Journal of the American Institute for Conservation

Papers
(The median citation count of Journal of the American Institute for Conservation is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-04-01 to 2024-04-01.)
ArticleCitations
A Revised Model for Decision-Making in Contemporary Art Conservation and Presentation5
The Rediscovery of Jan Ruyscher and Its Consequence5
Shedding Light on Daylight Fluorescent Artists’ Pigments, Part 1: Composition5
A Comparative Surface Cleaning Study of Op Structure, an Op Art PMMA Sculpture by Michael Dillon4
Arsenic and Old Bookcloth: Identification and Safer Use of Emerald Green Victorian-Era Cloth Case Bindings4
Shedding Light on Daylight Fluorescent Artists’ Pigments, Part 2: Spectral Properties and Light Stability4
Assessing the Suitability of Unplasticized Poly(Vinyl Chloride) for Museum Showcase Construction4
The Combined Use of Ion Chromatography and Scanning Electron Microscopy to Assess Salt-affected Mineral Materials in Cultural Heritage3
Instantiation, Actualization, and Absence: The Continuation and Safeguarding of Katie Paterson’sFuture Library(2014–2114)3
Practitioner (In)visibility in the Conservation of Contemporary Art3
Introduction to the Special Issue on Contemporary Art Conservation2
Removal of Bats’ Excreta from Water-Soluble Wall Paintings Using Temporary Hydrophobic Coating2
Reframing the Notion of “The Artist’s Intent:” A Study of Caring for Thomas Hirschhorn’s Intensif-Station (2010)2
A Review of 50 Years of Teaching Conservation Science at SUNY Buffalo State2
Thickness Measurements of Clear Coatings on Silver Objects using Fiber Optic Reflectance Spectroscopy2
A Comparison of Materials for Dry Surface Cleaning Soot-Coated Papers of Varying Roughness: Assessing Efficacy, Physical Surface Changes, and Residue2
Museum Authorship and the Conservation of Media Installations: Two Case Studies from the Smithsonian American Art Museum2
Conservation of Severely Deteriorated, Dry Painted Wood: A Case Study From Abydos, Egypt2
Supporting Decision-Making when Conserving Contemporary Art: A Model for Identification and Categorization of Stakeholders1
Numbered Jun Ware – a technical study1
Integration of Laboratory and Field Measurements on Soil and Bronze Artifacts: Facilitating Conservation Treatment and Management of Archaeological Collections1
Wavelength Selection Using a Modified Camera to Improve Image-Based 3D Reconstruction of Heritage Objects1
X-ray Fluorescence Analysis of Frédéric Flachéron’s Paper Negatives, 1848–18521
Heat- and Solvent-Set Repair Tissues1
Touch Decisions: For Heritage Objects1
Observations from the Analysis of the Gelatin Silver Emulsion Layer of Glass Photographic Inter-Positive Plates from Eadweard Muybridge’s Animal Locomotion Series at the National Museum of American Hi1
A Spot Test for Mg2+ to Characterize Magnesium Corrosion1
Beauty Revealed: Technical Analysis and Treatment of Zand and Qajar Oil Paintings1
Planning for the Future Right Now: Riskscapes in Conserving Contemporary Design1
The Study of Jiajing Carved Lacquerwares: An Example in the Collection of the Nelson-Atkins Museum of Art1
Conducting a Time-Based Media Conservation Assessment and Survey at The Metropolitan Museum of Art1
Evaluation of a Dry Method Using Erasers for Silver–Copper Alloy Tarnish Cleaning and Comparison with Traditional Methods1
The Harrison D. Horblit Collection of Early Photography: A Strategy for Research, Cataloging, Imaging, and Exhibition1
At the Core of the Problem: A Bespoke Method Used to Clean the Bores of USS Monitor’s XI-Inch Dahlgren Shell Guns1
Hippolyte Bayard’s Direct Positive Process: History, Re-creation, and Characterization1
Determination of Nitrile Gloves Appropriate for Use When Dry Handling Art1
Collaborative Study and Preservation of Coastal Alaskan Native Watercraft and Material Culture1
Identification of Mammal Skins Present in an Ngoni Garment from Malawi Using Mitochondrial DNA Analysis1
Materials Characterization with Multiband Reflectance Imaging at the Brooklyn Museum: A New Tool for the Multiband Imaging Kit0
Editorial0
Version Control: Mark Rothko’s Harvard Murals through the Lens of the Documentation Model for Time-Based Media Art0
Potential Pesticide Contamination in Repatriated Artifacts in African Museums: The Need for the Adoption of Safety Protocols for Access and Use of Hazardous Artifacts0
Engaging Conservation Collaboration across Disciplines0
Commercially Manufactured Plain Papers in the United States, 1860–19000
Deconstructing the Creation of Daguerre’s dessins-fumées : A Photographic Process or Just Smoke and Mirrors?0
The Oddy Test and the Photographic Activity Test (PAT): A Direct Comparison of Accelerated Aging Test Methods for Assessing Storage, Display, and Transport Materials0
Géricault’s Lion Devouring a Horse Stone Paper Matrix: Technical Study0
Objects, Memory, and Restorative Justice (A Personal Reflection on Conservation’s Meaning)0
The Evolution of Salted Paper Printing During the 1850s: Published Recipes0
Legal and Ethical Considerations in the Conservation of Artwork Produced During Art Therapy0
Tailoring Cleaning Systems for the Removal of Bronze Paint and Soiling From a J.M.W. Turner Gilded Frame0
The Next Generation of MS2A Resin: MS30
A Note on Macroscopic Optical Coherence Tomography Imaging Enabled 3D Scanning for Museum and Cultural Heritage Applications0
The Treatment of a Large Painted Outdoor Sculpture: Kiosque l’évidé (1970) 1984, by Jean Dubuffet0
Non-destructive Dendrochronology: The Effect of Conservation Agents on Tree-ring Measurements in Archaeological Oak with Micro-computed Tomography0
Encountering and Countering Constraints in the Exploration of Ethiopia’s Unique Wall Painting Technology0
Reengineering Broken Books (RBB): A Minimally-Interventive Tissue Repair Technique for Hollowback Books0
Lead Transfer Risk from Handling Ceramics with Deteriorated Lead Glazes0
A History of over 50 Years of SUNY Buffalo State’s Paintings Conservation Education0
Small Museum Research Strategies at the Alaska State Museum0
Technical Imaging for Private Practice Conservators0
Art that Lives and Breathes: Conserving Creatures in Contemporary Art0
An Investigation into the Pigments Present on the Late Paintings and Ephemera of Barnett Newman: Context and Correlations0
Conserving (with) David Lynch. A Treatment Conditioned by Communication0
The Art & Science of Illuminated Manuscripts: A Handbook; The Pigments of British Medieval Illuminators: A Scientific and Cultural Study The Art & Science of Illuminated Manuscr0
An Exploration of Consolidants for Ancient Egyptian Limestone0
Dwell Time Dwell Time , by Rosa Lowinger, New Egypt, Row House Publishing, 2023, 360 pp., $27.99, hardcover. Available from Simon & Schuster (distributor). ISBN13: 90
Editorial0
Lascaux Adhesives in Objects Conservation: Three Practical Case Studies on Leather, Skin, and Entomological Specimens0
Rediscovering Gaspar de Figueroa: A Technical Examination of the Portrait of Friar Cristóbal de Torres, Archbishop of the New Kingdom of Granada0
Wall Panel Interventions at Mount Vernon0
Two Sculptures, One Master? A Technical Study of Two Rare Examples of Polychrome Sculptures Associated with “the Master of Saint Catherine of Gualino”, Italy, Fourteenth Century0
The Renaissance Restored: Paintings Conservation and the Birth of Modern Art History in Nineteenth-Century Europe The Renaissance Restored: Paintings Conservation and the Birth of Moder0
Sustainability Tools in Cultural Heritage: Life Cycle Assessment Examining Crates for Heritage Objects0
Modern Metals in Cultural Heritage: Understanding and Characterization0
Editorial0
The Coated Salted Paper Prints from the Eduard Isaac Asser Collection at the Rijksmuseum: FTIR and OCT Identification and Characterization0
Neodymium Magnets as a Minimal Intervention Alternative to Traditional Treatments for Fixing Paint on Contemporary Paintings0
Preserving the Legacy of an Artist and Conservator: Technical Study of Paintings by Felrath Hines in the Collection of the National Museum of African American History and Culture0
Editorial0
Moonlight or Midnight? Researching the Phases of Edward Steichen's Moonrise Prints0
Response to Thea Burns Review of The Art of Paper: From the Holy Land to the Americas0
A Light at the End of the Tunnel: Using an Improvised Laser Measuring System to Verify the Bore Dimensions of an XI-Inch Dahlgren Shell Gun0
Magnetic Mounting Systems for Museums and Cultural Institutions0
An Investigation into the Suitability and Stability of a New Pigmented Wax-Resin Formulation for Infilling and Reintegration of Losses in Paintings0
Restoring Stephan Von Huene's Tap Dancer: Finding Logic within Integrated Circuits0
Introduction to our Special Issue on Salted Paper Prints0
From Prism to Kaleidoscope: Effect Versus Intention in the Conservation of Contemporary Art0
Sustainable Practices Applied to the Environmental Management of Archival Collection Storage Spaces at the Southwest Wing in the National Maritime Museum in London, UK0
A Documentation Framework for Sound in Time-based Media Installation Art0
Pedal to the Metals: Preserving Automotive Racing History0
Editorial0
Framing the Sanctuary: A Study of Paintings on Sinan’s Domed Arcade in the Grand Mosque of Mecca0
Growing Pains: Characterization of Efflorescence on a Large-Scale Magnesium Relief by Frank Stella0
Advances in Storing and Monitoring Mercury-tin Amalgam Mirrors0
Introduction to the Special Issue on Practical Approaches to Technical Research0
The Negative Image before the Photographic Negative0
Editorial0
Calculating the Greenhouse Gas Emissions of the Central Depot of the Kunsthistorisches Museum, Vienna – First Results of the Pilot Study0
The Art of Paper: From the Holy Land to the Americas0
Caliche From Archaeological Zone of Guanajuato Mexico and Nearby Deposits: Geochemical and Mechanical Characterizations0
Adaptation of a Standard Industrial Peel Test for Testing Consolidants in the Conservation Studio0
Seeking Balance: Conservation Values and the Artist’s Voice0
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