Computer Music Journal

Papers
(The TQCC of Computer Music Journal is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)
ArticleCitations
Enabling Programmatic Data Mining as Musicking: The Fluid Corpus Manipulation Toolkit4
Borrowed Gestures: The Body as an Extension of the Musical Instrument3
Complex Adaptation in Audio Feedback Networks for the Synthesis of Music and Sounds3
Perceptual Recognition of Sound Trajectories in Space2
Time-Domain Adaptive Algorithms for Low- and High-Level Audio Information Processing2
Electronic Music and Generative Remixing: Improving L-Systems Aesthetics and Algorithms2
Composing the Assemblage: Probing Aesthetic and Technical Dimensions of Artistic Creation with Machine Learning2
The Studio PANaroma and Electroacoustic Music in Brazil1
An End-to-End Musical Instrument System That Translates Electromyogram Biosignals to Synthesized Sound1
Embrace the Weirdness: Negotiating Values Inscribed into Music Technology1
From Fiction to Function: Imagining New Instruments through Design Workshops1
Embodying Spatial Sound Synthesis with AI in Two Compositions for Instruments and 3-D Electronics1
Complementary Roles of Note-Oriented and Mixing-Oriented Software in Student Learning of Computer Science Plus Music1
Communication for Real-Time Music Systems: An Overview of O21
A Physically Inspired Implementation of Xenakis's Stochastic Synthesis: Diffusion Dynamic Stochastic Synthesis1
A Framework for Modifying Orchestral Qualities in Computer-Aided Orchestration1
Dynamic Computer-Aided Orchestration in Practice with Orchidea1
About This Issue0
Architecture for Real-Time Granular Synthesis With Per-Grain Processing: EmissionControl20
Carl Stone: Electronic Music from 1972–20220
Mapping Out the Origins of Electroacoustic Music Studios in Brazil0
Products of Interest0
Improving Human Connections and Audience Satisfaction in Online Concerts and Music Conferences0
About This Issue0
Products of Interest0
About This Issue0
About This Issue0
Exploring the Many Tunings of Balinese Gamelan0
Sound Anthology: Program Notes0
Finite State Machines with Data Paths in Visual Languages for Music0
Narrative, Activism, and Aesthetics: Composing Electroacoustic Music for Mexicans0
Mauri Edo: The Present Time0
Products of Interest0
An Electronic Bandoneon with a Dynamic Sound Synthesis System Based on Measured Acoustic Parameters0
Automatic Detection of Cue Points for the Emulation of DJ Mixing0
About This Issue0
Sound and Video Anthology: Program Notes0
News0
Raging with the Machine in the Uncanny Valley: Human–AI Cocreativity in the Eurovision-Themed AI Song Contest0
Leo Magnien: Clarières0
Generating Sonic Phantoms with Quadratic Difference Tone Spectrum Synthesis0
Products of Interest0
Products of Interest0
Celebrating Electronics: Music by John Bischoff (Concert) and John Bischoff: Bitplicity (Album)0
News0
Real-Time Symbolic Transcription and Interactive Transformation Using a Hexaphonic Nylon-String Guitar0
Cocreative Interaction: Somax2 and the REACH Project0
SONDA Festival 20220
Computer Tools for Modeling Swing in a Jazz Ensemble0
Computer-Aided Composition Using a Sound-Based Notation0
Editors' Notes0
Announcements0
The Effects of Convolution Reverberation on the Emotional Characteristics of Musical Instrument Sounds0
Sound Anthology: Content0
Ingrid Laubrock: Dreamt Twice, Twice Dreamt0
The Paradox of Creating a Cocreator0
Bill Vine: Norwich Under the Water0
Editors' Notes0
News0
News0
James Dashow: Archimedes—A Planetarium Opera0
Barry Schrader: Lost Analog0
Sound Anthology: Content0
You Nakai: Reminded by the Instruments0
Agostino Di Scipio and Dario Sanfilippo: Machine Milieu0
News0
About This Issue0
Cube Fest 20220
Products of Interest0
Announcements0
Products of Interest0
News0
Matthew Burtner: Soundscapes of Restoration: Music, Sonifications & Field Recordings0
Editors' Notes0
Paisaje Sonoro Social: Socially Engaged Soundscapes in Mexico0
James Dashow: Soundings in Pure Duration, Volume 20
News0
Linear and Nonlinear Digital Filters: From the Analog and Beyond0
Fundamental Sound: A Conversation with Hubert Howe0
Announcements0
News0
Part of Computer Music History… (Trust Me, Latin America Has Always Been There!)0
About This Issue0
Rethinking Instrumental Interface Design: The MetaBow0
Live Coding Machine Learning: Finding the Moments of Intervention in Autonomous Processes0
Announcements0
An Analytical Approach to the Scenic Realization of Electroacoustic Music: The Theatricality of Lumínico0
Products of Interest0
Tool or Actor? Expert Improvisers' Evaluation of a Musical AI “Toddler”0
A Fuzzy Gestural AI Approach for Expressive Interactivity in Multitouch Digital Musical Instruments Based on Laban Descriptors0
Listening to the Anthropocene: A Queda do Céu0
Announcements0
Kari Väkevä: Void: Seven Computer Music Pieces0
About This Issue0
Products of Interest0
About This Issue0
Immersive Spatial Interactivity in Sonic Arts: The Acoustic Localization Positioning System0
News0
Contemporary Noise Ensemble: An Excellent Spiritual Serviceman0
Announcements0
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