Journal of the American Institute for Conservation

Papers
(The median citation count of Journal of the American Institute for Conservation is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-12-01 to 2024-12-01.)
ArticleCitations
The Rediscovery of Jan Ruyscher and Its Consequence5
Shedding Light on Daylight Fluorescent Artists’ Pigments, Part 1: Composition5
A Revised Model for Decision-Making in Contemporary Art Conservation and Presentation5
A Comparative Surface Cleaning Study of Op Structure, an Op Art PMMA Sculpture by Michael Dillon4
Shedding Light on Daylight Fluorescent Artists’ Pigments, Part 2: Spectral Properties and Light Stability4
Reframing the Notion of “The Artist’s Intent:” A Study of Caring for Thomas Hirschhorn’s Intensif-Station (2010)4
Arsenic and Old Bookcloth: Identification and Safer Use of Emerald Green Victorian-Era Cloth Case Bindings4
The Combined Use of Ion Chromatography and Scanning Electron Microscopy to Assess Salt-affected Mineral Materials in Cultural Heritage4
Touch Decisions: For Heritage Objects4
Instantiation, Actualization, and Absence: The Continuation and Safeguarding of Katie Paterson’sFuture Library(2014–2114)3
Practitioner (In)visibility in the Conservation of Contemporary Art3
A Comparison of Materials for Dry Surface Cleaning Soot-Coated Papers of Varying Roughness: Assessing Efficacy, Physical Surface Changes, and Residue3
Museum Authorship and the Conservation of Media Installations: Two Case Studies from the Smithsonian American Art Museum3
Introduction to the Special Issue on Contemporary Art Conservation2
A Review of 50 Years of Teaching Conservation Science at SUNY Buffalo State2
Evaluation of a Dry Method Using Erasers for Silver–Copper Alloy Tarnish Cleaning and Comparison with Traditional Methods2
Planning for the Future Right Now: Riskscapes in Conserving Contemporary Design2
Thickness Measurements of Clear Coatings on Silver Objects using Fiber Optic Reflectance Spectroscopy2
Conservation of Severely Deteriorated, Dry Painted Wood: A Case Study From Abydos, Egypt2
Conducting a Time-Based Media Conservation Assessment and Survey at The Metropolitan Museum of Art2
A Documentation Framework for Sound in Time-based Media Installation Art2
The Study of Jiajing Carved Lacquerwares: An Example in the Collection of the Nelson-Atkins Museum of Art1
An Investigation into the Suitability and Stability of a New Pigmented Wax-Resin Formulation for Infilling and Reintegration of Losses in Paintings1
Observations from the Analysis of the Gelatin Silver Emulsion Layer of Glass Photographic Inter-Positive Plates from Eadweard Muybridge’s Animal Locomotion Series at the National Museum of American Hi1
At the Core of the Problem: A Bespoke Method Used to Clean the Bores of USS Monitor’s XI-Inch Dahlgren Shell Guns1
Sustainable Practices Applied to the Environmental Management of Archival Collection Storage Spaces at the Southwest Wing in the National Maritime Museum in London, UK1
Wavelength Selection Using a Modified Camera to Improve Image-Based 3D Reconstruction of Heritage Objects1
Neodymium Magnets as a Minimal Intervention Alternative to Traditional Treatments for Fixing Paint on Contemporary Paintings1
Potential Pesticide Contamination in Repatriated Artifacts in African Museums: The Need for the Adoption of Safety Protocols for Access and Use of Hazardous Artifacts1
Tricks of the Shade: Preservation of Chemically Developed Shading Papers Based on DuoShade Samples1
Integration of Laboratory and Field Measurements on Soil and Bronze Artifacts: Facilitating Conservation Treatment and Management of Archaeological Collections1
The Next Generation of MS2A Resin: MS31
Heat- and Solvent-Set Repair Tissues1
Identification of Mammal Skins Present in an Ngoni Garment from Malawi Using Mitochondrial DNA Analysis1
Supporting Decision-Making when Conserving Contemporary Art: A Model for Identification and Categorization of Stakeholders1
Lascaux Adhesives in Objects Conservation: Three Practical Case Studies on Leather, Skin, and Entomological Specimens1
A Spot Test for Mg2+ to Characterize Magnesium Corrosion1
Beauty Revealed: Technical Analysis and Treatment of Zand and Qajar Oil Paintings1
Determination of Nitrile Gloves Appropriate for Use When Dry Handling Art1
From Prism to Kaleidoscope: Effect Versus Intention in the Conservation of Contemporary Art0
Considerations in Acquisition of 3D-Printed Art0
Growing Pains: Characterization of Efflorescence on a Large-Scale Magnesium Relief by Frank Stella0
Editorial0
Powerful Patina: The Value of Odors in a Tibetan Buddhist Temple0
Introduction to the Special Issue on Practical Approaches to Technical Research0
Two Sculptures, One Master? A Technical Study of Two Rare Examples of Polychrome Sculptures Associated with “the Master of Saint Catherine of Gualino”, Italy, Fourteenth Century0
Technical Imaging for Private Practice Conservators0
Small Museum Research Strategies at the Alaska State Museum0
A Light at the End of the Tunnel: Using an Improvised Laser Measuring System to Verify the Bore Dimensions of an XI-Inch Dahlgren Shell Gun0
Introduction to the Special Issue on Practical Approaches to Technical Research – Part 20
An Investigation into the Pigments Present on the Late Paintings and Ephemera of Barnett Newman: Context and Correlations0
Adaptation of a Standard Industrial Peel Test for Testing Consolidants in the Conservation Studio0
Untangling Indian Hemp: Identifying Woodlands Bast Fibers in Collections0
Framing the Sanctuary: A Study of Paintings on Sinan’s Domed Arcade in the Grand Mosque of Mecca0
Art that Lives and Breathes: Conserving Creatures in Contemporary Art0
Leveraging Systems Thinking to Dismantle Systemic Racism in Conservation0
The Renaissance Restored: Paintings Conservation and the Birth of Modern Art History in Nineteenth-Century Europe0
Preventive Conservation: Continuously Defining Itself at the Crossroads of Theory and Practice0
Rediscovering Gaspar de Figueroa: A Technical Examination of the Portrait of Friar Cristóbal de Torres, Archbishop of the New Kingdom of Granada0
An Exploration of Consolidants for Ancient Egyptian Limestone0
Editorial0
Social Dimensions of Sustainable Collections Care0
A History of over 50 Years of SUNY Buffalo State’s Paintings Conservation Education0
Tailoring Cleaning Systems for the Removal of Bronze Paint and Soiling From a J.M.W. Turner Gilded Frame0
Editorial0
Future Occurrence of Climate-Induced Extreme Heat Events in Museum Galleries: A Modeling Study under Two 21st Century Climate Scenarios at V&A South Kensington0
A Note on Macroscopic Optical Coherence Tomography Imaging Enabled 3D Scanning for Museum and Cultural Heritage Applications0
The Art of Paper: From the Holy Land to the Americas0
Lead Transfer Risk from Handling Ceramics with Deteriorated Lead Glazes0
Encountering and Countering Constraints in the Exploration of Ethiopia’s Unique Wall Painting Technology0
Layers and Layers: Analysis and Treatment of Egyptian Cartonnage at the Penn Museum0
The Art of Conservation0
Response to Thea Burns Review of The Art of Paper: From the Holy Land to the Americas0
The Art & Science of Illuminated Manuscripts: A Handbook; The Pigments of British Medieval Illuminators: A Scientific and Cultural Study0
Legal and Ethical Considerations in the Conservation of Artwork Produced During Art Therapy0
Conserving (with) David Lynch. A Treatment Conditioned by Communication0
Using a PH-adjusted Semi-rigid Agarose Gel with Ion Exchange Resin for Poultice Desalination: Preliminary Experimentation and Case Studies0
Scientific studies of pigments in Chinese paintings0
The Oddy Test and the Photographic Activity Test (PAT): A Direct Comparison of Accelerated Aging Test Methods for Assessing Storage, Display, and Transport Materials0
Deconstructing the Creation of Daguerre’s dessins-fumées : A Photographic Process or Just Smoke and Mirrors?0
Advances in Storing and Monitoring Mercury-tin Amalgam Mirrors0
Pedal to the Metals: Preserving Automotive Racing History0
Calculating the Greenhouse Gas Emissions of the Central Depot of the Kunsthistorisches Museum, Vienna – First Results of the Pilot Study0
Temporary and Permanent Display Case Guidelines Developed Through Interdepartmental Collaborations at The Metropolitan Museum of Art0
Caliche From Archaeological Zone of Guanajuato Mexico and Nearby Deposits: Geochemical and Mechanical Characterizations0
Sustainability Tools in Cultural Heritage: Life Cycle Assessment Examining Crates for Heritage Objects0
Analytical Investigation of Two Syrian-Style Bronze Sphinx Plaques from the Iron Age of West Asia (First Millennium BCE)0
Reengineering Broken Books (RBB): A Minimally-Interventive Tissue Repair Technique for Hollowback Books0
Editorial0
Seeking Balance: Conservation Values and the Artist’s Voice0
Materials Characterization with Multiband Reflectance Imaging at the Brooklyn Museum: A New Tool for the Multiband Imaging Kit0
Editorial0
Editorial0
Conserving Artline Permanent Marker and Fineliner Pens on Paper: Assessing Vulnerability of Drawings by Walmajarri Artist Jimmy Pike0
Editorial0
Version Control: Mark Rothko’s Harvard Murals through the Lens of the Documentation Model for Time-Based Media Art0
Non-destructive Dendrochronology: The Effect of Conservation Agents on Tree-ring Measurements in Archaeological Oak with Micro-computed Tomography0
No Ship Sets Out to Be a Shipwreck0
Sustainable Education for Sustainable Heritage: Managing the Tension Between Professional Practice and Critical Inquiry0
Dwell Time0
Objects, Memory, and Restorative Justice (A Personal Reflection on Conservation’s Meaning)0
The Treatment of a Large Painted Outdoor Sculpture: Kiosque l’évidé (1970) 1984, by Jean Dubuffet0
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