October

Papers
(The TQCC of October is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-03-01 to 2024-03-01.)
ArticleCitations
A Questionnaire on Decolonization12
Translations in Time11
Heritage and Debt5
NFTs, or The Readymade Reversed5
ringl + pit and the Queer Art of Failure2
Virus as Metaphor2
Introduction: Aspiration Burnout2
The “Cinema Remarks”: Wittgenstein on Moving-Image Media and the Ethics of Re-viewing2
Rest Notes: On Black Sleep Aesthetics2
Face Time, Pandemic Style1
“The Object Comes Alive”: A Conversation with Claes Oldenburg1
Pictures of You1
Surrealism's Homophobia1
Our Names: An Open Letter to Asian Sisters1
Photography's Exiles: from Painting, Patriarchy, and Patria1
What Would Douglas Crimp Say?1
Nonhuman Cinema and the Logistical Sublime1
Three Aral Sea Films and the Soviet Ecology1
On Epigenesis1
Angelica Mesiti's World Citizens0
On Black Affective Forms: A Conversation with Garrett Bradley0
“Great Historians Are Biological Freaks”: Siegfried Kracauer's Philosophy of History0
On Werner Schroeter0
Lu Märten: An Introduction to Four Texts0
Duchamp with Mallarmé0
Lu Märten: Four Texts0
Art Communities at Risk: On Cuba0
Art Communities at Risk: On Ukraine0
Collective Reception: Essays in Honor of Benjamin H. D. Buchloh0
A Questionnaire on Diaspora and the Modern0
On Leo Bersani: Ten Texts0
On Meme Work0
From Material to Infrastructure: Germaine Krull's Métal0
The Wavelength Papers0
A Straighter Kind of Hip0
Universal Prostitution: Francis Picabia's Diagrams of Proletarianization0
Portrait Under Construction: Lotte Jacobi in Soviet Russia and Central Asia0
An Appreciation of Douglas Crimp0
Puppets Pulling Back: Drawing Out Wael Shawky's Histories0
Heartbreak Liberalism, or the Case for Militant Translation0
A Conversation with Manuel Borja-Villel0
New York Times Interventions0
International Avant-Garde, 1927–19290
Handbook of Feelings0
Organizational Aesthetics: On Certain Practices and Genealogies0
Sleeping in the Cinema0
Between the Book and the Lamp0
A Conversation with Aliza Shvarts0
The Face of Another: Isozaki, Deme, and the Postmodern Turn0
Letters to the Editor and Other Comment0
Prescribed Performances: Fluxus and Disability0
A Conversation with Sergei Loznitsa0
A Scheme Transfer for Global Modernism0
Questions of Interpretation0
Zoonotic Undemocracy0
Sharing Seeing0
“Killing for Show”: A Conversation with Julian Stallabrass0
Ends and Means: A Conversation with Geeta Kapur0
The Madness of the Gaze: for Hubert Damisch, in every light0
Lucia Moholy's Idle Hands0
On Institutional Democratization and Reflexive Resistance: A Conversation with Andrea Fraser0
Shape: A Conversation0
A (Still) Marginal Modernity, or The Artist as Stenographer0
Between Visual Scenes and Beautiful Lives: A Conversation with Saidiya Hartman0
Art Communities at Risk: On Slovenia0
Notes for Wavelength0
Broodthaers's Debt0
Theory, Philosophy, Film Studies, and Science: A Response to D. N. Rodowick's Philosophy's Artful Conversation and Murray Smith's Film, Art and the Third Culture0
Diaspora Modern0
Angels with Guns: A Memoir on Guy Brett (and David Medalla)0
Where Are We Now? M+ and the Uncertain Future of Hong Kong0
El Lissitzky0
Mondrian's Boogie Woogie0
Folds in the Fabric: Robert Morris in the 1980s0
The Fuse; Its Refusal: Notes on the Politics of Burnout0
Practice in Color: Gisèle Freund in Paris0
Screening Memories0
The Underneaths of Painting, Redux: For Silke Otto-Knapp, 1970–20220
Speaking of Lotty Rosenfeld: “Gestures Dangerous, Simple, and Popular”0
Air Conditioner, or Revolutionary Cinema without a Future0
Dan Graham: Pedagogue0
Anti-Manga: Sasaki Maki, Ishiko Junzō, and Avant-Garde Comics in Japan0
Art Work as Life Work: Lu Märten's Feminist “Objectivity”0
Lubitsch, Shakespeare, and the Theatricality of Power0
Critique of Flowers: The Exigency of Life in the Era of Its Technical Reproducibility0
Nature, the Nonhuman, and the Critique of Representation in Dieter Roth's Biodegradable Work0
Proletarian Feedback: The Mirror of the Soviet Public Sphere0
Lawrence Weiner's Materialism0
Introduction to Notes for Wavelength0
On Bolivia: A Debt to Beauty0
For Douglas Crimp0
Cinema at a Standstill0
Lying in the Gallery0
Dada Meets Dixieland: Marcel Duchamp Explains Fountain0
Double Dan0
Period Piece0
A Pariah Among Parvenus: Anne Fischer and the Politics of South Africa's New Realism(s)0
A Monochrome at Ukkusissaq: Pia Arke's Home-Rule Earthworks0
Art Communities at Risk: An Introduction0
Shapes, Wholes, History: For Benjamin0
Modernism in a Non-Melancholic Key0
The Physiognomy of a Nation0
The Image of the Bauhaus0
Art Writing and Allegory in the Anthropocene0
My Formative Years0
A Questionnaire on Global Methods0
Why Afro Asia0
Art Communities at Risk: On Russia0
Powering Down0
Republic of Fakes: Art in the Service of Truth in Postwar France0
Ahlam Shibli's Death and Photography in Arabic: A Letter from a Pillar of Salt0
Squatting Towards Hong Kong0
Four Texts on Claes Oldenburg0
Ilse Bing: A Frankfurt School Photographer in Paris and New York0
Psicofotografía: Grete Stern and the Administration of the Unconscious0
Florence Henri's Oblique0
Dan Graham: Sunday Painter0
Beyond Painting0
On Dan Graham: Memories in Alteration0
Facing Poland's “New Historical Politics”: A Conversation with Jaroslaw Suchan0
Siberia: Dissolving Earths0
On Douglas Crimp0
Atomic Ecology0
Lisette Model: Another Frankfurt School Photographer in New York0
Aaron Douglas and Aspects of Negro Life0
On Peter Weibel0
The Race for Appropriation: Blackness, Authorship, and Ligon on Mapplethorpe0
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