OOIR: Observatory of International Research

Papers

(The median citation count of Nineteenth Century Music is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)

Article	Citations
Music Theory's Other Nature: Reflections on Gaia, Humans, and Music in the Anthropocene	2
Introduction	2
Marie Jaëll: Pioneer of Musical Embodiment Studies	2
Nature's “Disturbing Influence”: Sound and Temperature in the Age of Empire	1
Contributors	1
In Memoriam Indoor Fountains: Promenade Concerts and the Built Environment	1
Chez Paul Niquet: Sound, Spatiality, and Sociability in the Paris Cabaret	1
Mahler Making Love: Mengelberg’s Adagietto	1
Contributors	1
Black Musicality and the Invention of Talent: The Case of Thomas Wiggins	1
Tectonic Microphonics	1
The Exotic in Nineteenth-Century French Opera, Part 1: Locales and Peoples	1
Endless Self: Haydn, Cherubini, and the Sound of the Canon	0
INDEX FOR VOLUME 45 (2021-22)	0
Mahler’s Contralto Voice	0
Contributors	0
Contributors	0
The Resonance of the Romantic Horn Call in the Reception of Brahms’s Trio, Op. 40	0
Directions to Contributors	0
Directions to Contributors	0
Directions to Contributors	0
Living Forever on Earth: Philosophies of Temporal Eternity in Beethoven’s Ops. 110 and 132	0
Contributors	0
Transcribing Greece, Arranging France: Bourgault-Ducoudray’s Performances of Authenticity and Innovation	0
Toward a Black Ecomusicology, 1853? Listening to Enslavement with Solomon Northup	0

Hear My Desire: Rachmaninov’s Orphic Voice and Musicology’s Trouble with Eurydice	0
Beethoven's Rhetoric of Embellishment	0
Directions to Contributors	0
Gustav Mahler and the Crisis of Jewish Masculinity	0
Still in Search of Satanilla	0
Beyond Nature: Subjectivity and the Musical Sublime	0
Narcissistic Fiction: Music Theater of the Everyday in Édouard Dujardin’s Les Lauriers sont coupés (1887)	0
Remixing Multimovement Works, Classical Music Concept Albums, and Twenty-First-Century Pianists’ Interpretations of the Canon	0
“Worthy of a Monument in Artistic History”: Religion and Nation in the Plans for Robert Schumann’s Unrealized Martin Luther Oratorio	0
Missing Love-scenes, Evasion, and the Inexpressible in Early Mahler	0
Robert Heller’s Magical Mystery Tours	0
Contributors	0
The Exotic in Nineteenth-Century French Opera, Part 2: Plots, Characters, and Musical Devices	0
Index for Volume 46 (2022–23)	0
Gramophone Voices: Puccini and Madama Butterfly in New York, ca. 1907	0
Critiquing Musical Ineffabilism: Rereading Kant’s “Analytic of the Beautiful”	0
A Tale of Three Rusalkas: Krasnopol’sky, Pushkin, and Dargomyzhsky	0
Directions to Contributors	0
Contributors	0
Bellini’s Il pirata as Virtual Tourism in Late Georgian London	0
Index for Volume 47 (2023–24)	0
Directions to Contributors	0
Directions to Contributors	0
A Melody and Its Afterlives in Piano Music by the Schumanns and Brahms	0
A Riddle in Chopin’s Preludes, Op. 28	0
Contributors	0
Elijah's Nature	0
Directions to Contributors	0
A Dance from Iglau: Gustav Mahler, Bohemia, and the Complexities of Austrian Identity	0
Index for Volume 44 (2020–21)	0
Directions to Contributors	0
Heroic Narratives and Chopin's Polonaise in Ab Major, Op. 53	0
Contributors	0
Contributors	0
Directions to Contributors	0
Mahler and the Exalted Erotic	0