Dance Chronicle

Papers
(The TQCC of Dance Chronicle is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-09-01 to 2024-09-01.)
ArticleCitations
The Pathology of Joker’s Dance: The Origins of Arthur Fleck’s Body Aesthetics in Todd Phillips’s 2019 Joker Film7
Forced Secularization and Postmodern Discourses within Contemporary Performance: Weaponizing Multicultural Rhetoric to Ratify Asymmetries among Dance Practitioners2
Ballet Pedagogy and a “Hard Re-Set”: Perspectives on Equitable and Inclusive Teaching Practices2
The Russian Artistic Genius through the Ages1
Configuring Konfituerenburg: How Fixing the Nutcracker’s Trepak Helped Build the National Image1
Muslim Youth in K-pop Dance Practices: Performative Responses against Islamic Norms in Malaysia1
Critical Reflection in Action, or Learning to Live Again, and Again1
Sufi Dance, Trance, and Psychophysical Performance: Transcultural Elements in Jerzy Grotowski’s Theater1
Queer Shadows of Balanchine’s Orpheus (1948)1
The Unreconciled Dichotomy: Preservation and (Re)Creation of Dance Heritage in South Korea1
How “modern” has German Modern Dance Remained?—The Case with the 2022 UNESCO Inscription1
Reflections on Narrative Techniques and Popularization in Contemporary China’s Main Melody Dance Dramas Only This Green (2021) By The Palace Museum, China Oriental Perfo0
Connections and Missed Connections: Russian Emigrés Bring Ballet to An American City (Chicago, 1924)0
A Game-Changer for Nineteenth-Century Ballet Studies Times of Change: Artistic Perspectives and Cultural Crossings in Nineteenth-Century Dance Edited by Irene Brandenbur0
James Baldwin’s Lean: Gratuitous Violence and Black Performativity in Take This Hammer0
Ariadne’s Thread: A Depth Psychology Exploration of Liminal Immanence in Dance/Movement0
Reimaging Human Bodies and Death with Vibrant (Dark) Matters and Puppetry0
Making the Museum Dance: Simone Forti’s Huddle (1961) and its Acquisition by the Museum of Modern Art0
Choreographing Appalachia as America: The Hazards of Nostalgia on the Concert Stage0
“My Walking is My Dancing”: The Relationship between Dance and Music in Anne Teresa De Keersmaeker’s Work0
Dance Education from Different Perspectives0
Broken Promises: Developing a Practice of Listening and Attuning to Feminists in Breaking0
Interrogating Histories and Historicizing Dance Studies0
One Perspective, Many Voices0
Interdisciplinary Rewards and Challenges0
Alvin Ailey and Korean Dance: Writing Afro-Asian Relations into Korean Dance History0
“La Nijinska: Revealing and Constructing Legacy”0
Accounting and Accountability: How the NEA Funded Dance0
Ruth Page: An American Original Gets Her Due0
Indian Dance Criticism as Decolonial Post-Performance Performative0
Embodying Tradition, Imagining Home: Baakisimba Dance and the Ugandan Diaspora0
Mondays with Merce: A Mercist Project of Space, Time, and Screen0
Existence as Insistence: Dance Theatre of Harlem Chronicles an Organization’s Prescience0
From Harming to Healing: Multifaceted Perspectives on Ballet0
Around the Mirror Ball: The Globalization and Glocalization of Disco0
Rooted Jazz Dance: A Path Forward0
Journeying Toward Center with the late Nancy Topf0
From Representation to Redistribution: Border Crossings Border Crossings: Exile and American Modern Dance Exhibition at the New York Public Library fo0
How Histories and Pedagogies Intertwine: An Educator’s Purpose0
Unlocking the Beauty of Screendance: A Journey through History, Curatorial Practice, and Personal Reflections Screendance from Film to Festival: Celebration and Curatorial Practice 0
This Ass is Magic: The Black Feminist Power of Twerking0
Finding Les Ballets Suédois0
Conjuring Lines of Flight in a World of Black Social Death0
Responsibility & Reciprocity in Dance Studies Dancing Indigenous Worlds: Choreographies of Relation By Jacqueline Shea Murphy. 408 pp. Illustrated. Minneapolis and L0
Who Takes Ballet and Why? A History of Ballet Class for the Casual Dancer0
The Power of Recollection: A Journey in the Footsteps of Amir Kolben's Via Dolorosa0
Christopher Rudd’s Lifted and Gia Kourlas’s Review: Turning a Mirror Towards the White Gaze Lifted By Christopher Rudd, October 29, 2022Da0
Politics at the Center of Israeli and Palestinian Dance Moving Through Conflict: Dance and Politics in Israel By Dina Roginsky and Henia Rottenberg. 192 pp. Illustrated.0
Right to Refusal: Consent and Rejection in Social Swing Dancing0
Friction, Fusion, and Fire Heat and Alterity in Contemporary Dance: South-South Choreographies By Ananya Chatterjea. 289 pp. Illustrated. London: Palgrave Macmillan, 2020
Reimagining Byzantine Dance XOPÓΣ: The Dance of Adam. The Making of Byzantine Chorography, The Anthropology of the Choir of Dance in Byzantium 0
Tapping the Margins : Feminist Research in Tap Dance History0
Decentering and Centering East Asian Dance: Language and Location in Transnational Dance Research0
The Fate of La Feste : An Affective Reading of Maximilien Gardel’s Mirsa Ballets0
Medieval Dance: Transmissions and Traces0
“Capoeira cannot be played alone”: Dancing Dialogues Around the World and on the Page Capoeira Connections: A Memoir in Motion By Katya Wesolowski. 280pp. Illustrated. 0
Crip Aesthetics and a Choreographic Method of Leakiness0
Participating in Competitions to Go to University: The Discourse of Ballet Competitions in South Korea0
Methodologies and Missteps: Reflections on Research as a Generative Praxis Dances of José Limón and Erick Hawkins By James Moreno. 1230
More than Meets the Eye: Towards Critical Institutional Research in Dance Studies0
Founding Editors’ Awards, Honoring Richard Ralph in 2019–20200
Mapping as Historiographic Practice: The Ballet Landscape in Interwar Greece0
Eden in Sin City: Adapting for the Musical Theater Body in Takarazuka Revue’s Ocean’s 110
Status and Salary: Hiring a Ballet Troupe for the Opera Il Farnaspe (Siena, 1750)0
In Memoriam: Naomi Mindlin (1948-2022)0
Social Ghosts and Collective Bodies in Rosemarie Roberts’ Baring Unbearable Sensualities: Hip Hop Dance, Bodies, Race, and Power0
A Rave Review Raving By McKenzie Wark. 136 pp. Illustrated. Durham : Duke University Pre0
Becoming A Frame0
Dancing with the Stars and Stripes: Sensation as Spectatorial Choreography in Pope.L’s Trinket0
Beth Dean: Aspects of the Work of an Australian “Ethnic Dancer”0
Memoir as Tribute: Remembering Merce Cunningham0
Pluriversal Embodiment Tout-Moun by Héla Fattoumi and Éric Lamoureux/ViaDanse Tropiques Atrium, Fort de France, Martinique, October 7, 20230
Combatting Anti-Asian Violence Through Chinese Dance in Atlanta We Belong Here: Rising Against Asian Hate Atlanta Chinese Dance Compan0
Resituating Noverre within Enlightenment Encyclopedias0
Theater Dance’s Material Underneath0
Dancing Noh and Kabuki in Japanese Shakespeare Productions0
Between Cloister and Court, Virtue and Virtuosity: Gestural Discourse in Medieval Monastic Literature and Early Modern Dance0
Choreographing Queer Social Bodies: Chinese Choreographer Hu Shenyuan’s Cross-Stage Practices0
Becoming Al-Sarab: A Dance Education Narrative0
The Double-Edged Sword of Popular Dance: Visibility and Disavowal Dance in US Popular Culture . Edited by Jennifer Atkins. 358 pp. Illustrated. Abingdon Oxon: Routledge,0
Baladi and Beyond Popular Dance and Music in Modern Egypt By Sherifa Zuhur Jefferson, North Carolina: McFarland and Company, 2022. $45.00 paper. ISBN 9781476681993 (prin0
Casting and Inclusivity in the Broadway Musical Broadway Bodies: A Critical History of Conformity By Ryan Donovan. 316 pp. Illustrated. New York: Oxford University Pres0
A Flashlight in the Dark: Shaping Dance Canons by Kate Mattingly Shaping Dance Canons: Criticism, Aesthetics, and Equity By Kate Mattingly0
Reconsidering Isadora Duncan’s Global Legacy: The Reception of Duncan’s Writing and Dance in China0
Dance as Radical Action: A Riveting Journey through Dance, Activism, and Global Politics0
Expanding Butoh Studies: Now We Have a ChronicleA History of Butô By Bruce Baird. 288 pp. Illustrated. New York: Oxford University Pre0
Introduction to issue 47.20
Making Dance Work in West Africa: Women Artists in a Shifting Landscape of Institutional Patronage0
Dressage Performances as Infrastructural Critique: Mike Kelley and Yvonne Rainer’s Dancing Horses0
Embodying Flexibility: The Aesthetics and Politics of British South Asian Dance0
Methods and Models: A Compelling Anthology for Researchers and Educators Dance Research Methodologies: Ethics, Orientations, and Practices Edited by Rosemary Candelario 0
More Than We Think: A New Approach to Medieval Religious Dance0
The Searing and Fleeting Improvisational World of Grand Union0
Dance Chronicle’s Past and Futures0
Usable for whom? Reflections on public, political art0
Ballet as Discourse: Environment, Diversity, and Colonialism in La Source0
Encounters, Exchanges, and Ruptures: An Exhibition Catalog of Global Artists0
Cross-cultural Identities: An interdisciplinary analysis of the jota in The Three-Cornered Hat (1919)0
Universalizing the Specific: Janet Collins’s Spirituals and Genesis0
Antonia Mercé La Argentina and the Moving Image: Attractions and Frictions between Cinema and Dance0
Dance and the Twilight of Capitalism0
Visibility and Values: A Compelling Analysis of Dancing and Why It Matters Dancing Women: Choreographing Corporeal Histories of Hindi Cinema 0
Falling Again and Again0
Rethinking Modernism and Modernity: A Dance Approach0
Florence Treadwell Boynton in Progressive Era Berkeley: Early Modern Dance and California’s Political Unconscious0
Creative Critical Representation of the Choreographer’s Creation Process0
To Feel and to Move: Tracing the Borders of Dance Studies and Refugee Studies Involuntary Motion: The Somatics of Refugee Performance 0
Ordering Movement, Ordering the Past Democracy Moving: Bill T. Jones, Contemporary American Performance, and the Racial Past By Ariel Nereson. 290pp. Illustrated. Ann A0
How Blackness Informs Global Filipino Corporeality: The Embodied and Racial Politics of Afro-Filipino Hip-Hop Dance0
Why Don’t Choreographers Copyright Their Works?0
Memory Transgressed by Female Bodies: Civil Historiography Contrasted with Official Historiography0
Global Dance Histories and Contemporary Pedagogies: Alternative Routes0
Kenneth MacMillan and the Visual Arts: A Case Study0
Close to Home The Jazz Continuum By LaTasha BarnesThe Kennedy Center, Eisenhower Theater, Washington, DC November 17-18, 20230
1.257276058197