OOIR: Observatory of International Research

Papers

(The median citation count of Nineteenth Century Music is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-04-01 to 2024-04-01.)

Article	Citations
Music Theory's Other Nature: Reflections on Gaia, Humans, and Music in the Anthropocene	2
Chez Paul Niquet: Sound, Spatiality, and Sociability in the Paris Cabaret	1
Contributors	1
Contributors	1
Black Musicality and the Invention of Talent: The Case of Thomas Wiggins	1
Tectonic Microphonics	1
Marie Jaëll: Pioneer of Musical Embodiment Studies	1
Introduction	1
In Memoriam Indoor Fountains: Promenade Concerts and the Built Environment	1
The Exotic in Nineteenth-Century French Opera, Part 1: Locales and Peoples	1
Bellini’s Il pirata as Virtual Tourism in Late Georgian London	0
Contributors	0
Directions to Contributors	0
Directions to Contributors	0
A Riddle in Chopin’s Preludes, Op. 28	0
Directions to Contributors	0
Contributors	0
Contributors	0
Heroic Narratives and Chopin's Polonaise in Ab Major, Op. 53	0
Contributors	0
Beyond Nature: Subjectivity and the Musical Sublime	0
INDEX FOR VOLUME 45 (2021-22)	0
Beethoven's Rhetoric of Embellishment	0
Directions to Contributors	0
Narcissistic Fiction: Music Theater of the Everyday in Édouard Dujardin’s Les Lauriers sont coupés (1887)	0

Endless Self: Haydn, Cherubini, and the Sound of the Canon	0
Robert Heller’s Magical Mystery Tours	0
The Resonance of the Romantic Horn Call in the Reception of Brahms’s Trio, Op. 40	0
“Worthy of a Monument in Artistic History”: Religion and Nation in the Plans for Robert Schumann’s Unrealized Martin Luther Oratorio	0
Elijah's Nature	0
The Exotic in Nineteenth-Century French Opera, Part 2: Plots, Characters, and Musical Devices	0
A Dance from Iglau: Gustav Mahler, Bohemia, and the Complexities of Austrian Identity	0
Index for Volume 46 (2022–23)	0
Transcribing Greece, Arranging France: Bourgault-Ducoudray’s Performances of Authenticity and Innovation	0
Toward a Black Ecomusicology, 1853? Listening to Enslavement with Solomon Northup	0
Directions to Contributors	0
Directions to Contributors	0
Contributors	0
Nature's “Disturbing Influence”: Sound and Temperature in the Age of Empire	0
A Melody and Its Afterlives in Piano Music by the Schumanns and Brahms	0
Still in Search of Satanilla	0
Directions to Contributors	0
Remixing Multimovement Works, Classical Music Concept Albums, and Twenty-First-Century Pianists’ Interpretations of the Canon	0
Contributors	0
Directions to Contributors	0
Index for Volume 44 (2020–21)	0
Living Forever on Earth: Philosophies of Temporal Eternity in Beethoven’s Ops. 110 and 132	0
Gramophone Voices: Puccini and Madama Butterfly in New York, ca. 1907	0
Critiquing Musical Ineffabilism: Rereading Kant’s “Analytic of the Beautiful”	0
A Tale of Three Rusalkas: Krasnopol’sky, Pushkin, and Dargomyzhsky	0
Hear My Desire: Rachmaninov’s Orphic Voice and Musicology’s Trouble with Eurydice	0
Directions to Contributors	0
Contributors	0