Nineteenth Century Music

Papers
(The TQCC of Nineteenth Century Music is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-11-01 to 2025-11-01.)
ArticleCitations
Contributors2
Rehearing: River Writings: Schubert’s “Am Flusse” and the Liquid Temporality of the Lied1
A Melody and Its Afterlives in Piano Music by the Schumanns and Brahms1
Class, Courtship, and habitus clivé: Debussy’s mélodies and the Politics of Social Mobility1
Contributors1
Heroic Narratives and Chopin's Polonaise in Ab Major, Op. 530
The Resonance of the Romantic Horn Call in the Reception of Brahms’s Trio, Op. 400
Destinies of Manon0
Contributors0
Mahler’s Contralto Voice0
Auteurism in Tár0
Directions to Contributors0
Directions to Contributors0
The Exotic in Nineteenth-Century French Opera, Part 2: Plots, Characters, and Musical Devices0
Directions to Contributors0
Index for Volume 46 (2022–23)0
Directions to Contributors0
Endless Self: Haydn, Cherubini, and the Sound of the Canon0
Directions to Contributors0
A Riddle in Chopin’s Preludes, Op. 280
INDEX FOR VOLUME 45 (2021-22)0
Still in Search of Satanilla0
Contributors0
“Worthy of a Monument in Artistic History”: Religion and Nation in the Plans for Robert Schumann’s Unrealized Martin Luther Oratorio0
Index for Volume 47 (2023–24)0
Contributors0
Index for Volume 48 (2024–25)0
Living Forever on Earth: Philosophies of Temporal Eternity in Beethoven’s Ops. 110 and 1320
Canonizing John Williams0
Beethoven's Rhetoric of Embellishment0
Introduction0
Gustav Mahler and the Crisis of Jewish Masculinity0
Marie Jaëll: Pioneer of Musical Embodiment Studies0
Tarantino’s Auteurist Anachronisms0
Contributors0
Robert Heller’s Magical Mystery Tours0
Contributors0
Object Lesson: Samsung/Schubert0
Editor’s Note0
Contributors0
Mahler Making Love: Mengelberg’s Adagietto0
Mahler and the Exalted Erotic0
Directions to Contributors0
Gramophone Voices: Puccini and Madama Butterfly in New York, ca. 19070
Directions to Contributors0
Directions to Contributors0
Doubled Figures, Doubled Infinities: Der Mönch, “Der Leiermann,” and the Kantian Mathematical Sublime0
Wagner, Canned0
Remixing Multimovement Works, Classical Music Concept Albums, and Twenty-First-Century Pianists’ Interpretations of the Canon0
Critiquing Musical Ineffabilism: Rereading Kant’s “Analytic of the Beautiful”0
Louise: Wagnerism, Realism, Stage, Screen0
Beyond Nature: Subjectivity and the Musical Sublime0
Swan Lake Horror0
Directions to Contributors0
Scoring Heimat0
Encore Magic0
Editor’s Note0
Missing Love-scenes, Evasion, and the Inexpressible in Early Mahler0
Viewpoint: Beyond Musicology: Music and Humanistic Knowledge0
Korngold’s Hollywood Homecomings0
Contributors0
Narcissistic Fiction: Music Theater of the Everyday in Édouard Dujardin’s Les Lauriers sont coupés (1887)0
Directions to Contributors0
Program Music as Sacramental Prayer: Liszt, Lamartine, and Bénédiction de Dieu dans la solitude0
Black Musicality and the Invention of Talent: The Case of Thomas Wiggins0
Contributors0
Kant, Coleridge, and the “Moonlight” Sonata: Imagination, Fantasy, and Fantasies in Beethoven’s Time0
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