International Journal of Music Education

Papers
(The median citation count of International Journal of Music Education is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)
ArticleCitations
Exploring the aids of social media for musical instrument education64
Teaching music in England today24
Teaching creative music in El Sistema and after-school music contexts23
Broadening student musicians’ career horizons: The importance of being and becoming a learner in higher education21
Preservice music teachers’ self-efficacy and concerns before and during student teaching17
Towards an eco-literate tertiary music education: Notes from a South African context13
The sustainability of multicultural music education in Guizhou Province, China13
East meets West: Investigating the state of DJing culture and turntablism pedagogy in China12
The impact of a music education program on meta-musical awareness, logical-mathematical, and notational skills in preschoolers12
How do college musicians self-manage musical performance anxiety: Strategies through time periods and types of performance11
Integrating popular music into urban schools: Assessing the effectiveness of a comprehensive music teacher development program11
(Re)organizing the music curriculum as multicultural music education10
Mapping music education research in Mainland China (2007–2019): A metadata-based literature analysis10
The author and the piano student: The transferability of the creative process in practice10
Performance anxiety experiences and coping techniques of Turkish music students and their teachers10
A systematic literature review of Chinese music education studies during 2007 to 201910
What are the affordances of the digital music space in alternative education? A reflection on an exploratory music outreach project in rural Australia9
Preservice music teachers in Korea and their collaborative reflection with peers9
Can indigenous music learning processes inform contemporary schooling?8
Creativity, autonomy and Dalcroze Eurhythmics: An arts practice exploration8
Innovative and disruptive pedagogies in music education: A systematic review of the literature8
Peer tutoring in music education: A literature review8
Online music education for sustainable development: Analysis of music learning videos in e-Hakseupteo7
A Music Teacher’s Blended Teaching and Learning Experience during COVID-19: Autoethnography of Resilience7
From theory to practice: Student-centered pedagogical implementation in primary music demonstration lessons in Guangdong, China7
Understanding music teachers’ perceptions of themselves and their work: An Importance–Confidence Analysis6
Professional reflexivity and the paradox of freedom: Negotiating professional boundaries in a Jewish Ultra-Orthodox female music teacher education programme6
Peer mentoring in an extracurricular music class6
Why (not) be a music teacher? Exploring pre-service music teachers’ sources of concern regarding their future profession6
A comparative study of piano performance programs at university-level institutions in China and the United States: From current faculty members’ and students’ perspectives6
Classical soloists’ life histories and the music conservatoire6
Stylistic pluralism and the experiences of classically trained teachers of singing in the Republic of Ireland5
How popular music pedagogy is integrated in the diverse environment of international school education in China: A case study in Shanghai5
Stressors and psychological distress: Music listening as a coping strategy for pre-service kindergarten teachers5
E-learning during the COVID-19 lockdown: An interview study with primary school music teachers in Italy5
“Mistakes are just information”: A case study of a highly successful violin pedagogue5
The ecology for fostering the musical creativity of students with intellectual disabilities5
Factors influencing the career intentions of music performance students: An integrated model analysis5
Investigating the moderating role of coping style on music performance anxiety and perfectionism5
Appraising the extent of digital divide between music teachers and students in Anambra state secondary schools, Nigeria4
Emerging critical events in creative processes involving music, dance and mathematics in the school4
Stimulating music educator worldview change through a pedagogy of provocation, critical thinking and peer-review4
Incorporation of informal music learning practices in a primary classroom in Cyprus4
The self-directed learning of adult music students: A comparison of teacher approaches and student needs4
Negotiating versatility and specialisation: On music teachers’ identification with subject positions in Norwegian municipal schools of music and performing arts4
Music facilitator experiences of working in asylum seeker centres: Complexities, dilemmas and opportunities4
Practice habits and motivation: A qualitative descriptive study of graduate instrumentalists4
Nurturing student ethnic identity through culturally responsive music teaching in China4
Influences on teacher efficacy of preservice music educators4
Music professionalism promoting gerotranscendence: An instrumental case study of healthcare musicians in an eldercare hospital3
Instrumental music teachers’ development of feedback across the lifespan: A qualitative study3
Institutional change in higher music education: A quest for legitimacy3
Children’s feelings about piano performances across a year of study3
The effects of the pandemic on music teaching in schools in Quebec (Canada) in the spring and fall of 20203
Equity via relations of equality: Bridging the classroom-society divide3
The complexities of meaningful experiential learning: Exploring reflective practice in music performance studies3
Exploring musician-educators’ reflections on a collaborative cross-cultural music making encounter in Singapore3
Bridging the Digital Divide: Distance music learning among older adult musicians3
Zoltán Kodály gives a hand to secondary school students in recorder performance and attitudes toward music in Turkey3
Technology-enhanced creativity in K-12 music education: A scoping review3
Constructing popular music programs at Higher Music Education Institutions across Europe3
Music education instructors’ perceptions about pre-service music teacher education in Spain3
Perceptions and experiences of preservice music educators working with students with disabilities: A mixed methods inquiry of online field experiences within a music for special education course3
Seeking alternatives in music education: The effects of mobile technologies on students’ achievement in basic music theory3
Shifting frames: Two doctoral students’ identity construction as music teacher educators2
Students’ experiences of their agency in whole-class playing2
Music studies as cultural capital accumulation and its impact on music genre preferences2
Becoming the music teacher: Stories of generalist teaching and teacher education in music2
Inclusive socio-musical spaces for newly arrived migrant children in a Norwegian primary school: Teacher and school leader perspectives2
Effect of music education based on Edwin E. Gordon’s Theory on children’s developmental music aptitude and social emotional learning skills2
Instructor experiences with online guitar lessons during the Covid-19 pandemic in Turkey2
Seeking best practice: A systematic review of literature on Chinese music teaching and learning in Western classroom contexts2
Learner-centered pedagogy and student engagement in a virtual elementary instrumental music program2
The conservatory debated from a critical pedagogy perspective2
On the quality of professional development in the United States: Examining music educators’ experiences, sentiments, and emotions2
Children’s informal music learning: A phenomenological inquiry2
Exploring synergy in a mobile learning model for piano playing ornaments exercise with local musical heritage2
Collaborative untangling of positionality, ownership, and answerability as white researchers in indigenous spaces2
Exploring the low enrolment of music as a subject within Hong Kong senior secondary school education2
Can motivation and intentions of parental support predict musical achievement before the commencement of musical studies at the elementary school level?2
Practice and learning the piano: Motivation and self-regulation2
Working together: Implications of leadership style for the music ensemble2
Music education in Northern Ireland: A process to achieve social inclusion through segregated education?2
“It’s your body, it’s part of who you are!”: Influences upon collegiate vocalists’ performance self-efficacy beliefs2
Developing metacognition as an instructional approach for enhancing young pianists’ musical expressivity2
High school learners’ perceptions of value as motivation to choose music as an elective in Gauteng, South Africa2
The Music Practice Motivation Scale: An exploration of secondary instrumental music students’ motivation to practice2
The singing effect during melodic dictation2
Investigating one-to-one instrumental music lessons in relation to a training programme on Paul Harris’ simultaneous learning2
Antiquity in the history of music: A critical review of the music textbooks for secondary education in Spain1
Effects of focus of attention instructions on listeners’ evaluations of solo instrumental performance1
Adela and transformative learning: A Freirean perspective on a community music education project in Melbourne, Australia1
Pre-college piano teaching practice in China and the United States: An international comparative study from the piano teachers’ perspectives1
Digital competencies of music teachers under the ‘new normal’ in Hong Kong1
Beyond musical repertory: Euro-Americentric ways of knowing in the International Baccalaureate high school music curriculum framework1
It’s about time: An examination of the importance of timing on positivity of preservice music educators’ teaching reflections1
Autoethnographic narrative as a lens on life-long musician-teacher identity1
An analysis of four instructional strategies used by secondary school music teachers in Uganda1
Developing feedback skills in preservice music teachers1
Translation and validation of music performance self-efficacy scale into Turkish1
Female music educators’ stress and well-being in the height of a global pandemic in the United States1
Designing music education curriculum in a multicultural environment: Vocal training in China1
Collegiate musicians’ experiences with democratic rehearsal procedures1
The music teacher in ‘on-the-spot’ musical interactions: A practitioner research study1
Musical Futures in New Zealand: A study in recontextualisation1
The inhibition of musicality: Perspectives of piano teachers in Malaysia and Singapore1
Through the looking glass: A researcher’s perspectives on a collaborative music composition project1
Effects of straw phonation on choral acoustic and perceptual measures after an acclimation period1
Making interdisciplinary connections through music: A systematic review of studies in general schooling context in Turkey1
Creativity, agency, and stability: Perceptions of Canadian musicians working across the cultural domains1
Preservice teachers’ experiences as first-time voice instructors1
Music education in the digital age: Challenges associated with sound homogenization in music aimed at adolescents1
Improvisation Based on Audience Requests: Pedagogical Possibilities of the Application “Sanka Play” for Performer and Audience Interaction in Elementary School Music Classes1
Korean preservice music teachers’ perceptions of blended learning in music education course1
Analyses of titles and authors from 50 years of ISME Research Commission manuscripts 1968 to 20181
An evaluation of a musical learning exchange: A case study in a U.S. prison1
Music teacher educator growth through Self-Study of Teacher Education Practices (S-STEP) research1
A study of rhythmic emergent literacy within an Orff-based program implemented in Israel1
Perceptions of improvements in piano performance following a Body Mapping workshop1
Atheist public school choir directors and their views on religious music performance1
Student-directed learning in popular musicianship: An action research study of university music students1
Mobile learning as deep learning: Content analysis of in-service primary school music teachers’ lesson plans in mobile music creation1
Teacher expectation effects on vocal and instrumental performance: A focus on student gender1
Instrument teachers’ practices, beliefs, and barriers regarding musical creativity: Exploring the creative process of interpretation1
Problem-based learning (PBL) in music teacher education1
The iron cage of the music teaching profession: A multi-case study on how primary music teachers in Spain understand bureaucracy1
Moving beyond data collection: Fostering community engagement in community music schools0
Capacity building and professional development in contemporary music careers: An Australian contemporary music case study0
Collaborative composing with inclusive music ensembles: What attitude, knowledge and skills do composers need?0
Norwegian schools of music and arts: Local significance and strategies of inclusion0
Collaborative learning and persistence in music education: Examining music self-perception as a mediator among adolescent students0
Analysis of cultural heritage in music didactic materials in Galicia0
Formal, informal, and non-formal learning as analytic categories for research in music education0
Practitioner–researchers’ views of disability education project for children with severe multiple disabilities: A first-person group study using collaborative autoethnography0
A case study: 30 elementary music education majors’ perceptions of preparedness, interest, and comfort teaching choir before and after taking a choral methods course0
Self-regulation in online string instrument lessons: Motivation, social interaction and learning environment0
What does research-led teaching mean for music performance programs? Students and educators perspectives from Swedish higher music education0
Adapting music education to pandemic regulations: Conceptualizing the school demands-resource theoretical innovation through autoethnography0
The Way I Feel, the Way I Play? The role of affect in goal realization in musical practice0
Exploring the changes in cultural identity of primary school students in a Chinese orchestra0
Collective and individual practices in popular music: Differences between semi-professionals and professionals in Austria and Germany0
Ghanaian collegiate music students who play brass instruments’ music education experiences at the pre-tertiary level0
The applicability of Anglosphere-based popular music learning culture characterisations to a Malaysian context0
Using a shared research practices paradigm with adult choral singers for the teaching and learning of musical literacy skills0
Finnish music class studies and extracurricular playing in promoting grit and sisu, the inner fortitude: Reconceptualizing sisu as a predecessor of flow, growth and flourishing0
Guided listening as meaningful learning: A study of Israeli secular Jewish High School music programs0
Structural features in classical and jazz studio lessons0
Can the professional study of a musical instrument be associated with the development of cognitive processes? A meta-analytic study0
Interview ready: A student-led artistic project as an authentic experience to support pre-service music teachers’ pathways to employment0
Teaching free improvisation: European higher music education teachers’ conceptual tools0
Measures of music teacher expertise in three early career levels in America0
Mind, body, and soul: The effects of bodily movement on listeners’ perceptions of choral performances0
The story of “Beat”: A concert program in kindergartens0
What and how? Or why and for whom? A content analysis of middle school general music literature0
Sight-reading components across tonal and atonal environments in music: An exploratory analysis of performers’ self-assessed proficiency0
The ‘professional digital competence’: Exploring the perspective of primary music teachers in Spain0
The role of active and passive music engagement in cognitive development: A systematic review0
Music teachers’ labeling accuracy and quality ratings of lesson plans by artificial intelligence (AI) and humans0
Engaged pedagogy in teacher education: A literature review0
Poverty, adolescent males, and singing: A profile of schools in Bogotá, Colombia0
Understanding ethnic minority students’ motivations to pursue higher music education over time0
Learning strategies of video game music makers: Informal and school-based learning for online publication0
Music and mathematics: Key components and contributions of an integrated STEAM teaching approach0
Digital musicianship in post-pandemic popular music education0
Negotiating queer voices: How five south African queer music educators negotiate their professional identity0
The mystery of discrepancies of piano education for children in China: How social classes affect musical parenting of parents0
Piano Teaching Within the Framework of the Flipped Classroom Model: Planning, Implementation, and Evaluation0
Music education at the primary level in Syria, before and during the current crisis0
Creative musical activities in early childhood education: An analysis of teaching practices0
Teaching the whole singer: An examination of methods used to address student wellness in the collegiate voice studio0
The use of video recordings in the formative assessment process of Taksims0
Background music of varying tempi produces differing facial emotional expressions and performance in music-majors and non-majors as they complete a reading comprehension test0
Corrigendum to Integrating popular music into urban schools: Assessing the effectiveness of a comprehensive music teacher development program0
Music performance anxiety: A study of anxiety predictors in higher education music students in Portugal0
Inclusive music teacher education: Valuing breadth and diversity through authentic immersive experiences0
Collective free improvisation in the Flemish general music classroom: Probing student’s lived experience through flow0
Music majors’ self-regulated learning (SRL) of music practice in China: Two case studies based on the SRL microanalysis0
Music teachers’ perceptions of intercultural competence in Spain0
Exploring music learning needs of working-age individuals in Thailand0
Rethinking “musical excellence” from a decolonial perspective: Disruptive autobiographical experiences among doctoral scholars0
‘We hear with our eyes!’ Unlocking tacit knowledge about multisensory music performing0
Intersections of spirituality, relationships, and music education: Applications of lessons from the Pixar film, Soul0
Kayanapussana Satipatthana and the Buddhist practices of Samadhi and Sati as foundational practices in the development of Thai musical skills0
The development of music education philosophy in mainland China during 1990–2022: A corpus-based thematic review0
Hidden diversity in the conservatoire: A qualitative enquiry into the experiences of higher education music students with disability0
Work-based placements in European higher music education institutions0
The effect of collective sight-singing before melodic dictation: A pilot study0
Music diversity in music education: A multiple case study of music teacher training programs in Thailand0
Uncovering children’s experiences of emergent learning difficulties in the instrumental music studio0
Approaches to developing community: A survey of the perspectives of American female undergraduate prospective band directors0
‘Wayfarers: Confronting the past through traditional music in schools’0
Expanding models of music composition: Exploring the value of collaboration0
Maker music education: Towards a post-digital, participatory and empowering music education0
Standardizing “Yikao”: An analysis of the reform in Arts College Entrance Examination (ACEE) in China in 20240
Bibliometric study of scientific production in music education from 2000 to 20220
Perspectives of international teaching assistants on working in music disciplines in American higher education0
Building an evaluation index system of musical collaborative capacity for China’s compulsory music education: Using a combined Delphi method and Analytic Hierarchy Process approach0
Unlocking sound: New trends and innovations in intonation education over the past decade0
Correlation of piano lesson success of music teacher candidates with their piano exam anxiety levels and their opinions on causes of anxiety0
The influences of college life adaptation and career decision self-efficacy on career achievement stress: Focus on students majoring in piano performance in South Korea0
Gender equality discourse in classical music higher education: Women, individualisation, and change0
Music education alumni perceptions of undergraduate degree experiences, skills development, and job satisfaction0
Exploring the career development issues of young musicians through participation in music festivals: A case study of the Youth Music Culture Guangdong Festival0
Where is Mi Gente? Codeswitching (Afro)Latinidad in the music classroom0
A portrait of self-regulated musical learning behaviors among rock musicians: Applications in music education0
Intelligent Interactive Piano Teaching0
Musical communication among parents and their children: An analysis tool to study their interaction0
The effects of cognitive-emotional music listening in ear training on acquired knowledge and liking of the lessons0
The evolution of the method of ‘oral and heart-to-heart teaching’ in contemporary times: Based on the observation of Shandong opera classroom0
An exploratory study of pre-college piano students’ practice habits and their teachers’ perceptions in Eastern China0
Flipped Learning in the subject «Music» of E.S.O. [Compulsory Secondary Education] within a rural environment: Impact on students and families0
Music education undergraduates’ construction of music teacher role-identity0
Teaching songs from diverse cultures to pre-service teachers using a “Four Step Flipped” method0
The learning experiences and musical proficiencies of formal and informal popular musicians in Malaysia0
A survey research study of music education faculty: Demographics as related to indicators of job satisfaction and stress0
Oboe educators’ perspectives on playing-related injury, Part I: Lived experience and perceptions surrounding injury0
Orchestrating gender equality: How Australian female musicians navigate bias and achieve career success0
Presage: First year music students’ experiences, understandings, expectations and aspirations on entering an undergraduate music program0
Fishers of song: Music education and community in Andavadoaka, Madagascar0
Perceived preparedness to teach over time: A longitudinal case study of instrumental music teachers0
Exploring music integration: Early childhood and elementary teacher practices0
Hindrances to recognition in Finnish music schools0
High-pressure in music education: Understanding the phenomenon and empowering students0
The Black Swan: An early childhood music project0
The many ways of Puerto Rican community music0
Re-positionings and reductions: A case of curriculum evolution in senior secondary music in Victoria, Australia0
An online community of interns: Examining the music student teaching seminar in a virtual setting0
Music teacher identity: Reassessing perceptions during a global pandemic0
Musicking in Chinese kindergartens: Case studies in Qingdao0
Curriculum and training analysis of the music degrees in Colombia0
The potential role of an activity-based guitar program on the anxiety and fulfillment levels of younger relatives of cancer patients: A pilot study0
Rent-a-crowd! Understanding how applause magnitude impacts music performance appraisal0
How composition strategies influence melodic idea generation0
Norm-disruptive learning and music teacher competency development: A thematic synthesis0
Career experiences of rural music teachers in Jilin Province, China0
Encouraging creativity through music improvisation activities: Pre-service primary general teacher-students’ reflections and beliefs0
Music-related wellbeing as a teaching objective? A critical interpretive synthesis0
Towards a relational model of musical knowledge: Findings from a Belfast-based case study0
Exploring music performance anxiety among fine arts high school music department students in Turkey0
Synchronous online instrumental music teaching in cross-cultural learning contexts0
Music literacy in higher education in Mexico: Current conceptions and teaching practices0
Facing the challenges of the inclusion of visually impaired students: Music teacher’s perceptions0
Characteristics of expert vocalists’ practice0
Playing by ear and the development of music skills at pre-school age0
An investigation of Korean music teachers’ perceptions of technology in music classes0
Didactic transposition in music education: Exploring didactical suitability in three Navarrese schools0
Investigating the health and wellbeing of music students: Perspectives from schools of music in Switzerland and the UK0
Developing the music listening skills test (MLST) for pre-school and elementary school teacher candidates0
Learning collective free music improvisation as a socio-communicative endeavor: Preservice teachers’ journey in a teacher preparation course in Singapore0
The development of formative assessment rubrics for enhancing students’ performance on Thai percussion instruments0
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