Journal of Literary Studies

Papers
(The median citation count of Journal of Literary Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-05-01 to 2025-05-01.)
ArticleCitations
The Witness of Poetry: Holocaust Representation in Abraham Sutzkever and David Fram3
“Race”, Language and Xenophobia in Joseph Conrad’s “Amy Foster”3
On the Way to Language: Reading Celan Philologically2
Female Sexualities under a Patriarchal Microscope: An Interrogation of Buchi Emecheta’s Double Yoke2
Ambiguous Women1
Contemporaneity, Religious Instruction and Music in Dryden’s “A Song for St. Cecilia’s Day” and C.S. Lewis’The Chronicles of Narnia*1
Motherhood and Memory in Najwa Bin Shatwan’s The Slave Yards1
Situated Readings1
Dystopian Futures: Ugandan Science Fiction and Post-Apocalypse Contagions1
Intermedialising Modernities1
Anxious Competition: Exploring the Poetic Imaginarium of the COVID-19 Pandemic in Malawi1
Agitations for Self-Identification and (Re)presentation in Selected Tshivenda Poetry1
Unveiling Jane Eyre: Space Escape and the Construction of Subjectivity through a Foucauldian Lens0
“A New Race of Immortals”: A Posthumanist Reading of “Poe Posthumous; or, the Light-House”0
Redaksionele nota0
Into our Labours: Work and its Representation in World-Literary Perspective, by Neil Lazarus0
The Emotional Well-being of African Wives: Perceiving the Generalised Resistance Resources (GRRs) in Stress Management by Co-wives in Lola Shoneyin’s Novel The Secret Lives of Baba Segi’s Wives0
Monstrous Bodies as Cultural Text0
Stiltes en stemme. ’n Huldiging van Karel Schoeman, deur Willie Burger (redakteur)0
Post-Apartheid Haptic0
Writing the Elusive Narrative of Soweto-Based Community Theatre, 1984–19940
Intermedial Reflections on Analogue Photography and Digital Visuality in Moxyland0
The Gender Performances of Margaret Atwood’s Aunt Lydia in "The Testaments"0
The Marriage Debate, Mona Caird and Her Feminist Radicalism0
A Zulu king in conversation with the world: Translational and transcultural strategies in Chaka (1981) by Thomas Mofolo0
The Construction of Identities0
Evolution of Memory Writing in Samuel Beckett’s Stage Plays0
Apartheid’s Patriarchies in Decline: White Masculinities in Damon Galgut’s The Promise0
Post-Apartheid Same-Sex Sexualities: Restless Identities in Literary and Visual Culture, by Andy Carolin0
Negotiations of Anxiety in the Discourses of Melanie Klein and Edgar Allan Poe0
The Power of a Brand: Paramount, Heartland Narrowcasting, and Taylor Sheridan’s Yellowstone0
The Poetics of Toxic Love0
Contributors0
Wagar and Motley “Archaic” Vestiges: A Postmodernist Reading of Contemporary Somali Fiction0
Subversive Verses: How Ndebele Musicians Counter-Framed the State Propaganda on The Gukurahundi Genocide0
The Anticipation of #MeToo in J.M. Coetzee’s Disgrace0
Rethinking the Concept of Double Consciousness in Du Bois’ The Souls of Black Folks (1903)0
Literature and the Battle against Covid-19 in Zimbabwe: A Study of Flight Mlambo’s Digital Verse0
Pandemic Literatures and Being Human in Times of Mass Infection and Catastrophe: Some African Perspectives0
Food, Masculinity and Gender-based Violence in Sally Andrew’s Recipes for Love and Murder (2015)0
Doris Lessing’s Boundary Crossings0
Tropes Have Fangs: Elsa Dutton, 1883, “Going Native”, Adaptive Whiteness and Trope Resilience0
London and the Spectre of Anarchy: Chesterton’s The Man Who Was Thursday as Urban History0
Culpability and Nature-Nature Infractions in Select Poems in Tanure Ojaide’s Narrow Escapes: A Poetic Diary of the Coronavirus Pandemic0
Unveiling Gender Dynamics0
Self-Defence and Battered Woman Syndrome in a Selected isiXhosa Short Story0
“Their Skin Is Black”0
Post-Apartheid IsiXhosa Written Poetry’s Commentary on the Neoliberal Policies of the Democratic South Africa0
Contagion, a Futurist South African Climate Crisis and a Hidden Drug Pandemic in Mohale Mashigo’s Intruders: Short Stories0
Redaksionele nota0
Poetics of the Medial State of Emily Dickinson’s Persona0
A Weberian Reading of Henry James’s The Ambassadors0
The Role of Prostitutes in the Political Economy of Corruption in Ben Mtobwa’sPesa Zako ZinanukaandDares Salaam Usiku0
Contemporary Literary and Cultural Theory: An Overview, by Jeffrey Di Leo0
Twitter Diary and COVID-19 Survival: The Case of @acielumumba0
Enjoying the Symptom: David Foster Wallace’s Brief Interviews with Hideous Men0
Refiguring in Black, by Tendayi Sithole0
The Good, the Bad, and the Ugly: Maternal Ambivalence in Avni Doshi’s Burnt Sugar0
Banville’s Anti-Ageing Narrative in The Sea and Ancient Light0
Dining with the Duttons0
Solipsistic breakthroughs or stymying collectives? Historical duels in August Wilson’s Radio Golf.0
Intensification of Biopolitical Strategies: Governing Bodies’ Treatment of Apocalyptic Zombification in Max Brook’s World War Z0
“I Felt Misunderstood by the World”: The Interplay of Fame, Adversity, and Identity in Bonnie (Mbuli) Henna’s Autobiography Eyebags & Dimples0
The Typewriter’s Tale: Re-Exploring the Historical Figure of Henry James through Fiction0
Doing Literature Now0
“There Is No Heaven to Go to, Because We’re in It Already. We’re in Hell, Too. They Coexist”0
The Bloomsbury Handbook to Sylvia Plath, edited by Anita Helle, Amanda Golden, and Maeve O’Brien0
Decolonising Adamastor: From The Lusiads to Thirteen Cents0
Corruption in Contemporary Nigerian Poetry: A New Historicist Perspective0
Displacement in When Rain Clouds Gather0
Blackface on the South African Stage0
Mapping Abjection: Dissecting Racial and Sexual Boundaries in Mark Gevisser’s Lost and Found in Johannesburg0
Writing a South African Pandemic Moment: Inequality and Violence in The Lockdown Collection0
Ecocritical Concerns in Select Afrikaans Narrative Works: Critical Perspectives0
Power and the Prison: A Foucauldian Perspective on Herman Charles Bosman’s Cold Stone Jug and Willemsdorp0
Manga: A Critical Guide by Shige (CJ) Suzuki and Ronald Stewart0
Imagined Identity and Human Rights in the Post-pandemic World of Lauren Beukes’s Afterland0
Women Navigating the Climate Catastrophe: Challenging Anthropocentrism in Selected Fiction0
Reconsidering Literatures: Directions in South African Literary Studies0
Robotic Narrative, Mindreading and Kazuo Ishiguro’s Klara and the Sun0
Being Human in a Time of Catastrophe: African Feminism, Feminist Humaneness, and the Poetry of Joyce Ash0
Problems in Philosophy of Literature0
Trauma and the Dialectics of Recuperation in Abdulrazak Gurnah’s By the Sea0
My Silver Stripes and Other Poems, by Maletšema Ruth Emsley0
Unveiling Neocolonialism in Sino-African Relations0
Literêr-teoretiese benaderings tot literatuurstudie in die tagtiger- en negentigerjare0
Complicity and Responsibility in Contemporary African Writing: The Postcolony Revisited by Minna Johanna Niemi0
Editorial Note0
LGBTQ+ Literature in the West: From Ancient Times to the Twenty-First Century, by Robert C. Evans0
Life Writing During a Pandemic: Making Sense of the “New Normal” in Lockdown Extended: Corona Chronicles (2020)0
The (De)Colonial Praxis: Confronting Present-Day Dilemmas of Transforming Knowledges and Societies in Kopano Matlwa’s Spilt Milk0
Fertile Ground0
Dystopian Futures and Posthuman Realities0
Literary Gerontology Comes of Age: A Poetic Language of Ageing (2023), edited by Olga V. Lehmann and Oddgeir Synnes0
Re-reading Matsemela Manaka’s eGoli, Domba, and Goree0
n Voelvlug oor die ontwikkeling en die gebruik van Kaapse Afrikaans (Kaaps) in Afrikaanse dramas0
The Art of Astonishment: Reflections on Gifts and Grace, by Alice Brittan0
The Multispecies City in McCarthy’s Suttree and Duiker’s Thirteen Cents0
Norman Ajari Book Review0
Veelkantige perspektief op die werk van ’n formidabele digter0
The Biopolitics of Disability0
Reflections of Tartarin of Tarascon in Araba Sevdası in the Context of Impressionism0
Eliot and Beckett’s Low Modernism: Humility and Humiliation, by Rick de Villiers0
Colonial Conflict and Cultural Symbolism in Ngũgĩ wa Thiong’o’s The River Between0
Editorial Note0
Contributors0
Die tempteerbare oog: Opstelle oor die werk van Marlene van Niekerk, deur Marius Crous (redakteur)0
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