Computer Music Journal

Papers
(The TQCC of Computer Music Journal is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-06-01 to 2026-06-01.)
ArticleCitations
About This Issue6
Products of Interest1
Sound Anthology: Content1
News1
Nicolas Collins: Semi Conducting: Rambles Through the Post-Cagean Thicket1
An End-to-End Musical Instrument System That Translates Electromyogram Biosignals to Synthesized Sound1
Kari Väkevä: Void: Seven Computer Music Pieces1
Announcements0
News0
Raging with the Machine in the Uncanny Valley: Human–AI Cocreativity in the Eurovision-Themed AI Song Contest0
About This Issue0
Harnessing Virtualization to Transpose Place-Based Music0
News0
Stochastic Detuning of a Parallel Comb Oscillator0
The Paradox of Creating a Cocreator0
News0
Products of Interest0
About This Issue0
Thomas DeLio: anti-paysage0
If the Walls Could Sing: Bringing Barcelona’s Oldest House to Life with Sound0
News0
Computational Network Semantics and Critical Properties of Music Notation Datasets0
About This Issue0
Sound Entities: A Practice in Spatial Composition0
Sound and Video Anthology: Program Notes0
The Unsettled Soundscape: Field Recordings, Composition, and the Computerized in Ho Chi Minh City0
A Retrospective View of Chinese Contributions to Digital Humanities in Computational Guqin Music Research0
A Library for Offline Algorithmic Audio Manipulation in Max0
Sonic Cartographies: Listening at the Membrane between Places, Scales, and Beings in the Network of Nonplace0
The Kolmogorov Complexity of Traditional Irish Dance Music0
Interview with Jorge Antunes: The Polemical Pioneer of Electroacoustic Music in Brazil0
Underwater Extraction as Spatial Curation: Sonic Archaeology, Media Inscription, and the Re-Voicing of Submerged Histories0
Generating Sonic Phantoms with Quadratic Difference Tone Spectrum Synthesis0
Tracing Poetic Atmospheres: Multichannel Electroacoustic Soundscapes and Their Cultural Dimensions0
The Terpsichora Pressure-sensitive Floors: Design, Implementation, and Refinement from 2015 to 20250
Products of Interest0
David Borden: Make Way for Mother Mallard: 50 Years of Music Cuneiform Records0
Carl Stone: Electronic Music from 1972–20220
Computer Tools for Modeling Swing in a Jazz Ensemble0
Per Bloland: Shadows of the Electric Moon0
Announcements0
News0
An Electronic Music Dataset and a Multilabel Neural Network for Genre Subcategory Classification0
Toward a Symbolic Framework for Offline Algorithmic Audio0
Finite State Machines with Data Paths in Visual Languages for Music0
An Accessible, Browser-Based Gestural Controller for Web Audio, MIDI, and Open Sound Control0
Bill Vine: Norwich Under the Water0
Soundscape Composition and Microsound0
Improving Human Connections and Audience Satisfaction in Online Concerts and Music Conferences0
Stochastic Detuning of a Parallel Comb Oscillator0
Announcements0
A Robotic Flutist Framework for Exploring Acoustics, Human–Instrument Interaction, and Musical Creation0
Learning from Game Live Streaming: A Model for Networked Music Performance0
Three-Dimensional Vision-Based Recognition of Guitar Chords0
Encoding Sound: Perspectives on Cultural Bias in Music Software Design0
Richard Barrett: First Light0
Mario Diaz De Leon: Spark and Earth0
Acousmatic Spaces, Lived Places: Holophony and the Embodied Experience of Shared Atmospheres0
The Effects of Convolution Reverberation on the Emotional Characteristics of Musical Instrument Sounds0
Toward Guided Musical Form: Structuring Generative Music with LLMs0
Composing for Performers and Electronics Using a Dynamically Trained Neuron as an Effects Modulator0
Musical Applications of Electromagnetic Field Sensing0
About This Issue0
Brian Baumbusch: Polytempo Music and Michael J. Schumacher: Living Room Pieces0
Using Music Features for Managing Revisions and Variants of Musical Scores0
The Symbolic Soundscape: Reversing the Roots0
Sound and Video Anthology: Program Notes0
A Networking Framework and Mobile Node Controller for Sound Diffusion with Audience Participation0
Letters0
About This Issue0
Editors' Notes0
Announcements0
Products of Interest0
On Developing and Performing with a 4-Foot SpiderHarp Instrument0
Rethinking Instrumental Interface Design: The MetaBow0
About This Issue0
News0
Sound Cartographies: Noise Pollution, Noise Maps and Socially Engaged Soundscapes in Mexico0
Reflections on The First International Conference in AI Music Studies0
A Fuzzy Gestural AI Approach for Expressive Interactivity in Multitouch Digital Musical Instruments Based on Laban Descriptors0
Edgard Varèse's Poème Électronique: From the Sketches to the Sound Spatialization0
Taxonomy of Sonic Space in an Acousmatic Listening Situation0
On the Application of Negative Harmony to Melody for Symbolic Music Processing0
Sound Anthology: Content0
Products of Interest0
Audio, Vibrotactile, and Visual Augmentation of an Electric Guitar: A Pilot Study0
Announcements0
News0
Exploring the Many Tunings of Balinese Gamelan0
Products of Interest0
Products of Interest0
About This Issue0
Products of Interest0
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