International Journal of Music Education

Papers
(The median citation count of International Journal of Music Education is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-02-01 to 2025-02-01.)
ArticleCitations
Perceptions and experiences of preservice music educators working with students with disabilities: A mixed methods inquiry of online field experiences within a music for special education course15
What are the affordances of the digital music space in alternative education? A reflection on an exploratory music outreach project in rural Australia14
Unlocking sound: New trends and innovations in intonation education over the past decade13
Poverty, adolescent males, and singing: A profile of schools in Bogotá, Colombia12
Didactic transposition in music education: Exploring didactical suitability in three Navarrese schools12
The effects of cognitive-emotional music listening in ear training on acquired knowledge and liking of the lessons12
Adapting music education to pandemic regulations: Conceptualizing the school demands-resource theoretical innovation through autoethnography11
Zoltán Kodály gives a hand to secondary school students in recorder performance and attitudes toward music in Turkey11
Bridging the Digital Divide: Distance music learning among older adult musicians10
Exploring synergy in a mobile learning model for piano playing ornaments exercise with local musical heritage10
Seeking alternatives in music education: The effects of mobile technologies on students’ achievement in basic music theory9
Bibliometric study of scientific production in music education from 2000 to 20229
East meets West: Investigating the state of DJing culture and turntablism pedagogy in China8
Moving beyond data collection: Fostering community engagement in community music schools8
The Music Practice Motivation Scale: An exploration of secondary instrumental music students’ motivation to practice8
Work-based placements in European higher music education institutions8
Practitioner–researchers’ views of disability education project for children with severe multiple disabilities: A first-person group study using collaborative autoethnography7
Pre-college piano teaching practice in China and the United States: An international comparative study from the piano teachers’ perspectives7
Music majors’ self-regulated learning (SRL) of music practice in China: Two case studies based on the SRL microanalysis7
Effect of music education based on Edwin E. Gordon’s Theory on children’s developmental music aptitude and social emotional learning skills6
Music literacy in higher education in Mexico: Current conceptions and teaching practices6
Children’s feelings about piano performances across a year of study6
The effects of the pandemic on music teaching in schools in Quebec (Canada) in the spring and fall of 20205
Teaching the whole singer: An examination of methods used to address student wellness in the collegiate voice studio5
Perceptions of improvements in piano performance following a Body Mapping workshop5
The inhibition of musicality: Perspectives of piano teachers in Malaysia and Singapore5
Music education undergraduates’ construction of music teacher role-identity5
Fishers of song: Music education and community in Andavadoaka, Madagascar5
The ‘professional digital competence’: Exploring the perspective of primary music teachers in Spain4
Music teacher identity: Reassessing perceptions during a global pandemic4
Uncovering children’s experiences of emergent learning difficulties in the instrumental music studio4
Music-related wellbeing as a teaching objective? A critical interpretive synthesis4
A Yin-Yang approach: Investigating students’ beliefs about teaching and learning in music among college students in Macau, China4
Mentoring in the context of music teacher education: A systematic review4
The potential role of an activity-based guitar program on the anxiety and fulfillment levels of younger relatives of cancer patients: A pilot study4
Beyond musical repertory: Euro-Americentric ways of knowing in the International Baccalaureate high school music curriculum framework4
Norm-disruptive learning and music teacher competency development: A thematic synthesis4
Investigating the moderating role of coping style on music performance anxiety and perfectionism4
Incorporation of informal music learning practices in a primary classroom in Cyprus4
Collaborative untangling of positionality, ownership, and answerability as white researchers in indigenous spaces4
Mind, body, and soul: The effects of bodily movement on listeners’ perceptions of choral performances4
‘We hear with our eyes!’ Unlocking tacit knowledge about multisensory music performing4
Classical soloists’ life histories and the music conservatoire4
Interview ready: A student-led artistic project as an authentic experience to support pre-service music teachers’ pathways to employment3
Exploring the career development issues of young musicians through participation in music festivals: A case study of the Youth Music Culture Guangdong Festival3
Expanding models of music composition: Exploring the value of collaboration3
Adela and transformative learning: A Freirean perspective on a community music education project in Melbourne, Australia3
The development of music education philosophy in mainland China during 1990–2022: A corpus-based thematic review3
A study of rhythmic emergent literacy within an Orff-based program implemented in Israel3
“Mistakes are just information”: A case study of a highly successful violin pedagogue3
Guided listening as meaningful learning: A study of Israeli secular Jewish High School music programs3
Understanding music teachers’ formative assessment intention and implementation: A Chinese Mainland context3
Effects of straw phonation on choral acoustic and perceptual measures after an acclimation period3
Playing by ear and the development of music skills at pre-school age3
Music education instructors’ perceptions about pre-service music teacher education in Spain3
Creating affordances for families with young children: Experiences of music education in social work3
High-pressure in music education: Understanding the phenomenon and empowering students3
Negotiating queer voices: How five south African queer music educators negotiate their professional identity3
Inclusive socio-musical spaces for newly arrived migrant children in a Norwegian primary school: Teacher and school leader perspectives3
Collective free improvisation in the Flemish general music classroom: Probing student’s lived experience through flow3
Formal, informal, and non-formal learning as analytic categories for research in music education3
Corrigendum to Integrating popular music into urban schools: Assessing the effectiveness of a comprehensive music teacher development program2
Children’s informal music learning: A phenomenological inquiry2
Trauma-sensitive teaching: Supporting refugee students through music education2
Becoming the music teacher: Stories of generalist teaching and teacher education in music2
How do college musicians self-manage musical performance anxiety: Strategies through time periods and types of performance2
Developing metacognition as an instructional approach for enhancing young pianists’ musical expressivity2
The applicability of Anglosphere-based popular music learning culture characterisations to a Malaysian context2
Musical Futures in New Zealand: A study in recontextualisation2
Intelligent Interactive Piano Teaching2
Teaching creative music in El Sistema and after-school music contexts2
Re-positionings and reductions: A case of curriculum evolution in senior secondary music in Victoria, Australia2
Presage: First year music students’ experiences, understandings, expectations and aspirations on entering an undergraduate music program2
Hindrances to recognition in Finnish music schools2
Rethinking “musical excellence” from a decolonial perspective: Disruptive autobiographical experiences among doctoral scholars2
What does research-led teaching mean for music performance programs? Students and educators perspectives from Swedish higher music education2
Norwegian schools of music and arts: Local significance and strategies of inclusion2
Institutional change in higher music education: A quest for legitimacy2
The development of formative assessment rubrics for enhancing students’ performance on Thai percussion instruments2
Music education at the primary level in Syria, before and during the current crisis2
Exploring musician-educators’ reflections on a collaborative cross-cultural music making encounter in Singapore2
Creative musical activities in early childhood education: An analysis of teaching practices2
Why (not) be a music teacher? Exploring pre-service music teachers’ sources of concern regarding their future profession2
Music teacher educator growth through Self-Study of Teacher Education Practices (S-STEP) research2
Synchronous online instrumental music teaching in cross-cultural learning contexts2
A systematic literature review of Chinese music education studies during 2007 to 20192
Finnish music class studies and extracurricular playing in promoting grit and sisu, the inner fortitude: Reconceptualizing sisu as a predecessor of flow, growth and flourishing1
The author and the piano student: The transferability of the creative process in practice1
From theory to practice: Student-centered pedagogical implementation in primary music demonstration lessons in Guangdong, China1
An online community of interns: Examining the music student teaching seminar in a virtual setting1
Music education in Northern Ireland: A process to achieve social inclusion through segregated education?1
Engaged pedagogy in teacher education: A literature review1
The sustainability of multicultural music education in Guizhou Province, China1
Flipped Learning in the subject «Music» of E.S.O. [Compulsory Secondary Education] within a rural environment: Impact on students and families1
Stimulating music educator worldview change through a pedagogy of provocation, critical thinking and peer-review1
High school music teachers’ attitudes and practices regarding culturally responsive teaching in musical theatre production1
An investigation of Korean music teachers’ perceptions of technology in music classes1
Extension of the 3 × 2 achievement goal model to university concert band performance1
Music diversity in music education: A multiple case study of music teacher training programs in Thailand1
Digital musicianship in post-pandemic popular music education1
Collegiate musicians’ experiences with democratic rehearsal procedures1
The many ways of Puerto Rican community music1
The effect of a practice checklist on performance achievement, practice time, focal practice areas, and practice strategies of collegiate non-music majors enrolled in a beginning “Danso,” Korea1
Learning collective free music improvisation as a socio-communicative endeavor: Preservice teachers’ journey in a teacher preparation course in Singapore1
Collective and individual practices in popular music: Differences between semi-professionals and professionals in Austria and Germany1
Ghanaian collegiate music students who play brass instruments’ music education experiences at the pre-tertiary level1
An evaluation of a musical learning exchange: A case study in a U.S. prison1
Kayanapussana Satipatthana and the Buddhist practices of Samadhi and Sati as foundational practices in the development of Thai musical skills1
Standardizing “Yikao”: An analysis of the reform in Arts College Entrance Examination (ACEE) in China in 20241
Music education alumni perceptions of undergraduate degree experiences, skills development, and job satisfaction1
On the quality of professional development in the United States: Examining music educators’ experiences, sentiments, and emotions1
Creativity, autonomy and Dalcroze Eurhythmics: An arts practice exploration1
Gender equality discourse in classical music higher education: Women, individualisation, and change1
A survey research study of music education faculty: Demographics as related to indicators of job satisfaction and stress1
Music and mathematics: Key components and contributions of an integrated STEAM teaching approach1
The conservatory debated from a critical pedagogy perspective1
“It’s your body, it’s part of who you are!”: Influences upon collegiate vocalists’ performance self-efficacy beliefs1
Analyses of titles and authors from 50 years of ISME Research Commission manuscripts 1968 to 20181
Designing music education curriculum in a multicultural environment: Vocal training in China1
Effects of focus of attention instructions on listeners’ evaluations of solo instrumental performance1
How popular music pedagogy is integrated in the diverse environment of international school education in China: A case study in Shanghai0
Exploring the low enrolment of music as a subject within Hong Kong senior secondary school education0
Building an evaluation index system of musical collaborative capacity for China’s compulsory music education: Using a combined Delphi method and Analytic Hierarchy Process approach0
Structural features in classical and jazz studio lessons0
Translation and validation of music performance self-efficacy scale into Turkish0
Investigating one-to-one instrumental music lessons in relation to a training programme on Paul Harris’ simultaneous learning0
An exploratory study of pre-college piano students’ practice habits and their teachers’ perceptions in Eastern China0
Working together: Implications of leadership style for the music ensemble0
Preservice music educators’ perceived self-efficacy in teaching students with disabilities following special education coursework: A comparative mixed-methods study0
Musical communication among parents and their children: An analysis tool to study their interaction0
Encouraging creativity through music improvisation activities: Pre-service primary general teacher-students’ reflections and beliefs0
Instructor experiences with online guitar lessons during the Covid-19 pandemic in Turkey0
The Black Swan: An early childhood music project0
Female music educators’ stress and well-being in the height of a global pandemic in the United States0
Stressors and psychological distress: Music listening as a coping strategy for pre-service kindergarten teachers0
Instrumental music teachers’ development of feedback across the lifespan: A qualitative study0
Career experiences of rural music teachers in Jilin Province, China0
Atheist public school choir directors and their views on religious music performance0
The iron cage of the music teaching profession: A multi-case study on how primary music teachers in Spain understand bureaucracy0
Understanding ethnic minority students’ motivations to pursue higher music education over time0
The music teacher in ‘on-the-spot’ musical interactions: A practitioner research study0
What and how? Or why and for whom? A content analysis of middle school general music literature0
Digital competencies of music teachers under the ‘new normal’ in Hong Kong0
Learner-centered pedagogy and student engagement in a virtual elementary instrumental music program0
Factors influencing the career intentions of music performance students: An integrated model analysis0
The story of “Beat”: A concert program in kindergartens0
Background music of varying tempi produces differing facial emotional expressions and performance in music-majors and non-majors as they complete a reading comprehension test0
Teaching artists or live performers? Early careers after a Jazz Master’s graduation in French-speaking Switzerland0
Antiquity in the history of music: A critical review of the music textbooks for secondary education in Spain0
Understanding music teachers’ perceptions of themselves and their work: An Importance–Confidence Analysis0
Nurturing student ethnic identity through culturally responsive music teaching in China0
Development and Validation of The Anadolu University Music Perception Test0
Hidden diversity in the conservatoire: A qualitative enquiry into the experiences of higher education music students with disability0
Can motivation and intentions of parental support predict musical achievement before the commencement of musical studies at the elementary school level?0
Collaborative composing with inclusive music ensembles: What attitude, knowledge and skills do composers need?0
The role of active and passive music engagement in cognitive development: A systematic review0
Innovative and disruptive pedagogies in music education: A systematic review of the literature0
Creativity, agency, and stability: Perceptions of Canadian musicians working across the cultural domains0
Teaching free improvisation: European higher music education teachers’ conceptual tools0
Equity via relations of equality: Bridging the classroom-society divide0
The integration of musical contents in the classroom of the second cycle of early childhood education0
Musicking in Chinese kindergartens: Case studies in Qingdao0
The mystery of discrepancies of piano education for children in China: How social classes affect musical parenting of parents0
Korean preservice music teachers’ perceptions of blended learning in music education course0
Using a shared research practices paradigm with adult choral singers for the teaching and learning of musical literacy skills0
Teacher expectation effects on vocal and instrumental performance: A focus on student gender0
Intersections of spirituality, relationships, and music education: Applications of lessons from the Pixar film, Soul0
Problem-based learning (PBL) in music teacher education0
Preservice teachers’ experiences as first-time voice instructors0
Characteristics of expert vocalists’ practice0
Practice habits and motivation: A qualitative descriptive study of graduate instrumentalists0
Improvisation Based on Audience Requests: Pedagogical Possibilities of the Application “Sanka Play” for Performer and Audience Interaction in Elementary School Music Classes0
Exploring music performance anxiety among fine arts high school music department students in Turkey0
Mobile learning as deep learning: Content analysis of in-service primary school music teachers’ lesson plans in mobile music creation0
Perceived preparedness to teach over time: A longitudinal case study of instrumental music teachers0
‘Wayfarers: Confronting the past through traditional music in schools’0
A case study on integrating arts activities with the loose parts in preschool’s in-between spaces0
It’s about time: An examination of the importance of timing on positivity of preservice music educators’ teaching reflections0
Constructing popular music programs at Higher Music Education Institutions across Europe0
Facing the challenges of the inclusion of visually impaired students: Music teacher’s perceptions0
Music facilitator experiences of working in asylum seeker centres: Complexities, dilemmas and opportunities0
Developing feedback skills in preservice music teachers0
Correlation of piano lesson success of music teacher candidates with their piano exam anxiety levels and their opinions on causes of anxiety0
Analysis of cultural heritage in music didactic materials in Galicia0
A comparative study of piano performance programs at university-level institutions in China and the United States: From current faculty members’ and students’ perspectives0
Students’ experiences of their agency in whole-class playing0
Rent-a-crowd! Understanding how applause magnitude impacts music performance appraisal0
Can indigenous music learning processes inform contemporary schooling?0
Seeking best practice: A systematic review of literature on Chinese music teaching and learning in Western classroom contexts0
A case study: 30 elementary music education majors’ perceptions of preparedness, interest, and comfort teaching choir before and after taking a choral methods course0
What do music listening tests assess? Applying the Rasch testlet models to the HKDSE data0
High school learners’ perceptions of value as motivation to choose music as an elective in Gauteng, South Africa0
The complexities of meaningful experiential learning: Exploring reflective practice in music performance studies0
The effect of collective sight-singing before melodic dictation: A pilot study0
A portrait of self-regulated musical learning behaviors among rock musicians: Applications in music education0
The self-directed learning of adult music students: A comparison of teacher approaches and student needs0
Shifting frames: Two doctoral students’ identity construction as music teacher educators0
Approaches to developing community: A survey of the perspectives of American female undergraduate prospective band directors0
Towards an eco-literate tertiary music education: Notes from a South African context0
Student-directed learning in popular musicianship: An action research study of university music students0
The influences of college life adaptation and career decision self-efficacy on career achievement stress: Focus on students majoring in piano performance in South Korea0
Music performance anxiety: A study of anxiety predictors in higher education music students in Portugal0
An investigation of pre-service music teachers’ preferences and willingness to teach six ethnic music styles in Taiwan0
Performance anxiety experiences and coping techniques of Turkish music students and their teachers0
Exploring music learning needs of working-age individuals in Thailand0
Music teachers’ perceptions of intercultural competence in Spain0
Instrument teachers’ practices, beliefs, and barriers regarding musical creativity: Exploring the creative process of interpretation0
Exploring the changes in cultural identity of primary school students in a Chinese orchestra0
A Music Teacher’s Blended Teaching and Learning Experience during COVID-19: Autoethnography of Resilience0
Online music education for sustainable development: Analysis of music learning videos in e-Hakseupteo0
Through the looking glass: A researcher’s perspectives on a collaborative music composition project0
Exploring music integration: Early childhood and elementary teacher practices0
Stylistic pluralism and the experiences of classically trained teachers of singing in the Republic of Ireland0
The use of video recordings in the formative assessment process of Taksims0
Capacity building and professional development in contemporary music careers: An Australian contemporary music case study0
Emerging critical events in creative processes involving music, dance and mathematics in the school0
Measures of music teacher expertise in three early career levels in America0
The Way I Feel, the Way I Play? The role of affect in goal realization in musical practice0
Music studies as cultural capital accumulation and its impact on music genre preferences0
The ecology for fostering the musical creativity of students with intellectual disabilities0
Curriculum and training analysis of the music degrees in Colombia0
The evolution of the method of ‘oral and heart-to-heart teaching’ in contemporary times: Based on the observation of Shandong opera classroom0
The effects of peer-assisted learning on rhythmic and melodic sight-reading in a middle school chorus0
Practice and learning the piano: Motivation and self-regulation0
Investigating the health and wellbeing of music students: Perspectives from schools of music in Switzerland and the UK0
How composition strategies influence melodic idea generation0
Collaborative learning and persistence in music education: Examining music self-perception as a mediator among adolescent students0
Technology-enhanced creativity in K-12 music education: A scoping review0
Orchestrating gender equality: How Australian female musicians navigate bias and achieve career success0
Can the professional study of a musical instrument be associated with the development of cognitive processes? A meta-analytic study0
Oboe educators’ perspectives on playing-related injury, Part I: Lived experience and perceptions surrounding injury0
Music professionalism promoting gerotranscendence: An instrumental case study of healthcare musicians in an eldercare hospital0
The impact of a music education program on meta-musical awareness, logical-mathematical, and notational skills in preschoolers0
“I want to know more about the world”: A case study of international-mindedness as a means of professional development for music teachers in China0
E-learning during the COVID-19 lockdown: An interview study with primary school music teachers in Italy0
Piano Teaching Within the Framework of the Flipped Classroom Model: Planning, Implementation, and Evaluation0
Making interdisciplinary connections through music: A systematic review of studies in general schooling context in Turkey0
Peer tutoring in music education: A literature review0
Teaching songs from diverse cultures to pre-service teachers using a “Four Step Flipped” method0
Self-regulation in online string instrument lessons: Motivation, social interaction and learning environment0
Where is Mi Gente? Codeswitching (Afro)Latinidad in the music classroom0
Sight-reading components across tonal and atonal environments in music: An exploratory analysis of performers’ self-assessed proficiency0
Maker music education: Towards a post-digital, participatory and empowering music education0
Music education in the digital age: Challenges associated with sound homogenization in music aimed at adolescents0
Perspectives of international teaching assistants on working in music disciplines in American higher education0
The learning experiences and musical proficiencies of formal and informal popular musicians in Malaysia0
Online curriculum marketplaces and music education: A critical analysis of music activities on TeachersPayTeachers.com0
An analysis of four instructional strategies used by secondary school music teachers in Uganda0
Towards a relational model of musical knowledge: Findings from a Belfast-based case study0
Inclusive music teacher education: Valuing breadth and diversity through authentic immersive experiences0
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