October

Papers
(The median citation count of October is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)
ArticleCitations
NFTs, or The Readymade Reversed18
A Questionnaire on Decolonization12
Introduction: Aspiration Burnout2
Rest Notes: On Black Sleep Aesthetics2
Organizational Aesthetics: On Certain Practices and Genealogies1
Our Names: An Open Letter to Asian Sisters1
Mondrian's Boogie Woogie1
Nonhuman Cinema and the Logistical Sublime1
On Meme Work1
On Epigenesis1
“The Object Comes Alive”: A Conversation with Claes Oldenburg1
Between Visual Scenes and Beautiful Lives: A Conversation with Saidiya Hartman0
Bataille and Eisenstein: In Defense of Michelson's View0
Von … bis, from… to: The Arc of Anthony Vidler's Architecture0
The Reflex Republic: Physiologies of Art in the Early Soviet Union0
Where Are We Now? M+ and the Uncertain Future of Hong Kong0
Handbook of Feelings0
Art Communities at Risk: On Russia0
Powering Down0
On Leo Bersani: Ten Texts0
The Transactional University and Student Protest0
Art Writing and Allegory in the Anthropocene0
Four Texts on Claes Oldenburg0
Sculpture Is a Verb: Remembering Richard0
Architecture, Poetry, and Everyday Life0
Shapes, Wholes, History: For Benjamin0
Paris Diary0
On Beirut: Art in Search of a Means to a Commons0
Diaspora Modern0
Siberia: Dissolving Earths0
Anthony Vidler's IAS Mystery0
Speaking of Lotty Rosenfeld: “Gestures Dangerous, Simple, and Popular”0
Facing Poland's “New Historical Politics”: A Conversation with Jaroslaw Suchan0
On Collaboration0
Beyond Painting0
A Conversation with Aliza Shvarts0
Sharing Seeing0
Lawrence Weiner's Materialism0
Atomic Ecology0
Proletarian Feedback: The Mirror of the Soviet Public Sphere0
The Madness of the Gaze: for Hubert Damisch, in every light0
On Peter Weibel0
A Scheme Transfer for Global Modernism0
Art Communities at Risk: On Ukraine0
Angelica Mesiti's World Citizens0
On Institutional Democratization and Reflexive Resistance: A Conversation with Andrea Fraser0
On Werner Schroeter0
Broodthaers's Debt0
Machina Aesthetica: Impressions on Art in and out of the Machine Age0
Generative and Adversarial: Art and the Prospects of AI0
Anthony Vidler (1941-2023)0
Eisenstein's Paris Diary: An Introduction0
Counterpublics in Search of Infrastructures: Lessons from German Anti-Antisemitism0
Dan Graham: Pedagogue0
Ars :: Longa0
Squatting Towards Hong Kong0
Eisenstein's Capital Diaries: An Introduction0
Theory, Philosophy, Film Studies, and Science: A Response to D. N. Rodowick's Philosophy's Artful Conversation and Murray Smith's Film, Art and the Third Culture0
The Capital Diaries: A New Selection0
Screening Memories0
A Questionnaire on Art and Machine Learning0
A Straighter Kind of Hip0
Universal Prostitution: Francis Picabia's Diagrams of Proletarianization0
Art Work as Life Work: Lu Märten's Feminist “Objectivity”0
A Conversation with Manuel Borja-Villel0
Visceral Economies, Queer Dialectics: Eisenstein Meets Bataille0
Why Afro Asia0
Letters to the Editor and Other Comment0
Anthony Vidler in Reverse0
The Physiognomy of a Nation0
The Face of Another: Isozaki, Deme, and the Postmodern Turn0
On Bolivia: A Debt to Beauty0
Lubitsch, Shakespeare, and the Theatricality of Power0
Critique of Flowers: The Exigency of Life in the Era of Its Technical Reproducibility0
Lying in the Gallery0
Aaron Douglas and Aspects of Negro Life0
A Conversation with Sergei Loznitsa0
Lisette Model: Another Frankfurt School Photographer in New York0
The Underneaths of Painting, Redux: For Silke Otto-Knapp, 1970–20220
Zoonotic Undemocracy0
Double Dan0
Art Communities at Risk: On Slovenia0
“Killing for Show”: A Conversation with Julian Stallabrass0
Modernism in a Non-Melancholic Key0
A Monochrome at Ukkusissaq: Pia Arke's Home-Rule Earthworks0
Lu Märten: Four Texts0
My Formative Years0
The Last Sculptures (For Richard Serra)0
The Wavelength Papers0
Dan Graham: Sunday Painter0
Angels with Guns: A Memoir on Guy Brett (and David Medalla)0
The Trace Dance Leaves Is Air: On Steve Paxton (1939–2024)0
On Dan Graham: Memories in Alteration0
The Skull of the Syntax: On Translating Eisenstein's Capital Diaries0
Heartbreak Liberalism, or the Case for Militant Translation0
The Fuse; Its Refusal: Notes on the Politics of Burnout0
A Questionnaire on Global Methods0
Fragments of an Autobiography0
Sleeping in the Cinema0
Serra and Us0
Republic of Fakes: Art in the Service of Truth in Postwar France0
Ahlam Shibli's Death and Photography in Arabic: A Letter from a Pillar of Salt0
Collective Reception: Essays in Honor of Benjamin H. D. Buchloh0
Cycle and Citation: What Hanne Darboven Calls Thinking0
Puppets Pulling Back: Drawing Out Wael Shawky's Histories0
Anti-Manga: Sasaki Maki, Ishiko Junzō, and Avant-Garde Comics in Japan0
Notes for Wavelength0
Air Conditioner, or Revolutionary Cinema without a Future0
New York Times Interventions0
The Race for Appropriation: Blackness, Authorship, and Ligon on Mapplethorpe0
Prescribed Performances: Fluxus and Disability0
Nature, the Nonhuman, and the Critique of Representation in Dieter Roth's Biodegradable Work0
Art Communities at Risk: On Cuba0
“Great Historians Are Biological Freaks”: Siegfried Kracauer's Philosophy of History0
Introduction to Notes for Wavelength0
On Black Affective Forms: A Conversation with Garrett Bradley0
Art Communities at Risk: An Introduction0
Cinema at a Standstill0
Lu Märten: An Introduction to Four Texts0
Dada Meets Dixieland: Marcel Duchamp Explains Fountain0
A Questionnaire on Diaspora and the Modern0
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