OOIR: Observatory of International Research

Papers

(The median citation count of Music Theory Spectrum is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-04-01 to 2024-04-01.)

Article	Citations
Music Theory’s White Racial Frame	22
Getting to Count	13
Making a Home of The Society for Music Theory, Inc.	10
Bang your Head: Construing Beat through Familiar Drum Patterns in Metal Music	9
A Grid in Flux: Sound and Timing in Electronic Dance Music	5
Segmentation, Phrasing, and Meter in Hip-Hop Music	5
Steve Reich’s Signature Rhythm and an Introduction to Rhythmic Qualities	5
From Exoticism to Interculturalism: Counterframing the East–West Binary	4
Music Theory’s Therapeutic Imperative and the Tyranny of the Normal	3
To “Fill Up, Completely, the Whole Capacity of the Mind”: Listening with Attention in Late Eighteenth-Century Scotland	3
The Times are A-Changin’: Metric Flexibility and Text Expression in 1960s and 1970s Singer-Songwriter Music	3
Naming the Frames that Shape Us	3
Perceiving the Mosaic: Form in the Mashups of DJ Earworm	2
Metric Manipulations in Post-Tonal Music	2
End-Accented Sentences: Towards a Theory of Phrase-Rhythmic Progression	2
Abolitionist Music Theory and Marxism: Notes Toward a Reconciliation	2
Tropological Interaction and Expressive Interpretation in Stravinsky’s Neoclassical Works	2
Undisciplined	2
Materiality of Sonic Imagery: On Analysis of Contemporary Chinese Compositions	2
Norms of Textual Scansion and Rhyme in Beatles AABA Forms	2
“Musique cannibale”: The Evolving Sound of Indigeneity in Heitor Villa-Lobos’s Tres poêmas indigenas	2
George Balanchine’s Art of Choreographic Musicality in Tschaikovsky Pas de Deux	2
Barbershop’s Cautionary Tale for Academic Music Theory: A Response to Stephen Lett	2
Merging the Sonata and the Concerto: The Role of Virtuosic Passages in Determining Formal Closure in High-Classical Sonata Expositions	1
Webs of Meaning in John Corigliano’s Tarantellas	1

O Give Me a Home	1
How SMT Could Become More Welcoming	1
Who Does the Society for Music Theory Gather?	1
Rethinking Sonata Failure: Mendelssohn’s Overture Zum Märchen von der schönen Melusine	1
On the Nonindependent Parts of Time-Consciousness: Husserl’s Early Phenomenological Investigations and the Perception of Melody	1
Ravel’s Octatonic Scripts	1
Music Theory Splintered Up, Not Broken Down: The Oxford Handbook of Critical Concepts in Music Theory. Edited by Alexander Rehding and Steven Rings	1
Orienting to Pedagogical Service	1
Becoming and Beyond: Applying Goethe’s Progressive and Retrogressive Metamorphosis to Fanny Hensel’s Piano Sonatas	1
Structure and Variable Formal Function in Schubert’s Three-Key Expositions	1
Apparently Imperfect: On the Analytical Issues of the IAC	1
Erratum	0
Voice Leading: The Science Behind a Musical Art. By David Huron. Cambridge: MIT Press, 2016, vii + 263 pages	0
Bins, Spans, and Tolerance: Three Theories of Microtiming Behavior	0
Leitmotivic Strategies in Nobuo Uematsu’s Final Fantasy Soundtracks	0
The Limited and The Limitless: Harmonic Voltas and Puns in the Third Movement of Ben Johnston’s Seventh String Quartet	0
The Predominant Six-Four in the Late Music of Richard Strauss	0
Contributors	0
Music Theory and the SMT at 45: Perspectives on Inclusion	0
When All You Have is a Hammer: Surface/Depth as Good Comparison	0
Adventures in Tonal Gravity: George Russell’s Analysis of Maurice Ravel’s “Forlane”	0
Radically Inconspicuous Absence: Truncated Sonata Forms in Interwar Paris	0
The Royal Road Progression in Japanese Popular Music	0
Fine-Tuning a Global History of Music Theory: Divergences, Zhu Zaiyu, and Music-Theoretical Instruments	0
Melodic Transformation in George Garzone’s Triadic Chromatic Approach; or, Jazz, Math, and Basket Weaving	0
Zarlino’sComporre di fantasiaand Canon	0
Enacting Musical Time: The Bodily Experience of New Music. By Mariusz Kozak	0
Correction	0
In Search of Carl Czerny’s Schemata: Listening to Early Nineteenth-Century Improvisation	0
When Intra- and Interthematic Functions Collide: Conflation in Robert Schumann’s Orchestral Sonata Forms	0
Extreme Meter Changes and Tempo Giusto in Some Songs by Brahms	0
Second-Reprise Opening Schemas in Bach’s Binary Movements	0
Erratum	0
Correction: review of An Unnatural Attitude: Phenomenology in Weimar Musical Thought. By Benjamin Steege	0
Focal Impulse Theory. By John Paul Ito	0
Antifocal Anaphoras in Hip-Hop Vocals	0
Contributors	0
Musical Illusions and Phantom Words: How Music and Speech Unlock Mysteries of the Brain. By Diana Deutsch	0
Composing the World: Harmony in the Medieval Platonic Cosmos. By Andrew Hicks	0
Take Care	0
Motivic Trees, Network Analysis, and Bartók’sEight Improvisations on Hungarian Folk Songs, No. 5	0
Naamyam, Creative Music, and Immigrant Act: Meditations on Jon Jang’s Musical Setting of Genny Lim’s “Burial Mound”	0
Content Warning	0
Graphing Deep Hypermeter in the Scherzo Movement of Beethoven’s Ninth Symphony	0
Contributors	0
Correction	0
An Unnatural Attitude: Phenomenology in Weimar Musical Thought. By Benjamin Steege	0
The Music in the Data: Corpus Analysis, Music Analysis, and Tonal Traditions	0
Correction to: Analytical Essays on Music by Women Composers: Concert Music, 1900–1960. Edited by Laurel Parsons and Brenda Ravenscroft	0
Contributors	0

Contributors	0
The Enigma of Entropy in Extended Tonality	0
Erratum	0
Lyricist as Analyst: Rhyme Scheme as Music-Setting in the Great American Songbook	0
Formal Excess in the Opening Movement of Fanny Hensel’s String Quartet in E♭ Major (1834)	0
Living Toys in Thomas Adès’s Living Toys: Transforming the Post-Tonal Topic	0
Music, Analysis, and the Body: Experiments, Explorations, and Embodiments. Edited by Nicholas Reyland and Rebecca Thumpston	0
On Figaro’s Alleged Minuet and Some Challenges and Opportunities of Topic Theory	0
Contributors	0
Analytical Essays on Music by Women Composers: Concert Music, 1900–1960. Edited by Laurel Parsons and Brenda Ravenscroft	0
Diatonic Voice-Leading Transformations	0
Correction to: Naamyam, Creative Music, and Immigrant Act: Meditations on Jon Jang’s Musical Setting of Genny Lim’s “Burial Mound”	0
Undersurface Sequences	0
Hexachordal Solmization and Syllable-Invariant Counterpoint in the Vocal Music of William Byrd	0
Combinatorics, Composition, Copia: Mersenne’s Permutations as Rhetoric of Abundance	0
Peculiar Attunements: How Affect Theory Turned Musical. By Roger Matthew Grant.	0
Foundations of Musical Grammar. By Lawrence M. Zbikowski	0
Follow the Solo: The Formal Evolution of the Concerto in the Eighteenth-Century	0
Models for Mozart’s Transitions: A Transatlantic Exchange	0
A Blaze of Light in Every Word: Analyzing the Popular Singing Voice. By Victoria Malawey	0