Journal of the American Institute for Conservation

Papers
(The median citation count of Journal of the American Institute for Conservation is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-02-01 to 2024-02-01.)
ArticleCitations
A Review of RTI and an Investigation into the Applicability of Micro-RTI as a Tool for the Documentation and Conservation of Modern and Contemporary Paintings6
Shedding Light on Daylight Fluorescent Artists’ Pigments, Part 1: Composition5
A Revised Model for Decision-Making in Contemporary Art Conservation and Presentation5
The Rediscovery of Jan Ruyscher and Its Consequence5
Shedding Light on Daylight Fluorescent Artists’ Pigments, Part 2: Spectral Properties and Light Stability4
Arsenic and Old Bookcloth: Identification and Safer Use of Emerald Green Victorian-Era Cloth Case Bindings4
A Comparative Surface Cleaning Study of Op Structure, an Op Art PMMA Sculpture by Michael Dillon4
The Combined Use of Ion Chromatography and Scanning Electron Microscopy to Assess Salt-affected Mineral Materials in Cultural Heritage3
Practitioner (In)visibility in the Conservation of Contemporary Art3
Computational Watermark Enhancement in Leonardo’sCodex Leicester3
Reframing the Notion of “The Artist’s Intent:” A Study of Caring for Thomas Hirschhorn’s Intensif-Station (2010)2
Assessing the Suitability of Unplasticized Poly(Vinyl Chloride) for Museum Showcase Construction2
Removal of Bats’ Excreta from Water-Soluble Wall Paintings Using Temporary Hydrophobic Coating2
Thickness Measurements of Clear Coatings on Silver Objects using Fiber Optic Reflectance Spectroscopy2
A Comparison of Materials for Dry Surface Cleaning Soot-Coated Papers of Varying Roughness: Assessing Efficacy, Physical Surface Changes, and Residue2
Instantiation, Actualization, and Absence: The Continuation and Safeguarding of Katie Paterson’sFuture Library(2014–2114)2
The Exhibition and Characterization of Seven Salted Paper Prints2
Conservation of Severely Deteriorated, Dry Painted Wood: A Case Study From Abydos, Egypt2
Introduction to the Special Issue on Contemporary Art Conservation2
Museum Authorship and the Conservation of Media Installations: Two Case Studies from the Smithsonian American Art Museum2
A Review of 50 Years of Teaching Conservation Science at SUNY Buffalo State2
The Harrison D. Horblit Collection of Early Photography: A Strategy for Research, Cataloging, Imaging, and Exhibition1
At the Core of the Problem: A Bespoke Method Used to Clean the Bores of USS Monitor’s XI-Inch Dahlgren Shell Guns1
Planning for the Future Right Now: Riskscapes in Conserving Contemporary Design1
The Study of Jiajing Carved Lacquerwares: An Example in the Collection of the Nelson-Atkins Museum of Art1
Conducting a Time-Based Media Conservation Assessment and Survey at The Metropolitan Museum of Art1
Supporting Decision-Making when Conserving Contemporary Art: A Model for Identification and Categorization of Stakeholders1
Numbered Jun Ware – a technical study1
Beauty Revealed: Technical Analysis and Treatment of Zand and Qajar Oil Paintings1
Determination of Nitrile Gloves Appropriate for Use When Dry Handling Art1
Collaborative Study and Preservation of Coastal Alaskan Native Watercraft and Material Culture1
Identification of Mammal Skins Present in an Ngoni Garment from Malawi Using Mitochondrial DNA Analysis1
Evaluation of a Dry Method Using Erasers for Silver–Copper Alloy Tarnish Cleaning and Comparison with Traditional Methods1
Observations from the Analysis of the Gelatin Silver Emulsion Layer of Glass Photographic Inter-Positive Plates from Eadweard Muybridge’s Animal Locomotion Series at the National Museum of American Hi1
A Spot Test for Mg2+ to Characterize Magnesium Corrosion1
Hippolyte Bayard’s Direct Positive Process: History, Re-creation, and Characterization1
X-ray Fluorescence Analysis of Frédéric Flachéron’s Paper Negatives, 1848–18521
Heat- and Solvent-Set Repair Tissues1
Touch Decisions: For Heritage Objects1
Technical Imaging for Private Practice Conservators0
Adaptation of a Standard Industrial Peel Test for Testing Consolidants in the Conservation Studio0
An Investigation into the Pigments Present on the Late Paintings and Ephemera of Barnett Newman: Context and Correlations0
Response to Thea Burns Review of The Art of Paper: From the Holy Land to the Americas0
Magnetic Mounting Systems for Museums and Cultural Institutions0
Introduction to our Special Issue on Salted Paper Prints0
Conserving (with) David Lynch. A Treatment Conditioned by Communication0
A Documentation Framework for Sound in Time-based Media Installation Art0
Wavelength Selection Using a Modified Camera to Improve Image-Based 3D Reconstruction of Heritage Objects0
Legal and Ethical Considerations in the Conservation of Artwork Produced During Art Therapy0
Editorial0
The Next Generation of MS2A Resin: MS30
An Exploration of Consolidants for Ancient Egyptian Limestone0
The Treatment of a Large Painted Outdoor Sculpture: Kiosque l’évidé (1970) 1984, by Jean Dubuffet0
Deconstructing the Creation of Daguerre’s dessins-fumées : A Photographic Process or Just Smoke and Mirrors?0
A History of over 50 Years of SUNY Buffalo State’s Paintings Conservation Education0
The Art of Paper: From the Holy Land to the Americas0
Growing Pains: Characterization of Efflorescence on a Large-Scale Magnesium Relief by Frank Stella0
Moonlight or Midnight? Researching the Phases of Edward Steichen's Moonrise Prints0
Editorial0
A Note on Macroscopic Optical Coherence Tomography Imaging Enabled 3D Scanning for Museum and Cultural Heritage Applications0
A Light at the End of the Tunnel: Using an Improvised Laser Measuring System to Verify the Bore Dimensions of an XI-Inch Dahlgren Shell Gun0
Small Museum Research Strategies at the Alaska State Museum0
Materials Characterization with Multiband Reflectance Imaging at the Brooklyn Museum: A New Tool for the Multiband Imaging Kit0
An Investigation into the Suitability and Stability of a New Pigmented Wax-Resin Formulation for Infilling and Reintegration of Losses in Paintings0
Non-destructive Dendrochronology: The Effect of Conservation Agents on Tree-ring Measurements in Archaeological Oak with Micro-computed Tomography0
Editorial0
Restoring Stephan Von Huene's Tap Dancer: Finding Logic within Integrated Circuits0
Wall Panel Interventions at Mount Vernon0
Sustainable Practices Applied to the Environmental Management of Archival Collection Storage Spaces at the Southwest Wing in the National Maritime Museum in London, UK0
Géricault’s Lion Devouring a Horse Stone Paper Matrix: Technical Study0
The Evolution of Salted Paper Printing During the 1850s: Published Recipes0
Modern Metals in Cultural Heritage: Understanding and Characterization0
From Prism to Kaleidoscope: Effect Versus Intention in the Conservation of Contemporary Art0
The Coated Salted Paper Prints from the Eduard Isaac Asser Collection at the Rijksmuseum: FTIR and OCT Identification and Characterization0
Lascaux Adhesives in Objects Conservation: Three Practical Case Studies on Leather, Skin, and Entomological Specimens0
Neodymium Magnets as a Minimal Intervention Alternative to Traditional Treatments for Fixing Paint on Contemporary Paintings0
Reengineering Broken Books (RBB): A Minimally-Interventive Tissue Repair Technique for Hollowback Books0
Tailoring Cleaning Systems for the Removal of Bronze Paint and Soiling From a J.M.W. Turner Gilded Frame0
Seeking Balance: Conservation Values and the Artist’s Voice0
Editorial0
Editorial0
Integration of Laboratory and Field Measurements on Soil and Bronze Artifacts: Facilitating Conservation Treatment and Management of Archaeological Collections0
Art that Lives and Breathes: Conserving Creatures in Contemporary Art0
Potential Pesticide Contamination in Repatriated Artifacts in African Museums: The Need for the Adoption of Safety Protocols for Access and Use of Hazardous Artifacts0
Version Control: Mark Rothko’s Harvard Murals through the Lens of the Documentation Model for Time-Based Media Art0
Commercially Manufactured Plain Papers in the United States, 1860–19000
Engaging Conservation Collaboration across Disciplines0
Framing the Sanctuary: A Study of Paintings on Sinan’s Domed Arcade in the Grand Mosque of Mecca0
Rediscovering Gaspar de Figueroa: A Technical Examination of the Portrait of Friar Cristóbal de Torres, Archbishop of the New Kingdom of Granada0
Advances in Storing and Monitoring Mercury-tin Amalgam Mirrors0
Objects, Memory, and Restorative Justice (A Personal Reflection on Conservation’s Meaning)0
The Negative Image before the Photographic Negative0
Pedal to the Metals: Preserving Automotive Racing History0
Encountering and Countering Constraints in the Exploration of Ethiopia’s Unique Wall Painting Technology0
Caliche From Archaeological Zone of Guanajuato Mexico and Nearby Deposits: Geochemical and Mechanical Characterizations0
Two Sculptures, One Master? A Technical Study of Two Rare Examples of Polychrome Sculptures Associated with “the Master of Saint Catherine of Gualino”, Italy, Fourteenth Century0
Preserving the Legacy of an Artist and Conservator: Technical Study of Paintings by Felrath Hines in the Collection of the National Museum of African American History and Culture0
Editorial0
Introduction to the Special Issue on Practical Approaches to Technical Research0
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