OOIR: Observatory of International Research

Papers

(The TQCC of Nineteenth Century Music is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-04-01 to 2024-04-01.)

Article	Citations
Music Theory's Other Nature: Reflections on Gaia, Humans, and Music in the Anthropocene	2
In Memoriam Indoor Fountains: Promenade Concerts and the Built Environment	1
The Exotic in Nineteenth-Century French Opera, Part 1: Locales and Peoples	1
Chez Paul Niquet: Sound, Spatiality, and Sociability in the Paris Cabaret	1
Contributors	1
Contributors	1
Black Musicality and the Invention of Talent: The Case of Thomas Wiggins	1
Tectonic Microphonics	1
Marie Jaëll: Pioneer of Musical Embodiment Studies	1
Introduction	1
Gramophone Voices: Puccini and Madama Butterfly in New York, ca. 1907	0
Critiquing Musical Ineffabilism: Rereading Kant’s “Analytic of the Beautiful”	0
A Tale of Three Rusalkas: Krasnopol’sky, Pushkin, and Dargomyzhsky	0
Hear My Desire: Rachmaninov’s Orphic Voice and Musicology’s Trouble with Eurydice	0
Directions to Contributors	0
Contributors	0
Contributors	0
Bellini’s Il pirata as Virtual Tourism in Late Georgian London	0
Directions to Contributors	0
Directions to Contributors	0
A Riddle in Chopin’s Preludes, Op. 28	0
Directions to Contributors	0
Contributors	0
Contributors	0
Heroic Narratives and Chopin's Polonaise in Ab Major, Op. 53	0

Contributors	0
Beyond Nature: Subjectivity and the Musical Sublime	0
INDEX FOR VOLUME 45 (2021-22)	0
Beethoven's Rhetoric of Embellishment	0
Narcissistic Fiction: Music Theater of the Everyday in Édouard Dujardin’s Les Lauriers sont coupés (1887)	0
Directions to Contributors	0
Robert Heller’s Magical Mystery Tours	0
Endless Self: Haydn, Cherubini, and the Sound of the Canon	0
“Worthy of a Monument in Artistic History”: Religion and Nation in the Plans for Robert Schumann’s Unrealized Martin Luther Oratorio	0
The Resonance of the Romantic Horn Call in the Reception of Brahms’s Trio, Op. 40	0
Elijah's Nature	0
The Exotic in Nineteenth-Century French Opera, Part 2: Plots, Characters, and Musical Devices	0
A Dance from Iglau: Gustav Mahler, Bohemia, and the Complexities of Austrian Identity	0
Index for Volume 46 (2022–23)	0
Transcribing Greece, Arranging France: Bourgault-Ducoudray’s Performances of Authenticity and Innovation	0
Toward a Black Ecomusicology, 1853? Listening to Enslavement with Solomon Northup	0
Directions to Contributors	0
Directions to Contributors	0
Contributors	0
A Melody and Its Afterlives in Piano Music by the Schumanns and Brahms	0
Nature's “Disturbing Influence”: Sound and Temperature in the Age of Empire	0
Directions to Contributors	0
Still in Search of Satanilla	0
Remixing Multimovement Works, Classical Music Concept Albums, and Twenty-First-Century Pianists’ Interpretations of the Canon	0
Contributors	0
Directions to Contributors	0
Index for Volume 44 (2020–21)	0
Living Forever on Earth: Philosophies of Temporal Eternity in Beethoven’s Ops. 110 and 132	0