Critical Arts-South-North Cultural and Media Studies

Papers
(The median citation count of Critical Arts-South-North Cultural and Media Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-08-01 to 2026-08-01.)
ArticleCitations
West African women in the diaspora: Narratives of other spaces, other selves West African women in the diaspora: Narratives of other spaces, other selves , by Rose A. Sa9
Further Travels in “Becoming-Aboriginal”: TheCountryof Oodnadatta, the Importance of Aboriginal Tourism, and the Critical Need for Ecosophy9
In the Mind, In the Body, In the World: Emotions in Early China and Ancient Greece9
The Art of Ignoring Facts8
An Investigation of Exploitation and Labour Within Memes Production: A Case Study of South African Student Meme Pages7
Coloniality and the Mbuya Nehanda Statue: A Decolonial Analysis of Twitter Users’ Comments7
A Woman Warrior in Alternative Voices: Analysing English and French Translations of the Chinese Classic Mulan Ci (<木蘭辭> “The Ballad of Mulan”)7
Where Is the Place to Call Home? The Diasporic Writings of Hmong Americans7
Archival F(r)ictions: A Queer Vocabulary for a Live art Pedagogy6
The Routledge Handbook of Arts and Global Development6
People Living with HIV/AIDS are Nothing to be Afraid of : A Critical Discourse Analysis (CDA) of HIV/AIDS Stigmas and Mythologies in One Selected IsiXhosa Short Story6
Violence, Memory and Resistance in Selected Highlanders FC Supporters’ Songs5
The Decolonial Turn in Khoisan Studies: Opportunities, Pitfalls, and new Directions in Longstanding Debates Concerning Southern Africa’s Indigenous People5
Between Representation and Reality: Zhao Chuan’s World Factory as Social Theatre5
Martial Dance: Stage Wushu as a Performing Art4
China’s Image in the GCC Mainstream English Newspapers: A Corpus-Based Critical Discourse Analysis4
Idiophones or Palettes? An Analysis of Flat Bone and Shale Implements from Matjes River Site, Southern Cape of South Africa4
The art of Making Public: Mapping Networks of Art Mediation4
Queer TV China: televisual and fannish imaginaries of gender, sexuality, and Chineseness4
Cultural Linguistics and Critical Discourse Studies3
Humanistic Responsibilities in the Upsurge of “Metaverse”3
Winnie and Nelson: Portrait of a Marriage3
Speculative Documentarian Practices—An Expanding Materialist Turn Towards Uncertainty3
From History to Herstory: Culture, Gender and Religion in Archival Material in Southern Africa3
Amy Tan’s Thing-Narrative in The Valley of Amazement3
Analysing the Character Types and Power Relationships in Metaverse-Themed Movies from the Perspective of Discipline and Anti-discipline3
The Global Origins of Psychology: Neurology, Language and Culture in the Ancient World3
Drawing Sovereignty: The Museum Work of Sámi Artist Ánddir Ivvár Ivvár/Iver Jåks3
New Perspectives on Geography of Media3
Phenomenology as Experiential Translation: Towards a Semiotic Typology of Descriptive and Expressive Ways of Making Sense of Experience3
The Routledge Handbook of Feminist Anthropology3
Editing My Mother’s Laughter : An Interview2
“Wandering Through the Wilderness of Despair”: A Critical Study of The Railway Men as an Environmental Disaster2
A treatise on the Garden of Jiangnan — A Study on the Art of Chinese Classical Garden2
The Struggle of Memory Against Forgetting Munir: Museum HAM Omah Munir as a Heterotopic Site of Resistance in Post-Authoritarian Indonesia2
Review of Dreaming the Karoo: A People Called the /Xam2
Guest Editor Biographies2
“Awe , Masekinders!”: Kullid Identities from Eden Park, Johannesburg in the Work of Bougaard2
Engaging Pedagogy Through the Arts2
Wayward Feeling — Audio-Visual Culture and Aesthetic Activism in Post-Rainbow South Africa2
From Print to Web: A Dual-Track Development of Chinese Science Fiction2
The Routledge Handbook of Translation Technology and Society2
Thinking While Black: Translating the Politics and Popular Culture of a Rebel Generation Thinking While Black: Translating the Politics and Popular Culture of a Rebel Generation 2
“The Dam Wall Broke”: A Constructivist Grounded Theory Method Analysis of Writing on the First Decade of Democracy in the South African Art World2
Being Sceptical: Book Reviewing, Artificial Intelligence and Intellectual Integrity2
Autoethnographic Reflections from the Satire Performance of Jenkin’s Woolworths (2017): The Making and Remaking of White Middle-class English-speaking Ha2
Gender, Feminist and Queer Studies: Power, Privilege and Inequality in a Time of Neoliberal Conservatism2
An Alternative Politics of Educational Publishing: Insights from the 1993 Conference on Publishing for Democratic Education2
Media, Culture and Decolonisation: Re-righting the Subaltern Histories of Ghana2
To Restrict or to Ban? A Critical Intertextual Analysis of Online Comments on Fireworks Regulations in China2
Multimodal News Analysis across Cultures Multimodal News Analysis across Cultures , by Helen Caple, Changpeng Huan, Monika Bednarek, Cambridge, Cambridge University Pres1
Soft Power as Cultural Referencing: Making Sense of Startimes’ Export of Hello Mr. Right to Africa1
Literature and Interculturality (3): From Cultural Junctions to Globalization1
Cross-Cultural Encounters in Modern and Premodern China: Global Networks, Mediation, and Intertextuality Cross-Cultural Encounters in Modern and Premodern China: Global Networks, Mediat1
Decolonising Performance Methodologies: A Commentary1
Reading Khaby Lame’s Silent Comedy as a Critique of Racial Capitalism on Tiktok1
Critical Perspectives on Digitization of Translation: Challenges and Opportunities1
Digital Virtuality and Autopoiesis: the transformation from world elements of literature and arts to metaverse1
Will the Metaverse Revolutionize the Narrative?1
The Rise of Chinese Space-Themed SF: Western Influences and Chinese Cultural Roots1
Emic and etic perspectives on Khoisan revivalism: a response to Bam, Coetzee, Gordon, and Øvernes. Khoisan Consciousness: An Ethnography of Emic Histories and Indigenous Revivalism in Post-Apartheid C1
Ideological Mediation: Metaphor Shifts in Translating the Communist Party of China’s Centenary Speech1
A Multimodal Approach to Challenging Gender Stereotypes in Children’s Picture Books1
Justice for Animals: Our Collective Responsibility1
The Herald's construction of Zimbabwean president Emmerson Mnangagwa's 2030 political ambitions1
The Female Body, Christianity, and Colonial Modernity: Representation of Foot-bound Women in Alicia Little’s Travelogues1
Acculturation and Ethnic Costume Preservation: A Grounded Theory Study on Heterogeneous Strategies in Japan and Korea1
The Complex Ethical Concept of “Otherness” as a Heuristic for Thinking through Cultural Adoption1
Women and Photography in Apartheid South Africa1
Cultural Studies as “Export” Discipline and its Challenges1
Searching for Vilakazi: Publishing and the Colonial Archive1
From Myth of the Other to Self-Reflection: A Semiotic Journey of Sun Wukong’s Imagery in Global Reinterpretation and Chinese Evolution1
China’s School Textbook Replacement and Curriculum Reform in the New Era of Globalization1
Unfulfilled Future Perfect? Comics as a Site of Liberty in Post-Mao China1
Strategic Differentiation in Climate Change Communication in China: A Comparison of Official Domestic and International News Outlets1
Eudaimonic or Hedonic? The Collective Memory of “China–Africa Friendship” Represented in Entertainised Danmu Discourse in China1
Metaphorical Framing of Climate Change in Chinese and American News Media: A Corpus-assisted Discourse Study1
Code-Switching in Ndau TikTok: Multilingualism as Resistance against Linguicide in Ethnic Media1
Identity Economies in Narrative Practice: Resource Allocation and Group Identity in the Fiction of Zakes Mda1
Hollywood and China in the Post-postclassical Era1
In Between Two Screens: Trauma, Memory, and Subjectivity in Gülsün Karamustafa’s Work1
Small is Beautiful: Japanese Aesthetic Consciousness in the Animated Adaptation of The Borrowers1
Contemporary Asian popular culture, Vol. 2: cultural dynamics and global impact1
Cultural Change in Post-Migrant Societies: Re-Imagining Communities through Arts and Cultural Activities1
The Architecture of the Bight of Biafra. spatial entanglements1
Post-Popular Cultures and Digital Capitalism in Latin America: Essays1
Boys Love Media in Thailand: Celebrity, Fans, and Transnational Asian Queer Popular Culture1
‘Performing' Nature: Ecology and the Arts in South Asia1
The Routledge Handbook of Translation and Sexuality1
A Mythological Approach to Exploring the Origins of Chinese Civilization A Mythological Approach to Exploring the Origins of Chinese Civilization , by Shuxian Ye, Singap1
The Most Influential Elements of the Chinese Traditional Music Culture before the Ming Dynasty in Southeast Asia1
African Cinema in a Global Age1
Between Cultural Engineering, Media Sensationalism and Memetic Propaganda: A Curious Case of Erratic Obituaries for the Late American Secretary, Madelaine Albright1
Inter-objectivity and the Birth of New Materialism: How to Understand “Objects” in a Metaverse1
Cross-cultural Exchange of Heritage in Museums: A Study of Dunhuang Art in the Hong Kong Heritage Museum from the Perspective of Cultural Translation1
Climate Change Communication in China: A Discourse Approach1
Lifestyle Politics in Translation: The Shaping and Re-Shaping of Ideological Discourse Lifestyle Politics in Translation: The Shaping and Re-Shaping of Ideological Discourse 1
“Heed the Mute Language of Nature”: An Ecosemiotic Approach to Urban Wildlife Photography as Translation of Solastalgia1
Seeing Through the Lens: Using Visual Autoethnography to Challenge Educator Neutrality in Postgraduate Psychology Education1
Art Gallery Education Between Translation and Dialogism: Artwork, Learning and Pedagogy1
Translation as Metamorphosis in the Animated Poetry-Film1
Author Motivations for Self-Publishing Trade Books in South Africa1
Breaking Barriers in the Book Value Chain: An Exploration of Alternative Book Publishing and Distribution Methods1
Emotive Art: An Analysis of Graffiti from Selected Secondary Schools in Bikita-Matsai District, Zimbabwe1
Vandalism as a Mode of Visual Sovereignty: A New Definition and Complications Arising1
Chinese Aesthetics in a Global Context0
Transcultural poetics: Chinese literature in English translation0
A Critical Narrative Analysis of Chinese Popular Science Books on Climate Change for Children0
Between Calligraphic Untranslatability and Symbolic Translatability: Xu Bing’s Pictographic Art0
Folk Legends and Proverbs Related to Animals in Northeastern China: Contemporary Young People’s Viewpoints and the Construction of Cultural Codes0
Fisherwomen, Reconstructed Femininity, and the “Gaze”: The Negotiated Beauty of Tourist-Performed Xunpu Women in a Digital Context0
Of Worlds and Artworks: A Relational View on Artistic Practices from Africa and the Diaspora (Africa Multiple, 3)0
The Passing of Vincent Mosco: Reflections on his Career and Critical Discourses on Power, Technology Policy and Global Communication0
Indigeneity and Visual Sovereignty: Heritage, Rendition, Vision0
Multimodal Metaphorical Constructions of Climate Change in Chinese and American Political Cartoons0
Exploring the Author–Translator–Publisher Relationship Using Bourdieu’s Capital: A Case Study of Jin Yong’s Martial Arts Fiction0
Adelheid Frackiewicz: Landart, Mourning, and Translation0
A Paratextual Approach to Disney’s New Mulan in China: Localization and Reception0
Sámi Cultural Heritage in Audiovisual Archives – Ethical Reflections on the Sámi Audiovisual Collection0
Dialect, Voice, and Identity in Chinese Translation: A Descriptive Study of Chinese Translations of Huckleberry Finn, Tess, and Pygmalion (Routledge Studies in Chinese T0
On Black Bandes Dessinées and Transcolonial Power0
Monuments and memory in Africa: reflections on coloniality and decoloniality0
A Bibliometric Study on Chinese Discourse (1994–2021)0
Constructing Attractiveness: Chinese Diplomatic Actors’ Cultural Soft-power Discursive Practices through the British Press0
Under the Publisher’s Undifferentiated Patronage: A Corpus-Based Case Study of Chinese Editorial Censorship on Translation about EU-Russia Relationship0
Translating Spacetime Intensities of Movie Barcodes0
Art, Images, and Their Media as Sites of Memorialisation0
Chuansuo hei’an dalu: wanqing wenren duiyu feizhou tanxian wenben de yijie yu xiangxiang 穿梭黑暗大陸: 晚清文人對於非洲探險文本的譯介與想像 (Traversing the Dark Continent: Translating and Imaging African Exploration and Adve0
The Translation of Violence in Children’s Literature: Images from the Western Balkans0
No Interaction, No Watching: Watching Characteristics of the Social Short Video Era0
Diplomatic Communication of Silk Sign: Vehicle, Signification, and Narrative0
Media Power and Hegemony in South Africa: The Myth of Independence0
Correction0
How to build a “Dream” in political speech? A critical discourse analysis of the discursive construction of the Chinese Dream speech0
Alleviative Objects: Intersectional Entanglement and Progressive Racism in Caribbean Art Alleviative Objects: Intersectional Entanglement and Progressive Racism in Caribbean Art 0
Structuration Theory and Covid-19 Pandemic: The Case of Undocumented Zimbabwean Migrant Women in the Informal Sector in Durban, South Africa0
Cartooning COVID-19 in China0
Contemporary Chinese Films and Their International Exposure0
The Case for a Sámi “Trail of Tears”: Dangerous Dreams in the Era of Green Colonialism0
Unlocking the Perfect Beat: Reflections on Musical Hybridisation in the Work of Lander Gyselinck0
Coloniality and Migrancy in African Diasporic Literatures0
Diversity and Dialogue: François Jullien and China 多元与对话: 弗朗索瓦·于连与中国0
Mnemonic Construction, Transgenerational Discourses, and “Film Generations”: China’s Cinematic Practice of the War of Resistance since the 1980s0
Pentadic Cartography and India’s Foreign Policy: Insights from Jaishankar’s GLOBSEC Forum Interview0
Literary Theory and Cultural Practice of “Metaverse” in China0
Cultural Studies in Interhemispherical Perspective. China, Africa, Asia and Australasia0
Tribes Must Go: New African Intellectuals and the Contested Idea of Black Nationhood0
Black Popular Culture and Social Justice: Beyond the Culture Black Popular Culture and Social Justice: Beyond the Culture , edited by Lakeyta M. Bonnette-Bailey, Jonatha0
Disease as a Medium: Exploring the Metaphorical Turn and Discourse Changes in Chinese AIDS Films (1988–2023)0
Towards a Critical Pedagogy for Inclusion: Disability-led Arts and its Radical Promise in Singapore0
More Than Just a Box: Music Storage Medium and the Mediatization of Chinese Rock Culture0
Deglobalisation, the SK Broadband Lawsuit and Netflixisation as Stabilising/Destabilising Forces for South Korean Streaming Services0
Zulu masculinities in South African soap opera: Uzalo, Imbewu and Isibaya0
Curating a Continued Dream: Logistical Power in Nanjing Imperial Examination Museum of China0
Agencies in Feminist Translator Studies: Barbara Godard and the Crossroads of Literature in Canada0
A Topic-Modelling-Assisted Discourse Study of DiDi’s Delisting from the New York Stock Exchange in Anglo-American Media Coverage0
Grappling with Refusal, Self-representation, and Visual Sovereignty at the Knoflokskraal Khoisan “Reclaim”0
Shared Anthropology: When Anthropology Meets Critical Public Pedagogy0
Tradition, Transmediality, and Modernity: Representation of the Double in Chinese Modern Visual Culture0
Multiplicities of Socialist Spaces: Subjectivity Construction and Spatial Configuration in 1950s Shanghai Urban Films0
Medio-translatology: Concepts and Applications0
Aggression, Disempowerment, and Feminism in the “Scum Men” Discourse on Chinese Social Media0
Nǀuuki Namagowab Afrikaans English ǂXoakiǂxanisi/Mîdi di ǂKhanis/Woordeboek/Dictionary0
Digital Globalization, Fan Culture and Transmedia Storytelling: The Rise of Web Fiction as a Burgeoning Literary Genre in China0
Speaking Back to the Landscape Canon: Cultural Translation in Phumulani Ntuli’s Cloud Migration and the Liewe Land! Exhibition0
Theatre in Transition: Lars Elleström's Media Modalities and the Rise of “Video Theatre”0
Once Again, A Sceptic's Critical Guide to “Interculturality”: Reading Literature and Interculturality (3): From Cultural Junctions to Globalization throu0
Shame, Techne and Embodied Translation in Lara Foot’s Tshepang: The Third Testament0
Digital Dissidence and Social Media Censorship in Africa0
Power and Ideology in South African Translation: A Social Systems Perspective0
The Translation-Empowered (Re-)Canonisation of a Writer in China and the West: A Case Study of Yan Lianke0
Translating Self and Other in Travel Writing: Fuchsia Dunlop’s Shark’s Fin and Sichuan Pepper as a Case Study0
Analysing Rhetorical Strategies in Ant Forest: A Critical Posthumanist Ecolinguistic Perspective0
Verbuyst and the Khoisan Phenomenon: A review of Khoisan Consciousness – an Ethnography of Emic Histories and Indigenous Revivalism in Post-Apartheid0
The British Tribe Next Door (2019): Reality TV in Kaoko, Tourism, and the “Hollywood Himba”0
Fugitive Aesthetics in Sámi Artists Lena Stenberg’s Exhibition Borders (2023) and Pauliina Feodoroff’s Performance Matriarchy 0
The “Jews of Africa”: Comparative Analysis of Scapegoat Politics in Relation to Three Case Studies, Asian Ugandans, South African Indians, and the Jewish People of Europe0
Prince Mangosuthu Buthelezi Wept ”: Exploring Translations of Language, Practices and Story Forms in IsiZulu Journalism0
Ordinary Whites in Apartheid Society0
Feeling Space in Negotiation: On the Cinematic Representation of Nanjing City since the 1980s0
New Progression in China's Narratology Studies: Extensive Reform of Western Narratology and Embryonic Construction of Chinese School of Narratology0
Beyond Neo-Colonialism? Chinese Official Documentary Representations of South–South Cooperation and the Reproduction of Developmental Hierarchies0
“Navigating Digital Connectivity: Social Interaction and Knowledge Sharing in Rural Communities of Limpopo, South Africa”0
Ntongela Masilela and the New African Movement: A Critical Appreciation0
Discursive Negotiation in Post-Socialist China’s Media0
The Construction of Palestinian Identity in Bashar Alhroub's Video Art: Moving Beyond the Hegemonic Palestinian Identity Discourse0
Can one obtain dignity while using the Master's categories?0
On “Interculturality” and Its Critique: A Reply to the Volume Editors’ Response0
Corrupted: A Study of Chronic Dysfunction in South African Universities Corrupted: A Study of Chronic Dysfunction in South African Universities , by Jonathan D. Jansen, 0
Diasporic Identity, Intellectual Nomadism and its African Theorists0
Ecocriticism (The New Critical Idiom), 3rd edition0
Translation, Reception and Canonization of The Art of War: Reviving Ancient Chinese Strategic Culture0
The Text-Image Theory: Reflections on the Sign Crisis0
Investigating Environmental, Social, and Governance (ESG) Reports by PetroChina: A Multimodal Interactional Metadiscourse Analysis0
The Dual Narratives of Traumatic Memory: Reconstruction of South African White Identity in The Return of Elvis du Pisanie0
“Some White Women (Are Not Like That)”. Affective Gestures in Post-Apartheid Visual Art from South Africa0
“Play You is [Me]!”: Third Space Rituals, Memory & the Performance of Self as Pedagogy0
Representations of Dual Carbon Goals in China’s Media: A Multimodal Critical Discourse Analysis Approach0
Multimodal Chinese Discourse: Understanding Communication and Society in Contemporary China0
Ruinscapes and Temporalities in Lauren Beukes’s Zoo City0
Harmony, Low-Carbon Economy, and the Construction of a Sustainable China Image: A Multimodal Analysis of Chinese Carbon-Neutral Documentaries0
Digital immersive art in China: rejuvenation and cultural presence0
Dismantling Cultural Borders Through Social Media and Digital Communications: How Networked Communities Compromise Identity Dismantling Cultural Borders Through Social Media and Digital0
Response to Ntongela Masilela and the New African Movement: A Critical Appreciation0
Exchanges and Mutual Learning Among Asian Civilizations0
Kaziyang’emasisweni : Ntongela Masilela and Mazisi Kunene’s Dialogue of Great Civilisations Across Time0
Ntongela Masilela's Persistent Historico-Biographical Method: An Uneasy Balance Enabling the Re-reading of Memoir, Contemporary History and Popular Journalism0
Role-Play as a Pedagogical Strategy to Assist Postgraduate Psychology Students Engage with the Social Embeddedness of Trauma0
Political Imagination and Utopian Pedagogy0
Unlearning Imperialism Through Artistic Remediation: A Critical Pedagogy Approach0
“My Story is Not a Pink Story”: Enabling Care in a Research-Creation Practice with Parents of a Disabled Child in Inclusive Trajectories0
San, Sovereignty and the Unpredictability of Messy Fieldwork0
Metamodern Spirituality in Antjie Krog’s “oh Fragile Earth … a Mass for the New Dispensation” (from Pillage , 2022)0
South via the North: The Dissemination of Chinese Science Fiction in the Global South and Its Embedding within the World Literary System0
Chaos is the Ladder: Chinese Critics’ and Architects’ Power Struggles Behind the Dissolution of Chinese Experimental Architecture in 20100
Mediated Soft Power: A Century of Chinese Science Fiction in Transcultural Trajectory0
Space and Time in African Cinema and Cine-scapes0
Hauntological Ecology: Becoming-with the Dying and the Dead in Lydia Millet’s How the Dead Dream0
Response to Reviews of Literature and Interculturality (III) in Critical Arts0
The Media Characteristics and Subject Boundaries of Metaverse Art0
Performing post-apartheid feeling: A review of Wayward Feeling: audio-visual culture and aesthetic activism in post-rainbow South Africa0
Invoking Myths in Conflict Reporting: Evidences from Gorkhaland Agitation in India0
Three Types of Community and Cosmopolitanism in Contemporary Chinese Science Fiction0
On the Seeable Limits of Decolonial and Indigenous Scholarship: Conceptualising Ondeursigbaarheid as Critical Analytic Through Reference to the |xam, the0
Subject, Time, Space, User, Integration: Five Breaking Points of Metaverse Literature and Art0
From “The Cotton Wool” to Criticality: Unpacking FC Bergman’s The Sheep Song0
Platformisation Practice for Emancipation or Subordination? A Multimodal Critical Discourse Study of Self-presentations of African-Chinese Families on Douyin0
Drifting Between Paris and Beijing: Transnational Cityscapes in Lou Ye’s Sino-French Film Love and Bruises (2011)0
A Critical Race Theoretic, Discourse Analysis of Facilitators’ Experiences with Teaching About Racism at a South African University0
Digital Media, Epistemic Bordering and Identity Construction in Abi Dare’s The Girl with the Louding Voice0
Print Culture in Southern Africa0
When Horniness Becomes Policy: Masculinity, State Power, and the Politics of Gendered Violence0
Barca Nostra: Photography, Tourists, Travel and Refugees0
Rapid Communication: Critical Management Studies/Cultural Studies0
Decoloniality Theory At Large0
Theorizing Afrophobia Beyond Apartheid: Conflict Cultures in Neill Blomkamp's District 90
Streaming media and cultural memory in a postdigital society0
Carrie Mae Weems’ Intersectional Tropes: Engaging Black Feminism Within Arts Teacher Education0
"We Want to See What You Do": The Moot and Praating . A Critical Studies in Whiteness Analysis0
Transfers and Traversals: Translation, Interdisciplinarity, and the Arts0
The Disparity View: The Metaverse as an Equivalent of Life0
A Response to P. Eric Louw's Review of Broadcasting Apartheid: British Television and the Anti-Apartheid Campaign, 1950–19900
Go-Itata Ritualised Theatre Performance Modes of koma Aesthetics in a Performance as Research Production: Wela0
Artistic Activism and Feminist Advocacy Against Violence: An Ethnography of Migrant Women’s Participation in Hong Kong’s One Billion Rising0
Negotiating climate change in public discourse: insights from critical discourse studies0
Posthumanism: An Early Anticipation in Edgar Allan Poe's “The Man That Was Used Up” and Other Stories0
Ribbon Remembrances at the Tokai Forest Gender Based Violence Roadside Memorial: Mapping Materiality, Artivism and Multimodal Afterlives in Cape Town0
Ecological Thinking about the Metaverse from a Posthumanist Perspective0
Photobooks and South Africa: Notes on Works by Peter Magubane and David Goldblatt0
The Art of Admitting to Shortcomings0
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