International Journal of Music Education

Papers
(The median citation count of International Journal of Music Education is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-05-01 to 2025-05-01.)
ArticleCitations
Music literacy in higher education in Mexico: Current conceptions and teaching practices19
Exploring the career development issues of young musicians through participation in music festivals: A case study of the Youth Music Culture Guangdong Festival19
Music teacher identity: Reassessing perceptions during a global pandemic16
The effects of the pandemic on music teaching in schools in Quebec (Canada) in the spring and fall of 202013
Creating affordances for families with young children: Experiences of music education in social work12
Practitioner–researchers’ views of disability education project for children with severe multiple disabilities: A first-person group study using collaborative autoethnography12
Children’s feelings about piano performances across a year of study12
The development of formative assessment rubrics for enhancing students’ performance on Thai percussion instruments11
Effect of music education based on Edwin E. Gordon’s Theory on children’s developmental music aptitude and social emotional learning skills11
Rethinking “musical excellence” from a decolonial perspective: Disruptive autobiographical experiences among doctoral scholars9
A survey research study of music education faculty: Demographics as related to indicators of job satisfaction and stress9
The development of music education philosophy in mainland China during 1990–2022: A corpus-based thematic review9
Engaged pedagogy in teacher education: A literature review8
Exploring musician-educators’ reflections on a collaborative cross-cultural music making encounter in Singapore8
Institutional change in higher music education: A quest for legitimacy8
The problem of secondary school music enrolments: Tensions between relevance, engagement and improving musical skills and knowledge7
Music studies as cultural capital accumulation and its impact on music genre preferences7
The complexities of meaningful experiential learning: Exploring reflective practice in music performance studies6
On the quality of professional development in the United States: Examining music educators’ experiences, sentiments, and emotions6
An online community of interns: Examining the music student teaching seminar in a virtual setting6
Can the professional study of a musical instrument be associated with the development of cognitive processes? A meta-analytic study6
Digital musicianship in post-pandemic popular music education6
Achievements, difficulties, and goals of the Spanish Society for Music Education (SEM-EE): A phenomenological study6
Collegiate musicians’ experiences with democratic rehearsal procedures6
The influences of college life adaptation and career decision self-efficacy on career achievement stress: Focus on students majoring in piano performance in South Korea5
The effect of collective sight-singing before melodic dictation: A pilot study5
Inclusive music teacher education: Valuing breadth and diversity through authentic immersive experiences5
Constructing popular music programs at Higher Music Education Institutions across Europe5
Preservice music educators’ perceived self-efficacy in teaching students with disabilities following special education coursework: A comparative mixed-methods study5
Collaborative composing with inclusive music ensembles: What attitude, knowledge and skills do composers need?5
Korean preservice music teachers’ perceptions of blended learning in music education course5
Online curriculum marketplaces and music education: A critical analysis of music activities on TeachersPayTeachers.com5
Music majors’ self-regulated learning (SRL) of music practice in China: Two case studies based on the SRL microanalysis4
Instructor experiences with online guitar lessons during the Covid-19 pandemic in Turkey4
Creativity, agency, and stability: Perceptions of Canadian musicians working across the cultural domains4
The mystery of discrepancies of piano education for children in China: How social classes affect musical parenting of parents4
It’s about time: An examination of the importance of timing on positivity of preservice music educators’ teaching reflections4
A comparative study of piano performance programs at university-level institutions in China and the United States: From current faculty members’ and students’ perspectives4
Mobile learning as deep learning: Content analysis of in-service primary school music teachers’ lesson plans in mobile music creation4
Comprehensive Musicianship through Performance (CMP) model in choir ensemble: Perspective form choirmasters in Klang Valley, Malaysia4
Technology-enhanced creativity in K-12 music education: A scoping review4
Perspectives of international teaching assistants on working in music disciplines in American higher education4
Teaching free improvisation: European higher music education teachers’ conceptual tools4
The evolution of the method of ‘oral and heart-to-heart teaching’ in contemporary times: Based on the observation of Shandong opera classroom4
Teaching artists or live performers? Early careers after a Jazz Master’s graduation in French-speaking Switzerland4
Towards a relational model of musical knowledge: Findings from a Belfast-based case study4
Effects of straw phonation on choral acoustic and perceptual measures after an acclimation period3
Work-based placements in European higher music education institutions3
“Mistakes are just information”: A case study of a highly successful violin pedagogue3
Hindrances to recognition in Finnish music schools3
High-pressure in music education: Understanding the phenomenon and empowering students3
Exploring synergy in a mobile learning model for piano playing ornaments exercise with local musical heritage3
‘We hear with our eyes!’ Unlocking tacit knowledge about multisensory music performing3
Bridging the Digital Divide: Distance music learning among older adult musicians3
Trauma-sensitive teaching: Supporting refugee students through music education3
Pre-college piano teaching practice in China and the United States: An international comparative study from the piano teachers’ perspectives3
Poverty, adolescent males, and singing: A profile of schools in Bogotá, Colombia3
Learning collective free music improvisation as a socio-communicative endeavor: Preservice teachers’ journey in a teacher preparation course in Singapore3
Creative musical activities in early childhood education: An analysis of teaching practices3
Making interdisciplinary connections through music: A systematic review of studies in general schooling context in Turkey2
Learner-centered pedagogy and student engagement in a virtual elementary instrumental music program2
Learning strategies of video game music makers: Informal and school-based learning for online publication2
Encouraging creativity through music improvisation activities: Pre-service primary general teacher-students’ reflections and beliefs2
Antiquity in the history of music: A critical review of the music textbooks for secondary education in Spain2
A structural equation model of preschool teacher candidates’ self-efficacy beliefs for music teaching: The role of academic and preschool teaching self-efficacy2
The impact of a music education program on meta-musical awareness, logical-mathematical, and notational skills in preschoolers2
Correlation of piano lesson success of music teacher candidates with their piano exam anxiety levels and their opinions on causes of anxiety2
What and how? Or why and for whom? A content analysis of middle school general music literature2
A case study: 30 elementary music education majors’ perceptions of preparedness, interest, and comfort teaching choir before and after taking a choral methods course2
Building an evaluation index system of musical collaborative capacity for China’s compulsory music education: Using a combined Delphi method and Analytic Hierarchy Process approach2
The author and the piano student: The transferability of the creative process in practice2
Creativity, autonomy and Dalcroze Eurhythmics: An arts practice exploration2
Effects of focus of attention instructions on listeners’ evaluations of solo instrumental performance2
Expanding the music circle through networked improvisation in an inclusive ensemble2
Music performance anxiety: A study of anxiety predictors in higher education music students in Portugal2
Exploring music learning needs of working-age individuals in Thailand2
Instrument teachers’ practices, beliefs, and barriers regarding musical creativity: Exploring the creative process of interpretation2
How popular music pedagogy is integrated in the diverse environment of international school education in China: A case study in Shanghai2
Music education in the digital age: Challenges associated with sound homogenization in music aimed at adolescents2
Extension of the 3 × 2 achievement goal model to university concert band performance2
Finnish music class studies and extracurricular playing in promoting grit and sisu, the inner fortitude: Reconceptualizing sisu as a predecessor of flow, growth and flourishing2
Sight-reading components across tonal and atonal environments in music: An exploratory analysis of performers’ self-assessed proficiency2
Curriculum and training analysis of the music degrees in Colombia2
Analysis of cultural heritage in music didactic materials in Galicia2
Preservice teachers’ experiences as first-time voice instructors2
Innovative and disruptive pedagogies in music education: A systematic review of the literature1
“I want to know more about the world”: A case study of international-mindedness as a means of professional development for music teachers in China1
Music teachers’ perceptions of intercultural competence in Spain1
The inhibition of musicality: Perspectives of piano teachers in Malaysia and Singapore1
A portrait of self-regulated musical learning behaviors among rock musicians: Applications in music education1
Ghanaian collegiate music students who play brass instruments’ music education experiences at the pre-tertiary level1
Adela and transformative learning: A Freirean perspective on a community music education project in Melbourne, Australia1
Exploring music integration: Early childhood and elementary teacher practices1
Playing by ear and the development of music skills at pre-school age1
Analyses of titles and authors from 50 years of ISME Research Commission manuscripts 1968 to 20181
Music professionalism promoting gerotranscendence: An instrumental case study of healthcare musicians in an eldercare hospital1
Oboe educators’ perspectives on playing-related injury, Part II: Barriers, solutions, and teaching practices1
Facing the challenges of the inclusion of visually impaired students: Music teacher’s perceptions1
Collective free improvisation in the Flemish general music classroom: Probing student’s lived experience through flow1
Exploring the low enrolment of music as a subject within Hong Kong senior secondary school education1
Atheist public school choir directors and their views on religious music performance1
The musical actions of mobile youth1
Oboe educators’ perspectives on playing-related injury, Part I: Lived experience and perceptions surrounding injury1
“It’s your body, it’s part of who you are!”: Influences upon collegiate vocalists’ performance self-efficacy beliefs1
Online music education for sustainable development: Analysis of music learning videos in e-Hakseupteo1
The learning experiences and musical proficiencies of formal and informal popular musicians in Malaysia1
Gender equality discourse in classical music higher education: Women, individualisation, and change1
Developing the music listening skills test (MLST) for pre-school and elementary school teacher candidates1
Bibliometric study of scientific production in music education from 2000 to 20221
The conservatory debated from a critical pedagogy perspective1
Unlocking sound: New trends and innovations in intonation education over the past decade1
Investigating the moderating role of coping style on music performance anxiety and perfectionism1
Development and Validation of The Anadolu University Music Perception Test1
Fishers of song: Music education and community in Andavadoaka, Madagascar1
Designing music education curriculum in a multicultural environment: Vocal training in China1
Autoethnographic narrative as a lens on life-long musician-teacher identity1
Understanding music teachers’ perceptions of themselves and their work: An Importance–Confidence Analysis1
Collective and individual practices in popular music: Differences between semi-professionals and professionals in Austria and Germany1
Approaches to developing community: A survey of the perspectives of American female undergraduate prospective band directors1
Becoming the music teacher: Stories of generalist teaching and teacher education in music1
Does length of training period impact the effectiveness of reciprocal peer teaching in university group piano students?1
The many ways of Puerto Rican community music1
Music and mathematics: Key components and contributions of an integrated STEAM teaching approach1
How much is too much? Effects of unexpressive, expressive, and overly-expressive conducting on ensemble expressivity ratings1
The Music Practice Motivation Scale: An exploration of secondary instrumental music students’ motivation to practice1
Negotiating queer voices: How five south African queer music educators negotiate their professional identity1
The ecology for fostering the musical creativity of students with intellectual disabilities1
The effects of peer-assisted learning on rhythmic and melodic sight-reading in a middle school chorus1
Children’s informal music learning: A phenomenological inquiry1
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