OOIR: Observatory of International Research

Papers

(The TQCC of Cahiers Victoriens & Edouardiens is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-08-01 to 2026-08-01.)

Article	Citations
Beau-oootiful Soo-oop! The Magic of Sound and the Melodies of Nonsense in Lewis Carroll’s Wonderland	3
Les visages de la photographie. Cameron et Dodgson/Carroll : comment l’appareil photographique permet de raconter l’histoire	2
Introduction	1
Introduction	1
Museum	1
Bénédicte Coste, Walter Pater, du portrait littéraire à l’étude de cas	0
The Congruence of Carrollian Nonsense	0
Disraeli and South America	0
Walking in the Brontë Dining-room as Literary Influence	0
D. G. Rossetti’s Trip to Paris and Belgium: A Journey Between Past and Present	0
Introduction	0
Charlotte Ribeyrol, William Burges’s Great Bookcase & The Victorian Colour Revolution	0
Degeneration	0
Shaping a Collective Identity through Self-Representation: Early Suffrage Autobiographies and the Militant Experience	0
Sympathy	0
Lois Burke, Late-Victorian Girls and their Manuscript Magazines: Girlhood and Textual Transformation in Britain, 1860–1900	0
Interview with Adrian Wisnicki: Victorian Studies in the Digital Age	0
Jacqueline Fromonot, Figures de l’instabilité dans l’œuvre de William Makepeace Thackeray (1811-1863), étude stylistique	0
The Disraeli Roads of Anfield, Urban Renewal and Sporting Culture	0
William Facey, (in collaboration with Michael C. A. Macdonald). Charles Huber: France’s Greatest Arabian Explorer. With a Translation of Huber’s First Journey in Central Arabia, 1880–1881	0
French Theatre and Victorian England	0
La main positive. Rêver l’Histoire autour des empreintes de mains et autres traces	0
Paganism	0
Competing Disraeli-isms: Tory Democracy and One-Nation Conservatism	0
Representation and Reception of the Image of the Zulu. From Travel Accounts to the Public Sphere in Mid-Victorian and Edwardian Great Britain (1850–1914)	0

Interdisciplinarity and the Challenge of a Changing Paradigm: Victorian Studies in the Digital Age	0
Ronjaunee Chatterjee, Feminine Singularity: The Politics of Subjectivity in Nineteenth-Century Literature	0
Introduction	0
‘I am the Prophet of the Light, Dumb When the Sun is Dark’: Solar Agency, Temporality and Early Photochemical Images	0
Lounging Men, Standing Women: Pose and Posture in the Aesthetic Interior	0
Detective Fiction	0
Barri J. Gold, Energy, Ecocriticism, and Nineteenth-Century Fiction: Novel Ecologies	0
Ex Limbo : (Re)Penser la photographie en son surgissement	0
George Eliot and Middleness	0
A Scottish Air : inspirations et modèles écossais / Transition/s	0
Ordinary Lives	0
Elizabeth Parker’s Sampler/Diary: The Autobiographical Needle	0
Public Transmission, and Religious Symbolism in the British Women’s Suffrage Movement: The Cases of Emily Wilding Davison’s Funeral and the Pilgrimage of the National Union of Women’s Suffrage Societi	0
Colour	0
‘Poor little princess’: Queen Victoria’s Court as a Site of Imperial Conquest	0
Furnishing Nature: Textile Materiality and the Victorian Home in Alfred Hayes’s The Vale of Arden and Other Poems (1895)	0
María Valero Redondo, Determining Wuthering Heights: Ideology, Intertexts, Tradition	0
Disraeli and Cobden: ‘The Manchester School’ in Fact and Fiction	0
« I could not do without medieval Christianity » : transmission et mysticisme dans The Hours de Burne-Jones	0
Le Système de Glasgow : un instrument politique des débats sur la prostitution et sur les Contagious Diseases Acts (1864-1886)	0
Anne-Florence Gillard-Estrada, Le Corps grec dans la peinture victorienne. Entre idéal et fantasme	0
‘Rents in the Veil of Time’: Annie Besant’s Auto-biographies of Giordano Bruno	0
Arnold Bennett’s Naturalistic and Democratic Interiors in The Old Wives’ Tale (1908)	0
Victorian and Edwardian Material Culture: The Consumption and Restitution of Colonial War Artefacts	0
Disraeli and Peacock	0
Introduction	0
Gothic Fault-Lines in Anne Brontë’s Social Fiction: The Case of The Tenant of Wildfell Hall (1848)	0
Benjamin Disraeli (1804‒1881): His Lives and Afterlives (Colloque SFEVE) — Frontières et déplacements (Congrès SAES)	0
The Author Inside: Celebrity Photography 1840‒1902	0
Reading the Colours of Victorian Interiors: The Poetic Home Revisited	0
Earnest	0
Periodicals and Translation	0
Alexandra Lewis, The Brontës and the Idea of the Human. Science, Ethics and the Victorian Imagination	0
Disraeli’s Significant Influence on Enoch Powell’s Tory Conception of Nationhood	0
Sherlock Holmes and the Case of the Missing Photograph	0
Elusive Scotland: Philip Gilbert Hamerton’s A Painter’s Camp in the Highlands	0
In Memoriam: Tommy Pritchard	0
In and Out of the London Abyss: Dressing ‘Down’ by Victorian and Edwardian Social Investigators	0
Dualities of Function: Archaeological Approaches to the Study of Movement and Space within the late‒Victorian Department Store	0
T. H. Huxley, Reluctant Autobiographer	0
Sexual Inversion, Smoke, and Mirrors: The (In)Visibility of John Addington Symonds’s Homosexuality in his Autobiographical Writings	0
From Travel to Text: Reverends Wolff and Lansdell’s Missions to Bokhara	0
Arthur Conan Doyle and the Dying Model of the Scottish Arctic Whaler at the Fin de Siècle	0
Successes and Failures of Benjamin Disraeli’s Rhetoric and Heresthetics: Corn Laws, Franchise, and Empire	0
Catholic Church Interiors in Fin-de-Siècle Literature	0
Metaphors of Political Identity: Disraeli and the Visual Rhetoric of Punch	0
Pregnant	0
The Innocent and the Mechanical: Ruskin’s Pictorial and Photographic Eye	0
Regards et expériences de voyageurs français sur l’Écosse à travers l’exemple des récits de Pierre-Étienne Denis Saint-Germain-Leduc et de Michel Bouquet dans les années 1830-1850	0
François Coppée’s Les Jacobites (1885). A Play Within a Large Network of Scottophilia, Ossianophilia and Celtophilia	0

‘Yo’r a Stranger and a Foreigner’: Negotiating the Borders of Englishness in Elizabeth Gaskell’s North and South	0
L’esprit dans la machine : l’invocation textuelle de la photographie spirite comme négatif du positivisme	0
Autographs, Autobiography, and Black History in Britain: the Congo House Autograph Book	0
Femme, artiste et professeure à la Glasgow School of Art de 1885 à 1914 : une transmission au prisme du genre dans les cours d’arts décoratifs	0
‘[A] Mere Mystery-Man’: Disraeli and the Church of England’s Episcopate	0
Economic and Symbolic Transmissions in Women’s Novels: Frances Burney, Jane Austen, Elizabeth Gaskell	0
Beaconsfieldism and Elysian Fields	0
« Leprous literature » : le modèle de la transmission contesté par les théories esthétiques d’Oscar Wilde	0
Dorothea Brooke, Gwendolyn Harleth and Hetty Sorrel on the Brink of the Impossible: George Eliot and the Female Bildungsroman	0
Dante Gabriel Rossetti and the Bilingual Imagination	0
Peter J. Katz. Reading Bodies in Victorian Fiction. Associationism, Empathy and Literary Authority	0
Victorian and Edwardian Autobiographies	0
Hitting the Road : expériences et récits de voyage à l’époque victorienne et édouardienne (colloque SFEVE, Université de Tours, 2-3 février 2023)\| Transmission(s) (62e congrès SAES, Université Rennes	0
The Optogram and Retinal Abstraction	0
The Cahiers victoriens et édouardiens Celebrates Its 50th Anniversary	0
De Quincey, Struggling with Time(s)	0
Penser (comme) l’appareil : la naissance de la photographie ou l’étincelle disjonctive	0
Victorian and Edwardian Interiors (Colloque SFEVE Université Toulouse Jean Jaurès, 27 et 28 janvier 2022) ; Failles (61e congrès de la SAES Université Clermont-Auvergne, 2-4 juin 2022)	0
Popularising Gardening: William Robinson and the Transmission of Garden Knowledge in the Illustrated Press	0
Hosanna Krienke, Convalescence in the Nineteenth-Century Novel: The Afterlife of Victorian Illness	0
« What’s mair, Sir, it’s Scōtch » : Emploi de la langue écossaise et autorité des discours dans la fiction de James Hogg et R. L. Stevenson	0
Disraeli and the Eastern Question 1875‒78: Finance, Defence and Politics	0
Sean Grass, ed., Life Writing and the Nineteenth-Century Literary Market	0
Traditions et passages : Akroydon, ou bâtir la transition	0
Scientific and Technological Innovation in 19th Century Scotland: the Scottish Model of Education in Applied Science and the Legacy of John Anderson	0
Aymé Verd (1842) ou les délices de la mystification	0
Reza Taher-Kermani, The Persian Presence in Victorian Poetry	0
Keywords CVE 100	0
‘The True Food of the Brain’ : protéines et constructions raciales en Angleterre, 1840-1910	0
Dramatic Autobiography: the Poetic Voice Recreating Itself in Dante Gabriel Rossetti’s ‘The Bride’s Prelude’	0
E. W. Godwin’s Month in Normandy: Travel Writing as Intertext	0
Sharp Ghosts in Times of Sorrow: Photography as Victorian Afterlife	0
Kreisel, Deanna K., Sara L. Maurer, Judith Stoddart et Amy Woodson-Boulton, eds. Ruskin after 200 : Thinking with Ruskin in the Twenty-First Century	0
Judith Flanders, Rites of Passage: Death and Mourning in Victorian Britain	0
Patrick Geddes’s Influence on France and Beyond	0
Disraeli’s Late Novels and Tory Political Sociology	0
Aladdin, or The Wonderful Lamp de Walter Crane : un album pour les « petits enfants » et les critiques d’art	0
Anne-Florence Quaireau, Le Féminin en partage, Le voyage d’Anna Jameson au Canada (1836-1837)	0
Becoming Charles Darwin: Travel Experiences, Personal Writings, and the Genesis of a Method	0
Alistair Robinson, Vagrancy in the Victorian Age. Representing the Wandering Poor in Nineteenth-Century Literature and Culture	0
Dans les marges de l’orientalisme britannique : le cas d’Isabella Bird et de Journeys to Persia and Kurdestan (1891)	0
Les attrapeurs d’ombre : le photogramme, une dissemblance flussérienne	0
Le bruit qui court : rumeur et contagion dans Deerbrook (1839) de Harriet Martineau	0
Penser sans l’appareil : photogrammes et ré-enchantement du monde	0
Dennis Denisoff, Decadent Ecology in British Literature and Art, 1860–1910, Decay, Desire, and the Pagan Revival	0
The Palpable Legacy of Mid-Victorian Sensation Fiction: Sarah Waters’s Fingersmith (2002) and its Dialogue with Wilkie Collins’s The Woman in White (1860)	0