Critical Arts-South-North Cultural and Media Studies

Papers
(The median citation count of Critical Arts-South-North Cultural and Media Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-11-01 to 2025-11-01.)
ArticleCitations
West African women in the diaspora: Narratives of other spaces, other selves West African women in the diaspora: Narratives of other spaces, other selves , by Rose A. Sa14
Further Travels in “Becoming-Aboriginal”: TheCountryof Oodnadatta, the Importance of Aboriginal Tourism, and the Critical Need for Ecosophy9
In the Mind, In the Body, In the World: Emotions in Early China and Ancient Greece8
The Art of Ignoring Facts7
An Investigation of Exploitation and Labour Within Memes Production: A Case Study of South African Student Meme Pages6
Coloniality and the Mbuya Nehanda Statue: A Decolonial Analysis of Twitter Users’ Comments6
Where Is the Place to Call Home? The Diasporic Writings of Hmong Americans6
Archival F(r)ictions: A Queer Vocabulary for a Live art Pedagogy5
The Emergence of the South African Metropolis: Cities and Identities in the Twentieth Century5
The art of Making Public: Mapping Networks of Art Mediation5
A Woman Warrior in Alternative Voices: Analysing English and French Translations of the Chinese Classic Mulan Ci (<木蘭辭> “The Ballad of Mulan”)5
COVID19, “we are in this Together or are we” a Decolonial Crisis of Locating the Missing People in the Post-Human, South Africa5
The Routledge handbook of arts and global development5
Between Representation and Reality: Zhao Chuan’s World Factory as Social Theatre4
China’s Image in the GCC Mainstream English Newspapers: A Corpus-Based Critical Discourse Analysis4
The Decolonial Turn in Khoisan Studies: Opportunities, Pitfalls, and new Directions in Longstanding Debates Concerning Southern Africa’s Indigenous People3
Violence, Memory and Resistance in Selected Highlanders FC Supporters’ Songs3
People Living with HIV/AIDS are Nothing to be Afraid of : A Critical Discourse Analysis (CDA) of HIV/AIDS Stigmas and Mythologies in One Selected IsiXhosa Short Story3
Amy Tan’s Thing-Narrative in The Valley of Amazement2
Cultural Linguistics and Critical Discourse Studies2
Idiophones or Palettes? An Analysis of Flat Bone and Shale Implements from Matjes River Site, Southern Cape of South Africa2
Analysing the Character Types and Power Relationships in Metaverse-Themed Movies from the Perspective of Discipline and Anti-discipline2
Speculative Documentarian Practices—An Expanding Materialist Turn Towards Uncertainty2
Engaging Pedagogy Through the Arts2
Humanistic Responsibilities in the Upsurge of “Metaverse”2
Queer TV China: televisual and fannish imaginaries of gender, sexuality, and Chineseness2
Martial Dance: Stage Wushu as a Performing Art2
The Global Origins of Psychology: Neurology, Language and Culture in the Ancient World2
Cross Cultural Temporal Tendencies between Monochronic and Polychronic Materialisation in the films A Tale of Two Sisters (2003) and The Uninvited (2009)2
Editing My Mother’s Laughter : An Interview2
Winnie and Nelson: Portrait of a Marriage2
Drawing Sovereignty: The Museum Work of Sámi Artist Ánddir Ivvár Ivvár/Iver Jåks2
New Perspectives on Geography of Media2
Phenomenology as Experiential Translation: Towards a Semiotic Typology of Descriptive and Expressive Ways of Making Sense of Experience2
“Awe , Masekinders!”: Kullid Identities from Eden Park, Johannesburg in the Work of Bougaard2
The Routledge Handbook of Feminist Anthropology2
Lifestyle Politics in Translation: The Shaping and Re-Shaping of Ideological Discourse Lifestyle Politics in Translation: The Shaping and Re-Shaping of Ideological Discourse 1
The Female Body, Christianity, and Colonial Modernity: Representation of Foot-bound Women in Alicia Little’s Travelogues1
Fashioning Postfeminism: Spectacular Femininity and Transnational Culture1
China’s School Textbook Replacement and Curriculum Reform in the New Era of Globalization1
Inter-objectivity and the Birth of New Materialism: How to Understand “Objects” in a Metaverse1
In Between Two Screens: Trauma, Memory, and Subjectivity in Gülsün Karamustafa’s Work1
Thinking While Black: Translating the Politics and Popular Culture of a Rebel Generation Thinking While Black: Translating the Politics and Popular Culture of a Rebel Generation 1
On Making Ethical Choices in Ethnographic Research into (Young) People’s Mediated Intimacy: A Research Note1
Gender, Feminist and Queer Studies: Power, Privilege and Inequality in a Time of Neoliberal Conservatism1
Ideological Mediation: Metaphor Shifts in Translating the Communist Party of China’s Centenary Speech1
Cross-cultural Exchange of Heritage in Museums: A Study of Dunhuang Art in the Hong Kong Heritage Museum from the Perspective of Cultural Translation1
‘Performing’ Nature: Ecology and the Arts in South Asia1
A Mythological Approach to Exploring the Origins of Chinese Civilization A Mythological Approach to Exploring the Origins of Chinese Civilization , by Shuxian Ye, Singap1
Translation as Metamorphosis in the Animated Poetry-Film1
To Restrict or to Ban? A Critical Intertextual Analysis of Online Comments on Fireworks Regulations in China1
The Routledge Handbook of Translation and Sexuality1
Anxious Joburg: The Inner Lives of a Global South City1
Applying Reflective Writing as a Participatory Methodology for “Speaking-Up” about Gender-Based Violence in South Africa1
“Heed the Mute Language of Nature”: An Ecosemiotic Approach to Urban Wildlife Photography as Translation of Solastalgia1
Small is Beautiful: Japanese Aesthetic Consciousness in the Animated Adaptation of The Borrowers1
Author Motivations for Self-Publishing Trade Books in South Africa1
“The Dam Wall Broke”: A Constructivist Grounded Theory Method Analysis of Writing on the First Decade of Democracy in the South African Art World1
Reviewing Culture Online: Post-Institutional Cultural Critique across Platforms1
Wayward Feeling — Audio-Visual Culture and Aesthetic Activism in Post-Rainbow South Africa1
Fuel for Perpetuating Struggle: Analysis of an Oromo Resistance Song1
Unfulfilled Future Perfect? Comics as a Site of Liberty in Post-Mao China1
Vandalism as a Mode of Visual Sovereignty: A New Definition and Complications Arising1
Between Cultural Engineering, Media Sensationalism & Memetic Propaganda: A Curious Case of Erratic Obituaries for Late American Secretary1
Cross-Cultural Encounters in Modern and Premodern China: Global Networks, Mediation, and Intertextuality Cross-Cultural Encounters in Modern and Premodern China: Global Networks, Mediat1
Digital Virtuality and Autopoiesis: the transformation from world elements of literature and arts to metaverse1
Emic and etic perspectives on Khoisan revivalism: a response to Bam, Coetzee, Gordon, and Øvernes. Khoisan Consciousness: An Ethnography of Emic Histories and Indigenous Revivalism in Post-Apartheid C1
From Myth of the Other to Self-Reflection: A Semiotic Journey of Sun Wukong’s Imagery in Global Reinterpretation and Chinese Evolution1
Infinite Mirror: Critical Reflections on Wayne Barker’s Strategies of Appropriation1
A Multimodal Approach to Challenging Gender Stereotypes in Children’s Picture Books1
A treatise on the Garden of Jiangnan — A Study on the Art of Chinese Classical Garden1
Art Gallery Education Between Translation and Dialogism: Artwork, Learning and Pedagogy1
Review of Dreaming the Karoo: A People Called the /Xam1
Autoethnographic Reflections from the Satire Performance of Jenkin’s Woolworths (2017): The Making and Remaking of White Middle-class English-speaking Habitus1
The Most Influential Elements of the Chinese Traditional Music Culture before the Ming Dynasty in Southeast Asia1
Will the Metaverse Revolutionize the Narrative?1
Soft Power as Cultural Referencing: Making Sense of Startimes’ Export of Hello Mr. Right to Africa1
African cinema in a global age1
Contemporary Asian popular culture, Vol. 2: cultural dynamics and global impact1
Grappling with Refusal, Self-representation, and Visual Sovereignty at the Knoflokskraal Khoisan “Reclaim”0
The Complex Ethical Concept of “Otherness” as a Heuristic for Thinking through Cultural Adoption0
Subject, Time, Space, User, Integration: Five Breaking Points of Metaverse Literature and Art0
Publishing from the African South0
A Systematic Literature Review of the Belt and Road Initiative in Australia from 2013 to 20210
Social Media and Everyday Life in South Africa0
Ecocriticism (The New Critical Idiom), 3rd edition0
Subject Validity Issues and Potential Solutions in the Era of Metaverse–Starting with the Concern Over Property Rights in Crypto Art0
“Play You is [Me]!”: Third Space Rituals, Memory & the Performance of Self as Pedagogy0
Theorizing Afrophobia Beyond Apartheid: Conflict Cultures in Neill Blomkamp's District 90
Art as a Battleground for Struggles over Politics, Race, Gender and Privilege in Contemporary South Africa0
A Topic-Modelling-Assisted Discourse Study of DiDi’s Delisting from the New York Stock Exchange in Anglo-American Media Coverage0
Unpacking Cultural Logics: A Rhetorical Listening Analysis of the Public Black Pete Debate in Flanders0
Taking Turtle Time: About Entanglements of Thinking, Making and Doing in Research-Creation Practices0
Museum without Objects: A Phenomenological Study of the Cinema Museum0
Carrie Mae Weems’ Intersectional Tropes: Engaging Black Feminism Within Arts Teacher Education0
Emotive Art: An Analysis of Graffiti from Selected Secondary Schools in Bikita-Matsai District, Zimbabwe0
Medio-translatology: Concepts and Applications0
The Construction of Palestinian Identity in Bashar Alhroub's Video Art: Moving Beyond the Hegemonic Palestinian Identity Discourse0
Between Calligraphic Untranslatability and Symbolic Translatability: Xu Bing’s Pictographic Art0
Matthew Arnold and His Chinese Disciples: A Study on Early Reception of Matthew Arnold in China0
The Translation of Violence in Children’s Literature: Images from the Western Balkans0
The Translation-Empowered (Re-)Canonisation of a Writer in China and the West: A Case Study of Yan Lianke0
Discursive Negotiation in Post-Socialist China’s Media0
Transfers and Traversals: Translation, Interdisciplinarity, and the Arts0
A Global Communication Vision: Towards a Neo-Cosmopolitan Media Theory A Global Communication Vision: Towards a Neo-Cosmopolitan Media Theory , by Peng Shao and Peiren S0
Sámi Cultural Heritage in Audiovisual Archives – Ethical Reflections on the Sámi Audiovisual Collection0
Cultural Practice, Artistic Expression and Online Interaction in the Context of Contemporary Chinese Patriotism: A Case Study of Awakening Lion (醒·狮)0
Autoethnography as a Pedagogical Tool for Developing Culturally Situated Psychotherapeutic Practice0
Speaking Back to the Landscape Canon: Cultural Translation in Phumulani Ntuli’s Cloud Migration and the Liewe Land! Exhibition0
Decoloniality Theory At Large0
Invoking Myths in Conflict Reporting: Evidences from Gorkhaland Agitation in India0
Folk Legends and Proverbs Related to Animals in Northeastern China: Contemporary Young People’s Viewpoints and the Construction of Cultural Codes0
Digital Dissidence and Social Media Censorship in Africa0
Ruinscapes and Temporalities in Lauren Beukes’s Zoo City0
The British Tribe Next Door (2019): Reality TV in Kaoko, Tourism, and the “Hollywood Himba”0
Chaos is the Ladder: Chinese Critics’ and Architects’ Power Struggles Behind the Dissolution of Chinese Experimental Architecture in 20100
On Black Bandes Dessinées and Transcolonial Power0
Theatre in Transition: Lars Elleström's Media Modalities and the Rise of “Video Theatre”0
Monuments and memory in Africa: reflections on coloniality and decoloniality0
How to build a “Dream” in political speech? A critical discourse analysis of the discursive construction of the Chinese Dream speech0
The Disparity View: The Metaverse as an Equivalent of Life0
Unlearning Imperialism Through Artistic Remediation: A Critical Pedagogy Approach0
A “Poor Man's Pleasure”: The Cinema House and Its Publics in Twentieth Century South Africa0
Three Types of Community and Cosmopolitanism in Contemporary Chinese Science Fiction0
Khoisan Consciousness: An Ethnography of Emic Histories and Indigenous Revivalism in Post-Apartheid Cape Tow0
Unlocking the Perfect Beat: Reflections on Musical Hybridisation in the Work of Lander Gyselinck0
Prince Mangosuthu Buthelezi Wept ”: Exploring Translations of Language, Practices and Story Forms in IsiZulu Journalism0
Justice for Animals: Our Collective Responsibility, by Martha C. Nussbaum, New York, Simon & Schuster0
Constructing Attractiveness: Chinese Diplomatic Actors’ Cultural Soft-power Discursive Practices through the British Press0
Translation, Reception and Canonization of The Art of War: Reviving Ancient Chinese Strategic Culture0
The Social Cohesion Dilemma: Theoretical Reflections on Critical Music Pedagogy0
The Text-Image Theory: Reflections on the Sign Crisis0
Representations of Dual Carbon Goals in China’s Media: A Multimodal Critical Discourse Analysis Approach0
A Bibliometric Study on Chinese Discourse (1994–2021)0
Streaming media and cultural memory in a postdigital society0
Discourses, Modes, Media and Meaning in an Era of Pandemic: A Multimodal Discourse Analysis Approach0
Ecological Thinking about the Metaverse from a Posthumanist Perspective0
Multimodal News Analysis across Cultures Multimodal News Analysis across Cultures , by Helen Caple, Changpeng Huan, Monika Bednarek, Cambridge, Cambridge University Pres0
Under the Publisher’s Undifferentiated Patronage: A Corpus-Based Case Study of Chinese Editorial Censorship on Translation about EU-Russia Relationship0
Screening China in Carnival: A Powerful China Framed in Participatory Documentary0
Cultural Studies in Interhemispherical Perspective. China, Africa, Asia and Australasia0
Literary Theory and Cultural Practice of “Metaverse” in China0
Cultural Studies as “Export” Discipline and its Challenges0
The “Jews of Africa”: Comparative Analysis of Scapegoat Politics in Relation to Three Case Studies, Asian Ugandans, South African Indians, and the Jewish People of Europe0
Fugitive Aesthetics in Sámi Artists Lena Stenberg’s Exhibition Borders (2023) and Pauliina Feodoroff’s Performance Matriarchy (2022)0
The Art of Admitting to Shortcomings0
Rapid Communication: Critical Management Studies/Cultural Studies0
Metaphorical Framing of Climate Change in Chinese and American News Media: A Corpus-assisted Discourse Study0
Deglobalisation, the SK Broadband Lawsuit and Netflixisation as Stabilising/Destabilising Forces for South Korean Streaming Services0
Foreign Movies and TV Dramas as the Source of Political Argot in an Authoritarian Context: Memes and Creative Resistance in Chinese Social Media0
(W)archives: Archival Imaginaries, War, and Contemporary Art0
“I Searched for Form and Land, for Years and Years I Roamed”: Reflecting on an (A)Typical Academic Journey0
Zulu masculinities in South African soap opera: Uzalo, Imbewu and Isibaya0
Tribes Must Go: New African Intellectuals and the Contested Idea of Black Nationhood0
No Interaction, No Watching: Watching Characteristics of the Social Short Video Era0
Turning the Stereotype against Itself: A VOC Clerk, “Hottentots”, and the Formation of Colonial Discourse0
Shared Anthropology: When Anthropology Meets Critical Public Pedagogy0
The Playful Karoo: Translating a South African Story into the Metaverse0
Role-Play as a Pedagogical Strategy to Assist Postgraduate Psychology Students Engage with the Social Embeddedness of Trauma0
Of Worlds and Artworks: A Relational View on Artistic Practices from Africa and the Diaspora (Africa Multiple, 3)0
A Critical Narrative Analysis of Chinese Popular Science Books on Climate Change for Children0
Constructing Victimisation as Masculine Honour: Men and Intimate Partner Violence in Johannesburg0
Iconoclasm, Violent Interpretation, and the Desiring Image: Sculptures on a University Campus in South Africa0
“My Story is Not a Pink Story”: Enabling Care in a Research-Creation Practice with Parents of a Disabled Child in Inclusive Trajectories0
Mnemonic Construction, Transgenerational Discourses, and “Film Generations”: China’s Cinematic Practice of the War of Resistance since the 1980s0
Go-Itata Ritualised Theatre Performance Modes of koma Aesthetics in a Performance as Research Production: Wela0
Insights into a Beneficial but Labour Intensive Post-Doctoral Publishing Project0
Ribbon Remembrances at the Tokai Forest Gender Based Violence Roadside Memorial: Mapping Materiality, Artivism and Multimodal Afterlives in Cape Town0
Translating Spacetime Intensities of Movie Barcodes0
Tradition, Transmediality, and Modernity: Representation of the Double in Chinese Modern Visual Culture0
The Ethics of Engagement: Media, Conflict and Democracy in Africa0
Kaziyang’emasisweni : Ntongela Masilela and Mazisi Kunene’s Dialogue of Great Civilisations Across Time0
Performing post-apartheid feeling: A review of Wayward Feeling: audio-visual culture and aesthetic activism in post-rainbow South Africa0
Dialect, Voice, and Identity in Chinese Translation: A Descriptive Study of Chinese Translations of Huckleberry Finn, Tess, and Pygmalion (Routledge Studies in Chinese T0
The Passing of Vincent Mosco: Reflections on his Career and Critical Discourses on Power, Technology Policy and Global Communication0
Agencies in Feminist Translator Studies: Barbara Godard and the Crossroads of Literature in Canada0
When a Literary Translator Took an Activist Turn: Lin Yutang’s Translation of New Democracy0
Ordinary Whites in Apartheid Society0
Cartooning COVID-19 in China0
Shame, Techne and Embodied Translation in Lara Foot’s Tshepang: The Third Testament0
Drifting Between Paris and Beijing: Transnational Cityscapes in Lou Ye’s Sino-French Film Love and Bruises (2011)0
Different Discursive Constructions of Chinese Political Congresses in China Daily and The New York Times: A Corpus-based Discourse Study0
Immobile Cabmen and Single-track Railroads: Images of Stasis and Redundancy in August Wilson’s Jitney and Two Trains Running0
Corrupted: A Study of Chronic Dysfunction in South African Universities Corrupted: A Study of Chronic Dysfunction in South African Universities , by Jonathan D. Jansen, 0
Photobooks and South Africa: Notes on Works by Peter Magubane and David Goldblatt0
Post-Popular Cultures and Digital Capitalism in Latin America: Essays0
On the Seeable Limits of Decolonial and Indigenous Scholarship: Conceptualising Ondeursigbaarheid as Critical Analytic Through Reference to the |xam, the Bleek and Lloyd0
Diasporic Hallyu: The Korean Wave in Korean Canadian Youth Culture0
Posthumanism: An Early Anticipation in Edgar Allan Poe's “The Man That Was Used Up” and Other Stories0
Black Popular Culture and Social Justice: Beyond the Culture Black Popular Culture and Social Justice: Beyond the Culture , edited by Lakeyta M. Bonnette-Bailey, Jonatha0
Disease as a Medium: Exploring the Metaphorical Turn and Discourse Changes in Chinese AIDS Films (1988–2023)0
Translating Self and Other in Travel Writing: Fuchsia Dunlop’s Shark’s Fin and Sichuan Pepper as a Case Study0
Verbuyst and the Khoisan Phenomenon: A review of Khoisan Consciousness – an Ethnography of Emic Histories and Indigenous Revivalism in Post-Apartheid0
The Classical Chinese Gardens as a Medium: Rethinking the Visual Transformation in Chinese Culture in the Twentieth Century0
San, Sovereignty and the Unpredictability of Messy Fieldwork0
Boys Love Media in Thailand: Celebrity, Fans, and Transnational Asian Queer Popular Culture0
Chuansuo hei’an dalu: wanqing wenren duiyu feizhou tanxian wenben de yijie yu xiangxiang 穿梭黑暗大陸: 晚清文人對於非洲探險文本的譯介與想像 (Traversing the Dark Continent: Translating and Imaging African Exploration and Adve0
A translational sociology: interdisciplinary perspectives on politics and society0
Multimodal Chinese Discourse: Understanding Communication and Society in Contemporary China0
Can one obtain dignity while using the Master's categories?0
The Rise of Chinese Space-Themed SF: Western Influences and Chinese Cultural Roots0
Towards a Critical Pedagogy for Inclusion: Disability-led Arts and its Radical Promise in Singapore0
Depictions of Black Defiance and Sovereign African Personhood in SEK Mqhayi’s U-Don Jadu0
Curating a Continued Dream: Logistical Power in Nanjing Imperial Examination Museum of China0
Gender and Age/Aging in Popular Culture: Representations in Film, Music, Literature, and Social Media0
Contemporary Chinese Films and Their International Exposure0
Critical Perspectives on Digitization of Translation: Challenges and Opportunities0
Ntongela Masilela's Persistent Historico-Biographical Method: An Uneasy Balance Enabling the Re-reading of Memoir, Contemporary History and Popular Journalism0
A Critical Race Theoretic, Discourse Analysis of Facilitators’ Experiences with Teaching About Racism at a South African University0
Dismantling Cultural Borders Through Social Media and Digital Communications: How Networked Communities Compromise Identity Dismantling Cultural Borders Through Social Media and Digital0
To De-exoticize Chinese Stereotypes: US-Sino Communication in American Factory0
Diversity and Dialogue: François Jullien and China 多元与对话: 弗朗索瓦·于连与中国0
A Paratextual Approach to Disney’s New Mulan in China: Localization and Reception0
Coloniality and Migrancy in African Diasporic Literatures0
Political Imagination and Utopian Pedagogy0
“Memory, the Guardian of all Things”: Ntongela Masilela and the Project of Re- membering0
Multiplicities of Socialist Spaces: Subjectivity Construction and Spatial Configuration in 1950s Shanghai Urban Films0
Graffiti, Ban or Boon? A Bakhtinian Appreciation of Selected Latrinalia from Bulawayo in Zimbabwe0
Correction0
Appraising with Metaphors: A Case Study of the Strategic Ritual for Invoking Journalistic Emotions in News Reporting of the China–US Trade Disputes0
Transmedial Perspectives on Humour and Translation: From Page to Screen to Stage0
Music, Spirits and Healing in the Twelve Apostles Church: A Ghanaian Christological Paradigm0
"We Want to See What You Do": The Moot and Praating . A Critical Studies in Whiteness Analysis0
Power and Identity Transition in Symphonic Music: Shanghai Symphony Orchestra from the 1920s to the Early 1950s0
“Some White Women (Are Not Like That)”. Affective Gestures in Post-Apartheid Visual Art from South Africa0
Exploring the Author–Translator–Publisher Relationship Using Bourdieu’s Capital: A Case Study of Jin Yong’s Martial Arts Fiction0
The Case for a Sámi “Trail of Tears”: Dangerous Dreams in the Era of Green Colonialism0
Harmony, Low-Carbon Economy, and the Construction of a Sustainable China Image: A Multimodal Analysis of Chinese Carbon-Neutral Documentaries0
Multimodal Metaphorical Constructions of Climate Change in Chinese and American Political Cartoons0
When Horniness Becomes Policy: Masculinity, State Power, and the Politics of Gendered Violence0
Adelheid Frackiewicz: Landart, Mourning, and Translation0
Reimagining Scholarly Research Evaluation in the Global South through Africana Critical Theory0
Diasporic Identity, Intellectual Nomadism and its African Theorists0
Digital Globalization, Fan Culture and Transmedia Storytelling: The Rise of Web Fiction as a Burgeoning Literary Genre in China0
The Media Characteristics and Subject Boundaries of Metaverse Art0
Platformisation Practice for Emancipation or Subordination? A Multimodal Critical Discourse Study of Self-presentations of African-Chinese Families on Douyin0
Dark Humour in Moving Frames: A Discourse Analysis of Bollywood Black Comedies0
Transcultural poetics: Chinese literature in English translation0
Barca Nostra: Photography, Tourists, Travel and Refugees0
Acculturation and Ethnic Costume Preservation: A Grounded Theory Study on Heterogeneous Strategies in Japan and Korea0
Media Power and Hegemony in South Africa: The Myth of Independence0
Response to Ntongela Masilela and the New African Movement: A Critical Appreciation0
Aggression, Disempowerment, and Feminism in the “Scum Men” Discourse on Chinese Social Media0
Pentadic Cartography and India’s Foreign Policy: Insights from Jaishankar’s GLOBSEC Forum Interview0
Structuration Theory and Covid-19 Pandemic: The Case of Undocumented Zimbabwean Migrant Women in the Informal Sector in Durban, South Africa0
Uncomfortable Knowledges and Transformative Learning: Reimagining the Museum in the Art of Gustafsson&Haapoja0
New Progression in China's Narratology Studies: Extensive Reform of Western Narratology and Embryonic Construction of Chinese School of Narratology0
Governmentalization of Games and Emerging Playful Apparatus in Contemporary China0
From “The Cotton Wool” to Criticality: Unpacking FC Bergman’s The Sheep Song0
Nǀuuki Namagowab Afrikaans English ǂXoakiǂxanisi/Mîdi di ǂKhanis/Woordeboek/Dictionary0
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