Melus

Papers
(The TQCC of Melus is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)
ArticleCitations
Historicizing the Transpacific Settler Colonial Condition: Asian–Indigenous Relations in Shawn Wong’sHomebaseand Viet Thanh Nguyen’sThe Sympathizer8
Loving Mean: Racialized Medicine and the Rise of Postwar Eugenics in Toni Morrison’sHome3
Marronage or Underground? The Black Geographies of Colson Whitehead’s The Underground Railroad and Ta-Nehisi Coates’s The Water Dancer3
“Let Me Confess”: Confession, Complicity, and #MeToo in Junot Díaz'sThis is How You Lose Herand “The Silence: The Legacy of Childhood Trauma”2
Guest Editors’ Introduction—Visionary Praxis: Paule Marshall’s, Ntozake Shange’s, and Toni Morrison’s Foresight concerning Sick Violence and Violent Sickness2
Birthing a Graphic Archive of Memory: Re-Viewing the Refugee Experience in Thi Bui’sThe Best We Could Do2
“Necessarily Hidden Truth(s)”: Documenting Queer Migrant Experience in Rigoberto González’s Crossing Vines1
Techniques of Justice: W. E. B. Du Bois’s Data Portraits and the Problem of Visualizing the Race1
Janelle Monáe, Dirty Computers, and Embodied Posthumanism1
Intoxicating Blackness: Addiction and Ambivalent Sounds of Fugitive Life in James Baldwin’s “Sonny’s Blues”1
The Weight of the Past: Mixed-Race Materiality in Post-Racial Asian American Literature1
“In de Affica Soil”: Slavery, Ethnography, and Recovery in Zora Neale Hurston’sBarracoon: The Story of the “Last Black Cargo”1
Toni Morrison’sTheir Eyes Were Watching God1
Narrating Cross-Border Migration, Writing Subjects without History: On Luis Alberto Urrea’sThe Devil’s Highwayand Francisco Cantú’sThe Line Becomes a River1
Colson Whitehead’s History of the United States1
Capital Citizens: Disinvesting the Individual in Helena María Viramontes’sUnder the Feet of Jesus1
On Transcultural Presence and Reparative Reading Practice: Rethinking Belonging and Transcultural Transformation in Julia Alvarez’s How the García Girls Lost Their Accents1
Black Insecurity at the End of the World1
The Black Utopia: Secret Societies and Time Travel in W. E. B. Du Bois and Sutton E. Griggs1
Sula’s Compromise: Toni Morrison and the Editorial Politics of Sensitivity1
Contributors0
Fugitive Science: Empiricism and Freedom in Early African American Culture. Britt Rusert0
“An Actual Experience of Finality”: Melodramatic Retention and Generative Discomfort in Branden Jacobs-Jenkins’s An Octoroon0
“We Were Born from Beauty”: Dis/Inheriting Genealogies of Refugee and Queer Shame in Ocean Vuong’sOn Earth We’re Briefly Gorgeous0
A Violent Peace: Race, U. S. Militarism, and Cultures of Democratization in Cold War Asia and the Pacific. Christine Hong0
Contributors0
Articulations of Resistance: Transformative Practices in Contemporary Arab-American Poetry. Sirène H. Harb0
Textuality in a Jazz Aesthetic: Textual Rituals for Transformation in Sharon Bridgforth’slove conjure/blues0
Encrypted Citations: The Bondwoman’s Narrative and the Case of Jane Johnson0
Indigeneity Buried, Then Unearthed, in Mohja Kahf’s “Fayetteville as in Fate” and The Girl in the Tangerine Scarf0
Reading Arab American Literary Variations: An Interview with Rajia Hassib0
Dark Mirror: African Americans and the Federal Writers’ Project. J. J. Butts0
Journal Information0
Chinese Exclusion, Indigeneity, and Settler-Colonial Refusal in C Pam Zhang’sHow Much of These Hills is Gold0
“I Knew Then Who I Was. I Was a Negro”: Black Armed Defense in Walter White’s A Man Called White0
Japanese Atmospheres and the Pleasures of Belonging: Winnifred Eaton and Sadakichi Hartmann0
Metanarratives of Slavery0
Possible Selves, Speculative Histories: Dinaw Mengestu and Colson Whitehead’s Narrative Fabulation0
Toward a Poetics of Allyship: Rajiv Mohabir’s Radical, Animal Coolitude0
Color-blind Aesthetics in Manuel Muñoz: Reading Race in Form and Feeling0
“No Future to Be Had”: Journeying toward Death in Toni Morrison’s Song of Solomon0
Contributors0
Calling in The Girl in the Tangerine Scarf on Indigeneity0
Introduction—Historical Fiction and the 1960s: Mediating the Past and Reimagining the Future0
When Black Lives Really Do Matter: Subverting Medical Racism through African-Diasporic Healing Rituals in Toni Morrison’s Fiction0
Insurgencies fromThere There0
Body Parts of Empire: Visual Abjection, Filipino Images, and the American Archive. Nerissa S. Balce0
Fugitive Figurations of Chronic Disability: Reconstructing Black Disability Politics in Frances Harper’s Iola Leroy0
Archiving Mexican Masculinities in Diaspora. Nicole M. Guidotti-Hernández0
“But You’re Not at All like Bertha”: Contemporary (Black) Trans* Studies and Richard Wright’s “Man of All Work”0
Taxidermy and the Environment in Cristina García’s The Agüero Sisters0
Other Looks: Chicana/o Responses to US Magazine Aesthetics0
Indigenous Textual Cultures: Reading and Writing in the Age of Global Empire. Tony Ballantyne, Lachy Paterson, and Angela Wanhalla0
Submission Information0
Intimate Eating: Racialized Spaces and Radical Futures. Anita Mannur0
Teaching Jewish American Literature. Roberta Rosenberg and Rachel Rubinstein0
Introduction: Honoring John Wharton Lowe0
Taking the Blues Away: The Second Edition of The New Negro0
Assembled for Use: Indigenous Compilation and the Archives of Early Native American Literatures. Kelly Wisecup0
Novel Subjects: Authorship as Radical Self-Care in Multiethnic American Narratives. Leah A. Milne0
The Many Resurrections of Henry Box Brown. Martha J. Cutter0
Journal Information0
The Makings and Unmakings of Americans: Indians and Immigrants in American Literature and Culture, 1879-1924. Cristina Stanciu0
The New Immigrant Whiteness: Race, Neoliberalism, and Post-Soviet Migration to the United States. Claudia Sadowski-Smith0
The American Haskalah: Sanctifying Education in Mary Antin’s The Promised Land, Abraham Cahan’s The Rise of David Levinsky, and Anzia Yezierska’s Bread Givers0
Postmemory Workshops: Vietnamese American Poets, Refugee Memory Work, and Creative Writing0
Wayward Lives, Beautiful Experiments: Intimate Histories of Social Upheaval. Saidiya Hartman0
The Laughing “No”: Interpellation, Expression, and Laughter inQuicksand0
Against Marginalization: Convergences in Black and Latinx Literatures. Jose O. Fernandez0
Postcolonial Grief: The Afterlives of the Pacific Wars in the Americas. Jinah Kim0
Violence, Ritual, and Vogue: Black Queer Feminist Praxis in Motion0
A Story in Sound: The Unpublished Writings of Sidney Bechet0
“I Am Unhide-able”: Conditions of Visibility in The Poet X0
An Ocean of Becoming: Routed Motherhood in Lisa Ko’sThe Leavers0
Correction to: As Good as Comedy Gold: Tracing Jewish Heritage and Humor in the Works of Joseph Heller0
Writing the Survivor: The Rape Novel in Late Twentieth-Century American Fiction. Robin E. Field0
Journal Information0
Journal Information0
Never Die Alone: Donald Goines, Black Iconicity, and Série Noire0
Jewish Cultural Studies. Simon J. Bronner0
Contributors0
Afterword—The Racialized Past is Racist Prologue: The Relevance and Resonance of Historical Novels in the Age of Trump0
“For Those of Us Who Live at the Shoreline”: Rearticulating Social Value and Feminist Relation in the Poetics of Audre Lorde and Joy Harjo0
Reading with the Grain: The Ecologies ofThe Lowland0
Vibrant Reading: A Transpacific Poetics of Filipinx American Vernacular Archives0
The Schlemiel and the Messianic in Michael Chabon’sThe Yiddish Policemen’s Unionand Nicole Krauss’sForest Dark0
Journal Information0
Who Do You Serve, Who Do You Protect? Police Violence and Resistance in the United States. Maya Schenwar, Joe Macaré, and Alana Yu-Lan Price0
Jean Toomer afterCane0
Writing “the Inaudible Voice of It All”: John Lowe’s Crosscurrents0
As Good as Comedy Gold: Tracing Jewish Heritage and Humor in the Works of Joseph Heller0
To Make Negro Literature: Writing, Literary Practice, and African American Authorship. Elizabeth McHenry0
The Unhurried Hermeneutics of Anti-Black Violence in Toni Morrison’sParadise0
Coyolxauqui’s Bent Heart: An Interview with Richard Villegas, Jr.0
Place-Based Learning in Three Bildungsromane: To Kill a Mockingbird; Roll of Thunder, Hear My Cry; and Under the Feet of Jesus0
“Doesn’t Matter if It’s Crack or . . . Pesticides, AIDS, It’s All the Same Shit”: Body-Land Metonymies in Cherríe Moraga’s Heroes and Saints0
Queering Ethnic Rites of Passage: Transparent and One Day at a Time0
The Ambivalent Elegies of Gwendolyn Brooks0
Migrant Aesthetics: Contemporary Fiction, Global Migration, and the Limits of Empathy. Glenda Carpio0
Vincent Toro’s Hurricane Formalism0
Event, Trauma, and Ethics in Wing Tek Lum’sThe Nanjing Massacre0
Writing across the Color Line: U.S. Print Culture and the Rise of Ethnic Literature, 1877-1920. Lucas A. Dietrich0
The Violence of Economies of Dispossession in Frank J. Webb’s The Garies and Their Friends0
Lowe and Behold: Evviva Maestro Giovanni!0
“A Place for Everything and Everything in Its Place”: Reading Minimalism, Place, and Gender from Anzia Yezierska to Marie Kondo0
Honoring the Legacy of Jean Fagan Yellin (1930-2023)0
Off the Derech: Leaving Orthodox Judaism. Edited by Ezra Cappell and Jessica Lang0
Contributors0
“Well Then, Carry On”: Piercing Recalcitrant History in LaShonda Katrice Barnett’sJam on the Vine0
Cartographic Memory: Social Movement Activism and the Production of Space. Juan Herrera0
Growing Better, Not Going Faster: World War I, Holy Land Mania, and Transnational Exchange in the Works of Abraham Mitrie Rihbany0
Nurturing Transatlantic Ties: In Memory of John0
Space-Time Colonialism: Alaska’s Indigenous and Asian Entanglements. Juliana Hu Pegues0
Letters from Filadelfia: Early Latino Literature and the Trans-American Elite. Rodrigo Lazo0
Friendship in the Time of COINTELPRO: Clarence Major and Dingane Joe Goncalves0
Audiovisual Materiality and the Technopoetical Gesture in Recent Black Poetry and Performance0
Reclaiming the Street in Toni Morrison’sJazz0
“Too Clean, Too White”: Resistance to the Racial Politics of Hygiene in Helena María Viramontes’s Under the Feet of Jesus0
Geographies of Flight: Phyllis Wheatley to Octavia Butler. William Merrill Decker0
The “Con” in Conspiracy: Racial Violence as Political Assassination in Suzan-Lori Parks’s Topdog/Underdog0
Sigrid Nunez on the Writer’s Life0
“He Hopes They Have Disappeared”: Necro-elasticity and the Tyranny of the Present in Helena María Viramontes’s “The Cariboo Cafe”0
Submission Information0
“A Poem Is a Gesture toward Home”: Formal Plurality and Black/Queer Critical Hope in Jericho Brown’s Duplex Form0
Poetics of Visibility in the Contemporary Arab American Novel. Mazen Naous0
Hiding in John Rechy’s Closet0
Phoenix Rising:The Book of Phoenixand Black Feminist Resistance0
Journal Information0
Monstrous “Elsewheres”: The Horror Spatial Imaginary in Black Fiction and Film0
Latina Histories and Cultures: Feminist Readings and Recoveries of Archival Knowledge. Edited by Montse Feu and Yolanda Padilla0
“They Stood like Men”: Horses, Myth, and Carnophallogocentrism in Toni Morrison’s Home0
Cherokee Historical Fiction and Indigenous Science Fiction inRiding the Trail of Tears0
The Law’s Business: Peculiar Profits in Edward Jones’sThe Known World0
Contributors0
Reanimating Historical Violence in Multi-Ethnic Graphic Narratives0
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Flavor and Soul: Italian America at Its African American Edge. John Gennari0
Falling Down and Apart: Post-Orientalism and Iranian American Identity in Sons and Other Flammable Objects0
The Kosher Capones: A History of Chicago’s Jewish Gangsters. Joe Kraus0
Indian Removal and the Plantation South: Cherokee Present-Absence in Three Neo-Slave Narratives0
The Thirdspace of the Borderlands in Luis Alberto Urrea’sThe House of Broken Angels: A Geocritical Reading0
Magical Habits. Monica Huerta0
“It’s Not My Freedom or Free”: The Big Box and Toni Morrison’s Meditations on Violence, Justice, and Power0
Irish American Fiction from World War II to JFK: Anxiety, Assimilation, and Activism. Beth O’Leary Anish0
“Then Her World Exploded”: Science-Fictional Reading and Ta-Nehisi Coates’sBetween the World and Me0
Race and the Rhetoric of Resistance. Jeffrey B. Ferguson. Afterword by George B. Hutchinson. Edited and with a Foreword by Werner Sollors0
Imagining Aerial Surveillance: (Eco)Poetics and War in Solmaz Sharif’s Look0
Contributors0
Drowning out Karen in The Chosen Place, The Timeless People0
Submission Information0
Lynching: Violence, Rhetoric, and American Identity. Ersula J. Ore0
Thoughts on My Friend John Lowe0
“Uncertain Thresholds”: An Interview with Carmen Maria Machado0
Letters from Filadelfia: Early Latino Literature and the Trans-American Elite. Rodrigo Lazo0
Empathy and the Phantasmic in Ethnic American Trauma Narratives. Stella Setka0
The Trembling Network or a Sociology of Feeling: W. E. B. Du Bois’sThe Quest of the Silver Fleece0
“There but Not There”:Green Islandand the Transpacific Dimensions of Representing White Terror0
Catholicism as Environmental Protest in Rudolfo Anaya’s Bless Me, Ultima and Ana Castillo’s So Far from God0
Policing Intimacy: Law, Sexuality, and the Color Line in Twentieth-Century Hemispheric American Literature. Jenna Grace Sciuto0
A Response to Mohja Kahf0
Collective Care as Affective Justice in Frances E. W. Harper’s Iola Leroy0
A Time of Plague: Allegory, Seriality, and Historicity in Samuel R. Delany’s Return to Nevèrÿon0
Correction to: “Say, Who Owns This House?”: US Violence, Indebtedness, and Care in Toni Morrison’s Home0
Light in the Dark/Luz en lo Oscuro:Gloria Anzaldúa’s Response to 9/110
Irreconcilable Loss in Cristina Henríquez’sThe World in Half0
Postindian Aesthetics: Affirming Indigenous Literary Sovereignty. Debra K. S. Barker and Connie A. Jacobs, Editors0
Getting to the Root of US Healthcare Injustices through Morrison’s Root Workers0
“This Sea of Upturned Faces”: The Rhetorical Role of Audience in Frederick Douglass’s Constitutional Interpretation at Midcentury0
“Doomed by the Confusion in Their Design”: Racialized Urban Space, Redlining, and Monolithic Whiteness in Paule Marshall’s Brown Girl, Brownstones0
Minor Transpacific: Triangulating American, Japanese, and Korean Fictions. David S. Roh0
The Trope of the Papers: Rethinking the (Un)Documented in African American Literature0
The House Where My Soul Lives: The Life of Margaret Walker. Maryemma Graham0
“Boundaries Bind Unbinding”: Jazz and Cold War Cosmopolitanism in the Margins of Langston Hughes’sAsk Your Mama0
John Wharton Lowe, Scholar of the Southern Sublime0
Land Uprising: Native Story Power and the Insurgent Horizons of Latinx Indigeneity. Simón Ventura Trujillo0
Journal Information0
Translated Nation: Rewriting the Dakhóta Oyáte. Christopher Pexa0
Black Feminism Reimagined: After Intersectionality. Jennifer C. Nash0
Chicano-Chicana Americana: Pop Culture Pluralism Starring Anthony Quinn, Katy Jurado, Robert Beltran, and Lupe Ontiveros. Anthony Macías0
Black Celebrity: Contemporary Representations of Postbellum Athletes and Artists. Emily Ruth Rutter0
On Opacity: Toni Morrison’s and Paule Marshall’s Narrative Vision Therapy0
The Diseased Body Politic of Early America in Toni Morrison’s A Mercy0
Living through Atomization: Runit Dome, Radioactive Matter, and Poetry of Digestion0
“Nothing Made Them Change Their Minds about the Medical Industry”: Medical Abuse, Incarceration, and Healing in Toni Morrison’sHome0
“Say, Who Owns This House?”: US Violence, Indebtedness, and Care in Toni Morrison’s Home0
Fatherhood in the Borderlands: A Daughter’s Slow Approach. Domino Renee Perez0
Submission Information0
Submission Information0
From Slave Cabins to the White House: Homemade Citizenship in African American Culture. Koritha Mitchell0
Confounded by Time and Love: An Interview with Jericho Brown0
The Routledge Introduction to Native American Literature. Drew Lopenzina0
Journal Information0
The Political Arrays of American Indian Literary History. James H. Cox0
Genre Experiments: Thylias Moss’sSlave Mothand the Poetic Neo-Slave Narrative0
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We Are Here”: Race, Gender, and Spaces of “Common Ground” in the Works of John Edgar Wideman, bell hooks, and Jesmyn Ward0
Black Radicalism after the Haitian Revolution: Langston Hughes’s Emperor of Haiti0
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