OOIR: Observatory of International Research

Papers

(The median citation count of Nineteenth Century Music is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-02-01 to 2025-02-01.)

Article	Citations
The Exotic in Nineteenth-Century French Opera, Part 2: Plots, Characters, and Musical Devices	2
Directions to Contributors	1
Directions to Contributors	1
Korngold’s Hollywood Homecomings	0
Mahler Making Love: Mengelberg’s Adagietto	0
Contributors	0
Directions to Contributors	0
Tarantino’s Auteurist Anachronisms	0
“Worthy of a Monument in Artistic History”: Religion and Nation in the Plans for Robert Schumann’s Unrealized Martin Luther Oratorio	0
Beyond Nature: Subjectivity and the Musical Sublime	0
Auteurism in Tár	0
Contributors	0
Destinies of Manon	0
Directions to Contributors	0
Contributors	0
Black Musicality and the Invention of Talent: The Case of Thomas Wiggins	0
Beethoven's Rhetoric of Embellishment	0
Remixing Multimovement Works, Classical Music Concept Albums, and Twenty-First-Century Pianists’ Interpretations of the Canon	0
Gustav Mahler and the Crisis of Jewish Masculinity	0
Directions to Contributors	0
INDEX FOR VOLUME 45 (2021-22)	0
Living Forever on Earth: Philosophies of Temporal Eternity in Beethoven’s Ops. 110 and 132	0
Narcissistic Fiction: Music Theater of the Everyday in Édouard Dujardin’s Les Lauriers sont coupés (1887)	0
Contributors	0
Scoring Heimat	0

Contributors	0
Wagner, Canned	0
Directions to Contributors	0
Endless Self: Haydn, Cherubini, and the Sound of the Canon	0
Heroic Narratives and Chopin's Polonaise in Ab Major, Op. 53	0
Mahler’s Contralto Voice	0
Marie Jaëll: Pioneer of Musical Embodiment Studies	0
Introduction	0
Contributors	0
The Resonance of the Romantic Horn Call in the Reception of Brahms’s Trio, Op. 40	0
Index for Volume 47 (2023–24)	0
Contributors	0
Directions to Contributors	0
Index for Volume 46 (2022–23)	0
A Melody and Its Afterlives in Piano Music by the Schumanns and Brahms	0
Gramophone Voices: Puccini and Madama Butterfly in New York, ca. 1907	0
Contributors	0
Robert Heller’s Magical Mystery Tours	0
Swan Lake Horror	0
Canonizing John Williams	0
Louise: Wagnerism, Realism, Stage, Screen	0
Critiquing Musical Ineffabilism: Rereading Kant’s “Analytic of the Beautiful”	0
Still in Search of Satanilla	0
Directions to Contributors	0
A Riddle in Chopin’s Preludes, Op. 28	0
Mahler and the Exalted Erotic	0
Missing Love-scenes, Evasion, and the Inexpressible in Early Mahler	0