OOIR: Observatory of International Research

Papers

(The median citation count of October is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)

Article	Citations
Visceral Economies, Queer Dialectics: Eisenstein Meets Bataille	11
Surface, Material Bodies, and the Avant-Garde in Philosophy of Film	2
The Last Sculptures (For Richard Serra)	1
On The Painted Word	1
Bataille and Eisenstein: In Defense of Michelson's View	1
Okwui Enwezor's Prehistory of the Present: A Conversation	1
Letters to the Editor and Other Comment	1
Shapes, Wholes, History: For Benjamin	1
Proletarian Feedback: The Mirror of the Soviet Public Sphere	1
Radical Pragmatism: A Conversation with Kerry James Marshall	0
Anthony Vidler's IAS Mystery	0
Eisenstein's Paris Diary: An Introduction	0
Becoming a Film Auteur: Chris Marker's Early Film Criticism	0
The Arts at Risk: A Convening	0
Diaspora Modern	0
The Madness of the Gaze: for Hubert Damisch, in every light	0
The Transactional University and Student Protest	0
The Capital Diaries: A New Selection	0
Tacita Dean and the Air Outside	0
Anthony Vidler in Reverse	0
Universal Prostitution: Francis Picabia's Diagrams of Proletarianization	0
A Monochrome at Ukkusissaq: Pia Arke's Home-Rule Earthworks	0
Letter to Ken Jacobs	0
Women on Walls: Projection, Anonymity, Envy, and Eileen Gray	0
Kasper König (1943-2024)	0

Mondrian's Boogie Woogie	0
Serra and Us	0
Dara Birnbaum (1946–2025)	0
Air Conditioner, or Revolutionary Cinema without a Future	0
Modernism in a Non-Melancholic Key	0
Imitate Baldessari: Artists, Teachers, and the Making of Conceptual Art	0
Picturing African Americans: A Frankfurt School Film Project	0
On Walter Benjamin's “Thirteen Theses Against Snobs”	0
The Race for Appropriation: Blackness, Authorship, and Ligon on Mapplethorpe	0
Flat Depth: Pollock, Mondrian, and Seurat	0
Certain Aspects of Bourgeois Art: Non-Intervention	0
Anti-Manga: Sasaki Maki, Ishiko Junzō, and Avant-Garde Comics in Japan	0
The Physiognomy of a Nation	0
Machina Aesthetica: Impressions on Art in and out of the Machine Age	0
On Meme Work	0
Line as Language, or, What Is Mel Bochner Translating?	0
The Reflex Republic: Physiologies of Art in the Early Soviet Union	0
It Paints, It Eats	0
MoMA Q&A	0
Art Communities at Risk: Tbilisi	0
Architecture, Poetry, and Everyday Life	0
“Great Historians Are Biological Freaks”: Siegfried Kracauer's Philosophy of History	0
Broodthaers's Debt	0
A Conversation with Manuel Borja-Villel	0
On Peter Weibel	0
Murky Waters: Hans Haacke's Rhine-Water Purification Plant	0
Six Propositions After Trump's Second Victory	0
Introduction to Notes for Wavelength	0
Plastic Flesh and the Biological Oeuvre	0
The Trace Dance Leaves Is Air: On Steve Paxton (1939–2024)	0
Cultural Revolution After Jameson	0
Points of No Return: Die Neue Sachlichkeit at 100	0
Gauguin, Nietzsche, Aurier: Notes on Symbolism's Material Inversion	0
Bruegel in Watts	0
On Indiana: A Disorientation Guide	0
New York Real Estate and the Ruin of American Art	0
The Spectacular Drone: Contesting Pandemic Lockdowns from Above and Below	0
Utopianism of the Will	0
Counterpublics in Search of Infrastructures: Lessons from German Anti-Antisemitism	0
Creation and Decreation in Tacita Dean's Antigone	0
Ears in the Cloud: Fantasies of Networked Perception	0
Notes for Wavelength	0
Ars :: Longa	0
A Scheme Transfer for Global Modernism	0
A Conversation with Sergei Loznitsa	0
Sculpture Is a Verb: Remembering Richard	0
Little Golden Age	0
On Collaboration	0
Collective Reception: Essays in Honor of Benjamin H. D. Buchloh	0
Writing Art History After Occupy	0

Period Pieces: On Jean Clay	0
Berlin Speech	0
Mel Bochner as Translator: An Aesthetics of Contingency	0
New York Times Interventions	0
Fragments of an Autobiography	0
Anthony Vidler (1941-2023)	0
Cycle and Citation: What Hanne Darboven Calls Thinking	0
Eisenstein's Capital Diaries: An Introduction	0
The Arts at Risk: A Timeline	0
Emotion and Affect in Experimental Film: The Case of Vertov	0
Why Afro Asia	0
Astonishment, Outrage, Despair	0
The Skull of the Syntax: On Translating Eisenstein's Capital Diaries	0
Paris Diary	0
The Wavelength Papers	0
Organizational Aesthetics: On Certain Practices and Genealogies	0
A Questionnaire on Diaspora and the Modern	0
On Beirut: Art in Search of a Means to a Commons	0
Von … bis, from… to: The Arc of Anthony Vidler's Architecture	0
Talking to Mel	0
A Conversation with Dara Birnbaum	0
Siberia: Dissolving Earths	0
Lisette Model: Another Frankfurt School Photographer in New York	0
Ahlam Shibli's Death and Photography in Arabic: A Letter from a Pillar of Salt	0
Generative and Adversarial: Art and the Prospects of AI	0
A Questionnaire on Art and Machine Learning	0
Hating Theory Today	0
Notes on Baudelaire's Parisian Tableaux (1939)	0
“To Really See This Movie”: Ken Jacobs on Tom, Tom … in 1969	0