Theater

Papers
(The TQCC of Theater is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-05-01 to 2025-05-01.)
ArticleCitations
A Fallow Year2
Panel: Sound & Color1
Interview: Are Our Deaths Worthy of Dignity?1
A Constellation of Perspectives0
Roundtable: How Does It Live On?0
Embody 3 Bodies0
I’m Learning to Uncensor Myself0
Dancin’ through Exhaustion0
Play Excerpt0
Emergence0
Interview: We Aren’t Flowers0
Decentering Disability0
Narrative Reinvention0
Forum0
Our Year of Hamlet0
Deviant Devising0
Devising a Collective Future0
Democracy (The Video Game)0
Queer Theater Now0
“We Think the — Cat Got It”0
3 Bodies0
Sound & Color0
The Nosebleed0
Le Plateau à l’œuvre0
Black Theater, under Pressure0
The Spirit and the System0
A Theater of Documentation0
Decentering Molière0
Take This Cord0
Creative Company0
The Body Resists the Word0
Democracy versus Autocracy0
Panel: Sound & Color0
Acts of Care0
The Healing Room0
Fractals of the Self0
Fuck Me0
Post-9/11 Theater and Transnational Feminism0
Melting Pots0
Sending Care from Afar0
Incubating Incubators0
Radical Hope0
A World of Fury and Possibility0
Collective Dancing to Stay Alive0
Queer Molière?0
Forum: “No Longer Just Fiction”0
Hamlet0
Laughing at the Absurdity of Horrible Things0
Introduction to Zora Howard’s The Master’s Tools0
Time Capsule0
Of Minds and Machines0
A Theater of the Translocal World0
Compassion: The History of the Machine Gun0
Learning Republic0
Queer Spaces for Freedom0
Global Queer Stories on the American Stage0
Theatre0
Indigiqueer World Building for Theater and Beyond0
Acting the Rehearsal0
Ghent Manifesto0
Your Language Is Lying to You0
Molière and Mnouchkine0
Play with Consequences?0
I Wanna Fuck like Romeo and Juliet0
Affective Dynamics of Excitable Speech in Milo Rau’s Breiviks Erklärung and Mitleid0
Exhaustion Arroyo: Dancin’ Trees in the Ravine0
The Master’s Tools0
Cryptic Comic Carvings0
Westerly Breath0
What Is Unst?0
On Queering Theater in a Time When We Do Not Have the Freedom Not To0
Crip/Mad Archive Dances0
Milo Rau as Influencer0
What If “MOLIÈRE” Did Not Exist?0
The Absolute Future0
Seattle’s Episodic Companies of Color0
Herd Dramaturgies0
The Absolute Future0
Beginning Again0
No Soy Unicornio0
Three Theatrical Games0
Life of a Dog0
Opacity in Motion0
Molière in Constantinople0
Author’s Preface to I Wanna Fuck like Romeo and Juliet0
Trans Synecdoche0
All the Ayas0
My Mama and the Full-Scale Invasion0
Molière and “Indiennes”0
Learning from Our Survival0
Forum: Devised Futures0
Conversations with Students0
“More Than a Space”0
Women Playwrights in the Time of Molière0
Author’s Preface to On the Y-Axis0
Milk of Dreams0
A Tale of Truth0
Do Nothing. Die Young. End the World.0
Interviews: Artist Telephone0
Decentering Molière?0
Stitching the Future with Clues0
The Mufti at Home0
Crip Curation as Care0
Milo Rau’s Work as Artistic Director of NTGent0
Everything Moves0
On Unmaking Theater in Theatre0
Up Front0
Play, Image, and Event0
Maximal Mac0
Noise of Time0
The Historical Feeling0
Locations and Dislocations0
Milo Rau in Africa0
Manifesto and Commentary0
On the Y-Axis0
On René Pollesch (1962–2024)0
Truly, Madly, Sheeply0
Dramaturgies of the Bodymind0
Forum0
How Much Can a Body Do?0
Interview: Complicating Comedy, Engineering Behavior0
Reviving Jewishness0
Queer Theater Now0
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