(The TQCC of October is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 500 papers]. The publications cover those that have been published in the past four years, i.e., from 2019-12-01 to 2023-12-01.)
A Questionnaire on Decolonization11
Translations in Time11
Heritage and Debt5
NFTs, or The Readymade Reversed3
ringl + pit and the Queer Art of Failure2
Virus as Metaphor2
Rest Notes: On Black Sleep Aesthetics2
The “Cinema Remarks”: Wittgenstein on Moving-Image Media and the Ethics of Re-viewing2
On Epigenesis1
Introduction: Aspiration Burnout1
Our Names: An Open Letter to Asian Sisters1
Pictures of You1
Face Time, Pandemic Style1
Surrealism's Homophobia1
Photography's Exiles: from Painting, Patriarchy, and Patria1
What Would Douglas Crimp Say?1
Nonhuman Cinema and the Logistical Sublime1
El Lissitzky0
Lubitsch, Shakespeare, and the Theatricality of Power0
Screening Memories0
Practice in Color: Gisèle Freund in Paris0
Lawrence Weiner's Materialism0
Ahlam Shibli's Death and Photography in Arabic: A Letter from a Pillar of Salt0
Squatting Towards Hong Kong0
The Physiognomy of a Nation0
For Douglas Crimp0
Anti-Manga: Sasaki Maki, Ishiko Junzō, and Avant-Garde Comics in Japan0
Art Work as Life Work: Lu Märten's Feminist “Objectivity”0
Period Piece0
Atomic Ecology0
Proletarian Feedback: The Mirror of the Soviet Public Sphere0
Critique of Flowers: The Exigency of Life in the Era of Its Technical Reproducibility0
Art Communities at Risk: An Introduction0
On Peter Weibel0
The Race for Appropriation: Blackness, Authorship, and Ligon on Mapplethorpe0
The Image of the Bauhaus0
Angelica Mesiti's World Citizens0
On Black Affective Forms: A Conversation with Garrett Bradley0
Mondrian's Boogie Woogie0
On Werner Schroeter0
Lu Märten: An Introduction to Four Texts0
The Wavelength Papers0
Lu Märten: Four Texts0
Art Communities at Risk: On Cuba0
An Appreciation of Douglas Crimp0
Shapes, Wholes, History: For Benjamin0
Dan Graham: Sunday Painter0
Four Texts on Claes Oldenburg0
On Dan Graham: Memories in Alteration0
Florence Henri's Oblique0
Letters to the Editor and Other Comment0
A Questionnaire on Global Methods0
Beyond Painting0
Angels with Guns: A Memoir on Guy Brett (and David Medalla)0
Republic of Fakes: Art in the Service of Truth in Postwar France0
On Douglas Crimp0
Portrait Under Construction: Lotte Jacobi in Soviet Russia and Central Asia0
Ilse Bing: A Frankfurt School Photographer in Paris and New York0
Aaron Douglas and Aspects of Negro Life0
Facing Poland's “New Historical Politics”: A Conversation with Jaroslaw Suchan0
Heartbreak Liberalism, or the Case for Militant Translation0
New York Times Interventions0
“Great Historians Are Biological Freaks”: Siegfried Kracauer's Philosophy of History0
The Face of Another: Isozaki, Deme, and the Postmodern Turn0
Art Communities at Risk: On Russia0
Duchamp with Mallarmé0
A Conversation with Sergei Loznitsa0
Lisette Model: Another Frankfurt School Photographer in New York0
Art Communities at Risk: On Ukraine0
Zoonotic Undemocracy0
Sharing Seeing0
On Meme Work0
“Killing for Show”: A Conversation with Julian Stallabrass0
Ends and Means: A Conversation with Geeta Kapur0
Broodthaers's Debt0
Lucia Moholy's Idle Hands0
On Institutional Democratization and Reflexive Resistance: A Conversation with Andrea Fraser0
Where Are We Now? M+ and the Uncertain Future of Hong Kong0
A (Still) Marginal Modernity, or The Artist as Stenographer0
Between Visual Scenes and Beautiful Lives: A Conversation with Saidiya Hartman0
Three Aral Sea Films and the Soviet Ecology0
Notes for Wavelength0
Handbook of Feelings0
A Conversation with Manuel Borja-Villel0
On Leo Bersani: Ten Texts0
International Avant-Garde, 1927–19290
Art Writing and Allegory in the Anthropocene0
A Straighter Kind of Hip0
Between the Book and the Lamp0
Psicofotografía: Grete Stern and the Administration of the Unconscious0
Puppets Pulling Back: Drawing Out Wael Shawky's Histories0
Prescribed Performances: Fluxus and Disability0
Folds in the Fabric: Robert Morris in the 1980s0
Speaking of Lotty Rosenfeld: “Gestures Dangerous, Simple, and Popular”0
Questions of Interpretation0
Organizational Aesthetics: On Certain Practices and Genealogies0
Sleeping in the Cinema0
The Madness of the Gaze: for Hubert Damisch, in every light0
Nature, the Nonhuman, and the Critique of Representation in Dieter Roth's Biodegradable Work0
A Conversation with Aliza Shvarts0
Shape: A Conversation0
Introduction to Notes for Wavelength0
On Bolivia: A Debt to Beauty0
Art Communities at Risk: On Slovenia0
Cinema at a Standstill0
Lying in the Gallery0
Universal Prostitution: Francis Picabia's Diagrams of Proletarianization0
Dada Meets Dixieland: Marcel Duchamp Explains Fountain0
Double Dan0
My Formative Years0
A Pariah Among Parvenus: Anne Fischer and the Politics of South Africa's New Realism(s)0
A Monochrome at Ukkusissaq: Pia Arke's Home-Rule Earthworks0
Powering Down0
Collective Reception: Essays in Honor of Benjamin H. D. Buchloh0
“The Object Comes Alive”: A Conversation with Claes Oldenburg0
The Fuse; Its Refusal: Notes on the Politics of Burnout0
Siberia: Dissolving Earths0
Dan Graham: Pedagogue0
The Underneaths of Painting, Redux: For Silke Otto-Knapp, 1970–20220
Theory, Philosophy, Film Studies, and Science: A Response to D. N. Rodowick's Philosophy's Artful Conversation and Murray Smith's Film, Art and the Third Culture0
Air Conditioner, or Revolutionary Cinema without a Future0
From Material to Infrastructure: Germaine Krull's Métal0