OOIR: Observatory of International Research

Papers

(The median citation count of Nineteenth Century Music is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)

Article	Citations
Class, Courtship, and habitus clivé: Debussy’s mélodies and the Politics of Social Mobility	1
Contributors	1
Contributors	1
Rehearing: River Writings: Schubert’s “Am Flusse” and the Liquid Temporality of the Lied	1
A Melody and Its Afterlives in Piano Music by the Schumanns and Brahms	1
Encore Magic	0
Editor’s Note	0
Missing Love-scenes, Evasion, and the Inexpressible in Early Mahler	0
Directions to Contributors	0
Louise: Wagnerism, Realism, Stage, Screen	0
Editor’s Note	0
Contributors	0
Index for Volume 46 (2022–23)	0
Mahler Making Love: Mengelberg’s Adagietto	0
Contributors	0
Object Lesson: Mel Bonis’s Hand	0
Image—Movement—Pulse	0
Directions to Contributors	0
Editor’s Note	0
Canonizing John Williams	0
Contributors	0
Remixing Multimovement Works, Classical Music Concept Albums, and Twenty-First-Century Pianists’ Interpretations of the Canon	0
Auteurism in Tár	0
Living Forever on Earth: Philosophies of Temporal Eternity in Beethoven’s Ops. 110 and 132	0
Index for Volume 49 (2025–26)	0

Directions to Contributors	0
Directions to Contributors	0
Contributors	0
Directions to Contributors	0
Destinies of Manon	0
Object Lesson: Samsung/Schubert	0
Kant, Coleridge, and the “Moonlight” Sonata: Imagination, Fantasy, and Fantasies in Beethoven’s Time	0
Wagner, Canned	0
Narcissistic Fiction: Music Theater of the Everyday in Édouard Dujardin’s Les Lauriers sont coupés (1887)	0
Black Musicality and the Invention of Talent: The Case of Thomas Wiggins	0
Program Music as Sacramental Prayer: Liszt, Lamartine, and Bénédiction de Dieu dans la solitude	0
Doubled Figures, Doubled Infinities: Der Mönch, “Der Leiermann,” and the Kantian Mathematical Sublime	0
Editor’s Note	0
Directions to Contributors	0
Index for Volume 47 (2023–24)	0
Mahler’s Contralto Voice	0
Introduction	0
The Resonance of the Romantic Horn Call in the Reception of Brahms’s Trio, Op. 40	0
Gustav Mahler and the Crisis of Jewish Masculinity	0
Tchaikovsky’s Classicisms	0
Directions to Contributors	0
Scoring Heimat	0
Directions to Contributors	0
Viewpoint: Beyond Musicology: Music and Humanistic Knowledge	0
Déchiffreuses	0
Contributors	0
Directions to Contributors	0
Robert Heller’s Magical Mystery Tours	0
Object Lesson: Four-Hand Nietzsche	0
Mahler and the Exalted Erotic	0
A Riddle in Chopin’s Preludes, Op. 28	0
Contributors	0
Between (German) Absolute and (Jewish) Program Music: Friedrich Gernsheim’s Mirjam-Sinfonie	0
Contributors	0
Korngold’s Hollywood Homecomings	0
Index for Volume 48 (2024–25)	0
Swan Lake Horror	0
Sullivan’s Slyly Shifting Schemas	0
Tarantino’s Auteurist Anachronisms	0
Beyond Nature: Subjectivity and the Musical Sublime	0