OOIR: Observatory of International Research

Papers

(The median citation count of Journal of the American Institute for Conservation is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-08-01 to 2026-08-01.)

Article	Citations
Save Venice Inc.: American Philanthropy and Art Conservation in Italy, 1966–2021	8
Renaissance Secrets: A Lifetime Working with Wall Paintings By Michelangelo, Raphael, and Others at the Vatican	7
Conserving Artline Permanent Marker and Fineliner Pens on Paper: Assessing Vulnerability of Drawings by Walmajarri Artist Jimmy Pike	4
Editorial	4
Ethical and Technical Aspects of Conserving a Plaster Cast Using 3D Printing	3
A Comparison of Materials for Dry Surface Cleaning Soot-Coated Papers of Varying Roughness: Assessing Efficacy, Physical Surface Changes, and Residue	3
Horse on Parade: Conservation of a Momoyama Period Bamen Mask	3
Guidelines for the Technical Examination of Bronze Sculpture	3
The Artist’s Materials: Franz Kline	3
Future Occurrence of Climate-Induced Extreme Heat Events in Museum Galleries: A Modeling Study under Two 21st Century Climate Scenarios at V&A South Kensington	3
Preventive Conservation Dilemmas for Artworks Exhibiting Soft and Dripping Paint – The Impact of Changes in Relative Humidity on Soft oil Paint in Paintings by Karel Appel and Asger Jorn	3
Adaptation of a Standard Industrial Peel Test for Testing Consolidants in the Conservation Studio	3
Editorial	2
Growing Pains: Characterization of Efflorescence on a Large-Scale Magnesium Relief by Frank Stella	2
Introduction to the Special issue on Sustainability within Conservation and Collections Care	2
Beauty Revealed: Technical Analysis and Treatment of Zand and Qajar Oil Paintings	2
Preventive Conservation: Continuously Defining Itself at the Crossroads of Theory and Practice	2
Plastics	2
Writing Science in Plain English	1
A History of over 50 Years of SUNY Buffalo State’s Paintings Conservation Education	1
Powerful Patina: The Value of Odors in a Tibetan Buddhist Temple	1
Pink: The History of a Color	1
Untangling Indian Hemp: Identifying Woodlands Bast Fibers in Collections	1
Touch Decisions: For Heritage Objects	1
Calculating the Greenhouse Gas Emissions of the Central Depot of the Kunsthistorisches Museum, Vienna – First Results of the Pilot Study	1

Color Charts: A History	1
A Light at the End of the Tunnel: Using an Improvised Laser Measuring System to Verify the Bore Dimensions of an XI-Inch Dahlgren Shell Gun	1
An Investigation into the Pigments Present on the Late Paintings and Ephemera of Barnett Newman: Context and Correlations	1
Considerations in Acquisition of 3D-Printed Art	1
Advances in Storing and Monitoring Mercury-tin Amalgam Mirrors	1
The Digital Medieval Manuscript: Material Approaches to Digital Codicology	0
Tailoring Cleaning Systems for the Removal of Bronze Paint and Soiling From a J.M.W. Turner Gilded Frame	0
Cultural Heritage Conservation for Early Learners: Outreach and Engagement with the Next Generation	0
Editorial	0
Mooring a Field: Paul N. Banks and the Education of Library and Archives Conservators	0
The Mechanics of Art Materials and Its Future in Heritage Science	0
A Technical Survey of Florine Stettheimer’s Post-1916 Paintings	0
The Renaissance Restored: Paintings Conservation and the Birth of Modern Art History in Nineteenth-Century Europe	0
Rediscovering Gaspar de Figueroa: A Technical Examination of the Portrait of Friar Cristóbal de Torres, Archbishop of the New Kingdom of Granada	0
Ordering Colors in 18th and 19th Century Europe (International Archives of the History of Ideas 244 Archives internationales d’histoire des idées)	0
Non-destructive Dendrochronology: The Effect of Conservation Agents on Tree-ring Measurements in Archaeological Oak with Micro-computed Tomography	0
The Art of Conservation	0
Theorising the Artist Interview	0
Defining the Intangible: Negotiating Intangible Cultural Heritage in Modern Oman	0
Introduction to the Special Issue on Practical Approaches to Technical Research	0
Editorial	0
Sustainability Tools in Cultural Heritage: Life Cycle Assessment Examining Crates for Heritage Objects	0
The Oddy Test and the Photographic Activity Test (PAT): A Direct Comparison of Accelerated Aging Test Methods for Assessing Storage, Display, and Transport Materials	0
Two Sculptures, One Master? A Technical Study of Two Rare Examples of Polychrome Sculptures Associated with “the Master of Saint Catherine of Gualino”, Italy, Fourteenth Century	0
Deconstructing the Creation of Daguerre’s dessins-fumées : A Photographic Process or Just Smoke and Mirrors?	0
Editorial	0
Gilding Notes: The Traditional English Method	0
Treatment of E. J. Bellocq's Delaminated Gelatin Glass Plate Negatives	0
Introduction to the Artist’s Material Series	0
Small Museum Research Strategies at the Alaska State Museum	0
Lascaux Adhesives in Objects Conservation: Three Practical Case Studies on Leather, Skin, and Entomological Specimens	0
Bridging the Gap: Synergies Between Art History and Conservation	0
A Dangerous Friend: the Characterization and Treatment of Cadmium Formate Corrosion Identified on an Assemblage by Edward Kienholz	0
Prioritizing People in Ethical Decision-Making and Caring for Cultural Heritage Collections	0
An Investigation into the Suitability and Stability of a New Pigmented Wax-Resin Formulation for Infilling and Reintegration of Losses in Paintings	0
A Note on Macroscopic Optical Coherence Tomography Imaging Enabled 3D Scanning for Museum and Cultural Heritage Applications	0
Materials Characterization with Multiband Reflectance Imaging at the Brooklyn Museum: A New Tool for the Multiband Imaging Kit	0
Sustainable Practices Applied to the Environmental Management of Archival Collection Storage Spaces at the Southwest Wing in the National Maritime Museum in London, UK	0
Pedal to the Metals: Preserving Automotive Racing History	0
Revealing the Hidden Story of Tito’s Portrait: A Multi-Analytical Study of the Painting by Vojo Dimitrijevic	0
A Passionate Path: FAIC National Heritage Responders	0
The Toxic Museum: Berlin and Beyond	0
The Albumen & Salted Paper Book: the History and Practice of Photographic Printing	0
Social Dimensions of Sustainable Collections Care	0
Dwell Time	0
Evolution of Preventive Conservation from a Risk Analysis Perspective	0
Lead Transfer Risk from Handling Ceramics with Deteriorated Lead Glazes	0
The Artist’s Materials: René Magritte	0
Leveraging Systems Thinking to Dismantle Systemic Racism in Conservation	0
Layers and Layers: Analysis and Treatment of Egyptian Cartonnage at the Penn Museum	0

The Effects of Aqueous Washing and Bleaching Treatments on Cotton Duck Canvas	0
Characterization of a Qing Dynasty Folding Fan for Exportation	0
Correction	0
Editorial	0
The Artist’s Materials: Sam Francis	0
Encountering and Countering Constraints in the Exploration of Ethiopia’s Unique Wall Painting Technology	0
Conservation of Granite Cultural Heritage	0
Textile Conservation Advances in Practice, 2nd Edition	0
Tricks of the Shade: Preservation of Chemically Developed Shading Papers Based on DuoShade Samples	0
Editorial	0
Technical Imaging for Private Practice Conservators	0
The Artist’s Materials: Sidney Nolan	0
Teaching Preventive Conservation: Interdisciplinary Origins and Evolution	0
The Artist’s Materials: Hans Hofmann	0
Assessment of Ethanol-modified Phytate-bicarbonate Treatment for Water-sensitive Iron Gall Inks	0
The Artist’s Materials: Roy Lichtenstein Outdoor Painted Sculptures	0
Art and Heritage in Transport: Fear, Perception, and Statistics	0
Working with Windows: A Case Study in Assessing Risk and Developing Solutions in Exhibition Spaces with Windows	0
No Ship Sets Out to Be a Shipwreck	0
The Artist’s Materials: Lucio Fontana	0
Temporary and Permanent Display Case Guidelines Developed Through Interdepartmental Collaborations at The Metropolitan Museum of Art	0
Introduction to the Special Issue on Practical Approaches to Technical Research – Part 2	0
Sustainable Education for Sustainable Heritage: Managing the Tension Between Professional Practice and Critical Inquiry	0
Exploring Conservation Challenges and Innovations	0
The Varnish and the Glaze: Painting Splendor with Oil, 1100–1500	0
Editorial	0
Greener Solvents in Conservation – An Introductory Guide	0
Color Dynamics in Cultural Heritage: Scientific Perspectives and Insights	0
Scientific Studies of Pigments in Chinese Paintings	0
Jheronimus Bosch, Conservation and Restoration: From Former Glory to Changing Appearances (Volume 1: Text, Volume 2: Images)	0
Rediscovering Princess Carolina : Preventive Conservation as a Catalyst for Reengaging With an Archaeological Collection	0
Integration of Laboratory and Field Measurements on Soil and Bronze Artifacts: Facilitating Conservation Treatment and Management of Archaeological Collections	0
The Art & Science of Illuminated Manuscripts: A Handbook; The Pigments of British Medieval Illuminators: A Scientific and Cultural Study	0
The artist’s materials: Clyfford Still	0
Using a PH-adjusted Semi-rigid Agarose Gel with Ion Exchange Resin for Poultice Desalination: Preliminary Experimentation and Case Studies	0
Art Restoration Under the Nazi Regime: Revelation and Concealment	0
Hidden Hazards: Analysis of Surface, Air, and Waste Contamination from Library Materials Containing Heavy Metals at Northwestern University Libraries	0
Analytical Investigation of Two Syrian-Style Bronze Sphinx Plaques from the Iron Age of West Asia (First Millennium BCE)	0
Living Matter: the Preservation of Biological Materials in Contemporary Art. An International Conference Held in Mexico City, June 3–5, 2019	0
Testing Ammonium Citrates for Enhanced Washing of Paper	0
Letterlocking: The Hidden History of the Letter	0
Radiography and Painting	0
Bright Colours from the Past: The History, Chemistry, Characterisation and Application of Synthetic Dyes between 1856 and 1914	0
An Exploration of Consolidants for Ancient Egyptian Limestone	0
Caliche From Archaeological Zone of Guanajuato Mexico and Nearby Deposits: Geochemical and Mechanical Characterizations	0
Wavelength Selection Using a Modified Camera to Improve Image-Based 3D Reconstruction of Heritage Objects	0
Objects, Memory, and Restorative Justice (A Personal Reflection on Conservation’s Meaning)	0
Bullseye! The Importance of Using Imaging Reference Targets to Accurately Capture and Interpret Reflectance Images Captured with the VSC8000	0
Benzotriazole (BTA): A Review of the Current Research into Toxicity	0
Caring for Plastics in Collections	0
Image, Knife and Gluepot: Early Assemblage in Manuscript and Print	0
Potential Pesticide Contamination in Repatriated Artifacts in African Museums: The Need for the Adoption of Safety Protocols for Access and Use of Hazardous Artifacts	0
Editorial	0
Before the Nineteenth Century: Cotton Canvas in the Viceroyalty of Peru's Painting	0
Editorial	0