Journal of the American Institute for Conservation

Papers
(The median citation count of Journal of the American Institute for Conservation is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-05-01 to 2025-05-01.)
ArticleCitations
Supporting Decision-Making when Conserving Contemporary Art: A Model for Identification and Categorization of Stakeholders18
Renaissance Secrets: A Lifetime Working with Wall Paintings By Michelangelo, Raphael, and Others at the Vatican5
Conserving Artline Permanent Marker and Fineliner Pens on Paper: Assessing Vulnerability of Drawings by Walmajarri Artist Jimmy Pike5
Save Venice Inc.: American Philanthropy and Art Conservation in Italy, 1966–20215
Reengineering Broken Books (RBB): A Minimally-Interventive Tissue Repair Technique for Hollowback Books4
A Review of 50 Years of Teaching Conservation Science at SUNY Buffalo State4
Neodymium Magnets as a Minimal Intervention Alternative to Traditional Treatments for Fixing Paint on Contemporary Paintings4
Horse on Parade: Conservation of a Momoyama Period Bamen Mask4
Future Occurrence of Climate-Induced Extreme Heat Events in Museum Galleries: A Modeling Study under Two 21st Century Climate Scenarios at V&A South Kensington3
Ethical and Technical Aspects of Conserving a Plaster Cast Using 3D Printing3
A Comparison of Materials for Dry Surface Cleaning Soot-Coated Papers of Varying Roughness: Assessing Efficacy, Physical Surface Changes, and Residue2
At the Core of the Problem: A Bespoke Method Used to Clean the Bores of USS Monitor’s XI-Inch Dahlgren Shell Guns2
Adaptation of a Standard Industrial Peel Test for Testing Consolidants in the Conservation Studio2
Beauty Revealed: Technical Analysis and Treatment of Zand and Qajar Oil Paintings2
Editorial2
A History of over 50 Years of SUNY Buffalo State’s Paintings Conservation Education1
Considerations in Acquisition of 3D-Printed Art1
A Spot Test for Mg2+ to Characterize Magnesium Corrosion1
Introduction to the Special issue on Sustainability within Conservation and Collections Care1
Untangling Indian Hemp: Identifying Woodlands Bast Fibers in Collections1
Calculating the Greenhouse Gas Emissions of the Central Depot of the Kunsthistorisches Museum, Vienna – First Results of the Pilot Study1
No Ship Sets Out to Be a Shipwreck1
A Comparative Surface Cleaning Study of Op Structure, an Op Art PMMA Sculpture by Michael Dillon1
Legal and Ethical Considerations in the Conservation of Artwork Produced During Art Therapy1
A Light at the End of the Tunnel: Using an Improvised Laser Measuring System to Verify the Bore Dimensions of an XI-Inch Dahlgren Shell Gun1
Powerful Patina: The Value of Odors in a Tibetan Buddhist Temple1
An Investigation into the Pigments Present on the Late Paintings and Ephemera of Barnett Newman: Context and Correlations1
Growing Pains: Characterization of Efflorescence on a Large-Scale Magnesium Relief by Frank Stella1
Preventive Conservation: Continuously Defining Itself at the Crossroads of Theory and Practice1
Touch Decisions: For Heritage Objects1
Prioritizing People in Ethical Decision-Making and Caring for Cultural Heritage Collections0
Teaching Preventive Conservation: Interdisciplinary Origins and Evolution0
Advances in Storing and Monitoring Mercury-tin Amalgam Mirrors0
Observations from the Analysis of the Gelatin Silver Emulsion Layer of Glass Photographic Inter-Positive Plates from Eadweard Muybridge’s Animal Locomotion Series at the National Museum of American Hi0
Introduction to the Special Issue on Practical Approaches to Technical Research – Part 20
A Note on Macroscopic Optical Coherence Tomography Imaging Enabled 3D Scanning for Museum and Cultural Heritage Applications0
Sustainable Practices Applied to the Environmental Management of Archival Collection Storage Spaces at the Southwest Wing in the National Maritime Museum in London, UK0
A Technical Survey of Florine Stettheimer’s Post-1916 Paintings0
The Art of Conservation0
Temporary and Permanent Display Case Guidelines Developed Through Interdepartmental Collaborations at The Metropolitan Museum of Art0
Lascaux Adhesives in Objects Conservation: Three Practical Case Studies on Leather, Skin, and Entomological Specimens0
An Investigation into the Suitability and Stability of a New Pigmented Wax-Resin Formulation for Infilling and Reintegration of Losses in Paintings0
Layers and Layers: Analysis and Treatment of Egyptian Cartonnage at the Penn Museum0
Integration of Laboratory and Field Measurements on Soil and Bronze Artifacts: Facilitating Conservation Treatment and Management of Archaeological Collections0
Cultural Heritage Conservation for Early Learners: Outreach and Engagement with the Next Generation0
Analytical Investigation of Two Syrian-Style Bronze Sphinx Plaques from the Iron Age of West Asia (First Millennium BCE)0
The Toxic Museum: Berlin and Beyond0
Encountering and Countering Constraints in the Exploration of Ethiopia’s Unique Wall Painting Technology0
Deconstructing the Creation of Daguerre’s dessins-fumées : A Photographic Process or Just Smoke and Mirrors?0
Editorial0
Dwell Time0
Wavelength Selection Using a Modified Camera to Improve Image-Based 3D Reconstruction of Heritage Objects0
Testing Ammonium Citrates for Enhanced Washing of Paper0
Caliche From Archaeological Zone of Guanajuato Mexico and Nearby Deposits: Geochemical and Mechanical Characterizations0
Working with Windows: A Case Study in Assessing Risk and Developing Solutions in Exhibition Spaces with Windows0
The Renaissance Restored: Paintings Conservation and the Birth of Modern Art History in Nineteenth-Century Europe0
Pedal to the Metals: Preserving Automotive Racing History0
Conserving (with) David Lynch. A Treatment Conditioned by Communication0
Shedding Light on Daylight Fluorescent Artists’ Pigments, Part 2: Spectral Properties and Light Stability0
Editorial0
Editorial0
Sustainable Education for Sustainable Heritage: Managing the Tension Between Professional Practice and Critical Inquiry0
Practitioner (In)visibility in the Conservation of Contemporary Art0
Conservation of Severely Deteriorated, Dry Painted Wood: A Case Study From Abydos, Egypt0
Introduction to the Special Issue on Contemporary Art Conservation0
Version Control: Mark Rothko’s Harvard Murals through the Lens of the Documentation Model for Time-Based Media Art0
Instantiation, Actualization, and Absence: The Continuation and Safeguarding of Katie Paterson’sFuture Library(2014–2114)0
Arsenic and Old Bookcloth: Identification and Safer Use of Emerald Green Victorian-Era Cloth Case Bindings0
Lead Transfer Risk from Handling Ceramics with Deteriorated Lead Glazes0
Editorial0
Sustainability Tools in Cultural Heritage: Life Cycle Assessment Examining Crates for Heritage Objects0
Radiography and Painting0
Conducting a Time-Based Media Conservation Assessment and Survey at The Metropolitan Museum of Art0
Ordering Colors in 18th and 19th Century Europe (International Archives of the History of Ideas 244 Archives internationales d’histoire des idées)0
Technical Imaging for Private Practice Conservators0
Small Museum Research Strategies at the Alaska State Museum0
Leveraging Systems Thinking to Dismantle Systemic Racism in Conservation0
Potential Pesticide Contamination in Repatriated Artifacts in African Museums: The Need for the Adoption of Safety Protocols for Access and Use of Hazardous Artifacts0
Tailoring Cleaning Systems for the Removal of Bronze Paint and Soiling From a J.M.W. Turner Gilded Frame0
Tricks of the Shade: Preservation of Chemically Developed Shading Papers Based on DuoShade Samples0
Determination of Nitrile Gloves Appropriate for Use When Dry Handling Art0
Objects, Memory, and Restorative Justice (A Personal Reflection on Conservation’s Meaning)0
Materials Characterization with Multiband Reflectance Imaging at the Brooklyn Museum: A New Tool for the Multiband Imaging Kit0
A Documentation Framework for Sound in Time-based Media Installation Art0
Social Dimensions of Sustainable Collections Care0
Exploring Conservation Challenges and Innovations0
The Art & Science of Illuminated Manuscripts: A Handbook; The Pigments of British Medieval Illuminators: A Scientific and Cultural Study0
Using a PH-adjusted Semi-rigid Agarose Gel with Ion Exchange Resin for Poultice Desalination: Preliminary Experimentation and Case Studies0
Characterization of a Qing Dynasty Folding Fan for Exportation0
Response to Thea Burns Review of The Art of Paper: From the Holy Land to the Americas0
Non-destructive Dendrochronology: The Effect of Conservation Agents on Tree-ring Measurements in Archaeological Oak with Micro-computed Tomography0
Scientific Studies of Pigments in Chinese Paintings0
Editorial0
Introduction to the Special Issue on Practical Approaches to Technical Research0
From Prism to Kaleidoscope: Effect Versus Intention in the Conservation of Contemporary Art0
An Exploration of Consolidants for Ancient Egyptian Limestone0
The Oddy Test and the Photographic Activity Test (PAT): A Direct Comparison of Accelerated Aging Test Methods for Assessing Storage, Display, and Transport Materials0
Rediscovering Gaspar de Figueroa: A Technical Examination of the Portrait of Friar Cristóbal de Torres, Archbishop of the New Kingdom of Granada0
The Treatment of a Large Painted Outdoor Sculpture: Kiosque l’évidé (1970) 1984, by Jean Dubuffet0
Bullseye! The Importance of Using Imaging Reference Targets to Accurately Capture and Interpret Reflectance Images Captured with the VSC80000
The Next Generation of MS2A Resin: MS30
Two Sculptures, One Master? A Technical Study of Two Rare Examples of Polychrome Sculptures Associated with “the Master of Saint Catherine of Gualino”, Italy, Fourteenth Century0
Shedding Light on Daylight Fluorescent Artists’ Pigments, Part 1: Composition0
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