Computer Music Journal

Papers
(The TQCC of Computer Music Journal is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-05-01 to 2025-05-01.)
ArticleCitations
Sound Anthology: Program Notes4
Tool or Actor? Expert Improvisers' Evaluation of a Musical AI “Toddler”2
Products of Interest1
Composing the Assemblage: Probing Aesthetic and Technical Dimensions of Artistic Creation with Machine Learning1
An End-to-End Musical Instrument System That Translates Electromyogram Biosignals to Synthesized Sound1
Complementary Roles of Note-Oriented and Mixing-Oriented Software in Student Learning of Computer Science Plus Music1
News0
Listening to the Anthropocene: A Queda do Céu0
About This Issue0
Editors' Notes0
About This Issue0
James Dashow: Soundings in Pure Duration, Volume 20
A Networking Framework and Mobile Node Controller for Sound Diffusion with Audience Participation0
Edgard Varèse's Poème Électronique: From the Sketches to the Sound Spatialization0
News0
Matthew Burtner: Soundscapes of Restoration: Music, Sonifications & Field Recordings0
News0
The Studio PANaroma and Electroacoustic Music in Brazil0
About This Issue0
Raging with the Machine in the Uncanny Valley: Human–AI Cocreativity in the Eurovision-Themed AI Song Contest0
Cocreative Interaction: Somax2 and the REACH Project0
Sound and Video Anthology: Program Notes0
Announcements0
Using Music Features for Managing Revisions and Variants of Musical Scores0
Harnessing Virtualization to Transpose Place-Based Music0
About This Issue0
Computer-Aided Composition Using a Sound-Based Notation0
Products of Interest0
News0
Bill Vine: Norwich Under the Water0
Announcements0
An Electronic Bandoneon with a Dynamic Sound Synthesis System Based on Measured Acoustic Parameters0
Sound Anthology: Content0
Sound Entities: A Practice in Spatial Composition0
An Analytical Approach to the Scenic Realization of Electroacoustic Music: The Theatricality of Lumínico0
Computer Tools for Modeling Swing in a Jazz Ensemble0
Products of Interest0
Paisaje Sonoro Social: Socially Engaged Soundscapes in Mexico0
Carl Stone: Electronic Music from 1972–20220
Part of Computer Music History… (Trust Me, Latin America Has Always Been There!)0
Editors' Notes0
A Fuzzy Gestural AI Approach for Expressive Interactivity in Multitouch Digital Musical Instruments Based on Laban Descriptors0
Editors' Notes0
Live Coding Machine Learning: Finding the Moments of Intervention in Autonomous Processes0
The Paradox of Creating a Cocreator0
Generating Sonic Phantoms with Quadratic Difference Tone Spectrum Synthesis0
The Effects of Convolution Reverberation on the Emotional Characteristics of Musical Instrument Sounds0
Finite State Machines with Data Paths in Visual Languages for Music0
Exploring the Many Tunings of Balinese Gamelan0
Announcements0
News0
Products of Interest0
Mario Diaz De Leon: Spark and Earth0
About This Issue0
Embodying Spatial Sound Synthesis with AI in Two Compositions for Instruments and 3-D Electronics0
Contemporary Noise Ensemble: An Excellent Spiritual Serviceman0
Learning from Game Live Streaming: A Model for Networked Music Performance0
Automatic Detection of Cue Points for the Emulation of DJ Mixing0
News0
A Library for Offline Algorithmic Audio Manipulation in Max0
Narrative, Activism, and Aesthetics: Composing Electroacoustic Music for Mexicans0
From Fiction to Function: Imagining New Instruments through Design Workshops0
A Robotic Flutist Framework for Exploring Acoustics, Human–Instrument Interaction, and Musical Creation0
Improving Human Connections and Audience Satisfaction in Online Concerts and Music Conferences0
Sound Anthology: Content0
Products of Interest0
Kari Väkevä: Void: Seven Computer Music Pieces0
Rethinking Instrumental Interface Design: The MetaBow0
An Accessible, Browser-Based Gestural Controller for Web Audio, MIDI, and Open Sound Control0
Products of Interest0
Mapping Out the Origins of Electroacoustic Music Studios in Brazil0
On Developing and Performing with a 4-Foot SpiderHarp Instrument0
About This Issue0
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