University Press of Mississippi. 2022. 267pp. ISBN 978-1-4968-4246-65
The lives and work of Bob Dylan5
Cinco do Oriente: The Legend and the Legacy of Timor-Leste’s Most Famous Band5
Auto-Tune as instrument: trap music's embrace of a repurposed technology5
What Do Musicians Think of Digital Platforms?4
Sounding Dissent: Rebel Songs, Resistance, and Irish Republicanism. By Stephen R. Millar. Ann Arbor, MI: University of Michigan Press, 2020. 264 pp. ISBN 978-0-472-13194-54
Celtic music, Shakespeare and fandom3
SamBop NYC: Brazilian Jazz in New York City during the New Millennium. By Marc Gidal. New York: Oxford University Press, 2024. 253 pp. ISBN 0197619053.3
The Contributors3
The Greatest Rock and Soul Band in the World? The Rolling Stones, genre and race3
‘You Just Haven’t Earned It Yet, Baby’: Authenticating Popular Music Tribute Shows3
Prosecuting rap: what does the case law tell us?2
PMU volume 42 issue 1 Cover and Back matter2
The Logic of Filtering: How Noise Shapes the Sound of Recorded Music. By Melle Jan Kromhout. Oxford: Oxford University Press, 2021. 167 pp. ISBN 978-0-190-07014-42
Songwriters vs. the recording industry: the use and abuse of statistics in UK streaming debates2
PMU volume 42 issue 4 Cover and Front matter2
Unknown Pleasure: interpretations of the mystery hiss in Feist's 2017 album2
Pivot Mixing: Tempo Modulation in Electronic Dance Music2
Mathias Spahlinger. By Neil Thomas Smith. Bristol: Intellect Books 2021. 206 pp. ISBN 978 78938 334 82
The Many Meanings of Mina: Popular Music Stardom in Post-War Italy. By Rachel Haworth. Bristol: Intellect, 2022, 240 pp. ISBN 978-1-78938-560-12
Shades of Springsteen: Politics, Love, Sports, and Masculinity. By John Massaro. New Brunswick, NJ: Rutgers University Press, 2021. 255 pp. ISBN 978-1-9788-1616-91
Copping the blame: the role of YouTube videos in the criminalisation of UK drill music1
‘Jazz populism’ in London and the counter-hegemonic mainstream1
Pop Music Education in the UK. By Norton York, 2021. 415pp. RSL. ISBN 978-1-78936-346-31
The Contributors1
Sound Fragments: From Field Recording to African Electronic Stories. By Noel Lobley. Middletown Connecticut: Wesleyan University Press. 2022. ISBN 978-0-8195-8077-1.1
Using music streaming data for research: A relational approach1
In Search of Tito's Punks. On the Road in a Country That No Longer Exists. By Barry Phillips. Bristol: Intellect, 2023, 256 pp. ISBN 978-1-78938-731-51
Kardeş Türküler as ‘art action’: The multiple cultural heritages of Anatolia1
Listening to Anohni's variously vibrating voice: studying transfeminine vocality in 21st-century popular music culture through the concept of vocal figurations1
The Social Life of an Optimised Song: Reconstructing the Networked Cycle of Digital Music-Making1
PMU volume 41 issue 3 Cover and Back matter1
Schoolhouse rap1
A place outside the pandemic? An ethnographic study of live music events at St Gallen's cultural venue Palace during the COVID-19 crisis1
Exploring audience reception and cultural influences: The case of the virtual idol Noonoouri in European popular music0
‘Lost & Found’ or ‘Requiem for the new Mozambican man’: Musicking transition from a socialist single-party to a capitalist multiparty system (1987–1994)0
Expert or advocate? The role(s) of the expert witness when rap is on trial0
Anti-populist populism: Musical challenges to Trump's America and Erdoğan's Turkey0
Songs of tractors and submission: on the assembled politicity of popular music and far-right populism in Austria0
PMU volume 42 issue 1 Cover and Front matter0
PMU volume 44 issue 2 Cover and Front matter0
It’s My Party: Tat Ming Pair and the Postcolonial Politics of Popular Music in Hong Kong. By Yiu Fai Chow, Jeroen de Kloet, and Leonie Schmidt. Singapore: Palgrave Macmillan, 2024. 230 pp. ISBN 978-980
DIY House Shows and Music Venues in the US. Ethnographic Explorations of Place and Community. By David Verbuč. New York, Routledge, 2022, 282 pp. ISBN: 978-1-032-04917-50
The National Symphony Orchestra of Ghana plays Ghanaian Classics: negotiating multiple identities through highlife music0
Jazz Diaspora: Music and Globalization. By Bruce Johnson. London: Routledge 2020. 208 pp. ISBN: 978-1-138-57755-80
Fifty Years of the Concept Album in Popular Music: From the Beatles to Beyoncé. By Mark Wolfson. New York: Bloomsbury Academic, 2024. 264 pp. ISBN 978-1-5013-9180-4.0
The Musicians’ Syndicate and the contradictions of state control over music in Egypt0
Fluid revivals: retouring popular songs to restore a hydrological imaginary in the trans-Danube0
PMU volume 42 issue 3 Cover and Front matter0
PMU volume 43 issue 3 Cover and Back matter0
Utopianism, activism and networks: insights into the early work of János Maróthy0
The Vinyl Revival, Gender, and Collecting Aesthetics. By Veronica Skrimsjö. London and New York: Routledge, 2026. 135 pp. ISBN 978-1-032-51046-0.0
‘With all praise to your exalted frequencies, consider me your friend’: listening, technology and musicking in the Church of Scientology0
Understanding the Representation of Women Electric Guitarists on Instagram0
The performance of machine aesthetics: acoustic reimagining of electronic music0
‘People Sing When They're Happy’: Popular Music in 1970s Soviet Comedic Cinema0
Resisting the criminalisation of rap0
Alone in the Crowd? Live Music Audiences and Individual Experience0
Music by Numbers: The Use and Abuse of Statistics in the Music Industries. Edited by Richard Osborne and Dave Laing. Bristol: Intellect, 2021. 270 pp. ISBN 978-1-78938-253-20
Improvising the Score: Rethinking Modern Film Music through Jazz. By Gretchen L. Carlson. Jackson, MI: University Press of Mississippi, 2022. 224 pp. ISBN: 978-1-496-84084-40
The Bastard Instrument: A Cultural History of the Electric Bass. By Brian F. Wright. Ann Arbor: University of Michigan Press. 2024. 392 pp. ISBN: 978-0472056811.0
Introduction by Peter Wicke0
PMU volume 41 issue 2 Cover and Back matter0
In Memory of Toru Mitsui (1940–2023)0
Sex and Gender in Pop/Rock Music: the Blues through The Beatles to Beyoncé. By Walter Everett. London: Bloomsbury, 2023. xii + 260 pp. ISBN: 978-1-5013-4595-10
The ‘System of National Cooperation’ hit factory: the aesthetic of Hungarian government-commissioned songs between 2010 and 20200
Soundscapes of ecofeminism. Negotiating gender and environment through pop music0
Music, City and the Roma Under Communism. By Anna G. Piotrowska. London: Bloomsbury Academic, 2022. 208 pp. ISBN 978-1-5013-8081-50
PMU volume 44 issue 4 Cover and Front matter0
Becoming Noise Music: Style, Aesthetics, and History. By Stephen Graham. New York; London: Bloomsbury, 2023. 235 pp. ISBN 978-1-5013-7866-90
Media of the Masses: Cassette Culture in Modern Egypt. By Andrew Simon. Stanford, CA: Stanford University Press, 2022. 304 pp. ISBN: 978-150-363-14410
A Band with Built-in Hate: The Who from Pop Art to Punk. By Peter Stanfield. London: Reaktion Books. 2021. 280 pp. ISBN 978-1-789-14277-80
Firesign: The Electromagnetic History of Everything as Told on Nine Comedy Albums. By Jeremy Braddock. Oakland, CA: University of California Press, 2024. 320 pp. ISBN 978-0-520-39852-80
Glasgow: A History (Vol.1 of VI). By The Tenementals. Glasgow: Strength in Numbers Records, 2024. https://strengthinnumbersrecords.bandcamp.com/album/glasgow-a-history-volume-i-of-vi0
Posh UK drill and the myth of the respectful parodist0
The people vs. the power bloc? Popular music and populism0
Popular Music Autobiography: The Revolution in Life-Writing by 1960s Musicians and Their Descendants. By Oliver Lovesey. New York: Bloomsbury, 2022. 366 pp. ISBN: 978-15013558370
Feenin: R&B Music and the Materiality of BlackFem Voices and Technology. By Alexander Ghedi Weheliye. Durham, NC: Duke University Press, 2023. 304 pp. ISBN 978-1-4780-2521-40
Scary Monsters. Monstrosity, Masculinity and Popular Music. By Mark Duffett and Jon Hackett. New York: Bloomsbury Academic, 2021. ISBN 978-1-501-31337-00
Exhibitions, Music and the British Empire. By Sarah Kirby. Martelsham: Boydell Press, 2022. 264 pp. ISBN: 978-1-783-27673-80
On the de-dichotomisation of the mainstream idea0
The production of space and the changing character of the recording studio0
Live and direct? Censorship and racialised public morality in grime and drill music0
Made in Hong Kong. Studies in Popular Music. Edited by Anthony Fung and Alice Chik. London: Routledge, 2020. 234 pp. ISBN 978-0-367-22698-50
PMU volume 43 issue 4 Cover and Back matter0
Negotiating girlhood in rock music: Nandi Bushell, prodigy discourse and adult mentor-fans0
A Philosophy of Cover Songs. By P.D. Magnus. Cambridge: Open Book Publishers, 2022. 145 pp. ISBN 978-1-800-64422-90
Sandinista! By Micajah Henley. London: Bloomsbury Academic. 134 pp. ISBN 978-1-5013-9036-40
Non-academic writing on popular music in the Czech lands after 19450
A heroism for the new times in the protest songs of Gerhard Gundermann0
Independence in 21st-Century Popular Music. Cases from Beyond Anglo-America, edited by Shannon Garland, Pedro Belchior Nunes and Pedro Roxo. New York and London: Bloomsbury Academic, 2025. 342 pp. ISB0
Los sentimientos del alma: cultural dialogue and the multiple origins of Panamanian típico0
Populist performance(s) in contemporary Greek rap music0
The 0161 rap gap: the marginalisation of Black rap musicians in Manchester's live music scene0
Fantasies of Nina Simone. By Jordan Alexander Stein. Durham and London: Duke University Press, 2024. 307 pp. ISBN 978-1-4780-3070-6.0
PMU volume 43 issue 4 Cover and Front matter0
The Contributors0
The Contributors0
The Contributors0
Emo – How Fans Defined a Subculture. By Judith May Fathallah. Iowa: University of Iowa Press, 2020. 214 pp. ISBN 978-1-609-38724-20
A Women's History of The Beatles. By Christine Feldman-Barrett. New York: Bloomsbury Academic, 2021. 257 pp. ISBN 978-1-5013-7594-10
Shonen Knife's Happy Hour: Food, Gender, Rock and Roll. By Brooke McCorkle Okazaki. New York: Bloomsbury, 2021. 156 pp. ISBN: 97815013479550
Hearing Maskanda: Musical Epistemologies in South Africa. By Barbara Titus. New York: Bloomsbury Publishing, 2022. 280 pp. ISBN 978-1-501-37776-10
PMU volume 41 issue 4 Cover and Back matter0
Hannibal Lokumbe: Spiritual Soundscapes of Music, Life, and Liberation. By Lauren Coyle Rosen and Hannibal Lokumbe. New York: Columbia University Press, 2024. 255 pp. ISBN 97802312178660
The structure of the mainstream music in Slovenia: Global hits and local sediments0
PMU volume 44 issue 4 Cover and Back matter0
On Loop: Black Sonic Politics in Oakland. By Alex Werth. Oakland, California: University of California Press, 2025. 392 pp. ISBN 978-0-520-41607-90
Ban rap and drill lyrics in the courtroom0
Under suspicion: library music and the Musicians’ Union in Britain, 1960–1978 – CORRIGENDUM0
Made in NuYoRico: Fania Records, Latin Music, and Salsa’s Nuyorican Meanings. By Marisol Negrón. Durham, NC: Duke University Press, 2024. 328 pp. ISBN 1478026669.0
Krautrock. By Marshall Gu. New York: Bloomsbury Academic, 2024. 168 pp. ISBN: 978-8-7651-0329-6.0
I'll Be Your Plaything. By Anna Szemere and András Rónai. New York: Bloomsbury Academic. 139 pp. ISBN 978-1-501-35443-40
Orchestration in Musical Theatre. By Paul R. Laird and Elizabeth Sallinger. London: Bloomsbury, 2025. 112 pp. ISBN: 978-1-3504-5124-70
PMU volume 41 issue 2 Cover and Front matter0
Popular Song in the 19th Century. Edited by Derek Scott. Turnhout: Brepols, 2022. 380 pp. ISBN: 978-2-503-60078-90
Manchester Unspun. Pop, Property and Power in the Original Modern City. By Andy Spinoza. Manchester: Manchester University Press, 2023. pp.365. ISBN 978 1 5261 6845 0.0
Sonic Mobilities. Producing Worlds in Southern China. By Adam Kielman. Chicago, IL: The University of Chicago Press, 2022. 216 pp. ISBN 978-0-226-81780-40
Rethinking the Eco-Recording Studio: Technologies, Aesthetics, and Discourse in Popular Music Production0
The First Days of Berlin: The Sound of Change. By Ulrich Gutmair. Translated by Simon Pare. Cambridge: Polity Press, 2021. 212 pp. ISBN 978-15095473020
PMU volume 44 issue 1 Cover and Back matter0
PMU volume 41 issue 3 Cover and Front matter0
Negotiating Standards and Songwriting Myths in the Age of Platformisation: Sessions, Camps, and Their Functional Rules and (Media) Formats0
Creativity and constraint: Gendered work experiences in the Belgian popular music mainstream0
PMU volume 44 issue 1 Cover and Front matter0
Caliphate Pop. By Mandus Ridefelt, Hasan Özgür Top and Assem Hendawi. Stockholm: Sarnama Press, 2022. 157pp. ISBN 7-2182-527-91-9780
The regime of style: cover versions, reality TV, and the aesthetic principles of populism in Israel and beyond0
Postcolonial paths of pop: a suburban psychogeography of George Michael and Wham!0
Taking stock of a discourse: An integrative content analysis of musical structures and cultural stereotypes in top-10 German Schlager songs from 2009 to 20190
Online musicking for humanity: the role of imagined listening and the moral economies of music sharing on social media0
The Cambridge Companion to Caribbean Music. Edited by Nanette de Jong. Cambridge: Cambridge University Press, 2022. 247 pp. ISBN 978-1-108-42192-80
Sounds of pleasure and challenge behind the Iron Curtain: on the rise of Bulgarian rock music0
Leonard Cohen: The Mystical Roots of Genius. By Harry Freedman. London: Bloomsbury, 2021. 274 pp. ISBN 978-1-4729-8727-3 - From This Broken Hill I Sing to You. By Marcia Pally. London: T&T Clark, 0
Récital 1961. By David L. Looseley, New York: Bloomsbury Academic, 2023. 113 pp. ISBN 978-1-5013-6210-10
Cosmopolitan localism as creative self-discovery: Greek Cypriot popular music in the 21st century0
Tradition and the quadruple talent: Intertextuality in the Beatles’ songbook0
Popular music studies behind the Iron Curtain: the constitution of popular music research in East-Central Europe before 19890
Stephen Sondheim’s Sweeney Todd. By Rick Pender. United States of America: Bloomsbury Academic, 2025. 251 pp. ISBN 978-1-5381-9644-10
The ‘Anchoring vi Schema’ and its relation to phrase rhythm in popular music0
Across the Platform Universe: Introduction0
Our Subversive Voice: The History and Politics of English Protest Songs 1600-2020. By John Street, Oskar Cox Jensen, Alan Finlayson, Angela McShane, and Matthew Worley. London: McGill-Queen’s Universi0
Music City Melbourne: Urban Culture, History and Policy. By Shane Homan, Seamus O'Hanlon, Catherine Strong and John Tebbutt. New York: Bloomsbury Academic Press, 2022. 213 pp. ISBN 978-1-501-36572-00
Sociology of popular music in Czechoslovakia (1948–1989)0
Band People: Life and Work in Popular Music. By Franz Nicolay. Austin: University of Texas Press, 2024. 295 pp. ISBN 978-1-4773-2353-3.0
PMU volume 41 issue 4 Cover and Front matter0
Sonic agencies of climate change: Kalallissut /Greenlandic popular music of global heating0
Rude Citizenship: Jamaican Popular Music, Copyright, and the Reverberations of Colonial Power. By Larisa Kingston Mann. Chapel Hill, NC: The University of North Carolina Press, 2022. 242 pp. ISBN: 9780
The Cambridge Companion to the Electric Guitar. Edited by Jan-Peter Herbst and Steve Waksman. Cambridge: Cambridge University Press, 2024. 356 pp. ISBN:97810092244510
Sellout: The Major-Label Feeding Frenzy That Swept Punk, Emo, and Hardcore (1994–2007). By Dan Ozzi. New York: Mariner Books, 2021. 400 pp. ISBN 978-0-358-24430-1 - Cometbus #59: Post-Mortem. By Aaron0
Disabled DJs and Dance Music Culture0
Shnur ‘Against Sincerity’: Aesthetics of Imperfection and Sincerity Anxieties in Twenty-First-Century Pop Culture0
The Contributors0
How Music Empowers: Listening to Modern Rap and Metal. By Steven Gamble. Routledge, 2021. 188 pp. ISBN 978-0-367-33955-50
Representing Islam: Hip-hop of the September 11 Generation. By Kamaludeen Mohamed Nasir. Bloomington, IN: Indiana University Press, 2020. 205 pp. ISBN 978-0-253-05304-60
The Contributors0
What's behind the ‘K’? Common audio features of Korean popular music before and after the rise of K-POP0
Live Music in America: A history from Jenny Lind to Beyoncé. By Steve Waksman. 2022. Oxford: Oxford University Press. 677 pp. ISBN: 978-0-19-757053-10
Remastering Music and Cultural Heritage: Case Studies from Iconic Original Recordings to Modern Remasters. By Stephen Bruel. London and New York: Routledge, Perspectives on Music Production, 2024. 1440
Blacksound: Making Race and Popular Music in the United States. By Matthew D. Morrison. Oakland: University of California Press, 2024. 304 pp. ISBN 97805203905910
The Politics of Vibration, Music as a Cosmopolitical Practice. By Marcus Boon, Durham, NC: Duke University Press, 2022. 288 pp. ISBN 978-1-4780-1839-10
Rockin’ the Lord: Religious Identity and Pete Townshend0
The Punk Rock Politics of Joe Strummer. Radicalism, Resistance and Rebellion. By Gregor Gall. Manchester: Manchester University Press, 2022. 295 pp. ISBN 978-1-52614-898-80
PMU volume 43 issue 1 Cover and Back matter0
Connan Mockasin as Mr Bostyn: the popular music artist in disguise, the performance of the popular music artist0
Wings with Strings Attached? Corporate Sponsorship and the Capacity to Aspire in Lebanon’s Alternative Music World0
The Contributors0
PMU volume 43 issue 3 Cover and Front matter0
Music as professional practice: work profiles of jazz and popular music artists in Barcelona0
Annihilating Noise. By Paul Hegarty. New York: Bloomsbury, 2021. 288 pp. ISBN 978-1-5013-3544-00
The Identitarian movement and fashwave music: The nostalgia and anger of the new far right in Denmark0
Distillation of Sound, Dub and the Creation of Culture. By Eric Abbey. Bristol: Intellect, 2022. 187 pp. ISBN 978-1-78938-539-70
Music in Portugal and Spain: Experiencing Music, Expressing Culture. By Salwa El-Shawan Castelo-Branco and Susana Moreno Fernández. New York: Oxford University Press, 2018. 160 pp. 978-0-199-92061-70
The World of Leonard Cohen. Edited by David R. Shumway . Cambridge: Cambridge University Press. 2026. 378 pp. ISBN: 978-1-009-35059-40
Under suspicion: library music and the Musicians’ Union in Britain, 1960–19780
PMU volume 44 issue 2 Cover and Back matter0
Vaporwave and Hardvapour: Alternative temporalities, territorialities and identities after our holiday from history0
Hip-Hop Archives: The Politics and Poetics of Knowledge Production. Edited by Mark V. Campbell and Murray Forman. Bristol/Chicago: Intellect Books, 2025. 354 pp. ISBN 97818359510640
PMU volume 44 issue 3 Cover and Front matter0
Jarmark. By Kamila Rymajdo. New York and London: Bloomsbury Academic. 33 1/3 Europe series. 2025. 126 pp. ISBN 97987651030670
PMU volume 44 issue 3 Cover and Back matter0
Not your ordinary drone: odes to the Bayraktar in the Russia–Ukraine war0
Lives in Music0
The Journal of Beatles Studies. Edited by Holly Tessler and Paul Long. Liverpool: Liverpool University Press, 2022. 177 pp. ISBN 978-1-802-07766-70
Review of The Purple One: Prince, Race, Gender, and Everything in Between . Edited By Judson L. Jeffries, Shannon M. Cochran, and Molly Reinhoudt. Missis0
Ne me quitte pas. A Song by Jacques Brel and Interpreted by Nina Simone and Others. By Maya Angela Smith (Duke University Press, 2025), pp. 144, ISBN: 978-1-4780-3146-80
The Cambridge Companion to Women in Music since 1900. Edited by Laura Hamer. Cambridge: Cambridge University Press, 2021. xxxii + 325 pp. ISBN 978-1-108-45578-70
Construction of voice(s): A study on the popular music of Kerala0
‘The practice of the twanged instruments’. Evaluating the amateur fretted instrument orchestra in British popular musical life, c.1890–c.19600
PMU volume 43 issue 2 Cover and Front matter0
PMU volume 42 issue 3 Cover and Back matter0
Inventing Elvis. An American Icon in a Cold War World. By Mathias Haeussler. New York: Bloomsbury, 2020. 240 pp. ISBN 97813501076700
The Contributors0
Bridging Sonic Borders: Popular Music in Contemporary Dominican/Dominicanyork Literature. By Sharina Maíllo-Pozo. Austin: University of Texas Press, 2025. 229 pp. ISBN 978-1-4773-3155-2.0
Uncurating Sound: Knowledge with Voice and Hand. By Salomé Voegelin. New York: Bloomsbury Academic Press, 2023. 122 pp. ISBN 978-1-5013-4540-1; Sonic Possible Worlds: Hearing the Continuum of Sound. B0
Welcome 2 Houston: Hip Hop Heritage in Hustle Town. By Langston Collins Wilkins. Illinois: University of Illinois Press, 2023. 180.pp. ISBN: 9780252087295.0
From ‘we shall prevail’ to ‘weapon of struggle’: Populism, Chile'sUnidad Populargovernment andNueva Canción0
The Contributors0
Flannery at the Grammys. By Irwin H. Streight. Jackson, MS: University Press of Mississippi, 2024. 312 pp. ISBN: 9781496850218.0
Record Cultures: The Transformation of the U.S. Recording Industry. By Kyle Barnett. Ann Arbor: University of Michigan Press, 2020. 320 pp. ISBN 978-0-472-03877-0.0
PMU volume 42 issue 2 Cover and Front matter0
Adaptation and Optimisation across Audiovisual Platforms: Hot Song Production in the Chinese Music Industry0
The Contributors0
PMU volume 42 issue 2 Cover and Back matter0
Musicking assemblages and non-human becomings: Mapping morphogenetic processes and distributed agencies in Wolfgang Buttress’ the Hive0
PMU volume 43 issue 2 Cover and Back matter0
Philip Tagg (22 February 1944–9 May 2024)0
Playing the Changes. Jazz at an African University and on the Road. By Darius Brubeck and Catherine Brubeck. Pietermaritzburg: University of KwaZulu-Natal Press, 2023. 321 pp. ISBN 978 186914 528 60
Live from the Underground: A History of College Radio. By Katherine Rye Jewell. Chapel Hill, NC: University of North Carolina Press, 2023. 480 pp. ISBN 978-1469676203.0
Listening to Mapuche sound in Illapu0
Fight The Power: Law and Policy through Hip-Hop Songs. Edited by Gregory S. Parks and Frank Rudy Cooper. Cambridge: Cambridge University Press, 2022. 300 pp. ISBN: 978-1-009-01153-20
The Lifetime Soundtrack: Music and Autobiographical Memory. By Lauren Istvandy. Sheffield, UK: Equinox Publishing Ltd, 2019. 156 pp. ISBN: 978-1-78179-629-00
Music and the Making of Modern Japan: Joining the Global Concert. By Margaret Mehl. Cambridge: Open Book Publishers, 2024. 449 pp. ISBN 978-180064-839-5.0
Faire carrière dans le rap au Burkina Faso. Une anthropologie politique de la musique [Rap Careers in Burkina Faso: A Political Anthropology of Music]. By Anna Cuomo. Guichen: Mélanie Seteun, coll. Mu0
‘We come from the underground’: grounding Chinese punk in Beijing and Wuhan0
The Contributors0
Introduction to special issue: Prosecuting and Policing Rap0
Punk Rock and Philosophy: Research and Destroy. Edited by Joshua Heter and Richard Greene. Chicago, IL: Open Universe, Carus Books, 2022. 346 pp. ISBN 978-1-63770-022-80
Made in Scotland. Studies in Popular Music. Edited by Simon Frith, Martin Cloonan and John Williamson. New York: Routledge, 2024. 185 pp. ISBN 978-1-032-16197-60
Platformed indie : Poptimism in Italian digital music culture0
From the periphery to the mainstream and back. The case of disco polo music in Poland0
Serge Gainsbourg. An International Perspective. Edited by Olivier Julien and Olivier Bourderionnet. New York: Bloomsbury, 2024. 259 pp. ISBN 978-1-5103-6566-90
Weird American Music. By Dorothea Gail. Universitätsverlag Winter Heidelberg, 2018. 413 pp. ISBN 978-3-8253-6956-90
Musical Models of Democracy. By Robert Adlington. Oxford: Oxford University Press, 2024, 223 pp. ISBN: 978-0-19-765881-90
Musicians in Crisis: Working and Playing in the Greek Popular Music Industry. By Ioannis Tsioulakis. London: Routledge, 2021. 200 pp., 10 b/w illustrations. ISBN 978-1-138-61544-10
Freestyling in war and peace: rap and transitional justice in Colombia0
All of the Birds Are Laughing: An Ecofeminist Interpretation of Female Pastoral in Kate Bush’s A Sky of Honey0
Hip-hop sampling aesthetics and the legacy ofGrand Upright v. Warner0
Niemen Enigmatic. By Mariusz Gradowski and Ewa Mazierska. New York: Bloomsbury Academic, 33 1/3 Europe Series, 2022. 160 pp. ISBN 978-1-501-37266-70
The Contributors0
PMU volume 43 issue 1 Cover and Front matter0
Shaping rhythm: timing and sound in five groove-based genres0
Working Musicians: Labor and Creativity in Film and Television Production. By Timothy Taylor, 2023. Durham, NC: Duke University Press. 254 pp. ISBN: 978-1-4780-1987-90
How Hip Hop Became Hit Pop. By Amy Coddington. Berkeley, CA: University of California Press, 2023. 226 pp. ISBN 978-0-520-38392-00
Coded Lyrics: The Poetics of Argentine Rock under Censorship and Beyond. By Mara Favoretto. Liverpool: Liverpool University Press, 2024. 192 pp. ISBN 9781835532300.0
Made in Finland. Studies in Popular Music. Edited by Toni-Matti Karjalainen and Kimi Kärki. London: Routledge, 2021. 276 pp. ISBN: 978-0-367-22891-00
The Contributors0
Dissonant Landscapes: Music, Nature, and the Performance of Iceland. By Tore Størvold. Middletown, CT: Wesleyan University Press, 2023. 216 pp. ISBN 978-0-819-50049-60
Fela Anikulapo-Kuti. Afrobeat, Rebellion, and Philosophy. By Adeshina Afolayan and Toyin Falola. New York, London, and Dublin: Bloomsbury Academic, 2022. 290 pp. ISBN 978-1-5013-7475-30
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