Cahiers Elisabethains

Papers
(The median citation count of Cahiers Elisabethains is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-05-01 to 2025-05-01.)
ArticleCitations
Book review: Shakespeare, Tragedy and Menopause: The Anxious Womb by Victoria L. McMahon3
Performance review: All's Well That Ends Well by Sioned Jones2
Gender and foreignness in William Davenant's The Siege of Rhodes Parts One and Two (1656–1663)1
The late- and post-Soviet trials of Hamlet in song, ballet, and opera1
Grammatical expressions of time in Macbeth0
Performance review: The Comedy of Errors by Phillip Breen0
Performance Review: Romeo and Juliet by Natasha Rickman0
Performance review: Macbeth by Max Webster0
Republican friendship and the fall of the Roman Republic in late Elizabethan and early Jacobean drama0
Book Review: The Genres of Renaissance Tragedy by Daniel Cadman, Andrew Duxfield and Lisa Hopkins0
Performance review: A Midsummer Night's Dream by Yevhen Reznichenko0
Performance review: A Midsummer Night's Dream by Michelle Terry0
Performance review: The Merry Wives of Windsor by Blanche McIntyre0
Book Review: Performing Early Modern Drama Beyond Shakespeare: Edward's Boys by Harry R. McCarthy0
Shakespearean bodies in movement: Central and Eastern European and American echoes on dance stages0
Shakespeare's Italian place-myths: The Padua–Verona–Mantua nexus0
The politics of jealousy and misogyny of Othello in Omkara0
Performance review: A Midsummer Night’s Dream by Shoichiro Kawai0
The theatre of the confused: Tokyo0
Performance Review: The Duchess of Malfi by John Webster0
Survival strategies: Shakespeare and Renaissance truth-telling0
Performance review: I, Malvolio by Tim Crouch0
Mapping violence onto the body of the ‘other’ in Julie Taymor's Titus (1999)0
Precarious life: cinema, ontology and the digital turn in Julie Taymor’s Shakespeare films0
‘Of counsel with [m]y mistress’: The mistress–servant alliance in Thomas Middleton and William Rowley's The Changeling (1622)0
The ‘(De)territorialising’ power of Cleopatra's barge: Plutarch, Shakespeare, and Mankiewicz0
Book review: Fool: In Search of Henry VIII’s Closest Man by Peter K. Andersson0
Rival monarchs: The two versions of 2 Henry VI and 3 Henry VI0
Performance review: Othello by Clint Dyer0
Book review: Milton’s Poetical Thought by Maggie Kilgour0
Book review: Cowboy Hamlets and Zombie Romeos: Shakespeare in Genre Film by Kinga Földváry0
Book review: Shakespeare and Commemoration by Clara Calvo and Ton Hoenselaars0
Book review: The Works of John Webster: An Old-Spelling Critical Edition, vol. 4, ‘Sir Thomas Wyatt’, ‘Westward Ho, Northward Ho’, ‘The Fair Maid of the Inn’ by David Gunby, David Carnegie, and0
Performance review: Mariam by Elizabeth Cary0
Performance review: Hamlet by Kenny Leon0
Editorial introduction: From Paradise to Padua0
As You Like It or As You Don’t: Shakespeare's Arden, Thomas More's Utopia, and their discontents0
The Taming of the Shrew , or, on not knowing Italian (and Latin, and Spanish, and French)0
‘A Pope Shut out of Heaven Gates (Thrice)’: Erasmus’ Julius as a tool of anti-Catholic propaganda in early modern England0
Failing, to find the maid: Staging The Maid's Metamorphosis0
Book review: Arden of Faversham by Catherine Richardson (ed.)0
The brightest star: The Meisei Shakespeare Collection0
Performance review: As You Like It by Omar Elerian0
Book Review: Fulke Greville and the Culture of the English Renaissance by Russ Leo, Katrin Röder and Freya Sierhuis0
Book Review: Richard II: A Critical Reader by Michael Davies & Andrew Duxfield0
Performance review: The Taming of the Shrew by Jude Christian0
The Acidale test: Spenser’s jettisoning of Sidney as poetic authoriser0
Timon and Melancholia0
Foreword: Japan and Shakespeare: Acceptance and transformations in the twenty-first century0
Performance review: Twelfth Night by Sioned Jones0
Book review: The Book Makers: A History of the Book in 18 Remarkable Lives, The Bodley Head by Adam Smyth0
Roman walls in English Renaissance writing0
Becoming Cleopatra0
Performance review: The Changeling by Ricky Dukes0
The Lord Mayor's Show for 1621 and 2021: Reconstructing a Triumph0
Performance review: As You Like It by Laurie Sansom0
Performance review: Macbeth by Simon Godwin0
Performance review: The Tempest by Sioned Jones0
Book review: The Shakespearean Death Arts: Hamlet Among the Tombs by William E. Engel and Grant Williams (eds)0
Performance review: The Taming of the Shrew by Christopher V. Edwards0
Interview with Stephan Wolfert on Shakespeare, trauma, and mapping affective theatre communities0
An introduction to the Padua First Folio0
Performance review: The Tempest by Elizabeth Freestone0
‘When Shakespeare was quarantined because of the plague, he wrote King Lear’: Theatre and Shakespeare in Spain during the Covid-19 crisis0
The background of The Shrew : Texts and intertexts0
Utopian corporeality and movement in William Shakespeare's The Rape of Lucrece0
Book Review: Revived with Care: John Fletcher's Plays on the British Stage by Peter Malin0
Performance review: Roméo et Juliette Suite by Benjamin Millepied0
Performance review: A Midsummer Night's Dream by Eleanor Rhode0
Book review: Shakespeare on European Festival Stages by Nicoleta Cinpoeş, Florence March and Paul Prescott (eds)0
Performance review: All's Well That Ends Well by Blanche McIntyre, Todd MacDonald, Hayley Pepler, and John Wyver0
Performance review: All's Well That Ends Well by Sioned Jones0
Performance review: Sophonisba by John Marston0
Book review: Milton, Longinus and the Sublime in The Seventeenth Century, Classical Presences Series by Thomas Matthew Vozar0
Performance review: Twelfth Night by Owen Horsley0
Erratum to ‘The theatre of the confused: Tokyo’0
Performance review: Richard III by Elle While0
Performance review: Cymbeline by Esther Jun0
Performance review: Trust Me, I’m a Doctor! Or, Faites-moi Confiance, Je Suis Médecin ! by Perry Mills0
Performance review: Henry VIII by Kazuko Matsuoka0
Performance review: Hamlet by Sean Mathias0
Book review: Sir Kenelm Digby (1603–1665) by Anne-Laure de Meyer0
Book review: Floral Culture and the Tudor and Stuart Courts by Susannah Lyon-Whaley (ed.)0
The influence of the Noh play Tamura on Akira Kurosawa's Throne of Blood0
Shakespeare's wavering geography: Religious topographia in Cymbeline0
The liminality of the garden: A comparative study of Shakespeare's Romeo and Juliet and Tang Xianzu's The Peony Pavilion0
Book review: Shakespeare's Military Spouses and Twenty-First-Century Warfare by Kelsey Ridge0
Performance review: Much Ado about Nothing by Megan Sandberg-Zakian0
‘The finny subject of the sea’: Thaisa's pregnant embodiment and (non)maternal identity in Pericles0
Performance review: Much Ado about Nothing by Roy Alexander Weise0
Book review: Spenserian Moments by Gordon Teskey0
Performance review: King Lear by Helena Kaut-Howson0
Performance review: Cymbeline by Gregory Doran0
Performance review: Tomio to Yuriko (based on Romeo and Juliet) by Suemitsu Kenichi0
Shakespeare and sonnet form0
Performance review: The Witch of Edmonton by Thomas Dekker, William Rowley, and John Ford0
Book review: Shakespeare’s Others in 21st-century European Performance: The Merchant of Venice and Othello by Boika Sokolova and Janice Valls-Russell (eds)0
Performance review: Macbeth by Yaël Farber0
Book review: Shakespeare and Disability Studies by Sonya Freeman Loftis0
Book review: II Teatro e la Nazione by Cristiano Ragni0
Performance review: Henry VI: Rebellion by Owen Horsley0
Performance review: Kiss Me, Kate by Bartlett Sher0
Performance review: King Lear by Kimberley Rampersad0
Shylock’s ghosts0
Fissured legacies in Roysten Abel's In Othello0
The Stratford Festival: Emerging from global lockdown0
Mohamed Iffat's Arabic translation of Macbeth (1911)0
Shakespeare, national memory, and tourist place: Gyula's Várszínház Festival0
Performance review: Much Ado about Nothing by Robert Hastie0
Book review: Early Modern Women Writers Engendering Descent: Mary Sidney Herbert, Mary Sidney Wroth, and Their Genealogical Cultures, Routledge Studies in Renaissance Literature and Culture by 0
Artifice and animality in The Tempest: Imagining Caliban0
‘Fairest show’: Dramatic entrapment in Macbeth and Measure for Measure0
Performance review: The Merchant of Venice 1936 by Brigid Larmour and Tracy-Ann0
Performance review: Much Ado about Nothing by Sean Holmes0
Book review: Serial Shakespeare: An Infinite Variety of Appropriations in American TV Drama by Elisabeth Bronfen0
Book review: Thomas Heywood and the Classical Tradition by Tania Demetriou and Janice Valls-Russell0
Book Review: Shakespeare and Crisis: One Hundred Years of Italian Narratives by Silvia Bigliazzi0
Book Review: The Cambridge Companion to Shakespeare on Screen by Russell Jackson0
Performance review: The Fawn; or Parasitaster by John Marston0
Green plots, hawthorn brakes, and an ass’s nole: Imaginative translation in A Midsummer Night's Dream0
Book exchange and Anglo-Italian relations in the Padua circle of Reginald Pole and Niccolò Leonico Tomeo0
Following Puck virtually in the Royal Shakespeare Company's Dream experiment: Live theatre and high-tech innovations0
Performance review: Bosworth Field by John Beaumont0
Book review: John Heywood: Comedy and Survival in Tudor England by Greg Walker0
Performance review: A Midsummer Night’s Dream by Shoichiro Kawai0
Editorial introduction: ‘The art itself is nature’: Shakespeare’s nature | art | politics0
Performance review: Henry V by Max Webster0
Performance review: Play On!0
Performance review: Henry V by Elf Lyons0
Book Review: Shakespeare's Accents: Voicing Identity in Performance by Sonia Massai0
Book review: Household Servants in Early Modern Domestic Tragedy by Iman Sheeha0
The Maid's Metamorphosis, Directed by Perry Mills for Edward's Boys, Stratford-upon-Avon, UK0
‘I have aym’d my black shafts at white markes’: Colours in The Queen of Corinth0
Shakespearean comedy and Japanese (wo)men's Shakespeare: A refraction for the twenty-first century0
Men's lovesickness in Iberian chivalric romances in English: Anthony Munday's Palmendos (1589) and Primaleon of Greece, Book 1 (1595)0
New perspectives on Anglo-Spanish diplomacy in the early modern era0
Padua and Venice: The first complete translations of Shakespeare's plays0
Performance review: Galatea by John Lyly0
Book review: The Oxford Handbook of Shakespeare and Dance by Lynsey McCulloch and Brandon Shaw0
Performance review: Macbeth by Stephen Maler0
Bring yourself back online, Old Bill: Westworld’s media histories, or six degrees of separation from Shakespeare0
Performance review: Hamlet by Selina Cadell0
Performance review: Michaelmas Term by Thomas Middleton0
Of imaginings, mobility and mapping0
Foreword: The Maid's Metamorphosis: A revival on page and stage0
Performance review: Richard III by Antoni Cimolino0
Performance review: Antony and Cleopatra (BSL performance) by Blanche McIntyre0
Titus Andronicus and the wicked streets of Rome0
Whose tragedy is this? Translating Arden of Faversham0
Edmund Spenser as Promethean poet: critical issues and the role of magic and Platonism in The Faerie Queene0
Shylock as Jew-voice: Rhetorical listening and identifications in The Merchant of Venice0
Performance review: Amlet by Guy Cimino0
Performance review: King Lear by Kenneth Branagh0
‘Tried and tutord in the world’: Shakespeare, Padua, and the figure of the traveller0
The Mariangela Tempera Award for Shakespeare on Screen (European Shakespeare Research Association / Cahiers Élisabéthains)0
Celebrating Cahiers Élisabéthains’ 50th anniversary0
‘Speak of me as […]’: Refashioning geographies of monstrosity in Othello0
Performance review: As You Like It by Brendan O’Hea0
Performance Review: Romeo and Juliet by John Cranko0
Performance review: The Winter's Tale by Bryn Boice0
Performance reviews The Comedy of Errors, directed by Simon Godwin for Shakespeare Theatre Company, Washington, DC, USA, 15 September 2024, orchestra centre.0
The ‘pre-Shakespearean’ balcony and outdoor spaces from the European sources to Romeo and Juliet0
Performance review: The Duchess of Malfi by Marc Erlhöfer0
Performance review: The Merchant of Venice 1936 by Brigid Larmour and Tracy-Ann Oberman0
Becoming a good wife: Nature and habits in Paduan medical culture in the age of Shakespeare0
Book review: Index, A History of the: A Bookish Adventure from Medieval Manuscripts to the Digital Age by Dennis Duncan0
Book Review: The Merchant of Venice: A Critical Reader by Sarah Hatchuel and Nathalie Vienne-Guerrin0
Shakespeare emerging from global lockdown: ‘What Country (Friends) is this?’0
‘Something rich and strange’: Translating Shakespeare's poetry into Japanese0
Performance review: Henry VI: Wars of the Roses by Owen Horsley0
Book review: Richard III’s Bodies From Medieval England to Modernity: Shakespeare and Disability History by Jeffrey R. Wilson0
The ‘strange and dangerous Poynado’ of Georges Villiers, Duke of Buckingham: Weaponry, propaganda, and political identity0
Shakespeare on screen in the digital era: an annotated bibliography0
Performance Review: Romeo and Juliet by Simon Godwin0
Hot Shakespeare, Cool Japan: Editorial introduction0
Book review: John Hall, Master of Physicke: A Casebook from Shakespeare’ Stratford by Greg Wells and Paul Edmondson (eds)0
The artfulness of historical playwriting in Richard III: Shakespeare and English Tacitism0
Performance review: Love's Labour's Lost by Emily Burns0
‘Why I should welcome such a guest as grief [?]’: Lodging and dislodging in Shakespeare's Richard II0
Performance review: The Tempest by Tom Littler0
Performance review: Richard III by Gregory Doran0
Nature's artfulness in Dryden and Davenant’s The Tempest, or The Enchanted Island (1667)0
Performance review: Hamlet by John Haidar0
The Japanese preoccupation with Osamu Dazai in the twenty-first century0
The First Folio and the merchants of Venice: A collection of books from the natio Anglica in Padua0
Book Review: Shakespeare, Objects and Phenomenology: Daggers of the Mind by Susan Sachon0
Book review: Arden of Faversham: A Critical Reader, Arden Early Modern Drama Guides by Peter Kirwan and Duncan Salkeld (eds)0
Performance review: Macbeth by Wils Wilson0
Enter Several Strange Shapes ’ ( The Tempest 3.3.18SD): Puppets in Footsbarn Travelling Theatre’s productions of Shakespeare0
Before Shakespeare, during the Renaissance: John Tiptoft, Earl of Worcester (d. 1470) and the uses of Padua0
Performance review: Richard III by Elle While0
Rome's space of plurality0
Miracles of contingency: Pericles as a drama of possibility0
Performance review: The Merchant of Venice by Abigail Graham0
Performance Review: The Winter's Tale by Erica Whyman0
Performance review: The Duchess of Malfi by John Webster0
Book review: Viral Shakespeare: Performance in the Time of Pandemic by Pascale Aebischer0
Erratum to ‘Macbeth0
In Memoriam Jean-Marie Maguin (1943–2022)0
Book review: Shakespeare on the Ecological Surface by Liz Oakley-Brown0
From zones to Zoom: Shakespeare on screen in the digital era0
Book review: King Lear ‘after’ Auschwitz: Shakespeare, Appropriation and Theatres of Catastrophe in Post-War British Drama by Richard Ashby0
On being contemporary: Shakespeare, inclusion and states of emergency0
‘Moving grove’: Dionysian rites of passage in Shakespeare's A Midsummer Night's Dream and Macbeth0
Performance review: Pericles by Tamara Harvey0
Performance review: The Duchess of Malfi by Rachel Bagshaw0
Performance review: Fat Ham by James Ijames0
Book review: From the Domesday Book to Shakespeare’s Globe: The Legal and Political Heritage of Elizabethan Drama by Dominique Goy-Blanquet Goy-BlanquetDominique, From t0
Shakespeare in the spotlight of Montpellier's National Dramatic Centre0
How can we make Shakespeare more accessible in Japan?0
Becoming Lear: Shakespearean adaptation and the memory of performance0
Jean Aicard, ‘Molière à Shakespeare’, 1879: Introduction0
Performance review: Hamlet by Greg Hersov0
Book review: England’s Insular Imagining: The Elizabethan Erasure of Scotland by Lorna Hutson0
The Mariangela Tempera award for Shakespeare on screen (European Shakespeare Research Association / Cahiers Élisabéthains)0
Performance Review: Gallathea by John Lyly0
Prisoners of the womb: Pregnant prisoners in William Shakespeare's The Winter's Tale and Measure for Measure0
Shakespeare and European geographies: Borders and power0
Performance review: Coriolanus by A. Nora Long0
Performance Review: Dream by Robin McNicholas0
Performing The Maid's Metamorphosis, then and now0
Macbeth apropos to Rupert Goold's and Gregory Doran's stagecraft: Equivocation, violence, and vulnerability0
Misanthropos in the Anthropocene0
Digital Asian Shakespeare Festival, 11th World Shakespeare Congress, Singapore, 18–24 July 20210
Book review: Studying Shakespeare Adaptation: From Restoration Theatre to YouTube by Pamela Bickley and Jenny Stevens0
Performance review: A Midsummer Night's Dream by Elle While0
Shakespearean playscripts as literary works: A performance edition of King Lear published by the Budapest National Theatre0
Performance review: Hamnet by Lolita Chakrabarti0
‘More like a tavern than a school house’: Family strife, religious change, and the founding of Oundle Grammar School, 1556–15780
0.072540998458862