Journal of the American Institute for Conservation

Papers
(The TQCC of Journal of the American Institute for Conservation is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-09-01 to 2024-09-01.)
ArticleCitations
A Revised Model for Decision-Making in Contemporary Art Conservation and Presentation5
The Rediscovery of Jan Ruyscher and Its Consequence5
Shedding Light on Daylight Fluorescent Artists’ Pigments, Part 1: Composition5
Reframing the Notion of “The Artist’s Intent:” A Study of Caring for Thomas Hirschhorn’s Intensif-Station (2010)4
Arsenic and Old Bookcloth: Identification and Safer Use of Emerald Green Victorian-Era Cloth Case Bindings4
The Combined Use of Ion Chromatography and Scanning Electron Microscopy to Assess Salt-affected Mineral Materials in Cultural Heritage4
A Comparative Surface Cleaning Study of Op Structure, an Op Art PMMA Sculpture by Michael Dillon4
Shedding Light on Daylight Fluorescent Artists’ Pigments, Part 2: Spectral Properties and Light Stability4
A Comparison of Materials for Dry Surface Cleaning Soot-Coated Papers of Varying Roughness: Assessing Efficacy, Physical Surface Changes, and Residue3
Museum Authorship and the Conservation of Media Installations: Two Case Studies from the Smithsonian American Art Museum3
Instantiation, Actualization, and Absence: The Continuation and Safeguarding of Katie Paterson’sFuture Library(2014–2114)3
Touch Decisions: For Heritage Objects3
Practitioner (In)visibility in the Conservation of Contemporary Art3
Introduction to the Special Issue on Contemporary Art Conservation2
A Review of 50 Years of Teaching Conservation Science at SUNY Buffalo State2
Evaluation of a Dry Method Using Erasers for Silver–Copper Alloy Tarnish Cleaning and Comparison with Traditional Methods2
Planning for the Future Right Now: Riskscapes in Conserving Contemporary Design2
Thickness Measurements of Clear Coatings on Silver Objects using Fiber Optic Reflectance Spectroscopy2
Conservation of Severely Deteriorated, Dry Painted Wood: A Case Study From Abydos, Egypt2
Numbered Jun Ware – a technical study2
Conducting a Time-Based Media Conservation Assessment and Survey at The Metropolitan Museum of Art2
A Documentation Framework for Sound in Time-based Media Installation Art2
Observations from the Analysis of the Gelatin Silver Emulsion Layer of Glass Photographic Inter-Positive Plates from Eadweard Muybridge’s Animal Locomotion Series at the National Museum of American Hi1
At the Core of the Problem: A Bespoke Method Used to Clean the Bores of USS Monitor’s XI-Inch Dahlgren Shell Guns1
Hippolyte Bayard’s Direct Positive Process: History, Re-creation, and Characterization1
The Next Generation of MS2A Resin: MS31
Determination of Nitrile Gloves Appropriate for Use When Dry Handling Art1
Identification of Mammal Skins Present in an Ngoni Garment from Malawi Using Mitochondrial DNA Analysis1
The Harrison D. Horblit Collection of Early Photography: A Strategy for Research, Cataloging, Imaging, and Exhibition1
Integration of Laboratory and Field Measurements on Soil and Bronze Artifacts: Facilitating Conservation Treatment and Management of Archaeological Collections1
Sustainable Practices Applied to the Environmental Management of Archival Collection Storage Spaces at the Southwest Wing in the National Maritime Museum in London, UK1
X-ray Fluorescence Analysis of Frédéric Flachéron’s Paper Negatives, 1848–18521
Heat- and Solvent-Set Repair Tissues1
Supporting Decision-Making when Conserving Contemporary Art: A Model for Identification and Categorization of Stakeholders1
Lascaux Adhesives in Objects Conservation: Three Practical Case Studies on Leather, Skin, and Entomological Specimens1
A Spot Test for Mg2+ to Characterize Magnesium Corrosion1
Beauty Revealed: Technical Analysis and Treatment of Zand and Qajar Oil Paintings1
Wavelength Selection Using a Modified Camera to Improve Image-Based 3D Reconstruction of Heritage Objects1
The Study of Jiajing Carved Lacquerwares: An Example in the Collection of the Nelson-Atkins Museum of Art1
An Investigation into the Suitability and Stability of a New Pigmented Wax-Resin Formulation for Infilling and Reintegration of Losses in Paintings1
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