Critical Arts-South-North Cultural and Media Studies

Papers
(The median citation count of Critical Arts-South-North Cultural and Media Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-03-01 to 2024-03-01.)
ArticleCitations
Were They Illegal Rioters or Pro-democracy Protestors? Examining the 2019–20 Hong Kong Protests inChina DailyandThe New York Times13
From Underground to Mainstream and Then What? Empowerment and Censorship in China’s Hip-Hop Music9
Construing Community with a Shared Future in President Xi Jinping’s Diplomatic Discourse (2013–2018): The Role of Personal Pronouns we and they8
Globalization, Science Fiction and the China Story: Translation, Dissemination and Reception of Liu Cixin’s Works across the Globe8
“One Country, Two Systems”: A Corpus-assisted Discourse Analysis of the Politics of Recontextualization in British, American and Chinese Newspapers7
Precarious Creativity: Production of Digital Video in China5
Different Discursive Constructions of Chinese Political Congresses in China Daily and The New York Times: A Corpus-based Discourse Study4
Exploring Metaphorical Representations of Law and Order in China’s Government Work Reports: A Corpus-based Diachronic Analysis of Legal Metaphors4
Martial Arts Cinema in Civil Society of Postcolonial Hong Kong:Kung Fu HustleandThe Grandmaster4
Alibaba’s Media Empire Dream? A Discursive Analysis of Legitimacy Strategies over Cross-Border Media Acquisition3
Integrative Research in Art and Science: A Framework for Proactive Humanities3
Re-reading the Propaganda and Counter-Propaganda History of South Africa: On the African National Congress’ (ANC) Anti-Apartheid Radio Freedom3
Geopoetic Praxis in European Diversity/Decoloniality3
Towards a Socio-Cultural Account of Literary Canon’s Retranslation and Reinterpretation: The Case of The Journey to the West3
Critical Perspectives on Digitization of Translation: Challenges and Opportunities3
Strengthening the National Identity Through A Bite of China: Collective Memory and Traditional Culture3
(Dis)Assembling eSports: Material Actors and Relational Networks in the Chinese eSports Industry2
New Media, Contentious Politics, and Political Public Sphere in Iran2
The Role of Wushu Martial Arts Representation in the Contemporary Mass Culture of the World2
Confrontation, Competition, or Cooperation? The China–US Relations Represented in China Daily’s Coverage of Climate Change (2010–2019)2
An Overview of Cultural Literacy in Turkey through Private Contemporary Art Institutions and Independent Arts and Cultural Spaces under the AKP Rule2
Curation by the Living Dead: Exploring the Legacy of Norwegian Museums' Colonial Collections2
North Korean Defectors’ Self-representation as the Politics of Refusal2
African Cultural Studies: An Overview2
Appraising with Metaphors: A Case Study of the Strategic Ritual for Invoking Journalistic Emotions in News Reporting of the China–US Trade Disputes2
The Most Influential Elements of the Chinese Traditional Music Culture before the Ming Dynasty in Southeast Asia2
African language digital media and communication2
Autoethnography as a Pedagogical Tool for Developing Culturally Situated Psychotherapeutic Practice2
Media Construction of China: A Review of Relevant Studies2
Graffiti of the “New” Hong Kong and Their Imaginative Geographies During the Anti-Extradition Bill Protests of 2019–20202
Further Travels in “Becoming-Aboriginal”: TheCountryof Oodnadatta, the Importance of Aboriginal Tourism, and the Critical Need for Ecosophy2
Digital Globalization, Fan Culture and Transmedia Storytelling: The Rise of Web Fiction as a Burgeoning Literary Genre in China1
Beyond Rebellion of the Net: Infrastructural Commoning as Critical Cultural Literacy1
Power and Identity Transition in Symphonic Music: Shanghai Symphony Orchestra from the 1920s to the Early 1950s1
Performing Chineseness, Translated Histories: Taiwanese Cartoonist Chen Uen’s Ink-brush Comic Aesthetics and Digital Pedagogy1
Printmaking and Cultural Imagination in Contemporary Nigerian Art1
Drifting Between Paris and Beijing: Transnational Cityscapes in Lou Ye’s Sino-French Film Love and Bruises (2011)1
Illusion in the Digitised Public Sphere: Reading WhatsApp through the Grammar of Phantasmagoria1
Pathways Indra Congress: Cultural Literacy for Social Change1
Ethnic Politics and Aesthetic Criticism: An Analysis of Social Media Discourses About Skhosana Buhlungu’s Music1
The Renewal of Western Philosophy: On Heidegger’s Expropriation of Lao Tzu’s Thought Through Xiao Shiyi1
China’s School Textbook Replacement and Curriculum Reform in the New Era of Globalization1
The Origins Centre:Enliveningthe Bushmen1
Infectious Images: Viral Internet Content in the Democratic Republic of Congo1
Robots, AI, and the Metaverse: Distinguishing the Intelligent Images in Science Fiction Movies1
Unpacking Cultural Logics: A Rhetorical Listening Analysis of the Public Black Pete Debate in Flanders1
A Bibliometric Study on Chinese Discourse (1994–2021)1
Small is Beautiful: Japanese Aesthetic Consciousness in the Animated Adaptation of The Borrowers1
Media, Big men and Power Struggles in Football Bodies: Framing the Impasse between the ZIFA and PSI leadership in Selected Media1
A New Harmonisation of Art and Technology: Philosophic Interpretations of Artificial Intelligence Art1
Peter Abrahams and the Bandung Era: Afro-Asian Routes of Connection1
Cultural Literacies in Transition1
How to build a “Dream” in political speech? A critical discourse analysis of the discursive construction of the Chinese Dream speech1
Peter Abrahams Close Up: A Profile from Letters in his Archived Collection1
Struggle Between Tradition and Modernity: The Images of Beijing Hutongs in Anglo-American Media1
The Classical Chinese Gardens as a Medium: Rethinking the Visual Transformation in Chinese Culture in the Twentieth Century1
Cross-cultural Exchange of Heritage in Museums: A Study of Dunhuang Art in the Hong Kong Heritage Museum from the Perspective of Cultural Translation1
Role-Play as a Pedagogical Strategy to Assist Postgraduate Psychology Students Engage with the Social Embeddedness of Trauma1
Thinking on the Research Methods of Dialogism in Chinese and Western Literary Theories1
Ecological Thinking about the Metaverse from a Posthumanist Perspective1
From 29 May to 12 June: Journalistic Framing of Change in the Date of the Commemoration of Democracy Day in Nigeria1
The Kruger Park and Jacob Dlamini’s Safari Nation: A Social History of the Kruger National Park1
Literary Theory and Cultural Practice of “Metaverse” in China1
When Shopping Turns Scary: Twitter Conversations about Violent Crime in Johannesburg Malls1
President, Preacher and Populist: ANC, DA and EFF Leader Posters of the 2019 South African Elections1
Call Centre Karma, or How Popular Culture Learned to Stop Worrying and Love Outsourcing1
Digital Barbarism: The New Colonization of the Mind1
A Comprehensive Evaluation of Urban Cultural Soft Power for the Silk Road Economic Belt1
Reinventing Hoodia1
The Insight and Limitation of “Post-Theory”: The Poetics Problem of Chinese Cinema Carried by David Bordwell1
A Systematic Literature Review of the Belt and Road Initiative in Australia from 2013 to 20211
Democratising Goals in a Neoliberal Context—The Multiple Temporalities in Finnish Cultural Policy Discourses1
“Admirable Facsimiles”: Coffee Tables, Copying Contexts and Helen Tongue’s Rock Art Book c19091
Tradition, Transmediality, and Modernity: Representation of the Double in Chinese Modern Visual Culture1
Art, trade, and cultural mediation in Asia, 1600–19501
Iconoclasm, Violent Interpretation, and the Desiring Image: Sculptures on a University Campus in South Africa0
From “The Cotton Wool” to Criticality: Unpacking FC Bergman’s The Sheep Song0
Locating Spaces for San Mother-Tongue Education in the South African Education Framework0
“I Searched for Form and Land, for Years and Years I Roamed”: Reflecting on an (A)Typical Academic Journey0
Ntongela Masilela and the New African Movement: A Critical Appreciation0
Exploring the Author–Translator–Publisher Relationship Using Bourdieu’s Capital: A Case Study of Jin Yong’s Martial Arts Fiction0
Chuansuo hei’an dalu: wanqing wenren duiyu feizhou tanxian wenben de yijie yu xiangxiang 穿梭黑暗大陸: 晚清文人對於非洲探險文本的譯介與想像 (Traversing the Dark Continent: Translating and Imaging African Exploration and Adve0
Fuel for Perpetuating Struggle: Analysis of an Oromo Resistance Song0
Ruinscapes and Temporalities in Lauren Beukes’s Zoo City0
Art, Images, and Their Media as Sites of Memorialisation0
Speaking Back to the Landscape Canon: Cultural Translation in Phumulani Ntuli’s Cloud Migration and the Liewe Land! Exhibition0
Translation in Semiosis of Life/Translation in Globalisation0
Winnie and Nelson: Portrait of a Marriage0
Coloniality and the Mbuya Nehanda Statue: A Decolonial Analysis of Twitter Users’ Comments0
Cultural Studies in Interhemispherical Perspective. China, Africa, Asia and Australasia0
Corrupted: A Study of Chronic Dysfunction in South African Universities0
Order and Chaos: A Study on the Female Figure and Metaphor in Nymph of the Luo River in the Context of Iconology and Spatial Study0
The Social Cohesion Dilemma: Theoretical Reflections on Critical Music Pedagogy0
An Investigation of Exploitation and Labour Within Memes Production: A Case Study of South African Student Meme Pages0
Cultural Heritage and Tourism in Africa Cultural Heritage and Tourism in Africa , by Dallen J. Timothy, New York: Routledge, 2023, 327 pp., ISBN978-0-367-72224-10
Translation, Reception and Canonization of The Art of War: Reviving Ancient Chinese Strategic Culture0
A Topic-Modelling-Assisted Discourse Study of DiDi’s Delisting from the New York Stock Exchange in Anglo-American Media Coverage0
Emotive Art: An Analysis of Graffiti from Selected Secondary Schools in Bikita-Matsai District, Zimbabwe0
Insights into a Beneficial but Labour Intensive Post-Doctoral Publishing Project0
The “Jews of Africa”: Comparative Analysis of Scapegoat Politics in Relation to Three Case Studies, Asian Ugandans, South African Indians, and the Jewish People of Europe0
Correction0
Ribbon Remembrances at the Tokai Forest Gender Based Violence Roadside Memorial: Mapping Materiality, Artivism and Multimodal Afterlives in Cape Town0
Dismantling Cultural Borders Through Social Media and Digital Communications: How Networked Communities Compromise Identity Dismantling Cultural Borders Through Social Media and Digital0
Unlearning Imperialism Through Artistic Remediation: A Critical Pedagogy Approach0
Encountering Peter Abrahams: Reflections after a Visit to “Coyaba”0
The Disparity View: The Metaverse as an Equivalent of Life0
A “Poor Man's Pleasure”: The Cinema House and Its Publics in Twentieth Century South Africa0
Applying Reflective Writing as a Participatory Methodology for “Speaking-Up” about Gender-Based Violence in South Africa0
Between a Formalist Rock and a Contextually Hard Place: The Gaps and Tensions Challenging Visual Arts Curricula in South African Higher Education0
Infinite Mirror: Critical Reflections on Wayne Barker’s Strategies of Appropriation0
A treatise on the Garden of Jiangnan — A Study on the Art of Chinese Classical Garden0
The Framing of Devolution of Power Debates in the Newsday (Southern Edition) During Zimbabwe’s Constitution Making Process0
Photobooks and South Africa: Notes on Works by Peter Magubane and David Goldblatt0
A Global Communication Vision: Towards a Neo-Cosmopolitan Media Theory A Global Communication Vision: Towards a Neo-Cosmopolitan Media Theory , by Peng Shao and Peiren S0
Fashioning Postfeminism: Spectacular Femininity and Transnational Culture0
On Making Ethical Choices in Ethnographic Research into (Young) People’s Mediated Intimacy: A Research Note0
Functional Approach to Professional Discourse Exploration in Linguistics0
Reimagining and Reimaging Indigenous Dances and their Contexts of Practice in Postcolonial African Environments0
The Labour of Trash Films: Agnès Varda, Les Glaneurs et la Glaneuse; Mai Iskander, Garbage Dreams; and Lucy Walker, Waste-Land0
Subject Validity Issues and Potential Solutions in the Era of Metaverse–Starting with the Concern Over Property Rights in Crypto Art0
Transgeneric Assessment: Modernist Affordances for the Student Essay0
Social Media and Everyday Life in South Africa0
Analysing the Character Types and Power Relationships in Metaverse-Themed Movies from the Perspective of Discipline and Anti-discipline0
The Ethics of Engagement: Media, Conflict and Democracy in Africa0
Idiophones or Palettes? An Analysis of Flat Bone and Shale Implements from Matjes River Site, Southern Cape of South Africa0
Invoking Myths in Conflict Reporting: Evidences from Gorkhaland Agitation in India0
Daphne Elizabeth Abrahams0
The Text-Image Theory: Reflections on the Sign Crisis Text-Image Theory: Comparative Semiotic Studies on Chinese Traditional Literature and Arts , by Zhao Xianzhang, Rom0
Queer Affective Literacies: Examining “Rotten” Women’s Literacies in Japan0
The Art of Ignoring Facts0
Remapping Taipei for Jameson? Rediscovering the Indigenization, Modernity, and Postmodernity of Taipei0
Will the Metaverse Revolutionize the Narrative?0
Terminology translation in Chinese contexts: theory and practice0
Zulu masculinities in South African soap opera: Uzalo, Imbewu and Isibaya0
Towards a Critical Pedagogy for Inclusion: Disability-led Arts and its Radical Promise in Singapore0
Portrayal of Igbo Culture in the Film Adaptations ofThings Fall ApartandHalf of a Yellow Sun0
Ecolinguistics: Language, Ecology and the Stories We Live By (2nd edition)0
Ideological Mediation: Metaphor Shifts in Translating the Communist Party of China’s Centenary Speech0
A Mythological Approach to Exploring the Origins of Chinese Civilization A Mythological Approach to Exploring the Origins of Chinese Civilization , by Shuxian Ye, Singap0
Phenomenology as Experiential Translation: Towards a Semiotic Typology of Descriptive and Expressive Ways of Making Sense of Experience0
The Translation of Violence in Children’s Literature: Images from the Western Balkans0
Foreign Movies and TV Dramas as the Source of Political Argot in an Authoritarian Context: Memes and Creative Resistance in Chinese Social Media0
Print Culture in Southern Africa0
Theatre in Transition: Lars Elleström's Media Modalities and the Rise of “Video Theatre”0
Time, Nature, and the Project of Modernity: Eco-dialogism and Huijian Yu’s Paintings0
Uncomfortable Knowledges and Transformative Learning: Reimagining the Museum in the Art of Gustafsson&Haapoja0
More Than Just a Box: Music Storage Medium and the Mediatization of Chinese Rock Culture0
Redemption in the South African West: Violence, Colonialism and Oppression in Five Fingers for Marseilles (2018)0
Constructing Victimisation as Masculine Honour: Men and Intimate Partner Violence in Johannesburg0
Museum without Objects: A Phenomenological Study of the Cinema Museum0
Cartooning COVID-19 in China0
Tribes Must Go: New African Intellectuals and the Contested Idea of Black Nationhood0
Music, Spirits and Healing in the Twelve Apostles Church: A Ghanaian Christological Paradigm0
Political Imagination and Utopian Pedagogy0
The Decolonial Turn in Khoisan Studies: Opportunities, Pitfalls, and new Directions in Longstanding Debates Concerning Southern Africa’s Indigenous People0
Contemporary Chinese Films and Their International Exposure0
A Turbulent Path: Constructing Winnie Madikizela-Mandela in Hegemonic Documentary Film0
Shame, Techne and Embodied Translation in Lara Foot’s Tshepang: The Third Testament0
The Contractual Aesthetics of Sharecropping in Black Conceptualism0
Graffiti, Ban or Boon? A Bakhtinian Appreciation of Selected Latrinalia from Bulawayo in Zimbabwe0
Curation as Engagement: Boulder Exhibits at the Origins Centre, South Africa0
The Emergence of the South African Metropolis: Cities and Identities in the Twentieth Century0
Re-thinking the Curatorial—Interrogating Old Practices and New Efforts in Colonial Collections and Archives0
The Development Stages of Metaverse and Its Cultural Consequences0
Space and Time in African Cinema and Cine-scapes0
Repairing Representational Wounds: Artistic and Curatorial Approaches to Transition After War0
Bewildering Borders: The Economy of Conservation in Africa0
“Memory, the Guardian of all Things”: Ntongela Masilela and the Project of Re- membering0
Power and Ideology in South African Translation: A Social Systems Perspective0
Review of Dreaming the Karoo: A People Called the /Xam0
Cairo’s Ultras: Resistance and revolution in Egypt’s football culture0
Kaziyang’emasisweni : Ntongela Masilela and Mazisi Kunene’s Dialogue of Great Civilisations Across Time0
Black Popular Culture and Social Justice: Beyond the Culture0
Digital Virtuality and Autopoiesis: the transformation from world elements of literature and arts to metaverse0
Crossing Boundaries in Fact and in Fiction0
Lifestyle Politics in Translation: The Shaping and Re-Shaping of Ideological Discourse Lifestyle Politics in Translation: The Shaping and Re-Shaping of Ideological Discourse 0
(W)archives: Archival Imaginaries, War, and Contemporary Art0
The Routledge Handbook of Chinese discourse analysis0
A Critical Race Theoretic, Discourse Analysis of Facilitators’ Experiences with Teaching About Racism at a South African University0
West African women in the diaspora: Narratives of other spaces, other selves West African women in the diaspora: Narratives of other spaces, other selves , by Rose A. Sa0
A century of South African theatre0
Transcultural poetics: Chinese literature in English translationTranscultural poetics: Chinese literature in English translation edited by Yifeng Sun and Dechao Li, New York, Routledge, 2023, 236pp., 0
Thinking While Black: Translating the Politics and Popular Culture of a Rebel Generation Thinking While Black: Translating the Politics and Popular Culture of a Rebel Generation 0
The Loneliness Room: Creative Practice as Critical Pedagogy0
Translation as Metamorphosis in the Animated Poetry-Film0
Adapting endings from book to screen: last pages, last shots0
Theorizing Afrophobia Beyond Apartheid: Conflict Cultures in Neill Blomkamp's District 90
Alleviative Objects: Intersectional Entanglement and Progressive Racism in Caribbean Art0
The Art of Admitting to Shortcomings0
Constructing Attractiveness: Chinese Diplomatic Actors’ Cultural Soft-power Discursive Practices through the British Press0
In Between Two Screens: Trauma, Memory, and Subjectivity in Gülsün Karamustafa’s Work0
Medio-translatology: Concepts and Applications0
Cross-Cultural Encounters in Modern and Premodern China: Global Networks, Mediation, and Intertextuality Cross-Cultural Encounters in Modern and Premodern China: Global Networks, Mediat0
Diasporic Hallyu: The Korean Wave in Korean Canadian Youth Culture0
90 Plein Streetand the ANC’s 2017 Nasrec Conference – Educational Entertainment Television or State Capture Conspiracy?0
Acculturation and Ethnic Costume Preservation: A Grounded Theory Study on Heterogeneous Strategies in Japan and Korea0
Peter Abrahams of South Africa: Learning to Read (in) the Global 1930s0
Multimodal Chinese Discourse: Understanding Communication and Society in Contemporary China Multimodal Chinese Discourse: Understanding Communication and Society in Contemporary China0
Staging the World: Cross-Cultural (Il)literacy, Taiwan’s Mobile Stage Phenomenon, and Shen Chao-liang’s Stage Series0
China’s Image in the GCC Mainstream English Newspapers: A Corpus-Based Critical Discourse Analysis0
Multimodal News Analysis across Cultures Multimodal News Analysis across Cultures , by Helen Caple, Changpeng Huan, Monika Bednarek, Cambridge, Cambridge University Pres0
Cross Cultural Temporal Tendencies between Monochronic and Polychronic Materialisation in the films A Tale of Two Sisters (2003) and The Uninvited (2009)0
New Progression in China's Narratology Studies: Extensive Reform of Western Narratology and Embryonic Construction of Chinese School of Narratology0
Diasporic Identity, Intellectual Nomadism and its African Theorists0
The Complex Ethical Concept of “Otherness” as a Heuristic for Thinking through Cultural Adoption0
Internet Memes and Society: Social, Cultural And Political Contexts0
Art as a Battleground for Struggles over Politics, Race, Gender and Privilege in Contemporary South Africa0
Diamond Town Toil and Trauma: Weaving Material Counter-Narratives of Kimberley's Pasts0
Aestheticising Atrocity: George Osodi’s Series Oil Rich Niger Delta0
COVID19, “we are in this Together or are we” a Decolonial Crisis of Locating the Missing People in the Post-Human, South Africa0
Rapid Communication: Critical Management Studies/Cultural Studies0
“Whose Human Rights Anyway?” Post-colonial Perspectives of Being Intombi (Virgin) in Contemporary South Africa0
Obituary0
Notes for an oratorio on small things that fall (like a screw in the night)0
Immobile Cabmen and Single-track Railroads: Images of Stasis and Redundancy in August Wilson’s Jitney and Two Trains Running0
Depictions of Black Defiance and Sovereign African Personhood in SEK Mqhayi’s U-Don Jadu0
The British Tribe Next Door (2019): Reality TV in Kaoko, Tourism, and the “Hollywood Himba”0
Media Power and Hegemony in South Africa: The Myth of Independence Media Power and Hegemony in South Africa: The Myth of Independence , by Blessed Ngwenya, New York, Rou0
Turning the Stereotype against Itself: A VOC Clerk, “Hottentots”, and the Formation of Colonial Discourse0
Reappraising Self, and Others: A Corpus-Based Study of Chinese Political Discourse in English Translation0
Digital Dissidence and Social Media Censorship in Africa0
Borders, Media Crossing and the Politics of Translation: The Gaze from Southern Africa0
Queer China: Lesbian and Gay literature and Visual Culture under Postsocialism0
“Heed the Mute Language of Nature”: An Ecosemiotic Approach to Urban Wildlife Photography as Translation of Solastalgia 10
Peter Abrahams 100: Milestones in Literature, Media and Political Commentary0
Reviewing Culture Online: Post-Institutional Cultural Critique across Platforms0
Rethinking Chinese Questions in Western Literary Theories0
Anxious Joburg: The Inner Lives of a Global South City0
A Multimodal Approach to Challenging Gender Stereotypes in Children’s Picture Books0
Remembering as Imaging: The Memories of Nyamubaya and Hove0
Primitives or Classicists? A Critical Look at the Work of Uli Women Painters of Nri0
To De-exoticize Chinese Stereotypes: US-Sino Communication in American Factory0
Taking Turtle Time: About Entanglements of Thinking, Making and Doing in Research-Creation Practices0
Chinese Media in Africa: Perception, Performance, and Paradox0
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