OOIR: Observatory of International Research

Papers

(The median citation count of Cahiers Victoriens & Edouardiens is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)

Article	Citations
‘Showcasing Empire’ Past & Present Or A Brief History of Popular Imperialism, from Britannia to Brexit	3
Showcasing Emptiness? Voicing Redemption Through ‘Saharomania’ in the French Literary Imaginary	1
Empire Seen from Within. Cinema Objects, Spaces and Edifices in the Limelight in Colonial India and Ceylon (1899-1950)	1
David Finkelstein, ed, The Edinburgh History of the British and Irish Press, Volume 2. Expansion and Evolution, 1800–1900	0
The Ambivalent Representation of the Orient in T. E. Lawrence’s Seven Pillars of Wisdom: A Triumph (1935)	0
	0
‘A queer combination of a child’s mind with a grown-up joke’: Dickens’s Child Narrators in Holiday Romance (1868)	0
Miss-Taken Identities: The Comedy of Misrecognition in New Woman Short Stories	0
‘I roll my cigarette, and cycle to my club’: Playing with Stereotypes and Subverting Anti-Feminism in New Woman Writers’ Contributions to Punch	0
Evanghélia Stead et Hélène Védrine (dir.), L’Europe des revues II (1860-1930) : Réseaux et circulations des modèles	0
Producing the Popular: John Monk Foster and the ‘Industrial Romance’	0
Alexis Easley, Clare Hill, and Beth Rogers (eds), Women, Periodicals, and Print Culture in the Victorian Period,	0
	0
Introduction	0
Walter Crane : de l’album considéré comme un des Beaux-Arts	0
Jenny Lind. Of Echoes and Traces	0
Marie Stéphanie Delamaire and Will Slauter, eds., Circulation and Control: Artistic Culture and Intellectual Property in the Nineteenth Century	0
Arnold Bennett’s Naturalistic and Democratic Interiors in The Old Wives’ Tale (1908)	0
Helen Chambers. Conrad’s Reading: Space, Time, Networks	0
Mocking Andromeda in Julia Constance Fletcher’s The Fantasticks (1900)	0
Dualities of Function: Archaeological Approaches to the Study of Movement and Space within the late‒Victorian Department Store	0
‘In physical things a man may invent; in moral things he must obey’: Addressing the Child(like) in George MacDonald’s Fairy Stories	0
Masonic Ritual and the Display of Empire in 19th-Century India and Beyond	0
Conversing with Readers in Aunt Judy’s Magazine: Building a Community of Young Middle-Class Philanthropists to Fight the ‘Grim Nurses’	0
The Author Inside: Celebrity Photography 1840‒1902	0

White Magic, Black Humour: Ella D’Arcy’s Narrative Strategies	0
Peter J. Katz. Reading Bodies in Victorian Fiction. Associationism, Empathy and Literary Authority	0
Introduction	0
William Facey, (in collaboration with Michael C. A. Macdonald). Charles Huber: France’s Greatest Arabian Explorer. With a Translation of Huber’s First Journey in Central Arabia, 1880–1881	0
Alexis Easley, New Media and the Rise of the Popular Woman Writer, 1832–1860	0
Introduction	0
Charles Dickens, Les Papiers posthumes du Pickwick Club	0
The Egyptian Museum in Fiction: The Mummy’s Eyes as the ‘Black Mirror’ of the Empire	0
‘The True Food of the Brain’ : protéines et constructions raciales en Angleterre, 1840-1910	0
Anne-Florence Quaireau, Le Féminin en partage, Le voyage d’Anna Jameson au Canada (1836-1837)	0
In Memoriam, Jean-Claude Amalric (1931-2022)	0
The Roaring Streets: Dickensian London in the Pages of Virginia Woolf	0
Nathalie Saudo-Welby, Le Courage de déplaire : le roman féministe à la fin de l’ère victorienne	0
Shaping a Collective Identity through Self-Representation: Early Suffrage Autobiographies and the Militant Experience	0
	0
‘Overcrowded with tourists’: Guest Books, Postcards, and Other Popular Forms as ‘Micro-Texts’ of Travel Writing	0
	0
The ‘one bright light’ of Life in a Dark Cell: Reading and Writing in Victorian and Edwardian English Prisons	0
Reza Taher-Kermani, The Persian Presence in Victorian Poetry	0
Stefano Evangelista, Literary Cosmopolitanism in the English Fin de Siècle, Citizens of Nowhere	0
His Master’s Voice: Sound Devices in Bram Stoker’s Dracula	0
Thomas Albrecht, The Ethical Vision of George Eliot	0
Béatrice Laurent, Water and Women in the Victorian Imagination	0
Soundscapes and Affective Resonance in (Neo-)Victorianism	0
Gertrude Tennant. Mes souvenirs sur Hugo et Flaubert	0
(Dis)Empowering Child Readers in the Golden Age of Children’s Literature	0
‘Only Brooks of Sheffield’: Conversation, Crossover Writing, and Child and Adult Perspectives in David Copperfield and Its Juvenile Adapta	0
Dramatic Autobiography: the Poetic Voice Recreating Itself in Dante Gabriel Rossetti’s ‘The Bride’s Prelude’	0
Lounging Men, Standing Women: Pose and Posture in the Aesthetic Interior	0
Introduction	0
T. H. Huxley, Reluctant Autobiographer	0
Sexual Inversion, Smoke, and Mirrors: The (In)Visibility of John Addington Symonds’s Homosexuality in his Autobiographical Writings	0
Liras into Lyres: Talking Across Difference in the Works of Edith Nesbit	0
Historical Topicality in Arnold Bennett and Edward Knoblock’s Milestones	0
Introduction	0
‘[E]very word he says to me enters my heart and has a new meaning for me’: The Soundscape in George Eliot’s Janet’s Repentance	0
Barri J. Gold, Energy, Ecocriticism, and Nineteenth-Century Fiction: Novel Ecologies	0
Catholic Church Interiors in Fin-de-Siècle Literature	0
Alexandra Lewis, The Brontës and the Idea of the Human. Science, Ethics and the Victorian Imagination	0
Working-Class Readers and Literary Culture in North-East England: The Allendale Lead-Miners’ Libraries	0
Hugh Epstein, Hardy, Conrad and the Senses	0
‘Ordinary authors, extraordinary writings’	0
Reading the Colours of Victorian Interiors: The Poetic Home Revisited	0
‘Gall and wormwood’ – The Compositors’ Chronicle (1840–43) as Collaborative Journal	0
Graeme Tytler, Facets of Wuthering Heights: Selected Essays	0
Sound in Daniel Deronda	0
Laboratory Islands: Renaissance(s), Regression and Re-creation in H. G. Wells’s The Island of Doctor	0
Victorian and Edwardian Autobiographies	0
Leslie de Bont, Le Modernisme singulier de May Sinclair	0
‘I’m no Medievalist’: George Gilbert Scott and the Interpretation of the Gothic Revival in Remarks on Secular and Domestic Architecture: Present and	0

Laurence Talairach. Gothic Remains. Corpses, Terror and Anatomical Culture, 1764–1897	0
Elizabeth Parker’s Sampler/Diary: The Autobiographical Needle	0
Victorian and Edwardian Interiors (Colloque SFEVE Université Toulouse Jean Jaurès, 27 et 28 janvier 2022) ; Failles (60e congrès de la SAES Université Clermont-Auvergne, 2-4 juin 2022)	0
Walking in the Brontë Dining-room as Literary Influence	0
‘I should like to see a woman smoking while she was nursing her baby’: The New Woman, Crossdressing, and Humour in Horace William Bleackley’s Une Culotte (1894)	0
Gothic Fault-Lines in Anne Brontë’s Social Fiction: The Case of The Tenant of Wildfell Hall (1848)	0
Laurent Mellet, Des édouardiens aux modernistes. Les alternatives libérales du roman anglais	0
Being ‘excluded from the world of sound’: Deafness, Invalidism and Resilience in Harriet Martineau’s Writings (1834–1855)	0
Catherine Marshall, Bernard Lightman, and Richard England, eds. The Metaphysical Society (1869-1880): Intellectual Life in Mid-Victorian England	0
Cynthia Gamble, Voix entrelacées de Proust et de Ruskin	0
Autographs, Autobiography, and Black History in Britain: the Congo House Autograph Book	0
	0
Newman’s Poetry: The Heart of a Victorian Renaissance Project	0
Andrew Teverson ed., The Selected Children’s Fictions, Folk Tales and Fairy Tales of Andrew Lang	0
When ‘Law’ Rhymes with ‘Flaw’: the Sounds of British Justice in Gilbert and Sullivan’s Trial by Jury (1875)	0
The Empire of Beasts Then and Now: Political Cartoons and New Trends in Victorian Animal Studies	0
Furnishing Nature: Textile Materiality and the Victorian Home in Alfred Hayes’s The Vale of Arden and Other Poems (1895)	0
The Old Woman’s Farcical Rejuvenation in The Rejuvenation of Miss Semaphore (1897)	0
María Valero Redondo, Determining Wuthering Heights: Ideology, Intertexts, Tradition	0
Cultures of Display: The Mirror of Imperialism	0
The Phonographic Author of Milton, Edison and Uzanne	0
John James Bezer (1816–1888) and his Autobiography of One of the Chartist Rebels of 1848 (1851)	0
‘Woman Suffrage Precipice’: The Gender Politics of Laughter in Elizabeth Robins’s The Convert (1907)	0
Jacqueline Fromonot, Figures de l’instabilité dans l’œuvre de William Makepeace Thackeray (1811-1863), étude stylistique	0
Ronjaunee Chatterjee, Feminine Singularity: The Politics of Subjectivity in Nineteenth-Century Literature	0
Dennis Denisoff, Decadent Ecology in British Literature and Art, 1860–1910, Decay, Desire, and the Pagan Revival	0
Gothic Sounds and the Foreshadowing of Victorian Soundscapes	0
The Narrator as Mediator and Explicator in Victorian and Edwardian Retellings of Shakespeare for Children	0
Emily Bell (ed). Dickens After Dickens	0
‘Laugh a defiance, Laugh in hope’:1 Suffrage Comedy and Humour as Political Protest	0
Lady Clara Cavendish: Reynolds and Rymer’s Political Hoax	0
Susan E. Cook, Victorian Negatives. Literary Culture and the Dark Side of Photography in the Nineteenth Century	0
Jean Arnold and Lila Marz Harper (eds), George Eliot. Interdisciplinary Essays. A Bicentennial Collection. Palgrave MacMillan, 2019	0
‘Rents in the Veil of Time’: Annie Besant’s Auto-biographies of Giordano Bruno	0
Reverent Induction: Epistemology and the Romantic Education of the Child Reader in Charles Kingsley’s The Water-Babies (1863)	0
‘Poor little princess’: Queen Victoria’s Court as a Site of Imperial Conquest	0
Maxim Shadurski, The Nationality of Utopia. H. G. Wells, England, and the World State	0
Questioning Agency Through Intergenerational Dialogue: The Adult Ghosts and the Forgetting Children in Rudyard Kipling’s Puck of Pook’s Hill	0