Theater

Papers
(The median citation count of Theater is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-08-01 to 2025-08-01.)
ArticleCitations
Interview: Are Our Deaths Worthy of Dignity?1
A Fallow Year1
Forum: Devised Futures0
A Theater of the Translocal World0
Trans Synecdoche0
Women Playwrights in the Time of Molière0
Queer Spaces for Freedom0
Global Queer Stories on the American Stage0
Seattle’s Episodic Companies of Color0
Learning Republic0
Acting the Rehearsal0
Take This Cord0
Social Outbreak0
Molière and Mnouchkine0
“We Think the — Cat Got It”0
The Spirit and the System0
Stitching the Future with Clues0
Exhaustion Arroyo: Dancin’ Trees in the Ravine0
Le Plateau à l’œuvre0
Learning from Our Survival0
Everything Moves0
What If “MOLIÈRE” Did Not Exist?0
Westerly Breath0
Creative Company0
The Body Resists the Word0
Herd Dramaturgies0
Democracy versus Autocracy0
Fuck Me0
The Absolute Future0
Sending Care from Afar0
Indigiqueer World Building for Theater and Beyond0
Incubating Incubators0
Beginning Again0
Melting Pots0
Collective Dancing to Stay Alive0
Hamlet0
A World of Fury and Possibility0
Radical Hope0
Dancin’ through Exhaustion0
Panel: Sound & Color0
Play Excerpt0
What Can We Learn from Tired Institutional Bodies?0
A Constellation of Perspectives0
Disruptive Dramaturgies0
“More Than a Space”0
I’m Learning to Uncensor Myself0
Deviant Devising0
Forum0
Milk of Dreams0
Molière and “Indiennes”0
Interviews: Artist Telephone0
Author’s Preface to On the Y-Axis0
Decentering Molière?0
Panel: Sound & Color0
Theatre0
Crip Curation as Care0
Your Language Is Lying to You0
Panel0
I Wanna Fuck like Romeo and Juliet0
Emergence0
On Unmaking Theater in Theatre0
The Master’s Tools0
Cryptic Comic Carvings0
On the Y-Axis0
Institutional Dramaturgies in German and Danish Theater0
On Queering Theater in a Time When We Do Not Have the Freedom Not To0
Crip/Mad Archive Dances0
The Vienna Declaration0
Manifesto and Commentary0
The Absolute Future0
On René Pollesch (1962–2024)0
Three Theatrical Games0
The Healing Room0
Life of a Dog0
My Mama and the Full-Scale Invasion0
No Soy Unicornio0
Embody 3 Bodies0
Molière in Constantinople0
Opacity in Motion0
Introduction to Zora Howard’s The Master’s Tools0
All the Ayas0
Time Capsule0
Interview: We Aren’t Flowers0
Queer Molière?0
Decentering Disability0
Our Year of Hamlet0
Roundtable: “Care Is What Fills in the Cracks”0
Narrative Reinvention0
Democracy (The Video Game)0
Devising a Collective Future0
Rehearsals for an Archaeology of the Future0
3 Bodies0
Do Nothing. Die Young. End the World.0
Sound & Color0
Conversations with Students0
Queer Theater Now0
Black Theater, under Pressure0
The Mufti at Home0
Author’s Preface to I Wanna Fuck like Romeo and Juliet0
How Much Can a Body Do?0
Roundtable: How Does It Live On?0
Decentering Molière0
Play, Image, and Event0
Maximal Mac0
Fractals of the Self0
Noise of Time0
Locations and Dislocations0
Acts of Care0
Dramaturgies of the Bodymind0
Laughing at the Absurdity of Horrible Things0
Forum0
Post-9/11 Theater and Transnational Feminism0
Reviving Jewishness0
Truly, Madly, Sheeply0
Queer Theater Now0
The Nosebleed0
Interview: Complicating Comedy, Engineering Behavior0
Toward a Street-Level, Postterritory Dramaturgy0
Of Minds and Machines0
Creating Vagrant Institutions for a Multiperspective World0
Institutionalized Collectivity/Collectives in Institutions in Flanders and the Netherlands0
Institutional Repair0
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