Computer Music Journal

Papers
(The median citation count of Computer Music Journal is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)
ArticleCitations
Enabling Programmatic Data Mining as Musicking: The Fluid Corpus Manipulation Toolkit4
Borrowed Gestures: The Body as an Extension of the Musical Instrument3
Complex Adaptation in Audio Feedback Networks for the Synthesis of Music and Sounds3
Electronic Music and Generative Remixing: Improving L-Systems Aesthetics and Algorithms2
Composing the Assemblage: Probing Aesthetic and Technical Dimensions of Artistic Creation with Machine Learning2
Perceptual Recognition of Sound Trajectories in Space2
Time-Domain Adaptive Algorithms for Low- and High-Level Audio Information Processing2
A Framework for Modifying Orchestral Qualities in Computer-Aided Orchestration1
Dynamic Computer-Aided Orchestration in Practice with Orchidea1
The Studio PANaroma and Electroacoustic Music in Brazil1
An End-to-End Musical Instrument System That Translates Electromyogram Biosignals to Synthesized Sound1
Embrace the Weirdness: Negotiating Values Inscribed into Music Technology1
From Fiction to Function: Imagining New Instruments through Design Workshops1
Embodying Spatial Sound Synthesis with AI in Two Compositions for Instruments and 3-D Electronics1
Complementary Roles of Note-Oriented and Mixing-Oriented Software in Student Learning of Computer Science Plus Music1
Communication for Real-Time Music Systems: An Overview of O21
A Physically Inspired Implementation of Xenakis's Stochastic Synthesis: Diffusion Dynamic Stochastic Synthesis1
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Kari Väkevä: Void: Seven Computer Music Pieces0
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Products of Interest0
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Announcements0
Immersive Spatial Interactivity in Sonic Arts: The Acoustic Localization Positioning System0
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Contemporary Noise Ensemble: An Excellent Spiritual Serviceman0
A Fuzzy Gestural AI Approach for Expressive Interactivity in Multitouch Digital Musical Instruments Based on Laban Descriptors0
Architecture for Real-Time Granular Synthesis With Per-Grain Processing: EmissionControl20
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Products of Interest0
Mapping Out the Origins of Electroacoustic Music Studios in Brazil0
Products of Interest0
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Sound Anthology: Program Notes0
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Exploring the Many Tunings of Balinese Gamelan0
Mauri Edo: The Present Time0
Finite State Machines with Data Paths in Visual Languages for Music0
Narrative, Activism, and Aesthetics: Composing Electroacoustic Music for Mexicans0
An Electronic Bandoneon with a Dynamic Sound Synthesis System Based on Measured Acoustic Parameters0
Automatic Detection of Cue Points for the Emulation of DJ Mixing0
About This Issue0
Sound and Video Anthology: Program Notes0
News0
Leo Magnien: Clarières0
Carl Stone: Electronic Music from 1972–20220
Raging with the Machine in the Uncanny Valley: Human–AI Cocreativity in the Eurovision-Themed AI Song Contest0
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Improving Human Connections and Audience Satisfaction in Online Concerts and Music Conferences0
Generating Sonic Phantoms with Quadratic Difference Tone Spectrum Synthesis0
Celebrating Electronics: Music by John Bischoff (Concert) and John Bischoff: Bitplicity (Album)0
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Real-Time Symbolic Transcription and Interactive Transformation Using a Hexaphonic Nylon-String Guitar0
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SONDA Festival 20220
Cocreative Interaction: Somax2 and the REACH Project0
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Computer-Aided Composition Using a Sound-Based Notation0
Sound Anthology: Content0
The Effects of Convolution Reverberation on the Emotional Characteristics of Musical Instrument Sounds0
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The Paradox of Creating a Cocreator0
Bill Vine: Norwich Under the Water0
James Dashow: Archimedes—A Planetarium Opera0
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Sound Anthology: Content0
You Nakai: Reminded by the Instruments0
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Agostino Di Scipio and Dario Sanfilippo: Machine Milieu0
Cube Fest 20220
Computer Tools for Modeling Swing in a Jazz Ensemble0
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Ingrid Laubrock: Dreamt Twice, Twice Dreamt0
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Editors' Notes0
Barry Schrader: Lost Analog0
Matthew Burtner: Soundscapes of Restoration: Music, Sonifications & Field Recordings0
James Dashow: Soundings in Pure Duration, Volume 20
Paisaje Sonoro Social: Socially Engaged Soundscapes in Mexico0
Fundamental Sound: A Conversation with Hubert Howe0
Linear and Nonlinear Digital Filters: From the Analog and Beyond0
Part of Computer Music History… (Trust Me, Latin America Has Always Been There!)0
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Rethinking Instrumental Interface Design: The MetaBow0
Live Coding Machine Learning: Finding the Moments of Intervention in Autonomous Processes0
An Analytical Approach to the Scenic Realization of Electroacoustic Music: The Theatricality of Lumínico0
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Tool or Actor? Expert Improvisers' Evaluation of a Musical AI “Toddler”0
Listening to the Anthropocene: A Queda do Céu0
Announcements0
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