Journal of Popular Film and Television

Papers
(The TQCC of Journal of Popular Film and Television is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)
ArticleCitations
Mapping Imperialist Movement in Postmodern Horror Film Midsommar4
Geriaction Cinema: Introduction4
Disney Does Disney: Re-Releasing, Remaking, and Retelling Animated Films for a New Generation3
Viral Representations in Pose (2018–2021)3
TOO OLD FOR THIS SH*T: Aged Action Heroes, Affect, and “the Economy of Exertion”3
Quality TV, Turkish Television History, and the Transformation of Sıfır Bir3
Algorithmic Intimacy, Prosthetic Memory, and Gamification inBlack Mirror2
Casting Black Athenas: Black Representation of Ancient Greek Goddesses in Modern Audiovisual Media and Beyond2
Dark Shadows: Monster Culture on Daytime Television2
Make America Hate Again? The Politics of Vigilante Geriaction2
#WokeTV Beyond the Hashtag: One Day at a Time and The Baby-Sitters Club as Woke Classic Television2
Stranger Teens: Eleven Transforms the Monstrous Symbolism of Adolescence through a Contemporary Narrative Arc1
The Defenders’ Abortion Case: Revisiting a Television Controversy1
Staying Human: Jon Batiste as Acousmêtre on The Late Show with Stephen Colbert1
Recreating 1969 Los Angeles in Once Upon a Time… in Hollywood1
“Sex Had Nothing to Do with It”: Mae West as Mentoring Icon1
Noir and Exilic Cinema: Fritz Lang’sFury, Trauma, and the German Critique0
SCREENING CHARLES DICKENS: A SURVEY OF FILM AND TELEVISION ADAPTATIONS. By William Farina. McFarland, 2022. 235 pp including index. $39.95 paper.SCREENING CHARLES DICKENS: A SURVEY OF FILM AND TELEVIS0
HORRIBLE WHITE PEOPLE: GENDER, GENRE, AND TELEVISION’S PRECARIOUS WHITENESS. By Taylor Nygaard and Jorie Lagerwey. New York University Press, 2020. 272 pp. $89.00 cloth.0
THE BLOOMSBURY COMPANION TO STANLEY KUBRICK. Edited by I. Q. Hunter and Nathan Abrams. Bloomsbury Academic, 2022. 396 pp. $39.95 paperback.0
Chronicler of the “American Problem”: An Interview with Kevin Willmott0
Introduction: The Ancient Classical World from Film to Television0
THE GOLDEN AGE MUSICALS OF DARRYL F. ZANUCK: THE GENTLEMAN PREFERRED BLONDES. By Bernard F. Dick. Mississippi UP, 2022. 320 pp. $35.00 clothTHE GOLDEN AGE MUSICALS OF DARRYL F. ZANUCK: THE GENTLEMAN P0
Oedipal Anxieties in HBO’s Westworld0
Measures of Success: Competing Masculinities in Cobra Kai0
Machines in the Garden: De-Gothicizing the American Pastoral in Tales from the Loop0
From Mrs. G. to Marmee:The Facts of LifeandLittle Women0
All the (West)World’s a Stage: HBO’s Westworld as Metatext—Intertextuality, Genre, Seriality, Format0
Normal People (2020) and the New Post-Celtic Irish Man0
HBO’s Watchmen and Generic Revision in a Genre of Adaptation0
THE STREAMING OF HILL HOUSE: ESSAYS ON THE HAUNTING NETFLIX ADAPTATION Ed. Kevin J. Wetmore, Jr. Jefferson: Mcfarland & Company, 2020. 282 pp. $39.95 paper.0
THE ENCYCLOPEDIA OF RACISM IN AMERICAN FILM. Ed. Salvador Jiménez Murguia. Rowman & Littlefield, 2018. 805 pp. $125 hardcover, $118 e-book.0
THEY DREW AS THEY PLEASED: THE HIDDEN ART OF DISNEY’S MID-CENTURY ERA; THE 1950s AND 1960s.By Didier Ghez. Chronicle Books, 2018. 224 pp. $45.00 hardcover.0
HOLLYWOOD HATES HITLER! JEW-BAITING, ANTI-NAZISM AND THE SENATE INVESTIGATION INTO WARMONGERING IN MOTION PICTURES By Chris Yogerst. Jackson: U P of Mississippi, 2020. 208 pp. $25.00 paper.0
Chinese Film in the Twenty-First Century: Movements, Genres, Intermedia0
THE BIONIC WOMAN AND FEMINIST ETHICS: AN ANALYSIS OF THE 1970s TELEVISION SERIES By David Greven. McFarland, 2020. 178 pp. $39.95 softcover.0
THE STRUGGLE BEHIND THE SOUNDTRACK: INSIDE THE DISCORDANT NEW WORLD OF FILM SCORING By Stephan Eicke. McFarland, 2019. 227 pp. $45.00 paper.0
50 Years of “First Frame” Fundamentals: Remembering a Half-Century of Editing The Journal of Popular Film and Television0
Melancholic Grief and the Psychic Experience of Reproductive Loss in Emma Tammi’s The Wind (2018)0
WOMEN MAKE HORROR: FILMMAKING, FEMINISM, GENRE. Edited by Alison Peirse. Rutgers UP, 2020. 270 pp. $29.95 paper.0
Transcultural Comedy in Man Like Mobeen (2017-2023): How the BBC is Merging “Us”/“Them.”0
HOME IS WHERE THE HURT IS: MEDIA DEPICTIONS OF WIVES AND MOTHERS. By Sara Hosey. Jefferson, NC: McFarland, 2019. 224 pp. $55.00 paper.0
SHOCKING CINEMA OF THE 70S. Eds. Xavier Mendik and Julian Petley. Bloomsbury Academic, 2022. 326 pp. £76.50/$95 hardbackSHOCKING CINEMA OF THE 70S. Eds. Xavier Mendik and Julian Petley. Bloomsbury Aca0
QUEER HORROR FILM AND TELEVISION: SEXUALITY AND MASCULINITY AT THE MARGINS. By Darren Elliott-Smith. London: Bloomsbury Academic, 2022. 252 pp. £28.99. Paperback.0
BLOOD ON THE LENS: TRAUMA AND ANXIETY IN AMERICAN FOUND FOOTAGE HORROR CINEMA. By Shellie McMurdo. Edinburgh: Edinburgh University Press, 2022. 256 pp. $110.00 hardcover and ebook.0
Heroes Never Sweat the Small Stuff: Fortuna in The CW’sSupernatural0
Bearing Children, Burying Childhood: An Allegory of Reproductive Rights in The Wizard of Oz (1939)0
Whose Century? Narrative Power in Streaming Alternate-History Television0
WOMEN IN THE WESTERN Ed. Sue Matheson. Edinburgh: Edinburgh UP, 2020. 360 pp. $110.00 hardcover.0
Time-travel Tragedy: Netflix’s Dark and Athenian Drama0
The Appeal of WIP-ped Flesh: Jess Franco’s 99 Women (1968) at the Box Office0
SINGLE LIVES: MODERN WOMEN IN LITERATURE, CULTURE, AND FILM. Edited by Katherine Fama and Jorie Lagerwey. Rutgers UP, 2022. 240 pp. including bibliography and index. $36.95 softbound.0
RAPE IN PERIOD DRAMA TELEVISION: CONSENT, MYTH, AND FANTASY. By Katherine Byrne and Julie Anne Taddeo. Lexington Books, 2022. 134 pp. $95.00 hardback, $45.00 ebook.0
BETTER LIVING THROUGH TV: CONTEMPORARY TV AND MORAL IDENTITY FORMATION. Ed. Steven A. Benko. Lanham, MD: Lexington Books, 2022. 352 pp. $120.00 hardback/$45.00 eBook.0
A Face in the Crowd(1957): History and Relevancy, from the Dawn of Television to the Digital Age0
AMERICAN BLOCKBUSTER: MOVIES, TECHNOLOGY, AND WONDER By Charles R. Acland. Duke University Press, 2020. 400 pp. $29.95 paper.0
THE PROXIMITY OF OTHER SKINS: ETHICAL INTIMACY IN GLOBAL CINEMA By Celine Parreñas Shimizu. New York: Oxford University Press, 2020. 264 pp. $39.95 paper.0
AFFECTIVE INTENSITIES AND EVOLVING HORROR FORMS: FROM FOUND FOOTAGE TO VIRTUAL REALITY By Adam Daniel. Edinburgh: Edinburgh UP, 2020. 232 pp. $105 hardback, $24.95 paper, $27.95 ePub.0
The Clothes Make the Woman: How Fashion Informs the Comedic Identity of Schitt’s Creek ’s Moira Rose0
EXPLORING STAR TREK: VOYAGER: CRITICAL ESSAYS Ed. Robert L. Lively. McFarland, 2020. 278 pp. $39.95 paper.0
Forgettable Tales of a Forgotten War: Narrative, Memory, and the Erasure of the Korean War in American Cinema0
“Guns Go in the Cookie Jar”: Parody, Nostalgia, and the Post-Hardware Heroine0
What a Desirable Woman Is Like: Hsia Moon and the Cultural Agenda of Leftist Film Companies in Hong Kong, 1951–19660
James Cameron’sAvatarand the Filmic Legacy of the White Hunter0
To the Truth, to the Light: Genericity and Historicity in Babylon Berlin0
The Changing Face of Capital Punishment Films: Just Mercy and Clemency0
BLACK WOMEN AND THE CHANGING TELEVISION LANDSCAPE By Lisa M. Anderson. Bloomsbury Academic, 2023. 165 pp. $20.65 paperbackBLACK WOMEN AND THE CHANGING TELEVISION LANDSCAPE By Lisa M. Anderson. Bloomsb0
APOCALYPTIC VISIONS IN 21ST CENTURY FILMS. By Elizabeth A. Ford and Deborah C. Mitchell. McFarland Press, 2018. 229 pp. $49.95 paper.0
THE BRITISH TRAUMA FILM: PSYCHOANALYSIS AND POPULAR BRITISH CINEMA IN THE IMMEDIATE AFTERMATH OF THE SECOND WORLD WAR. By Adam Plummer. Bloomsbury Academic, 2023. 240 pp. $108 hardcover.THE BRITISH TR0
THE STYLE OF SLEAZE: THE AMERICAN EXPLOITATION FILM, 1959–1977. By Calum Waddell. University of Edinburgh Press, 2019. 224 pp. $29.95 softcover.0
BLOODY WOMEN: WOMEN DIRECTORS OF HORROR Eds. Victoria McCollum and Aislinn Clarke. Lehigh UP and Rowman & Littlefield, 2022. 244 pp. £ 100.00 hardcoverBLOODY WOMEN: WOMEN DIRECTORS OF HORROR. By V0
COLD WAR FILM GENRES Edited by Homer B. Pettey. Edinburgh UP, 2018. 280 pp. $110 hardcover.0
POVERTY IN AMERICAN POPULAR CULTURE. Ed. Wylie Lenz. McFarland, 2020. 274 pp. including index. $55.00 paper.0
HOLLYWOOD AT THE RACES: FILM’S LOVE AFFAIR WITH THE TURF. By Alan Shuback. UP of Kentucky, 2019. 278pp. $34.36 softcover.0
SEE! HEAR! CUT! KILL! EXPERIENCING FRIDAY THE 13TH By Wickham Clayton. Jackson: U Mississippi P, 2020. 238 pp. $30.00 paper.0
Autism in Film and Television: On the Island0
Cuban Television Police Series 1969–1981: A Weapon for the Revolution0
Abandon All Hope Ye Who Enter…High School? Dante's Commedia and Buffy the Vampire Slayer0
SMALL SCREEN, BIG FEELS: TELEVISION AND CULTURAL ANXIETY IN THE TWENTY-FIRST CENTURY By Melissa Ames. U of Kentucky P, 2020. 300 pp. $50 hardcover.0
Failed dreams, fresh beginnings: A conversation with Jason Karman on Golden Delicious0
Contemporary Disney Animation: Genre, Gender and Hollywood0
Simulating the Past in the Present through Biopics: Queen Elizabeth II on Screen and on TV0
Toward a Civil Society: Bernarr Cooper and the Bureau of Mass Communications of the New York State Education Department0
The Empire of Effects: Industrial Light & Magic and the Rendering of Realism The Empire of Effects: Industrial Light & Magic and the Rendering of Realism 0
Reflections on Mortality: The Imagery of Mirrors in Clint Eastwood’s Gran Torino0
CONTEMPORARY HOLLYWOOD ANIMATION: STYLE, STORYTELLING, CULTURE AND IDEOLOGY SINCE THE 1990S. By Noel Brown. Edinburgh UP, 2021. 232 pp. $100 hardcover, $24.95 paperback (forthcoming).0
The Representation of Urban Surface Culture in Asphalt (1929)0
“She’s Got Gaps, I’ve Got Gaps”: A Neurodiversity Reading of Rocky (1976)0
Television Trends, 2016–2020: Authenticity, Diversity, Sexual Candor, and Retrospection0
YOU’RE NICKED: INVESTIGATING BRITISH TELEVISION POLICE SERIES. By Ben Lamb. Manchester UP, 2020. 232 pp. $120 hardcover.0
Watching Game of Thrones : How Audiences Engage with Dark Television Watching Game of Thrones : How Audiences Engage0
The Geri-Actions of the Aging Amitabh Bachchan0
CRIME IN TV, THE NEWS, AND FILM: MISCONCEPTIONS, MISCHARACTERIZATIONS, AND MISINFORMATION By Beth E. Adubato, Nicole M. Sachs, Donald F. Fizzinoglia, and John M. Swiderski. Lexington Books, 2022. 232 0
The Dead Don’t Die: Genre, Parody, and the Failure of the American Zombie as an Agent of Social Change0
Reframing the Dowager: Nostalgia in Downton Abbey0
Trans* Thinking in Irish Television and Film0
ALINE MACMAHON: HOLLYWOOD, THE BLACKLIST, AND THE BIRTH OF METHOD ACTING. By John Stangeland. UP of Kentucky, 2022. 340 pp. $40.00 (hardcover).ALINE MACMAHON: HOLLYWOOD, THE BLACKLIST, AND THE BIRTH O0
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