Computer Music Journal

Papers
(The TQCC of Computer Music Journal is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-08-01 to 2025-08-01.)
ArticleCitations
Sound Anthology: Program Notes4
Tool or Actor? Expert Improvisers' Evaluation of a Musical AI “Toddler”2
Products of Interest1
Complementary Roles of Note-Oriented and Mixing-Oriented Software in Student Learning of Computer Science Plus Music1
An End-to-End Musical Instrument System That Translates Electromyogram Biosignals to Synthesized Sound1
Composing the Assemblage: Probing Aesthetic and Technical Dimensions of Artistic Creation with Machine Learning1
Sound Anthology: Content1
An Electronic Music Dataset and a Multilabel Neural Network for Genre Subcategory Classification0
Automatic Detection of Cue Points for the Emulation of DJ Mixing0
About This Issue0
Toward a Symbolic Framework for Offline Algorithmic Audio0
About This Issue0
Raging with the Machine in the Uncanny Valley: Human–AI Cocreativity in the Eurovision-Themed AI Song Contest0
Products of Interest0
On Developing and Performing with a 4-Foot SpiderHarp Instrument0
Announcements0
Rethinking Instrumental Interface Design: The MetaBow0
Sound Anthology: Content0
News0
Finite State Machines with Data Paths in Visual Languages for Music0
Announcements0
Mario Diaz De Leon: Spark and Earth0
A Networking Framework and Mobile Node Controller for Sound Diffusion with Audience Participation0
Cocreative Interaction: Somax2 and the REACH Project0
Embodying Spatial Sound Synthesis with AI in Two Compositions for Instruments and 3-D Electronics0
Sound Anthology: Content0
On the Application of Negative Harmony to Melody for Symbolic Music Processing0
Products of Interest0
Sound Entities: A Practice in Spatial Composition0
News0
Matthew Burtner: Soundscapes of Restoration: Music, Sonifications & Field Recordings0
About This Issue0
News0
From Fiction to Function: Imagining New Instruments through Design Workshops0
An Analytical Approach to the Scenic Realization of Electroacoustic Music: The Theatricality of Lumínico0
Using Music Features for Managing Revisions and Variants of Musical Scores0
Products of Interest0
Products of Interest0
Editors' Notes0
Brian Baumbusch: Polytempo Music and Michael J. Schumacher: Living Room Pieces0
The Effects of Convolution Reverberation on the Emotional Characteristics of Musical Instrument Sounds0
David Borden: Make Way for Mother Mallard: 50 Years of Music Cuneiform Records0
Sound and Video Anthology: Program Notes0
About This Issue0
Products of Interest0
Harnessing Virtualization to Transpose Place-Based Music0
Contemporary Noise Ensemble: An Excellent Spiritual Serviceman0
Bill Vine: Norwich Under the Water0
Carl Stone: Electronic Music from 1972–20220
Announcements0
About This Issue0
Kari Väkevä: Void: Seven Computer Music Pieces0
Stochastic Detuning of a Parallel Comb Oscillator0
About This Issue0
A Fuzzy Gestural AI Approach for Expressive Interactivity in Multitouch Digital Musical Instruments Based on Laban Descriptors0
Learning from Game Live Streaming: A Model for Networked Music Performance0
A Robotic Flutist Framework for Exploring Acoustics, Human–Instrument Interaction, and Musical Creation0
Products of Interest0
Narrative, Activism, and Aesthetics: Composing Electroacoustic Music for Mexicans0
Improving Human Connections and Audience Satisfaction in Online Concerts and Music Conferences0
News0
News0
The Studio PANaroma and Electroacoustic Music in Brazil0
An Accessible, Browser-Based Gestural Controller for Web Audio, MIDI, and Open Sound Control0
Part of Computer Music History… (Trust Me, Latin America Has Always Been There!)0
A Library for Offline Algorithmic Audio Manipulation in Max0
Exploring the Many Tunings of Balinese Gamelan0
Encoding Sound: Perspectives on Cultural Bias in Music Software Design0
Mapping Out the Origins of Electroacoustic Music Studios in Brazil0
News0
Products of Interest0
Sound and Video Anthology: Program Notes0
The Paradox of Creating a Cocreator0
Editors' Notes0
News0
Announcements0
James Dashow: Soundings in Pure Duration, Volume 20
Reflections on The First International Conference in AI Music Studies0
Letters0
Generating Sonic Phantoms with Quadratic Difference Tone Spectrum Synthesis0
Live Coding Machine Learning: Finding the Moments of Intervention in Autonomous Processes0
An Electronic Bandoneon with a Dynamic Sound Synthesis System Based on Measured Acoustic Parameters0
News0
Announcements0
About This Issue0
Edgard Varèse's Poème Électronique: From the Sketches to the Sound Spatialization0
A Retrospective View of Chinese Contributions to Digital Humanities in Computational Guqin Music Research0
About This Issue0
Paisaje Sonoro Social: Socially Engaged Soundscapes in Mexico0
Computer-Aided Composition Using a Sound-Based Notation0
Listening to the Anthropocene: A Queda do Céu0
Computer Tools for Modeling Swing in a Jazz Ensemble0
Editors' Notes0
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