OOIR: Observatory of International Research

Papers

(The TQCC of Nineteenth Century Music is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-08-01 to 2026-08-01.)

Article	Citations
Contributors	3
Rehearing: River Writings: Schubert’s “Am Flusse” and the Liquid Temporality of the Lied	2
Index for Volume 47 (2023–24)	1
A Melody and Its Afterlives in Piano Music by the Schumanns and Brahms	1
Class, Courtship, and habitus clivé: Debussy’s mélodies and the Politics of Social Mobility	1
Contributors	1
Tarantino’s Auteurist Anachronisms	0
Directions to Contributors	0
Directions to Contributors	0
Contributors	0
Missing Love-scenes, Evasion, and the Inexpressible in Early Mahler	0
Editor’s Note	0
Déchiffreuses	0
Kant, Coleridge, and the “Moonlight” Sonata: Imagination, Fantasy, and Fantasies in Beethoven’s Time	0
Object Lesson: Four-Hand Nietzsche	0
Contributors	0
A Riddle in Chopin’s Preludes, Op. 28	0
Contributors	0
Between (German) Absolute and (Jewish) Program Music: Friedrich Gernsheim’s Mirjam-Sinfonie	0
Image—Movement—Pulse	0
Editor’s Note	0
Mahler’s Contralto Voice	0
Louise: Wagnerism, Realism, Stage, Screen	0
The Resonance of the Romantic Horn Call in the Reception of Brahms’s Trio, Op. 40	0
Auteurism in Tár	0

Tchaikovsky’s Classicisms	0
Index for Volume 49 (2025–26)	0
Scoring Heimat	0
Directions to Contributors	0
Viewpoint: Beyond Musicology: Music and Humanistic Knowledge	0
Directions to Contributors	0
Contributors	0
Korngold’s Hollywood Homecomings	0
Index for Volume 46 (2022–23)	0
Mahler Making Love: Mengelberg’s Adagietto	0
Narcissistic Fiction: Music Theater of the Everyday in Édouard Dujardin’s Les Lauriers sont coupés (1887)	0
Black Musicality and the Invention of Talent: The Case of Thomas Wiggins	0
Program Music as Sacramental Prayer: Liszt, Lamartine, and Bénédiction de Dieu dans la solitude	0
Directions to Contributors	0
Editor’s Note	0
Object Lesson: Samsung/Schubert	0
Robert Heller’s Magical Mystery Tours	0
Introduction	0
Sullivan’s Slyly Shifting Schemas	0
Gustav Mahler and the Crisis of Jewish Masculinity	0
Beyond Nature: Subjectivity and the Musical Sublime	0
Encore Magic	0
Editor’s Note	0
Directions to Contributors	0
Index for Volume 48 (2024–25)	0
Canonizing John Williams	0
Directions to Contributors	0
Wagner, Canned	0
Directions to Contributors	0
Directions to Contributors	0
Mahler and the Exalted Erotic	0
Doubled Figures, Doubled Infinities: Der Mönch, “Der Leiermann,” and the Kantian Mathematical Sublime	0
Contributors	0
Object Lesson: Mel Bonis’s Hand	0
Contributors	0
Destinies of Manon	0
Contributors	0
Remixing Multimovement Works, Classical Music Concept Albums, and Twenty-First-Century Pianists’ Interpretations of the Canon	0
Swan Lake Horror	0
Living Forever on Earth: Philosophies of Temporal Eternity in Beethoven’s Ops. 110 and 132	0