Cahiers Victoriens & Edouardiens

Papers
(The TQCC of Cahiers Victoriens & Edouardiens is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)
ArticleCitations
‘Showcasing Empire’ Past & Present Or A Brief History of Popular Imperialism, from Britannia to Brexit3
Empire Seen from Within. Cinema Objects, Spaces and Edifices in the Limelight in Colonial India and Ceylon (1899-1950)1
Showcasing Emptiness? Voicing Redemption Through ‘Saharomania’ in the French Literary Imaginary1
Dramatic Autobiography: the Poetic Voice Recreating Itself in Dante Gabriel Rossetti’s ‘The Bride’s Prelude’0
‘Overcrowded with tourists’: Guest Books, Postcards, and Other Popular Forms as ‘Micro-Texts’ of Travel Writing0
‘Only Brooks of Sheffield’: Conversation, Crossover Writing, and Child and Adult Perspectives in David Copperfield and Its Juvenile Adapta0
Sexual Inversion, Smoke, and Mirrors: The (In)Visibility of John Addington Symonds’s Homosexuality in his Autobiographical Writings0
Stefano Evangelista, Literary Cosmopolitanism in the English Fin de Siècle, Citizens of Nowhere0
Introduction0
T. H. Huxley, Reluctant Autobiographer0
Introduction0
Béatrice Laurent, Water and Women in the Victorian Imagination0
Liras into Lyres: Talking Across Difference in the Works of Edith Nesbit0
Historical Topicality in Arnold Bennett and Edward Knoblock’s Milestones0
Catholic Church Interiors in Fin-de-Siècle Literature0
(Dis)Empowering Child Readers in the Golden Age of Children’s Literature0
‘[E]very word he says to me enters my heart and has a new meaning for me’: The Soundscape in George Eliot’s Janet’s Repentance0
Barri J. Gold, Energy, Ecocriticism, and Nineteenth-Century Fiction: Novel Ecologies0
Hugh Epstein, Hardy, Conrad and the Senses0
Lounging Men, Standing Women: Pose and Posture in the Aesthetic Interior0
‘Ordinary authors, extraordinary writings’0
Working-Class Readers and Literary Culture in North-East England: The Allendale Lead-Miners’ Libraries0
‘Gall and wormwood’ – The Compositors’ Chronicle (1840–43) as Collaborative Journal0
Graeme Tytler, Facets of Wuthering Heights: Selected Essays0
Reading the Colours of Victorian Interiors: The Poetic Home Revisited0
Victorian and Edwardian Autobiographies0
Leslie de Bont, Le Modernisme singulier de May Sinclair0
Laboratory Islands: Renaissance(s), Regression and Re-creation in H. G. Wells’s The Island of Doctor0
Victorian and Edwardian Interiors (Colloque SFEVE Université Toulouse Jean Jaurès, 27 et 28 janvier 2022) ; Failles (60e congrès de la SAES Université Clermont-Auvergne, 2-4 juin 2022)0
Laurence Talairach. Gothic Remains. Corpses, Terror and Anatomical Culture, 1764–18970
Elizabeth Parker’s Sampler/Diary: The Autobiographical Needle0
Gothic Fault-Lines in Anne Brontë’s Social Fiction: The Case of The Tenant of Wildfell Hall (1848)0
Alexandra Lewis, The Brontës and the Idea of the Human. Science, Ethics and the Victorian Imagination0
‘I should like to see a woman smoking while she was nursing her baby’: The New Woman, Crossdressing, and Humour in Horace William Bleackley’s Une Culotte (1894)0
Catherine Marshall, Bernard Lightman, and Richard England, eds. The Metaphysical Society (1869-1880): Intellectual Life in Mid-Victorian England0
Sound in Daniel Deronda0
Being ‘excluded from the world of sound’: Deafness, Invalidism and Resilience in Harriet Martineau’s Writings (1834–1855)0
0
‘I’m no Medievalist’: George Gilbert Scott and the Interpretation of the Gothic Revival in Remarks on Secular and Domestic Architecture: Present and0
Autographs, Autobiography, and Black History in Britain: the Congo House Autograph Book0
Walking in the Brontë Dining-room as Literary Influence0
Andrew Teverson ed., The Selected Children’s Fictions, Folk Tales and Fairy Tales of Andrew Lang0
When ‘Law’ Rhymes with ‘Flaw’: the Sounds of British Justice in Gilbert and Sullivan’s Trial by Jury (1875)0
María Valero Redondo, Determining Wuthering Heights: Ideology, Intertexts, Tradition0
Laurent Mellet, Des édouardiens aux modernistes. Les alternatives libérales du roman anglais0
Furnishing Nature: Textile Materiality and the Victorian Home in Alfred Hayes’s The Vale of Arden and Other Poems (1895)0
The Old Woman’s Farcical Rejuvenation in The Rejuvenation of Miss Semaphore (1897)0
John James Bezer (1816–1888) and his Autobiography of One of the Chartist Rebels of 1848 (1851)0
Cynthia Gamble, Voix entrelacées de Proust et de Ruskin0
Cultures of Display: The Mirror of Imperialism0
The Phonographic Author of Milton, Edison and Uzanne0
Dennis Denisoff, Decadent Ecology in British Literature and Art, 1860–1910, Decay, Desire, and the Pagan Revival0
Newman’s Poetry: The Heart of a Victorian Renaissance Project 0
‘Woman Suffrage Precipice’: The Gender Politics of Laughter in Elizabeth Robins’s The Convert (1907)0
Ronjaunee Chatterjee, Feminine Singularity: The Politics of Subjectivity in Nineteenth-Century Literature0
Emily Bell (ed). Dickens After Dickens0
The Empire of Beasts Then and Now: Political Cartoons and New Trends in Victorian Animal Studies0
‘Laugh a defiance, Laugh in hope’:1 Suffrage Comedy and Humour as Political Protest0
The Narrator as Mediator and Explicator in Victorian and Edwardian Retellings of Shakespeare for Children0
Susan E. Cook, Victorian Negatives. Literary Culture and the Dark Side of Photography in the Nineteenth Century0
Jean Arnold and Lila Marz Harper (eds), George Eliot. Interdisciplinary Essays. A Bicentennial Collection. Palgrave MacMillan, 20190
Lady Clara Cavendish: Reynolds and Rymer’s Political Hoax0
‘Poor little princess’: Queen Victoria’s Court as a Site of Imperial Conquest0
Maxim Shadurski, The Nationality of Utopia. H. G. Wells, England, and the World State0
Reverent Induction: Epistemology and the Romantic Education of the Child Reader in Charles Kingsley’s The Water-Babies (1863)0
0
David Finkelstein, ed, The Edinburgh History of the British and Irish Press, Volume 2. Expansion and Evolution, 1800–19000
Jacqueline Fromonot, Figures de l’instabilité dans l’œuvre de William Makepeace Thackeray (1811-1863), étude stylistique0
The Ambivalent Representation of the Orient in T. E. Lawrence’s Seven Pillars of Wisdom: A Triumph (1935)0
‘I roll my cigarette, and cycle to my club’: Playing with Stereotypes and Subverting Anti-Feminism in New Woman Writers’ Contributions to Punch0
Gothic Sounds and the Foreshadowing of Victorian Soundscapes0
Miss-Taken Identities: The Comedy of Misrecognition in New Woman Short Stories0
Alexis Easley, Clare Hill, and Beth Rogers (eds), Women, Periodicals, and Print Culture in the Victorian Period,0
‘Rents in the Veil of Time’: Annie Besant’s Auto-biographies of Giordano Bruno0
Producing the Popular: John Monk Foster and the ‘Industrial Romance’0
Walter Crane : de l’album considéré comme un des Beaux-Arts0
Questioning Agency Through Intergenerational Dialogue: The Adult Ghosts and the Forgetting Children in Rudyard Kipling’s Puck of Pook’s Hill0
Introduction0
‘A queer combination of a child’s mind with a grown-up joke’: Dickens’s Child Narrators in Holiday Romance (1868)0
Marie Stéphanie Delamaire and Will Slauter, eds., Circulation and Control: Artistic Culture and Intellectual Property in the Nineteenth Century0
Arnold Bennett’s Naturalistic and Democratic Interiors in The Old Wives’ Tale (1908)0
‘In physical things a man may invent; in moral things he must obey’: Addressing the Child(like) in George MacDonald’s Fairy Stories0
Evanghélia Stead et Hélène Védrine (dir.), L’Europe des revues II (1860-1930) : Réseaux et circulations des modèles0
Mocking Andromeda in Julia Constance Fletcher’s The Fantasticks (1900)0
Dualities of Function: Archaeological Approaches to the Study of Movement and Space within the late‒Victorian Department Store0
The Author Inside: Celebrity Photography 1840‒19020
0
Masonic Ritual and the Display of Empire in 19th-Century India and Beyond0
Conversing with Readers in Aunt Judy’s Magazine: Building a Community of Young Middle-Class Philanthropists to Fight the ‘Grim Nurses’0
William Facey, (in collaboration with Michael C. A. Macdonald). Charles Huber: France’s Greatest Arabian Explorer. With a Translation of Huber’s First Journey in Central Arabia, 1880–18810
Jenny Lind. Of Echoes and Traces0
White Magic, Black Humour: Ella D’Arcy’s Narrative Strategies0
Introduction0
Charles Dickens, Les Papiers posthumes du Pickwick Club0
Helen Chambers. Conrad’s Reading: Space, Time, Networks0
The Egyptian Museum in Fiction: The Mummy’s Eyes as the ‘Black Mirror’ of the Empire0
Introduction0
Anne-Florence Quaireau, Le Féminin en partage, Le voyage d’Anna Jameson au Canada (1836-1837)0
In Memoriam, Jean-Claude Amalric (1931-2022)0
‘The True Food of the Brain’ : protéines et constructions raciales en Angleterre, 1840-19100
0
Nathalie Saudo-Welby, Le Courage de déplaire : le roman féministe à la fin de l’ère victorienne0
Shaping a Collective Identity through Self-Representation: Early Suffrage Autobiographies and the Militant Experience0
Reza Taher-Kermani, The Persian Presence in Victorian Poetry0
0
Peter J. Katz. Reading Bodies in Victorian Fiction. Associationism, Empathy and Literary Authority0
The ‘one bright light’ of Life in a Dark Cell: Reading and Writing in Victorian and Edwardian English Prisons0
Thomas Albrecht, The Ethical Vision of George Eliot0
Alexis Easley, New Media and the Rise of the Popular Woman Writer, 1832–18600
His Master’s Voice: Sound Devices in Bram Stoker’s Dracula0
Gertrude Tennant. Mes souvenirs sur Hugo et Flaubert0
The Roaring Streets: Dickensian London in the Pages of Virginia Woolf0
Soundscapes and Affective Resonance in (Neo-)Victorianism0
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