OOIR: Observatory of International Research

Papers

(The TQCC of Nineteenth Century Music is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-08-01 to 2025-08-01.)

Article	Citations
Contributors	2
Contributors	1
A Melody and Its Afterlives in Piano Music by the Schumanns and Brahms	1
Rehearing: River Writings: Schubert’s “Am Flusse” and the Liquid Temporality of the Lied	1
Swan Lake Horror	0
Beyond Nature: Subjectivity and the Musical Sublime	0
Directions to Contributors	0
Scoring Heimat	0
Encore Magic	0
Editor’s Note	0
The Resonance of the Romantic Horn Call in the Reception of Brahms’s Trio, Op. 40	0
Robert Heller’s Magical Mystery Tours	0
Contributors	0
Korngold’s Hollywood Homecomings	0
“Worthy of a Monument in Artistic History”: Religion and Nation in the Plans for Robert Schumann’s Unrealized Martin Luther Oratorio	0
Narcissistic Fiction: Music Theater of the Everyday in Édouard Dujardin’s Les Lauriers sont coupés (1887)	0
Black Musicality and the Invention of Talent: The Case of Thomas Wiggins	0
Program Music as Sacramental Prayer: Liszt, Lamartine, and Bénédiction de Dieu dans la solitude	0
Contributors	0
A Riddle in Chopin’s Preludes, Op. 28	0
Directions to Contributors	0
Editor’s Note	0
Destinies of Manon	0
Contributors	0
Mahler’s Contralto Voice	0

Marie Jaëll: Pioneer of Musical Embodiment Studies	0
Auteurism in Tár	0
Contributors	0
Tarantino’s Auteurist Anachronisms	0
The Exotic in Nineteenth-Century French Opera, Part 2: Plots, Characters, and Musical Devices	0
Directions to Contributors	0
Endless Self: Haydn, Cherubini, and the Sound of the Canon	0
Viewpoint: Beyond Musicology: Music and Humanistic Knowledge	0
Missing Love-scenes, Evasion, and the Inexpressible in Early Mahler	0
Kant, Coleridge, and the “Moonlight” Sonata: Imagination, Fantasy, and Fantasies in Beethoven’s Time	0
Contributors	0
Doubled Figures, Doubled Infinities: Der Mönch, “Der Leiermann,” and the Kantian Mathematical Sublime	0
INDEX FOR VOLUME 45 (2021-22)	0
Still in Search of Satanilla	0
Contributors	0
Class, Courtship, and habitus clivé: Debussy’s mélodies and the Politics of Social Mobility	0
Contributors	0
Index for Volume 46 (2022–23)	0
Canonizing John Williams	0
Living Forever on Earth: Philosophies of Temporal Eternity in Beethoven’s Ops. 110 and 132	0
Introduction	0
Directions to Contributors	0
Gustav Mahler and the Crisis of Jewish Masculinity	0
Beethoven's Rhetoric of Embellishment	0
Directions to Contributors	0
Contributors	0
Heroic Narratives and Chopin's Polonaise in Ab Major, Op. 53	0
Directions to Contributors	0
Directions to Contributors	0
Object Lesson: Samsung/Schubert	0
Directions to Contributors	0
Directions to Contributors	0
Directions to Contributors	0
Mahler and the Exalted Erotic	0
Mahler Making Love: Mengelberg’s Adagietto	0
Gramophone Voices: Puccini and Madama Butterfly in New York, ca. 1907	0
Index for Volume 47 (2023–24)	0
Wagner, Canned	0
Remixing Multimovement Works, Classical Music Concept Albums, and Twenty-First-Century Pianists’ Interpretations of the Canon	0
Index for Volume 48 (2024–25)	0
Louise: Wagnerism, Realism, Stage, Screen	0
Critiquing Musical Ineffabilism: Rereading Kant’s “Analytic of the Beautiful”	0