Melus

Papers
(The median citation count of Melus is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-02-01 to 2025-02-01.)
ArticleCitations
“He Hopes They Have Disappeared”: Necro-elasticity and the Tyranny of the Present in Helena María Viramontes’s “The Cariboo Cafe”3
The Many Resurrections of Henry Box Brown. Martha J. Cutter3
Marronage or Underground? The Black Geographies of Colson Whitehead’s The Underground Railroad and Ta-Nehisi Coates’s The Water Dancer2
Postmemory Workshops: Vietnamese American Poets, Refugee Memory Work, and Creative Writing2
Magical Habits. Monica Huerta2
Contributors1
Postcolonial Grief: The Afterlives of the Pacific Wars in the Americas. Jinah Kim1
A Violent Peace: Race, U. S. Militarism, and Cultures of Democratization in Cold War Asia and the Pacific. Christine Hong1
Phoenix Rising:The Book of Phoenixand Black Feminist Resistance1
The Routledge Introduction to Native American Literature. Drew Lopenzina1
Intoxicating Blackness: Addiction and Ambivalent Sounds of Fugitive Life in James Baldwin’s “Sonny’s Blues”1
We Are Here”: Race, Gender, and Spaces of “Common Ground” in the Works of John Edgar Wideman, bell hooks, and Jesmyn Ward1
Sula’s Compromise: Toni Morrison and the Editorial Politics of Sensitivity1
“They Stood like Men”: Horses, Myth, and Carnophallogocentrism in Toni Morrison’s Home1
Jewish Cultural Studies. Simon J. Bronner1
Living through Atomization: Runit Dome, Radioactive Matter, and Poetry of Digestion1
“There but Not There”:Green Islandand the Transpacific Dimensions of Representing White Terror1
Journal Information0
Techniques of Justice: W. E. B. Du Bois’s Data Portraits and the Problem of Visualizing the Race0
The Ambivalent Elegies of Gwendolyn Brooks0
Light in the Dark/Luz en lo Oscuro:Gloria Anzaldúa’s Response to 9/110
Archiving Mexican Masculinities in Diaspora. Nicole M. Guidotti-Hernández0
Novel Subjects: Authorship as Radical Self-Care in Multiethnic American Narratives. Leah A. Milne0
A Time of Plague: Allegory, Seriality, and Historicity in Samuel R. Delany’s Return to Nevèrÿon0
Land Uprising: Native Story Power and the Insurgent Horizons of Latinx Indigeneity. Simón Ventura Trujillo0
Japanese Atmospheres and the Pleasures of Belonging: Winnifred Eaton and Sadakichi Hartmann0
Intimate Eating: Racialized Spaces and Radical Futures. Anita Mannur0
Fugitive Science: Empiricism and Freedom in Early African American Culture. Britt Rusert0
Toward a Poetics of Allyship: Rajiv Mohabir’s Radical, Animal Coolitude0
The Political Arrays of American Indian Literary History. James H. Cox0
The Diseased Body Politic of Early America in Toni Morrison’s A Mercy0
Encrypted Citations: The Bondwoman’s Narrative and the Case of Jane Johnson0
A Communitarian Politics of Pastiche: Transnational Feminism, Writing, and Citation in Ruth Ozeki’s A Tale for the Time Being0
Vibrant Reading: A Transpacific Poetics of Filipinx American Vernacular Archives0
The New Immigrant Whiteness: Race, Neoliberalism, and Post-Soviet Migration to the United States. Claudia Sadowski-Smith0
The American Haskalah: Sanctifying Education in Mary Antin’s The Promised Land, Abraham Cahan’s The Rise of David Levinsky, and Anzia Yezierska’s Bread Givers0
“A Place for Everything and Everything in Its Place”: Reading Minimalism, Place, and Gender from Anzia Yezierska to Marie Kondo0
Chinese Exclusion, Indigeneity, and Settler-Colonial Refusal in C Pam Zhang’sHow Much of These Hills is Gold0
“Well Then, Carry On”: Piercing Recalcitrant History in LaShonda Katrice Barnett’sJam on the Vine0
Beyond Protecting “Life”: The Inverted Language of the Dead and Dying in Jesmyn Ward’s Sing, Unburied, Sing0
The Laughing “No”: Interpellation, Expression, and Laughter inQuicksand0
Against Marginalization: Convergences in Black and Latinx Literatures. Jose O. Fernandez0
Body Parts of Empire: Visual Abjection, Filipino Images, and the American Archive. Nerissa S. Balce0
The Kosher Capones: A History of Chicago’s Jewish Gangsters. Joe Kraus0
Friendship in the Time of COINTELPRO: Clarence Major and Dingane Joe Goncalves0
Writing “the Inaudible Voice of It All”: John Lowe’s Crosscurrents0
A Story in Sound: The Unpublished Writings of Sidney Bechet0
“I Am Unhide-able”: Conditions of Visibility in The Poet X0
Journal Information0
Contributors0
Correction to: As Good as Comedy Gold: Tracing Jewish Heritage and Humor in the Works of Joseph Heller0
Black Celebrity: Contemporary Representations of Postbellum Athletes and Artists. Emily Ruth Rutter0
“I Knew Then Who I Was. I Was a Negro”: Black Armed Defense in Walter White’s A Man Called White0
Journal Information0
Journal Information0
“We Were Born from Beauty”: Dis/Inheriting Genealogies of Refugee and Queer Shame in Ocean Vuong’sOn Earth We’re Briefly Gorgeous0
John Wharton Lowe, Scholar of the Southern Sublime0
Contributors0
“No Future to Be Had”: Journeying toward Death in Toni Morrison’s Song of Solomon0
Indigenous Textual Cultures: Reading and Writing in the Age of Global Empire. Tony Ballantyne, Lachy Paterson, and Angela Wanhalla0
Writing the Survivor: The Rape Novel in Late Twentieth-Century American Fiction. Robin E. Field0
“Too Clean, Too White”: Resistance to the Racial Politics of Hygiene in Helena María Viramontes’s Under the Feet of Jesus0
Submission Information0
Correction to: “Say, Who Owns This House?”: US Violence, Indebtedness, and Care in Toni Morrison’s Home0
“For Those of Us Who Live at the Shoreline”: Rearticulating Social Value and Feminist Relation in the Poetics of Audre Lorde and Joy Harjo0
Kiese Laymon and the Pedagogy of Revision0
“I Have Been in Sorrow’s Kitchen and Licked Out All the Pots”: The Lived and Literary Labors of Zora Neale Hurston0
Journal Information0
Empathy and the Phantasmic in Ethnic American Trauma Narratives. Stella Setka0
“Doesn’t Matter if It’s Crack or . . . Pesticides, AIDS, It’s All the Same Shit”: Body-Land Metonymies in Cherríe Moraga’s Heroes and Saints0
On Transcultural Presence and Reparative Reading Practice: Rethinking Belonging and Transcultural Transformation in Julia Alvarez’s How the García Girls Lost Their Accents0
To Make Negro Literature: Writing, Literary Practice, and African American Authorship. Elizabeth McHenry0
Capital Citizens: Disinvesting the Individual in Helena María Viramontes’sUnder the Feet of Jesus0
Lowe and Behold: Evviva Maestro Giovanni!0
Genre Experiments: Thylias Moss’sSlave Mothand the Poetic Neo-Slave Narrative0
Coyolxauqui’s Bent Heart: An Interview with Richard Villegas, Jr.0
Calling in The Girl in the Tangerine Scarf on Indigeneity0
Writing across the Color Line: U.S. Print Culture and the Rise of Ethnic Literature, 1877-1920. Lucas A. Dietrich0
Staging A Chinese American Tragedy: Edith Eaton’s “The Wisdom of the New”0
Reclaiming the Street in Toni Morrison’sJazz0
Other Looks: Chicana/o Responses to US Magazine Aesthetics0
Welcome to Oxnard: Race, Place, and Chicana Adolescence in Michele Serros’s Writings. Cristina Herrera0
As Good as Comedy Gold: Tracing Jewish Heritage and Humor in the Works of Joseph Heller0
Cartographic Memory: Social Movement Activism and the Production of Space. Juan Herrera0
Sigrid Nunez on the Writer’s Life0
When Black Lives Really Do Matter: Subverting Medical Racism through African-Diasporic Healing Rituals in Toni Morrison’s Fiction0
Possible Selves, Speculative Histories: Dinaw Mengestu and Colson Whitehead’s Narrative Fabulation0
Queering Ethnic Rites of Passage: Transparent and One Day at a Time0
Audiovisual Materiality and the Technopoetical Gesture in Recent Black Poetry and Performance0
Reading with the Grain: The Ecologies ofThe Lowland0
“Boundaries Bind Unbinding”: Jazz and Cold War Cosmopolitanism in the Margins of Langston Hughes’sAsk Your Mama0
Assembled for Use: Indigenous Compilation and the Archives of Early Native American Literatures. Kelly Wisecup0
Black Insecurity at the End of the World0
Jean Toomer afterCane0
Fugitive Figurations of Chronic Disability: Reconstructing Black Disability Politics in Frances Harper’s Iola Leroy0
“An Actual Experience of Finality”: Melodramatic Retention and Generative Discomfort in Branden Jacobs-Jenkins’s An Octoroon0
Poetics of Visibility in the Contemporary Arab American Novel. Mazen Naous0
Hiding in John Rechy’s Closet0
Invisibility and Seeing the Black Dead in Jason Mott’s Hell of a Book0
Textuality in a Jazz Aesthetic: Textual Rituals for Transformation in Sharon Bridgforth’slove conjure/blues0
Place-Based Learning in Three Bildungsromane: To Kill a Mockingbird; Roll of Thunder, Hear My Cry; and Under the Feet of Jesus0
The Trope of the Papers: Rethinking the (Un)Documented in African American Literature0
Loops, Loops, Loops: Torsion, Freedom, and Form in Tomás Rivera’s . . . y no se lo tragó la tierra0
Monstrous “Elsewheres”: The Horror Spatial Imaginary in Black Fiction and Film0
Latina Histories and Cultures: Feminist Readings and Recoveries of Archival Knowledge. Edited by Montse Feu and Yolanda Padilla0
Contributors0
Debating #OwnVoices: Racial/Ethnic Authenticity, Controlling Images, and Gang Life in Erika T. Wurth’s You Who Enter Here0
Taking the Blues Away: The Second Edition of The New Negro0
Thoughts on My Friend John Lowe0
The “Con” in Conspiracy: Racial Violence as Political Assassination in Suzan-Lori Parks’s Topdog/Underdog0
Contributors0
Submission Information0
Never Die Alone: Donald Goines, Black Iconicity, and Série Noire0
“This Sea of Upturned Faces”: The Rhetorical Role of Audience in Frederick Douglass’s Constitutional Interpretation at Midcentury0
Irreconcilable Loss in Cristina Henríquez’sThe World in Half0
Indian Removal and the Plantation South: Cherokee Present-Absence in Three Neo-Slave Narratives0
“Doomed by the Confusion in Their Design”: Racialized Urban Space, Redlining, and Monolithic Whiteness in Paule Marshall’s Brown Girl, Brownstones0
Submission Information0
The Schlemiel and the Messianic in Michael Chabon’sThe Yiddish Policemen’s Unionand Nicole Krauss’sForest Dark0
Introduction: Honoring John Wharton Lowe0
Irish American Fiction from World War II to JFK: Anxiety, Assimilation, and Activism. Beth O’Leary Anish0
Janelle Monáe, Dirty Computers, and Embodied Posthumanism0
Contributors0
Contributors0
Taxidermy and the Environment in Cristina García’s The Agüero Sisters0
Journal Information0
Insurgencies fromThere There0
“Then Her World Exploded”: Science-Fictional Reading and Ta-Nehisi Coates’sBetween the World and Me0
Journal Information0
Reading Arab American Literary Variations: An Interview with Rajia Hassib0
Narrating Cross-Border Migration, Writing Subjects without History: On Luis Alberto Urrea’sThe Devil’s Highwayand Francisco Cantú’sThe Line Becomes a River0
Criminal Genius in African American and US Literature, 1793-1845. Erin Forbes0
Letters from Filadelfia: Early Latino Literature and the Trans-American Elite. Rodrigo Lazo0
Letters from Filadelfia: Early Latino Literature and the Trans-American Elite. Rodrigo Lazo0
Policing Intimacy: Law, Sexuality, and the Color Line in Twentieth-Century Hemispheric American Literature. Jenna Grace Sciuto0
The Law’s Business: Peculiar Profits in Edward Jones’sThe Known World0
Toni Morrison’sTheir Eyes Were Watching God0
The Trembling Network or a Sociology of Feeling: W. E. B. Du Bois’sThe Quest of the Silver Fleece0
A Response to Mohja Kahf0
An Ocean of Becoming: Routed Motherhood in Lisa Ko’sThe Leavers0
Postindian Aesthetics: Affirming Indigenous Literary Sovereignty. Debra K. S. Barker and Connie A. Jacobs, Editors0
Black Feminism Reimagined: After Intersectionality. Jennifer C. Nash0
Vincent Toro’s Hurricane Formalism0
Drowning out Karen in The Chosen Place, The Timeless People0
“Uncertain Thresholds”: An Interview with Carmen Maria Machado0
The House Where My Soul Lives: The Life of Margaret Walker. Maryemma Graham0
Collective Care as Affective Justice in Frances E. W. Harper’s Iola Leroy0
“But You’re Not at All like Bertha”: Contemporary (Black) Trans* Studies and Richard Wright’s “Man of All Work”0
Translated Nation: Rewriting the Dakhóta Oyáte. Christopher Pexa0
“Let Me Confess”: Confession, Complicity, and #MeToo in Junot Díaz'sThis is How You Lose Herand “The Silence: The Legacy of Childhood Trauma”0
Race and the Rhetoric of Resistance. Jeffrey B. Ferguson. Afterword by George B. Hutchinson. Edited and with a Foreword by Werner Sollors0
Imagining Aerial Surveillance: (Eco)Poetics and War in Solmaz Sharif’s Look0
On Opacity: Toni Morrison’s and Paule Marshall’s Narrative Vision Therapy0
Teaching Jewish American Literature. Roberta Rosenberg and Rachel Rubinstein0
Loving Mean: Racialized Medicine and the Rise of Postwar Eugenics in Toni Morrison’sHome0
The Black Utopia: Secret Societies and Time Travel in W. E. B. Du Bois and Sutton E. Griggs0
Metanarratives of Slavery0
Black Radicalism after the Haitian Revolution: Langston Hughes’s Emperor of Haiti0
“Say, Who Owns This House?”: US Violence, Indebtedness, and Care in Toni Morrison’s Home0
Fatherhood in the Borderlands: A Daughter’s Slow Approach. Domino Renee Perez0
The Violence of Economies of Dispossession in Frank J. Webb’s The Garies and Their Friends0
Getting to the Root of US Healthcare Injustices through Morrison’s Root Workers0
Honoring the Legacy of Jean Fagan Yellin (1930-2023)0
Submission Information0
Growing Better, Not Going Faster: World War I, Holy Land Mania, and Transnational Exchange in the Works of Abraham Mitrie Rihbany0
From Slave Cabins to the White House: Homemade Citizenship in African American Culture. Koritha Mitchell0
Confounded by Time and Love: An Interview with Jericho Brown0
The Weight of the Past: Mixed-Race Materiality in Post-Racial Asian American Literature0
Color-blind Aesthetics in Manuel Muñoz: Reading Race in Form and Feeling0
Geographies of Flight: Phyllis Wheatley to Octavia Butler. William Merrill Decker0
Indigeneity Buried, Then Unearthed, in Mohja Kahf’s “Fayetteville as in Fate” and The Girl in the Tangerine Scarf0
Space-Time Colonialism: Alaska’s Indigenous and Asian Entanglements. Juliana Hu Pegues0
Guest Editors’ Introduction—Visionary Praxis: Paule Marshall’s, Ntozake Shange’s, and Toni Morrison’s Foresight concerning Sick Violence and Violent Sickness0
“Nothing Made Them Change Their Minds about the Medical Industry”: Medical Abuse, Incarceration, and Healing in Toni Morrison’sHome0
The Thirdspace of the Borderlands in Luis Alberto Urrea’sThe House of Broken Angels: A Geocritical Reading0
Chicano-Chicana Americana: Pop Culture Pluralism Starring Anthony Quinn, Katy Jurado, Robert Beltran, and Lupe Ontiveros. Anthony Macías0
The Makings and Unmakings of Americans: Indians and Immigrants in American Literature and Culture, 1879-1924. Cristina Stanciu0
Catholicism as Environmental Protest in Rudolfo Anaya’s Bless Me, Ultima and Ana Castillo’s So Far from God0
Minor Transpacific: Triangulating American, Japanese, and Korean Fictions. David S. Roh0
Violence, Ritual, and Vogue: Black Queer Feminist Praxis in Motion0
Nurturing Transatlantic Ties: In Memory of John0
Who Do You Serve, Who Do You Protect? Police Violence and Resistance in the United States. Maya Schenwar, Joe Macaré, and Alana Yu-Lan Price0
Event, Trauma, and Ethics in Wing Tek Lum’sThe Nanjing Massacre0
Falling Down and Apart: Post-Orientalism and Iranian American Identity in Sons and Other Flammable Objects0
“It’s Not My Freedom or Free”: The Big Box and Toni Morrison’s Meditations on Violence, Justice, and Power0
Contributors0
Laughing through the Mask in Invisible Man0
The Unhurried Hermeneutics of Anti-Black Violence in Toni Morrison’sParadise0
Off the Derech: Leaving Orthodox Judaism. Edited by Ezra Cappell and Jessica Lang0
“In de Affica Soil”: Slavery, Ethnography, and Recovery in Zora Neale Hurston’sBarracoon: The Story of the “Last Black Cargo”0
Dark Mirror: African Americans and the Federal Writers’ Project. J. J. Butts0
“Necessarily Hidden Truth(s)”: Documenting Queer Migrant Experience in Rigoberto González’s Crossing Vines0
“A Poem Is a Gesture toward Home”: Formal Plurality and Black/Queer Critical Hope in Jericho Brown’s Duplex Form0
Spatial Anxiety and Identity in Toni Morrison’s God Help the Child and Brit Bennett’s The Vanishing Half0
Contributors0
“Tucson, City of Thieves”: Biocapitalism and Land Dispossession in Leslie Marmon Silko’s Almanac of the Dead0
Contributors0
Migrant Aesthetics: Contemporary Fiction, Global Migration, and the Limits of Empathy. Glenda Carpio0
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