Journal of Popular Film and Television

Papers
(The TQCC of Journal of Popular Film and Television is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-04-01 to 2024-04-01.)
ArticleCitations
Geriaction Cinema: Introduction4
TOO OLD FOR THIS SH*T: Aged Action Heroes, Affect, and “the Economy of Exertion”3
Make America Hate Again? The Politics of Vigilante Geriaction2
Mapping Imperialist Movement in Postmodern Horror Film Midsommar2
Algorithmic Intimacy, Prosthetic Memory, and Gamification inBlack Mirror2
Casting Black Athenas: Black Representation of Ancient Greek Goddesses in Modern Audiovisual Media and Beyond2
“Welcome to a New Era”? Downton Abbey in 20191
Viral Representations in Pose (2018–2021)1
#WokeTV Beyond the Hashtag: One Day at a Time and The Baby-Sitters Club as Woke Classic Television1
Stranger Teens: Eleven Transforms the Monstrous Symbolism of Adolescence through a Contemporary Narrative Arc1
Restricted to Adults Only: Homosexuality and Film Censorship Reform in 1970s Australia1
Dark Shadows: Monster Culture on Daytime Television1
“Pulling Up a Wild Bill”: Television Post‐Westerns1
“Sex Had Nothing to Do with It”: Mae West as Mentoring Icon1
Quality TV, Turkish Television History, and the Transformation of Sıfır Bir1
Noir and Exilic Cinema: Fritz Lang’sFury, Trauma, and the German Critique0
Introduction: The Ancient Classical World from Film to Television0
HITCHCOCK AND THE SPY FILM By James Chapman. New York: I. B. Tauris, 2018. 346 pp. $28.00 cloth.0
Issue PDF0
Right Here in Hollywood: The Greatest Story Ever Told, the American West, and the American Film Worker0
SMALL SCREEN, BIG FEELS: TELEVISION AND CULTURAL ANXIETY IN THE TWENTY-FIRST CENTURY By Melissa Ames. U of Kentucky P, 2020. 300 pp. $50 hardcover.0
BETTER LIVING THROUGH TV: CONTEMPORARY TV AND MORAL IDENTITY FORMATION. Ed. Steven A. Benko. Lanham, MD: Lexington Books, 2022. 352 pp. $120.00 hardback/$45.00 eBook.0
Oedipal Anxieties in HBO’s Westworld0
Measures of Success: Competing Masculinities in Cobra Kai0
Dick Smith (Makeup Artist)0
AFFECTIVE INTENSITIES AND EVOLVING HORROR FORMS: FROM FOUND FOOTAGE TO VIRTUAL REALITY By Adam Daniel. Edinburgh: Edinburgh UP, 2020. 232 pp. $105 hardback, $24.95 paper, $27.95 ePub.0
WOMEN MAKE HORROR: FILMMAKING, FEMINISM, GENRE. Edited by Alison Peirse. Rutgers UP, 2020. 270 pp. $29.95 paper.0
THE STREAMING OF HILL HOUSE: ESSAYS ON THE HAUNTING NETFLIX ADAPTATION Ed. Kevin J. Wetmore, Jr. Jefferson: Mcfarland & Company, 2020. 282 pp. $39.95 paper.0
HOLLYWOOD HATES HITLER! JEW-BAITING, ANTI-NAZISM AND THE SENATE INVESTIGATION INTO WARMONGERING IN MOTION PICTURES By Chris Yogerst. Jackson: U P of Mississippi, 2020. 208 pp. $25.00 paper.0
SHOCKING CINEMA OF THE 70S. Eds. Xavier Mendik and Julian Petley. Bloomsbury Academic, 2022. 326 pp. £76.50/$95 hardbackSHOCKING CINEMA OF THE 70S. Eds. Xavier Mendik and Julian Petley. Bloomsbury Aca0
THEY DREW AS THEY PLEASED: THE HIDDEN ART OF DISNEY’S MID-CENTURY ERA; THE 1950s AND 1960s.By Didier Ghez. Chronicle Books, 2018. 224 pp. $45.00 hardcover.0
“Guns Go in the Cookie Jar”: Parody, Nostalgia, and the Post-Hardware Heroine0
SEE! HEAR! CUT! KILL! EXPERIENCING FRIDAY THE 13TH By Wickham Clayton. Jackson: U Mississippi P, 2020. 238 pp. $30.00 paper.0
JAPAN’S GREEN MONSTERS: ENVIRONMENTAL COMMENTARY IN KAIJU CINEMA By Sean Rhoads and Brooke McCorkle. Jefferson: McFarland, 2018. 226 pp. $39.95 softcover.0
THE GOLDEN AGE MUSICALS OF DARRYL F. ZANUCK: THE GENTLEMAN PREFERRED BLONDES. By Bernard F. Dick. Mississippi UP, 2022. 320 pp. $35.00 clothTHE GOLDEN AGE MUSICALS OF DARRYL F. ZANUCK: THE GENTLEMAN P0
COLD WAR FILM GENRES Edited by Homer B. Pettey. Edinburgh UP, 2018. 280 pp. $110 hardcover.0
Melancholic Grief and the Psychic Experience of Reproductive Loss in Emma Tammi’s The Wind (2018)0
Heroes Never Sweat the Small Stuff: Fortuna in The CW’sSupernatural0
Transcultural Comedy in Man Like Mobeen (2017-2023): How the BBC is Merging “Us”/“Them.”0
To the Truth, to the Light: Genericity and Historicity in Babylon Berlin0
FILM NOIR AND THE POSSIBILITIES OF HOLLYWOOD By Nathaniel Deyo. Palgrave Macmillan, 2020. 225 pp. $84.99 hardcover0
QUEER HORROR FILM AND TELEVISION: SEXUALITY AND MASCULINITY AT THE MARGINS. By Darren Elliott-Smith. London: Bloomsbury Academic, 2022. 252 pp. £28.99. Paperback.0
Envisioning a Remembered Future: The Rhetorical Life and Times of The Manchurian Candidate0
Ellen Holly (Performer)0
Bearing Children, Burying Childhood: An Allegory of Reproductive Rights in The Wizard of Oz (1939)0
CRIME IN TV, THE NEWS, AND FILM: MISCONCEPTIONS, MISCHARACTERIZATIONS, AND MISINFORMATION By Beth E. Adubato, Nicole M. Sachs, Donald F. Fizzinoglia, and John M. Swiderski. Lexington Books, 2022. 232 0
BLOOD ON THE LENS: TRAUMA AND ANXIETY IN AMERICAN FOUND FOOTAGE HORROR CINEMA. By Shellie McMurdo. Edinburgh: Edinburgh University Press, 2022. 256 pp. $110.00 hardcover and ebook.0
Heads a-Poppin': The Ambiguous Drama of Seeing in Raiders of the Lost Ark0
WOMEN IN THE WESTERN Ed. Sue Matheson. Edinburgh: Edinburgh UP, 2020. 360 pp. $110.00 hardcover.0
Agnes Nixon (Soap Opera Creator)0
All the (West)World’s a Stage: HBO’s Westworld as Metatext—Intertextuality, Genre, Seriality, Format0
The Clothes Make the Woman: How Fashion Informs the Comedic Identity of Schitt’s Creek ’s Moira Rose0
Abandon All Hope Ye Who Enter…High School? Dante's Commedia and Buffy the Vampire Slayer0
50 Years of “First Frame” Fundamentals: Remembering a Half-Century of Editing The Journal of Popular Film and Television0
RAPE IN PERIOD DRAMA TELEVISION: CONSENT, MYTH, AND FANTASY. By Katherine Byrne and Julie Anne Taddeo. Lexington Books, 2022. 134 pp. $95.00 hardback, $45.00 ebook.0
Toward a Civil Society: Bernarr Cooper and the Bureau of Mass Communications of the New York State Education Department0
EXPLORING STAR TREK: VOYAGER: CRITICAL ESSAYS Ed. Robert L. Lively. McFarland, 2020. 278 pp. $39.95 paper.0
James Burrows (Director)0
Normal People (2020) and the New Post-Celtic Irish Man0
CONTEMPORARY HOLLYWOOD ANIMATION: STYLE, STORYTELLING, CULTURE AND IDEOLOGY SINCE THE 1990S. By Noel Brown. Edinburgh UP, 2021. 232 pp. $100 hardcover, $24.95 paperback (forthcoming).0
APOCALYPTIC VISIONS IN 21ST CENTURY FILMS. By Elizabeth A. Ford and Deborah C. Mitchell. McFarland Press, 2018. 229 pp. $49.95 paper.0
The Representation of Urban Surface Culture in Asphalt (1929)0
The Defenders’ Abortion Case: Revisiting a Television Controversy0
BLOODY WOMEN: WOMEN DIRECTORS OF HORROR Eds. Victoria McCollum and Aislinn Clarke. Lehigh UP and Rowman & Littlefield, 2022. 244 pp. £ 100.00 hardcoverBLOODY WOMEN: WOMEN DIRECTORS OF HORROR. By V0
Forgettable Tales of a Forgotten War: Narrative, Memory, and the Erasure of the Korean War in American Cinema0
A Face in the Crowd (1957): History and Relevancy, from the Dawn of Television to the Digital Age0
THE STRUGGLE BEHIND THE SOUNDTRACK: INSIDE THE DISCORDANT NEW WORLD OF FILM SCORING By Stephan Eicke. McFarland, 2019. 227 pp. $45.00 paper.0
THE BIONIC WOMAN AND FEMINIST ETHICS: AN ANALYSIS OF THE 1970s TELEVISION SERIES By David Greven. McFarland, 2020. 178 pp. $39.95 softcover.0
The Appeal of WIP-ped Flesh: Jess Franco’s 99 Women (1968) at the Box Office0
The Changing Face of Capital Punishment Films: Just Mercy and Clemency0
BLACK WOMEN AND THE CHANGING TELEVISION LANDSCAPE By Lisa M. Anderson. Bloomsbury Academic, 2023. 165 pp. $20.65 paperbackBLACK WOMEN AND THE CHANGING TELEVISION LANDSCAPE By Lisa M. Anderson. Bloomsb0
Darren Star (Writer/Show Creator)0
THE BRITISH TRAUMA FILM: PSYCHOANALYSIS AND POPULAR BRITISH CINEMA IN THE IMMEDIATE AFTERMATH OF THE SECOND WORLD WAR. By Adam Plummer. Bloomsbury Academic, 2023. 240 pp. $108 hardcover.THE BRITISH TR0
The Geri-Actions of the Aging Amitabh Bachchan0
HOLLYWOOD AT THE RACES: FILM’S LOVE AFFAIR WITH THE TURF. By Alan Shuback. UP of Kentucky, 2019. 278pp. $34.36 softcover.0
Disney Does Disney: Re-Releasing, Remaking, and Retelling Animated Films for a New Generation0
Jonathan Murray (Producer/Show Creator)0
THE BLOOMSBURY COMPANION TO STANLEY KUBRICK. Edited by I. Q. Hunter and Nathan Abrams. Bloomsbury Academic, 2022. 396 pp. $39.95 paperback.0
A Georgia Civil War Film with a Bosnian War Subtext: The Case of John Frankenheimer's Andersonville0
TO BOLDLY GO: MARKETING THE MYTH OF STAR TREK By Djoymi Baker. London: I. B. Tauris & Co. Ltd., 2018. 297 pp. $99.00 hardcover.0
James Cameron’s Avatar and the Filmic Legacy of the White Hunter0
Kevin Eubanks (Composer/Bandleader/Music Director)0
DISAPPEARING WAR: INTERDISCIPLINARY PERSPECTIVES ON CINEMA AND ERASURE IN THE POST 9/11 WORLD Ed. Christina Hellmich and Lisa Purse. Edinburgh: Edinburgh UP, 2017. 208 pp. $73.64 hardcover.0
Gwen Ifill (Journalist)0
Time-travel Tragedy: Netflix’s Dark and Athenian Drama0
Machines in the Garden: De-Gothicizing the American Pastoral in Tales from the Loop0
Sonia Manzano (Performer/Writer)0
POVERTY IN AMERICAN POPULAR CULTURE. Ed. Wylie Lenz. McFarland, 2020. 274 pp. including index. $55.00 paper.0
Simulating the Past in the Present through Biopics: Queen Elizabeth II on Screen and on TV0
THE PROXIMITY OF OTHER SKINS: ETHICAL INTIMACY IN GLOBAL CINEMA By Celine Parreñas Shimizu. New York: Oxford University Press, 2020. 264 pp. $39.95 paper.0
HBO’s Watchmen and Generic Revision in a Genre of Adaptation0
AMERICAN BLOCKBUSTER: MOVIES, TECHNOLOGY, AND WONDER By Charles R. Acland. Duke University Press, 2020. 400 pp. $29.95 paper.0
Reflections on Mortality: The Imagery of Mirrors in Clint Eastwood’s Gran Torino0
THE ENCYCLOPEDIA OF RACISM IN AMERICAN FILM. Ed. Salvador Jiménez Murguia. Rowman & Littlefield, 2018. 805 pp. $125 hardcover, $118 e-book.0
Trans* Thinking in Irish Television and Film0
THE HAUNTED HOUSE ON FILM: AN HISTORICAL ANALYSIS By Paul Meehan. Jefferson, NC: McFarland & Co., Inc. Publishers, 2020. $45.00 paper0
From Mrs. G. to Marmee: The Facts of Life and Little Women0
SINGLE LIVES: MODERN WOMEN IN LITERATURE, CULTURE, AND FILM. Edited by Katherine Fama and Jorie Lagerwey. Rutgers UP, 2022. 240 pp. including bibliography and index. $36.95 softbound.0
YOU’RE NICKED: INVESTIGATING BRITISH TELEVISION POLICE SERIES. By Ben Lamb. Manchester UP, 2020. 232 pp. $120 hardcover.0
SCREENING CHARLES DICKENS: A SURVEY OF FILM AND TELEVISION ADAPTATIONS. By William Farina. McFarland, 2022. 235 pp including index. $39.95 paper.SCREENING CHARLES DICKENS: A SURVEY OF FILM AND TELEVIS0
A Valentine’s Wish for Danny Arnold—The Interviews: An Oral History of Television0
Recreating 1969 Los Angeles in Once Upon a Time… in Hollywood0
Whose Century? Narrative Power in Streaming Alternate-History Television0
The Dead Don’t Die: Genre, Parody, and the Failure of the American Zombie as an Agent of Social Change0
Reframing the Dowager: Nostalgia in Downton Abbey0
Leslie Uggams (Performer)0
ALINE MACMAHON: HOLLYWOOD, THE BLACKLIST, AND THE BIRTH OF METHOD ACTING. By John Stangeland. UP of Kentucky, 2022. 340 pp. $40.00 (hardcover).ALINE MACMAHON: HOLLYWOOD, THE BLACKLIST, AND THE BIRTH O0
“That Emotional Moment”: The Execution of Ruth Ellis in Pierrepoint (2005)0
Staying Human: Jon Batiste as Acousmêtre on The Late Show with Stephen Colbert0
HORRIBLE WHITE PEOPLE: GENDER, GENRE, AND TELEVISION’S PRECARIOUS WHITENESS. By Taylor Nygaard and Jorie Lagerwey. New York University Press, 2020. 272 pp. $89.00 cloth.0
THE STYLE OF SLEAZE: THE AMERICAN EXPLOITATION FILM, 1959–1977. By Calum Waddell. University of Edinburgh Press, 2019. 224 pp. $29.95 softcover.0
Cuban Television Police Series 1969–1981: A Weapon for the Revolution0
HOME IS WHERE THE HURT IS: MEDIA DEPICTIONS OF WIVES AND MOTHERS. By Sara Hosey. Jefferson, NC: McFarland, 2019. 224 pp. $55.00 paper.0
Chaplin, the Dreyfusard0
Chronicler of the “American Problem”: An Interview with Kevin Willmott0
0.019321918487549