October

Papers
(The TQCC of October is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-08-01 to 2025-08-01.)
ArticleCitations
Shapes, Wholes, History: For Benjamin1
Surface, Material Bodies, and the Avant-Garde in Philosophy of Film1
Proletarian Feedback: The Mirror of the Soviet Public Sphere1
On Leo Bersani: Ten Texts1
Visceral Economies, Queer Dialectics: Eisenstein Meets Bataille1
Double Dan1
Siberia: Dissolving Earths0
A Conversation with Dara Birnbaum0
Art Communities at Risk: On Ukraine0
Facing Poland's “New Historical Politics”: A Conversation with Jaroslaw Suchan0
The Race for Appropriation: Blackness, Authorship, and Ligon on Mapplethorpe0
Astonishment, Outrage, Despair0
Women on Walls: Projection, Anonymity, Envy, and Eileen Gray0
My Formative Years0
Anti-Manga: Sasaki Maki, Ishiko Junzō, and Avant-Garde Comics in Japan0
The Underneaths of Painting, Redux: For Silke Otto-Knapp, 1970–20220
Ahlam Shibli's Death and Photography in Arabic: A Letter from a Pillar of Salt0
Anthony Vidler's IAS Mystery0
Theory, Philosophy, Film Studies, and Science: A Response to D. N. Rodowick's Philosophy's Artful Conversation and Murray Smith's Film, Art and the Third Culture0
The Physiognomy of a Nation0
A Questionnaire on Diaspora and the Modern0
Counterpublics in Search of Infrastructures: Lessons from German Anti-Antisemitism0
Sculpture Is a Verb: Remembering Richard0
Machina Aesthetica: Impressions on Art in and out of the Machine Age0
Letters to the Editor and Other Comment0
Heartbreak Liberalism, or the Case for Militant Translation0
Berlin Speech0
Art Communities at Risk: Tbilisi0
Universal Prostitution: Francis Picabia's Diagrams of Proletarianization0
Collective Reception: Essays in Honor of Benjamin H. D. Buchloh0
Diaspora Modern0
Broodthaers's Debt0
The Skull of the Syntax: On Translating Eisenstein's Capital Diaries0
Period Pieces: On Jean Clay0
Squatting Towards Hong Kong0
Handbook of Feelings0
Air Conditioner, or Revolutionary Cinema without a Future0
Zoonotic Undemocracy0
Fragments of an Autobiography0
Murky Waters: Hans Haacke's Rhine-Water Purification Plant0
On Beirut: Art in Search of a Means to a Commons0
Anthony Vidler in Reverse0
On Werner Schroeter0
Between Visual Scenes and Beautiful Lives: A Conversation with Saidiya Hartman0
The Trace Dance Leaves Is Air: On Steve Paxton (1939–2024)0
Why Afro Asia0
Angels with Guns: A Memoir on Guy Brett (and David Medalla)0
It Paints, It Eats0
Beyond Painting0
“Great Historians Are Biological Freaks”: Siegfried Kracauer's Philosophy of History0
Notes for Wavelength0
Notes on Baudelaire's Parisian Tableaux (1939)0
Kasper König (1943-2024)0
The Wavelength Papers0
On Meme Work0
Gauguin, Nietzsche, Aurier: Notes on Symbolism's Material Inversion0
Writing Art History After Occupy0
New York Times Interventions0
Lawrence Weiner's Materialism0
Paris Diary0
On Bolivia: A Debt to Beauty0
Modernism in a Non-Melancholic Key0
Bataille and Eisenstein: In Defense of Michelson's View0
The Reflex Republic: Physiologies of Art in the Early Soviet Union0
On Walter Benjamin's “Thirteen Theses Against Snobs”0
The Madness of the Gaze: for Hubert Damisch, in every light0
Introduction to Notes for Wavelength0
Eisenstein's Paris Diary: An Introduction0
The Face of Another: Isozaki, Deme, and the Postmodern Turn0
Tacita Dean and the Air Outside0
Von … bis, from… to: The Arc of Anthony Vidler's Architecture0
Architecture, Poetry, and Everyday Life0
Certain Aspects of Bourgeois Art: Non-Intervention0
Serra and Us0
Four Texts on Claes Oldenburg0
A Conversation with Manuel Borja-Villel0
Plastic Flesh and the Biological Oeuvre0
Imitate Baldessari: Artists, Teachers, and the Making of Conceptual Art0
Six Propositions After Trump's Second Victory0
Dada Meets Dixieland: Marcel Duchamp Explains Fountain0
On Collaboration0
Eisenstein's Capital Diaries: An Introduction0
Atomic Ecology0
Creation and Decreation in Tacita Dean's Antigone0
Puppets Pulling Back: Drawing Out Wael Shawky's Histories0
Ars :: Longa0
A Conversation with Sergei Loznitsa0
A Questionnaire on Art and Machine Learning0
“The Object Comes Alive”: A Conversation with Claes Oldenburg0
A Questionnaire on Global Methods0
Flat Depth: Pollock, Mondrian, and Seurat0
Generative and Adversarial: Art and the Prospects of AI0
A Monochrome at Ukkusissaq: Pia Arke's Home-Rule Earthworks0
Dan Graham: Sunday Painter0
The Spectacular Drone: Contesting Pandemic Lockdowns from Above and Below0
On The Painted Word0
Dara Birnbaum (1946–2025)0
Lisette Model: Another Frankfurt School Photographer in New York0
The Last Sculptures (For Richard Serra)0
Utopianism of the Will0
On Peter Weibel0
Where Are We Now? M+ and the Uncertain Future of Hong Kong0
Mondrian's Boogie Woogie0
On Indiana: A Disorientation Guide0
The Capital Diaries: A New Selection0
Anthony Vidler (1941-2023)0
Organizational Aesthetics: On Certain Practices and Genealogies0
The Transactional University and Student Protest0
A Scheme Transfer for Global Modernism0
On Dan Graham: Memories in Alteration0
Dan Graham: Pedagogue0
Cycle and Citation: What Hanne Darboven Calls Thinking0
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