Critical Arts-South-North Cultural and Media Studies

Article	Citations
Chinese Media in Africa: Perception, Performance, and Paradox	14
Internet Memes and Society: Social, Cultural And Political Contexts	8
Illusion in the Digitised Public Sphere: Reading WhatsApp through the Grammar of Phantasmagoria	8
Redemption in the South African West: Violence, Colonialism and Oppression in Five Fingers for Marseilles (2018)	7
Alleviative Objects: Intersectional Entanglement and Progressive Racism in Caribbean Art Alleviative Objects: Intersectional Entanglement and Progressive Racism in Caribbean Art	6
Digital Barbarism: The New Colonization of the Mind	5
Bewildering Borders: The Economy of Conservation in Africa	5
The British Tribe Next Door (2019): Reality TV in Kaoko, Tourism, and the “Hollywood Himba”	4
The Emergence of the South African Metropolis: Cities and Identities in the Twentieth Century	4
“Whose Human Rights Anyway?” Post-colonial Perspectives of Being Intombi (Virgin) in Contemporary South Africa	3
Shame, Techne and Embodied Translation in Lara Foot’s Tshepang: The Third Testament	3
Disease as a Medium: Exploring the Metaphorical Turn and Discourse Changes in Chinese AIDS Films (1988–2023)	3
Where Is the Place to Call Home? The Diasporic Writings of Hmong Americans	3
A Woman Warrior in Alternative Voices: Analysing English and French Translations of the Chinese Classic Mulan Ci (<木蘭辭> “The Ballad of Mulan”)	2
Print Culture in Southern Africa	2
Invoking Myths in Conflict Reporting: Evidences from Gorkhaland Agitation in India	2
Thinking While Black: Translating the Politics and Popular Culture of a Rebel Generation Thinking While Black: Translating the Politics and Popular Culture of a Rebel Generation	2
President, Preacher and Populist: ANC, DA and EFF Leader Posters of the 2019 South African Elections	2
The Routledge handbook of arts and global development	2
Further Travels in “Becoming-Aboriginal”: TheCountryof Oodnadatta, the Importance of Aboriginal Tourism, and the Critical Need for Ecosophy	2
Ntongela Masilela's Persistent Historico-Biographical Method: An Uneasy Balance Enabling the Re-reading of Memoir, Contemporary History and Popular Journalism	2
The Art of Ignoring Facts	2
Grappling with Refusal, Self-representation, and Visual Sovereignty at the Knoflokskraal Khoisan “Reclaim”	2
Of Worlds and Artworks: A Relational View on Artistic Practices from Africa and the Diaspora (Africa Multiple, 3)	2
West African women in the diaspora: Narratives of other spaces, other selves West African women in the diaspora: Narratives of other spaces, other selves , by Rose A. Sa	2

Zulu masculinities in South African soap opera: Uzalo, Imbewu and Isibaya	2
A Paratextual Approach to Disney’s New Mulan in China: Localization and Reception	2
Applying Reflective Writing as a Participatory Methodology for “Speaking-Up” about Gender-Based Violence in South Africa	1
A New Harmonisation of Art and Technology: Philosophic Interpretations of Artificial Intelligence Art	1
Graffiti of the “New” Hong Kong and Their Imaginative Geographies During the Anti-Extradition Bill Protests of 2019–2020	1
Notes for an oratorio on small things that fall (like a screw in the night)	1
The art of Making Public: Mapping Networks of Art Mediation	1
COVID19, “we are in this Together or are we” a Decolonial Crisis of Locating the Missing People in the Post-Human, South Africa	1
Literary Theory and Cultural Practice of “Metaverse” in China	1
Fashioning Postfeminism: Spectacular Femininity and Transnational Culture	1
Ntongela Masilela and the New African Movement: A Critical Appreciation	1
Photobooks and South Africa: Notes on Works by Peter Magubane and David Goldblatt	1
Small is Beautiful: Japanese Aesthetic Consciousness in the Animated Adaptation of The Borrowers	1
Coloniality and the Mbuya Nehanda Statue: A Decolonial Analysis of Twitter Users’ Comments	1
Translating Spacetime Intensities of Movie Barcodes	1
From “The Cotton Wool” to Criticality: Unpacking FC Bergman’s The Sheep Song	1
Infinite Mirror: Critical Reflections on Wayne Barker’s Strategies of Appropriation	1
Turning the Stereotype against Itself: A VOC Clerk, “Hottentots”, and the Formation of Colonial Discourse	1
Power and Ideology in South African Translation: A Social Systems Perspective	1
Dialect, Voice, and Identity in Chinese Translation: A Descriptive Study of Chinese Translations of Huckleberry Finn, Tess, and Pygmalion (Routledge Studies in Chinese T	1
Art, Images, and Their Media as Sites of Memorialisation	1
Diamond Town Toil and Trauma: Weaving Material Counter-Narratives of Kimberley's Pasts	1
Recharacterising Confucius in Multimodal Translation: From Analects to Comics	1
An Investigation of Exploitation and Labour Within Memes Production: A Case Study of South African Student Meme Pages	1
Medio-translatology: Concepts and Applications	1
Power and Identity Transition in Symphonic Music: Shanghai Symphony Orchestra from the 1920s to the Early 1950s	1
Graffiti, Ban or Boon? A Bakhtinian Appreciation of Selected Latrinalia from Bulawayo in Zimbabwe	1
Performing post-apartheid feeling: A review of Wayward Feeling: audio-visual culture and aesthetic activism in post-rainbow South Africa	1
From 29 May to 12 June: Journalistic Framing of Change in the Date of the Commemoration of Democracy Day in Nigeria	1
Transgeneric Assessment: Modernist Affordances for the Student Essay	1
Unlearning Imperialism Through Artistic Remediation: A Critical Pedagogy Approach	1
Digital Globalization, Fan Culture and Transmedia Storytelling: The Rise of Web Fiction as a Burgeoning Literary Genre in China	1
Diplomatic Communication of Silk Sign: Vehicle, Signification, and Narrative	1
Ideological Mediation: Metaphor Shifts in Translating the Communist Party of China’s Centenary Speech	1
Art Gallery Education Between Translation and Dialogism: Artwork, Learning and Pedagogy	0
A Critical Race Theoretic, Discourse Analysis of Facilitators’ Experiences with Teaching About Racism at a South African University	0
Engaging Pedagogy Through the Arts	0
Curating a Continued Dream: Logistical Power in Nanjing Imperial Examination Museum of China	0
“The Dam Wall Broke”: A Constructivist Grounded Theory Method Analysis of Writing on the First Decade of Democracy in the South African Art World	0
The Role of Wushu Martial Arts Representation in the Contemporary Mass Culture of the World	0
“Heed the Mute Language of Nature”: An Ecosemiotic Approach to Urban Wildlife Photography as Translation of Solastalgia 1	0
Iconoclasm, Violent Interpretation, and the Desiring Image: Sculptures on a University Campus in South Africa	0
Towards a Critical Pedagogy for Inclusion: Disability-led Arts and its Radical Promise in Singapore	0
Multimodal Chinese Discourse: Understanding Communication and Society in Contemporary China	0
Cultural Heritage and Tourism in Africa	0
Media, Place and Tourism: Worlds of Imagination	0
The Origins Centre:Enliveningthe Bushmen	0
Fuel for Perpetuating Struggle: Analysis of an Oromo Resistance Song	0
Theatre in Transition: Lars Elleström's Media Modalities and the Rise of “Video Theatre”	0
Cross Cultural Temporal Tendencies between Monochronic and Polychronic Materialisation in the films A Tale of Two Sisters (2003) and The Uninvited (2009)	0

Reimagining and Reimaging Indigenous Dances and their Contexts of Practice in Postcolonial African Environments	0
A translational sociology: interdisciplinary perspectives on politics and society	0
Subject Validity Issues and Potential Solutions in the Era of Metaverse–Starting with the Concern Over Property Rights in Crypto Art	0
In Between Two Screens: Trauma, Memory, and Subjectivity in Gülsün Karamustafa’s Work	0
“Some White Women (Are Not Like That)”. Affective Gestures in Post-Apartheid Visual Art from South Africa	0
Adelheid Frackiewicz: Landart, Mourning, and Translation	0
(W)archives: Archival Imaginaries, War, and Contemporary Art	0
Museum without Objects: A Phenomenological Study of the Cinema Museum	0
The Female Body, Christianity, and Colonial Modernity: Representation of Foot-bound Women in Alicia Little’s Travelogues	0
Terminology translation in Chinese contexts: theory and practice	0
Multiplicities of Socialist Spaces: Subjectivity Construction and Spatial Configuration in 1950s Shanghai Urban Films	0
Speaking Back to the Landscape Canon: Cultural Translation in Phumulani Ntuli’s Cloud Migration and the Liewe Land! Exhibition	0
Anxious Joburg: The Inner Lives of a Global South City	0
New Perspectives on Geography of Media	0
Archival F(r)ictions: A Queer Vocabulary for a Live art Pedagogy	0
Platformisation Practice for Emancipation or Subordination? A Multimodal Critical Discourse Study of Self-presentations of African-Chinese Families on Douyin	0
Foreign Movies and TV Dramas as the Source of Political Argot in an Authoritarian Context: Memes and Creative Resistance in Chinese Social Media	0
The Framing of Devolution of Power Debates in the Newsday (Southern Edition) During Zimbabwe’s Constitution Making Process	0
Art as a Battleground for Struggles over Politics, Race, Gender and Privilege in Contemporary South Africa	0
Transcultural poetics: Chinese literature in English translation	0
The Development Stages of Metaverse and Its Cultural Consequences	0
On Making Ethical Choices in Ethnographic Research into (Young) People’s Mediated Intimacy: A Research Note	0
More Than Just a Box: Music Storage Medium and the Mediatization of Chinese Rock Culture	0
Cross-Cultural Encounters in Modern and Premodern China: Global Networks, Mediation, and Intertextuality Cross-Cultural Encounters in Modern and Premodern China: Global Networks, Mediat	0
Translation, Reception and Canonization of The Art of War: Reviving Ancient Chinese Strategic Culture	0
Response to Ntongela Masilela and the New African Movement: A Critical Appreciation	0
Between Representation and Reality: Zhao Chuan’s World Factory as Social Theatre	0
Khoisan Consciousness: An Ethnography of Emic Histories and Indigenous Revivalism in Post-Apartheid Cape Tow	0
A “Poor Man's Pleasure”: The Cinema House and Its Publics in Twentieth Century South Africa	0
Critical Perspectives on Digitization of Translation: Challenges and Opportunities	0
A Comprehensive Evaluation of Urban Cultural Soft Power for the Silk Road Economic Belt	0
New Progression in China's Narratology Studies: Extensive Reform of Western Narratology and Embryonic Construction of Chinese School of Narratology	0
Cartooning COVID-19 in China	0
Carrie Mae Weems’ Intersectional Tropes: Engaging Black Feminism Within Arts Teacher Education	0
The “Jews of Africa”: Comparative Analysis of Scapegoat Politics in Relation to Three Case Studies, Asian Ugandans, South African Indians, and the Jewish People of Europe	0
Amy Tan’s Thing-Narrative in The Valley of Amazement	0
The Most Influential Elements of the Chinese Traditional Music Culture before the Ming Dynasty in Southeast Asia	0
Emotive Art: An Analysis of Graffiti from Selected Secondary Schools in Bikita-Matsai District, Zimbabwe	0
A treatise on the Garden of Jiangnan — A Study on the Art of Chinese Classical Garden	0
Drifting Between Paris and Beijing: Transnational Cityscapes in Lou Ye’s Sino-French Film Love and Bruises (2011)	0
Tradition, Transmediality, and Modernity: Representation of the Double in Chinese Modern Visual Culture	0
A century of South African theatre	0
Political Imagination and Utopian Pedagogy	0
Curation by the Living Dead: Exploring the Legacy of Norwegian Museums' Colonial Collections	0
Transmedial Perspectives on Humour and Translation: From Page to Screen to Stage Transmedial Perspectives on Humour and Translation: From Page to Screen to Stage , edite	0
A Topic-Modelling-Assisted Discourse Study of DiDi’s Delisting from the New York Stock Exchange in Anglo-American Media Coverage	0
Vandalism as a Mode of Visual Sovereignty: A New Definition and Complications Arising	0
Unfulfilled Future Perfect? Comics as a Site of Liberty in Post-Mao China	0
Review of Dreaming the Karoo: A People Called the /Xam	0
Preparing Artists to Save the World: Community-Engaged Arts Practice as Critical Pedagogy	0
Idiophones or Palettes? An Analysis of Flat Bone and Shale Implements from Matjes River Site, Southern Cape of South Africa	0
Discourses, Modes, Media and Meaning in an Era of Pandemic: A Multimodal Discourse Analysis Approach Discourses, Modes, Media and Meaning in an Era of Pandemic: A Multimodal Discourse A	0
Shared Anthropology: When Anthropology Meets Critical Public Pedagogy	0
Gender, Feminist and Queer Studies: Power, Privilege and Inequality in a Time of Neoliberal Conservatism	0
Exploring the Author–Translator–Publisher Relationship Using Bourdieu’s Capital: A Case Study of Jin Yong’s Martial Arts Fiction	0
A Multimodal Approach to Challenging Gender Stereotypes in Children’s Picture Books	0
The Translation of Violence in Children’s Literature: Images from the Western Balkans	0
The Passing of Vincent Mosco: Reflections on his Career and Critical Discourses on Power, Technology Policy and Global Communication	0
The Media Characteristics and Subject Boundaries of Metaverse Art	0
Insights into a Beneficial but Labour Intensive Post-Doctoral Publishing Project	0
Media, Big men and Power Struggles in Football Bodies: Framing the Impasse between the ZIFA and PSI leadership in Selected Media	0
Discursive Negotiation in Post-Socialist China’s Media	0
Order and Chaos: A Study on the Female Figure and Metaphor in Nymph of the Luo River in the Context of Iconology and Spatial Study	0
Ecolinguistics: Language, Ecology and the Stories We Live By (2nd edition)	0
Contemporary Chinese Films and Their International Exposure	0
Constructing Victimisation as Masculine Honour: Men and Intimate Partner Violence in Johannesburg	0
Wayward Feeling — Audio-Visual Culture and Aesthetic Activism in Post-Rainbow South Africa Wayward Feeling — Audio-Visual Culture and Aesthetic Activism in Post-Rainbow South Africa	0
The Classical Chinese Gardens as a Medium: Rethinking the Visual Transformation in Chinese Culture in the Twentieth Century	0
Winnie and Nelson: Portrait of a Marriage	0
Tribes Must Go: New African Intellectuals and the Contested Idea of Black Nationhood	0
Cultural Studies in Interhemispherical Perspective. China, Africa, Asia and Australasia	0
Taking Turtle Time: About Entanglements of Thinking, Making and Doing in Research-Creation Practices	0
Will the Metaverse Revolutionize the Narrative?	0
Barca Nostra: Photography, Tourists, Travel and Refugees	0
On the Seeable Limits of Decolonial and Indigenous Scholarship: Conceptualising Ondeursigbaarheid as Critical Analytic Through Reference to the |xam, the Bleek and Lloyd	0
“ Prince Mangosuthu Buthelezi Wept ”: Exploring Translations of Language, Practices and Story Forms in IsiZulu Journalism	0
The Social Cohesion Dilemma: Theoretical Reflections on Critical Music Pedagogy	0
The Art of Admitting to Shortcomings	0
Digital Dissidence and Social Media Censorship in Africa	0
The Text-Image Theory: Reflections on the Sign Crisis	0

Inter-objectivity and the Birth of New Materialism: How to Understand “Objects” in a Metaverse	0
The Kruger Park and Jacob Dlamini’s Safari Nation: A Social History of the Kruger National Park	0
Ribbon Remembrances at the Tokai Forest Gender Based Violence Roadside Memorial: Mapping Materiality, Artivism and Multimodal Afterlives in Cape Town	0
A Mythological Approach to Exploring the Origins of Chinese Civilization A Mythological Approach to Exploring the Origins of Chinese Civilization , by Shuxian Ye, Singap	0
Analysing the Character Types and Power Relationships in Metaverse-Themed Movies from the Perspective of Discipline and Anti-discipline	0
Constructing Attractiveness: Chinese Diplomatic Actors’ Cultural Soft-power Discursive Practices through the British Press	0
Exploring Metaphorical Representations of Law and Order in China’s Government Work Reports: A Corpus-based Diachronic Analysis of Legal Metaphors	0
Monuments and memory in Africa: reflections on coloniality and decoloniality Monuments and memory in Africa: reflections on coloniality and decoloniality , edited by Joh	0
Rapid Communication: Critical Management Studies/Cultural Studies	0
North Korean Defectors’ Self-representation as the Politics of Refusal	0
Different Discursive Constructions of Chinese Political Congresses in China Daily and The New York Times: A Corpus-based Discourse Study	0
“I Searched for Form and Land, for Years and Years I Roamed”: Reflecting on an (A)Typical Academic Journey	0
Diasporic Identity, Intellectual Nomadism and its African Theorists	0
Dark Humour in Moving Frames: A Discourse Analysis of Bollywood Black Comedies	0
Sámi Cultural Heritage in Audiovisual Archives – Ethical Reflections on the Sámi Audiovisual Collection	0
Addressing a Difficult History: Representations of Sarah Baartman by Three South African Artists	0
Pentadic Cartography and India’s Foreign Policy: Insights from Jaishankar’s GLOBSEC Forum Interview	0
China’s Image in the GCC Mainstream English Newspapers: A Corpus-Based Critical Discourse Analysis	0
Boys Love Media in Thailand: Celebrity, Fans, and Transnational Asian Queer Popular Culture	0
Phenomenology as Experiential Translation: Towards a Semiotic Typology of Descriptive and Expressive Ways of Making Sense of Experience	0
Folk Legends and Proverbs Related to Animals in Northeastern China: Contemporary Young People’s Viewpoints and the Construction of Cultural Codes	0
A Bibliometric Study on Chinese Discourse (1994–2021)	0
Between Cultural Engineering, Media Sensationalism & Memetic Propaganda: A Curious Case of Erratic Obituaries for Late American Secretary	0
Immobile Cabmen and Single-track Railroads: Images of Stasis and Redundancy in August Wilson’s Jitney and Two Trains Running	0
Construing Community with a Shared Future in President Xi Jinping’s Diplomatic Discourse (2013–2018): The Role of Personal Pronouns we and they	0
The Disparity View: The Metaverse as an Equivalent of Life	0
Locating Spaces for San Mother-Tongue Education in the South African Education Framework	0
Music, Spirits and Healing in the Twelve Apostles Church: A Ghanaian Christological Paradigm	0
Multimodal News Analysis across Cultures Multimodal News Analysis across Cultures , by Helen Caple, Changpeng Huan, Monika Bednarek, Cambridge, Cambridge University Pres	0
Diasporic Hallyu: The Korean Wave in Korean Canadian Youth Culture	0
Uncomfortable Knowledges and Transformative Learning: Reimagining the Museum in the Art of Gustafsson&Haapoja	0
Cultural Studies as “Export” Discipline and its Challenges	0
“Awe , Masekinders!”: Kullid Identities from Eden Park, Johannesburg in the Work of Bougaard	0
Reviewing Culture Online: Post-Institutional Cultural Critique across Platforms	0
Ordinary Whites in Apartheid Society	0
Adapting endings from book to screen: last pages, last shots	0
The Routledge Handbook of Cultural Discourse Studies	0
The Loneliness Room: Creative Practice as Critical Pedagogy	0
Autoethnography as a Pedagogical Tool for Developing Culturally Situated Psychotherapeutic Practice	0
Social Media and Everyday Life in South Africa	0
Ecological Thinking about the Metaverse from a Posthumanist Perspective	0
Media Construction of China: A Review of Relevant Studies	0
Screening China in Carnival: A Powerful China Framed in Participatory Documentary	0
Theorizing Afrophobia Beyond Apartheid: Conflict Cultures in Neill Blomkamp's District 9	0
Depictions of Black Defiance and Sovereign African Personhood in SEK Mqhayi’s U-Don Jadu	0
Borders, Media Crossing and the Politics of Translation: The Gaze from Southern Africa	0
A Global Communication Vision: Towards a Neo-Cosmopolitan Media Theory A Global Communication Vision: Towards a Neo-Cosmopolitan Media Theory , by Peng Shao and Peiren S	0
Unpacking Cultural Logics: A Rhetorical Listening Analysis of the Public Black Pete Debate in Flanders	0
90 Plein Streetand the ANC’s 2017 Nasrec Conference – Educational Entertainment Television or State Capture Conspiracy?	0
How to build a “Dream” in political speech? A critical discourse analysis of the discursive construction of the Chinese Dream speech	0
(Dis)Assembling eSports: Material Actors and Relational Networks in the Chinese eSports Industry	0
Between Calligraphic Untranslatability and Symbolic Translatability: Xu Bing’s Pictographic Art	0
Corrupted: A Study of Chronic Dysfunction in South African Universities Corrupted: A Study of Chronic Dysfunction in South African Universities , by Jonathan D. Jansen,	0
People Living with HIV/AIDS are Nothing to be Afraid of : A Critical Discourse Analysis (CDA) of HIV/AIDS Stigmas and Mythologies in One Selected IsiXhosa Short Story	0
The Decolonial Turn in Khoisan Studies: Opportunities, Pitfalls, and new Directions in Longstanding Debates Concerning Southern Africa’s Indigenous People	0
Curation as Engagement: Boulder Exhibits at the Origins Centre, South Africa	0
Repairing Representational Wounds: Artistic and Curatorial Approaches to Transition After War	0
Strengthening the National Identity Through A Bite of China: Collective Memory and Traditional Culture	0
Humanistic Responsibilities in the Upsurge of “Metaverse”	0
Correction	0
Translation as Metamorphosis in the Animated Poetry-Film	0
“Admirable Facsimiles”: Coffee Tables, Copying Contexts and Helen Tongue’s Rock Art Book c1909	0
Acculturation and Ethnic Costume Preservation: A Grounded Theory Study on Heterogeneous Strategies in Japan and Korea	0
A Timely Example of Deep Listening: Tackling the Epistemological Crisis in the North	0
Functional Approach to Professional Discourse Exploration in Linguistics	0
Media Power and Hegemony in South Africa: The Myth of Independence	0
Robots, AI, and the Metaverse: Distinguishing the Intelligent Images in Science Fiction Movies	0
Reappraising Self, and Others: A Corpus-Based Study of Chinese Political Discourse in English Translation	0
Aggression, Disempowerment, and Feminism in the “Scum Men” Discourse on Chinese Social Media	0
Agencies in Feminist Translator Studies: Barbara Godard and the Crossroads of Literature in Canada	0
To De-exoticize Chinese Stereotypes: US-Sino Communication in American Factory	0
Chuansuo hei’an dalu: wanqing wenren duiyu feizhou tanxian wenben de yijie yu xiangxiang 穿梭黑暗大陸: 晚清文人對於非洲探險文本的譯介與想像 (Traversing the Dark Continent: Translating and Imaging African Exploration and Adve	0
Digital Virtuality and Autopoiesis: the transformation from world elements of literature and arts to metaverse	0
Can one obtain dignity while using the Master's categories?	0
The Complex Ethical Concept of “Otherness” as a Heuristic for Thinking through Cultural Adoption	0
Dismantling Cultural Borders Through Social Media and Digital Communications: How Networked Communities Compromise Identity Dismantling Cultural Borders Through Social Media and Digital	0
Were They Illegal Rioters or Pro-democracy Protestors? Examining the 2019–20 Hong Kong Protests inChina DailyandThe New York Times	0
Fugitive Aesthetics in Sámi Artists Lena Stenberg’s Exhibition Borders (2023) and Pauliina Feodoroff’s Performance Matriarchy (2022)	0
Digital Platforms and the Global South: Reconfiguring Power Relations in the Cultural Industries	0
“My Story is Not a Pink Story”: Enabling Care in a Research-Creation Practice with Parents of a Disabled Child in Inclusive Trajectories	0
The Routledge Handbook of Translation and Sexuality	0
Emic and etic perspectives on Khoisan revivalism: a response to Bam, Coetzee, Gordon, and Øvernes. Khoisan Consciousness: An Ethnography of Emic Histories and Indigenous Revivalism in Post-Apartheid C	0
Coloniality and Migrancy in African Diasporic Literatures	0
Diversity and Dialogue: François Jullien and China 多元与对话: 弗朗索瓦·于连与中国	0
Ecocriticism (The New Critical Idiom), 3rd edition	0
Translation in Semiosis of Life/Translation in Globalisation	0
Confrontation, Competition, or Cooperation? The China–US Relations Represented in China Daily’s Coverage of Climate Change (2010–2019)	0
Ruinscapes and Temporalities in Lauren Beukes’s Zoo City	0
Kaziyang’emasisweni : Ntongela Masilela and Mazisi Kunene’s Dialogue of Great Civilisations Across Time	0
Space and Time in African Cinema and Cine-scapes	0
Lifestyle Politics in Translation: The Shaping and Re-Shaping of Ideological Discourse Lifestyle Politics in Translation: The Shaping and Re-Shaping of Ideological Discourse	0
“Memory, the Guardian of all Things”: Ntongela Masilela and the Project of Re- membering	0
Go-Itata Ritualised Theatre Performance Modes of koma Aesthetics in a Performance as Research Production: Wela	0
The Ethics of Engagement: Media, Conflict and Democracy in Africa	0
When a Literary Translator Took an Activist Turn: Lin Yutang’s Translation of New Democracy	0