International Journal of Music Education

Papers
(The median citation count of International Journal of Music Education is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-03-01 to 2024-03-01.)
ArticleCitations
Exploring the aids of social media for musical instrument education53
Digital technologies in music subjects on primary teacher training degrees in Spain: Teachers’ habits and profiles20
Teaching music in England today19
Broadening student musicians’ career horizons: The importance of being and becoming a learner in higher education16
Teaching creative music in El Sistema and after-school music contexts13
Understanding preservice music teachers’ intention to remain in the profession: An integrated model of the theory of planned behaviour and motivation theory12
Finding the “both/and”: Balancing informal and formal music learning11
Towards an eco-literate tertiary music education: Notes from a South African context11
Integrating popular music into urban schools: Assessing the effectiveness of a comprehensive music teacher development program10
Beyond the dots on the page: Harnessing transculturation and music education to address intercultural competence and social inclusion9
Preservice music teachers’ self-efficacy and concerns before and during student teaching9
A music literacy-based rationale for popular music ensembles and experiences in music education9
Identity formation in music teacher education: The role of the curriculum9
The sustainability of multicultural music education in Guizhou Province, China9
When theory and practice meet: Avenues for entrepreneurship education in music conservatories9
Mapping music education research in Mainland China (2007–2019): A metadata-based literature analysis8
What are the affordances of the digital music space in alternative education? A reflection on an exploratory music outreach project in rural Australia8
The impact of a music education program on meta-musical awareness, logical-mathematical, and notational skills in preschoolers8
The influences of facial expression and conducting gesture on college musicians' perceptions of choral conductor and ensemble expressivity8
Factors in the motivations of studio-based musical instrument learners in Hong Kong: An in-depth interview study7
Creativity, autonomy and Dalcroze Eurhythmics: An arts practice exploration7
Performance anxiety experiences and coping techniques of Turkish music students and their teachers7
(Re)organizing the music curriculum as multicultural music education7
Hacking, disability, and music education7
Can indigenous music learning processes inform contemporary schooling?7
Preservice music teachers in Korea and their collaborative reflection with peers7
East meets West: Investigating the state of DJing culture and turntablism pedagogy in China7
Stressors and psychological distress: Music listening as a coping strategy for pre-service kindergarten teachers6
How do college musicians self-manage musical performance anxiety: Strategies through time periods and types of performance6
The author and the piano student: The transferability of the creative process in practice6
Peer tutoring in music education: A literature review6
Online music education for sustainable development: Analysis of music learning videos ine-Hakseupteo5
Professional reflexivity and the paradox of freedom: Negotiating professional boundaries in a Jewish Ultra-Orthodox female music teacher education programme5
Children’s verbal explanations of their visual representation of the music5
On the design and validation of a rubric for the evaluation of performance in a musical contest5
Popular education and music education: Lessons from a strings program in Erechim, Brazil5
Technology use in high school aural skills instruction5
Classical soloists’ life histories and the music conservatoire5
Musical expression in the training of future primary education teachers in Galicia5
Peer mentoring in an extracurricular music class5
Why (not) be a music teacher? Exploring pre-service music teachers’ sources of concern regarding their future profession5
Self-regulated learning skills of prospective music teachers in Turkey5
A systematic literature review of Chinese music education studies during 2007 to 20194
Appraising the extent of digital divide between music teachers and students in Anambra state secondary schools, Nigeria4
E-learning during the COVID-19 lockdown: An interview study with primary school music teachers in Italy4
Negotiating versatility and specialisation: On music teachers’ identification with subject positions in Norwegian municipal schools of music and performing arts4
Innovative and disruptive pedagogies in music education: A systematic review of the literature4
The self-directed learning of adult music students: A comparison of teacher approaches and student needs4
A comparative study of piano performance programs at university-level institutions in China and the United States: From current faculty members’ and students’ perspectives4
Music facilitator experiences of working in asylum seeker centres: Complexities, dilemmas and opportunities4
From theory to practice: Student-centered pedagogical implementation in primary music demonstration lessons in Guangdong, China4
“He didn’t know what he was doin’”: Student perspectives of a White teacher’s Hip-Hop class4
A Music Teacher’s Blended Teaching and Learning Experience during COVID-19: Autoethnography of Resilience4
Influences on teacher efficacy of preservice music educators4
Equity via relations of equality: Bridging the classroom-society divide3
Factors influencing the career intentions of music performance students: An integrated model analysis3
How popular music pedagogy is integrated in the diverse environment of international school education in China: A case study in Shanghai3
“Mistakes are just information”: A case study of a highly successful violin pedagogue3
The ecology for fostering the musical creativity of students with intellectual disabilities3
Counterpoint in the music classroom: Creating an environment of resilience with peer mentoring and LGBTQIA+ students3
Nurturing student ethnic identity through culturally responsive music teaching in China3
Fluctuating emotions and motivation: Five stages of the rehearsal and performance process3
Music professionalism promoting gerotranscendence: An instrumental case study of healthcare musicians in an eldercare hospital3
Understanding music teachers’ perceptions of themselves and their work: An Importance–Confidence Analysis3
Effectual thinking and music education: One view of creative adaptation in an underserved urban middle school3
Investigating the moderating role of coping style on music performance anxiety and perfectionism3
The complexities of meaningful experiential learning: Exploring reflective practice in music performance studies2
Students’ experiences of their agency in whole-class playing2
Children’s feelings about piano performances across a year of study2
Stylistic pluralism and the experiences of classically trained teachers of singing in the Republic of Ireland2
Seeking best practice: A systematic review of literature on Chinese music teaching and learning in Western classroom contexts2
Music education in Northern Ireland: A process to achieve social inclusion through segregated education?2
Inclusive socio-musical spaces for newly arrived migrant children in a Norwegian primary school: Teacher and school leader perspectives2
Zoltán Kodály gives a hand to secondary school students in recorder performance and attitudes toward music in Turkey2
The singing effect during melodic dictation2
Instructor experiences with online guitar lessons during the Covid-19 pandemic in Turkey2
Learner-centered pedagogy and student engagement in a virtual elementary instrumental music program2
The conservatory debated from a critical pedagogy perspective2
Factors associated with fourth graders' music knowledge assessed by SCAAP2
The effect of participation in a popular band program on students’ musical and extra-musical outcomes in Korea2
Investigating one-to-one instrumental music lessons in relation to a training programme on Paul Harris’ simultaneous learning2
Handling of incongruences in music notation during singing or playing2
Atheist public school choir directors and their views on religious music performance1
Incorporation of informal music learning practices in a primary classroom in Cyprus1
Through the looking glass: A researcher’s perspectives on a collaborative music composition project1
Practice habits and motivation: A qualitative descriptive study of graduate instrumentalists1
An analysis of four instructional strategies used by secondary school music teachers in Uganda1
Working together: Implications of leadership style for the music ensemble1
Improvisation Based on Audience Requests: Pedagogical Possibilities of the Application “Sanka Play” for Performer and Audience Interaction in Elementary School Music Classes1
Stimulating music educator worldview change through a pedagogy of provocation, critical thinking and peer-review1
Beyond musical repertory: Euro-Americentric ways of knowing in the International Baccalaureate high school music curriculum framework1
Antiquity in the history of music: A critical review of the music textbooks for secondary education in Spain1
Bridging the Digital Divide: Distance music learning among older adult musicians1
Music education instructors’ perceptions about pre-service music teacher education in Spain1
Exploring musician-educators’ reflections on a collaborative cross-cultural music making encounter in Singapore1
Student-directed learning in popular musicianship: An action research study of university music students1
Pursuing diversity from the podium: Insights from Australia for wind band conductors and educators on achieving gender parity for women composers1
High school learners’ perceptions of value as motivation to choose music as an elective in Gauteng, South Africa1
It’s about time: An examination of the importance of timing on positivity of preservice music educators’ teaching reflections1
Music education in the digital age: Challenges associated with sound homogenization in music aimed at adolescents1
Constructing popular music programs at Higher Music Education Institutions across Europe1
Shifting frames: Two doctoral students’ identity construction as music teacher educators1
Emerging critical events in creative processes involving music, dance and mathematics in the school1
Effects of straw phonation on choral acoustic and perceptual measures after an acclimation period1
Collegiate musicians’ experiences with democratic rehearsal procedures1
An investigation of musical ability beliefs and self-concept among fourth-grade students in the United States1
On the quality of professional development in the United States: Examining music educators’ experiences, sentiments, and emotions1
Children’s informal music learning: A phenomenological inquiry1
“It’s your body, it’s part of who you are!”: Influences upon collegiate vocalists’ performance self-efficacy beliefs1
A combined music and writing program helps second graders learn to spell1
Seeking alternatives in music education: The effects of mobile technologies on students’ achievement in basic music theory1
Technology-enhanced creativity in K-12 music education: A scoping review1
Instrument teachers’ practices, beliefs, and barriers regarding musical creativity: Exploring the creative process of interpretation1
Teaching songs from diverse cultures to pre-service teachers using a “Four Step Flipped” method1
The iron cage of the music teaching profession: A multi-case study on how primary music teachers in Spain understand bureaucracy1
Female music educators’ stress and well-being in the height of a global pandemic in the United States1
Exploring teachers’ approaches to popular music: Attitudes, learning practice, and issues in South Korea1
Exploring synergy in a mobile learning model for piano playing ornaments exercise with local musical heritage1
Music studies as cultural capital accumulation and its impact on music genre preferences1
Collaborative untangling of positionality, ownership, and answerability as white researchers in indigenous spaces1
An evaluation of a musical learning exchange: A case study in a U.S. prison1
Developing metacognition as an instructional approach for enhancing young pianists’ musical expressivity1
Autoethnographic narrative as a lens on life-long musician-teacher identity1
Institutional change in higher music education: A quest for legitimacy1
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