Dance Chronicle

Article	Citations
Broken Promises: Developing a Practice of Listening and Attuning to Feminists in Breaking	4
Margarita Bali’s Juego del Tiempo : Reenactment and the Temporal Troubling of Memory	2
Disentangling the Genius Narrative from Luigi’s Jazz	2
Accounting and Accountability: How the NEA Funded Dance	2
Dramaturgies of the Moving Body: Musical Theatre Dancing	2
To Feel and to Move: Tracing the Borders of Dance Studies and Refugee Studies Involuntary Motion: The Somatics of Refugee Performance	1
Knowing Dance Through Self: A Review of Memorias: danza, cuerpo, voces	1
Becoming A Frame	1
Journeying Toward Center with the late Nancy Topf	1
Can the Structuralist Subject Dance? Trisha Brown, Gilles Deleuze, and the Performative Structure-Object	1
Sommerszene 2024: Changing Views	1
Incarnating Black Feminist Politics: Ronya-Lee Anderson’s Black Madonna and Miss Amerika	1
From Harming to Healing: Multifaceted Perspectives on Ballet	1
Illuminating Disdéri’s Cartes-de-Visites and Dancers’ Lives During the French Second Empire	1
The Body as a Living Landscape	1
Re-Creating Tradition: Cultural Experience and Critique of the 2025 Enshi Daughter’s Festival Opening	1
Critical Hope, Ethics, and the Future of Performing Arts in Higher Ed	0
Mediating While Empowering: Crossover Dance on Chinese User-Generated Content (UGC) Platforms	0
Bodying the Cultivation of a Mexican Nation	0
Cannibalizing Italian-ness: Salvo Lombardo’s Anti-Colonial Choreography	0
Expanding Butoh Studies: Now We Have a ChronicleA History of Butô By Bruce Baird. 288 pp. Illustrated. New York: Oxford University Pre	0
Memory Transgressed by Female Bodies: Civil Historiography Contrasted with Official Historiography	0
Cumbia, Myths, and Resistance in Caribbean Colombia	0
Casting and Inclusivity in the Broadway Musical Broadway Bodies: A Critical History of Conformity By Ryan Donovan. 316 pp. Illustrated. New York: Oxford University Pres	0
This Ass is Magic: The Black Feminist Power of Twerking	0

Queer Shadows of Balanchine’s Orpheus (1948)	0
Reflections on Narrative Techniques and Popularization in Contemporary China’s Main Melody Dance Dramas Only This Green (2021) By The Palace Museum, China Oriental Perfo	0
Mutually Reinforcing: Blackface Minstrelsy and Expropriation	0
Reclaiming Dance’s Interdisciplinary Knowledge and Intermediality in the Museum	0
Transformative Global Expansions of Butoh Dance in BUTOH AMERICA	0
Muslim Youth in K-pop Dance Practices: Performative Responses against Islamic Norms in Malaysia	0
Mr. Isaac and his Dances	0
Coming in with the Rain: Celebrating Circum-Caribbean Dance	0
Living and Moving in California	0
Nothing can ever repeat, it can only start again	0
Ethnic Mimicry in Performances of Indigeneity at Sarawak Cultural Village, Malaysia	0
Layering Genealogies: Multiple Histories and Agents in Chinese Modern Dance	0
Unruly Choreographies and the Contradictions of Safety	0
Reimagining Legends Through Dance Dramas: Chinese Liang Shanbo and Zhu Yingtai and Korean Smile Chunhyang	0
Navigating Multiple Cultures: Tara Rodman on Ito Michio	0
Shaping Modern Chinese Dance in 1985: British and American Instructors of the First Choreography Majors at the Beijing Dance Academy	0
Muscle as Method	0
Centering Asia and Asian Diasporas in Dance History Pedagogy	0
Global Dance Histories and Contemporary Pedagogies: Alternative Routes	0
Encounters, Exchanges, and Ruptures: An Exhibition Catalog of Global Artists	0
The Power of Recollection: A Journey in the Footsteps of Amir Kolben's Via Dolorosa	0
Dance History Across Departments: Interdisciplinarity and Expanding Access to the Field	0
Resituating Noverre within Enlightenment Encyclopedias	0
Tribute to János Fügedi	0
“Capoeira cannot be played alone”: Dancing Dialogues Around the World and on the Page Capoeira Connections: A Memoir in Motion By Katya Wesolowski. 280pp. Illustrated.	0
“La Nijinska: Revealing and Constructing Legacy”	0
More-than-human and More Than Tools	0
Fanny and Phrenology: An American Reading of Ballerina Fanny Elssler	0
The Imperial Reach of Blackface (and) Minstrelsy	0
Visibility and Values: A Compelling Analysis of Dancing and Why It Matters Dancing Women: Choreographing Corporeal Histories of Hindi Cinema	0
A Game-Changer for Nineteenth-Century Ballet Studies Times of Change: Artistic Perspectives and Cultural Crossings in Nineteenth-Century Dance Edited by Irene Brandenbur	0
Indian Dance Criticism as Decolonial Post-Performance Performative	0
Inheritance in Motion: The Embodied Archive of Ghanaian Kete Dance	0
Filippo Taglioni: A Major Figure of the Romantic Ballet in Transnational Context	0
Deceptive Romantic Ballet Prints: Three Nineteenth-Century Dance Images Recontextualized	0
How “modern” has German Modern Dance Remained?—The Case with the 2022 UNESCO Inscription	0
Fit and Firm Pregnancy: Prenatal Dance Fitness and its Idealization of Normative Abilities and Beauty Standards	0
Connections and Missed Connections: Russian Emigrés Bring Ballet to An American City (Chicago, 1924)	0
Witnessing Ailey’s Legacy at/of the Edges	0
Christopher Rudd’s Lifted and Gia Kourlas’s Review: Turning a Mirror Towards the White Gaze Lifted By Christopher Rudd, October 29, 2022Da	0
Beyond Exoticism: Alonzo King’s Scheherazade , Angelin Preljocaj’s The Nights , and the Transformation of	0
Mythistorical Construction of Divinity and Femininity in Early Mohiniyattam Manuals	0
Politics at the Center of Israeli and Palestinian Dance Moving Through Conflict: Dance and Politics in Israel By Dina Roginsky and Henia Rottenberg. 192 pp. Illustrated.	0
Uday Shankar’s Final Years and Postcolonial India	0
Mapping as Historiographic Practice: The Ballet Landscape in Interwar Greece	0
Friction, Fusion, and Fire Heat and Alterity in Contemporary Dance: South-South Choreographies By Ananya Chatterjea. 289 pp. Illustrated. London: Palgrave Macmillan, 202	0
Dance and the Twilight of Capitalism	0
Methodologies and Missteps: Reflections on Research as a Generative Praxis Dances of José Limón and Erick Hawkins By James Moreno. 123	0
Introduction Part 2: An Interview with George Dorris	0
In Memoriam: Naomi Mindlin (1948-2022)	0

Why Don’t Choreographers Copyright Their Works?	0
Social Ghosts and Collective Bodies in Rosemarie Roberts’ Baring Unbearable Sensualities: Hip Hop Dance, Bodies, Race, and Power	0
To Inhabit: Dancing Resistance in Puerto Rico	0
Scaffolding Freedom: Dance Dreaming in a Police State	0
(Re)Defining the Body through Dance and Science	0
Crip Time in Performance	0
Rethinking Dance History Pedagogies: Contents, Methods, and Programs	0
The Double-Edged Sword of Popular Dance: Visibility and Disavowal Dance in US Popular Culture . Edited by Jennifer Atkins. 358 pp. Illustrated. Abingdon Oxon: Routledge,	0
The Hidden Curriculum in Dance History Classes: “The Unwritten History of Dance”	0
Ariadne’s Thread: A Depth Psychology Exploration of Liminal Immanence in Dance/Movement	0
Global Viewers’ Votes and the Disciplined Body of Mediated Street Dance	0
Choreographing Queer Social Bodies: Chinese Choreographer Hu Shenyuan’s Cross-Stage Practices	0
Sensation, Lesbian Feminism, and Downtown Dance: Jill Johnston on the Stage/Page	0
The Western Gaze in RRR ’s “Naatu Naatu” and the Global Appeal of Indian Musicals	0
The Unreconciled Dichotomy: Preservation and (Re)Creation of Dance Heritage in South Korea	0
An Old Look at the Classics: Five Ballets from Paris and St. Petersburg	0
Pluriversal Embodiment Tout-Moun by Héla Fattoumi and Éric Lamoureux/ViaDanse Tropiques Atrium, Fort de France, Martinique, October 7, 2023	0
A Fresh View on a Well-Known Period: A Review of Dance and Peronism	0
Tapping the Margins : Feminist Research in Tap Dance History	0
Participating in Competitions to Go to University: The Discourse of Ballet Competitions in South Korea	0
A Flashlight in the Dark: Shaping Dance Canons by Kate Mattingly Shaping Dance Canons: Criticism, Aesthetics, and Equity By Kate Mattingly	0
Tensions and Aspirations: Institutionalizing Chinese Folk Dance	0
The Cypher Matters: Breaking’s Invisibilized Aesthetics and Spiritualities	0
Methods and Models: A Compelling Anthology for Researchers and Educators Dance Research Methodologies: Ethics, Orientations, and Practices Edited by Rosemary Candelario	0
Essentializing Commercial Dance	0
Unpacking the Effort and Impact of Dancing: MJ Thompson’s Louise Lecavalier: Dance, Labor, Culture	0
Breaking Tropes: Rewriting Hip-Hop History	0
Dancing Back to the Motherland	0
Becoming Al-Sarab: A Dance Education Narrative	0
Alvin Ailey and Korean Dance: Writing Afro-Asian Relations into Korean Dance History	0
Dancing Between Art and Empire: Materialist and Cultural Perspectives on Salomania and Performance	0
Ruth Page: An American Original Gets Her Due	0
From Margins to Memory: Reclaiming the Hidden Archives of (Post)Socialist Dance	0
Accenting Dance: A Pedagogical Approach to Caribbean Dance	0
Portrait of the Audience as an Artist	0
Stories, Strategies, and Provocations: NCCAkron Brings an Abundance	0
Financial Crisis, National Identity, and Contemporary Dance in Greece	0
Edinburgh Festivals’ Homogeneity Problems: When a 'Global Platform' Lacks Global Representation	0
Baladi and Beyond Popular Dance and Music in Modern Egypt By Sherifa Zuhur Jefferson, North Carolina: McFarland and Company, 2022. $45.00 paper. ISBN 9781476681993 (prin	0
Expanding the Archive of Butoh Dance History and Philosophy through Oral Storytelling And Embodied Transmission	0
Remembering Margaret Williams: Experimentation and Legacy - A Conversation between Victoria Marks and Jingqiu Guan	0
Theater Dance’s Material Underneath	0
Co-witnessing Niipaitapiiwahsin Across Generations in Indigenous Contemporary Dance	0
Fault Lines and Throughlines: Reading Susan Manning Across Time	0
“My Walking is My Dancing”: The Relationship between Dance and Music in Anne Teresa De Keersmaeker’s Work	0
Around the Mirror Ball: The Globalization and Glocalization of Disco	0
Right to Refusal: Consent and Rejection in Social Swing Dancing	0
Letting Language Dance	0
Dancing Histories: Perspectives on a Practical History of Dance in Brazil	0
Unraveling State-Sanctioned Gender Roles and Reclaiming Histories: Alura Flores de Angeles’ Jarabe Tapatío	0
Prioritizing Students’ Humanity to Transform Ballet Education	0
Unlocking the Beauty of Screendance: A Journey through History, Curatorial Practice, and Personal Reflections Screendance from Film to Festival: Celebration and Curatorial Practice	0
In the Beginning, There Was Groove	0
Embodying Tradition, Imagining Home: Baakisimba Dance and the Ugandan Diaspora	0
Something New in an Old Way: Cairene Belly Dance Ethnography and the Politics of Entertainment	0
Ballet Pedagogy and a “Hard Re-Set”: Perspectives on Equitable and Inclusive Teaching Practices	0
Steps and Strides: Voices of Dancing Mothers, Dominique Jones , Dancing Motherhood , By Ali Duffy. 188 pp. Illustrated. New York: Routledge, 2023. $22.95 (pbk). ISBN 9780367619275 (pbk), ISBN 97810031	0
Antiracist Approaches for Ballet: Finding Pedagogical Commonalities for Change	0
Status and Salary: Hiring a Ballet Troupe for the Opera Il Farnaspe (Siena, 1750)	0
A Rave Review Raving By McKenzie Wark. 136 pp. Illustrated. Durham : Duke University Pre	0
Existence as Insistence: Dance Theatre of Harlem Chronicles an Organization’s Prescience	0
Interrogating Histories and Historicizing Dance Studies	0
Conjuring Lines of Flight in a World of Black Social Death	0
Emancipation through Embodied Techniques	0
Lady and the Wolf: Origins of the Lead/Follow System in Social Partner Dancing	0
Reframing Global Dance Perceptions: Disrupting the Canon Through Autoethnographic Research Projects	0
Edward Kamau Brathwaite’s Kinetics: A Poetics of Performance	0
Crip Aesthetics and a Choreographic Method of Leakiness	0
How to “Do Your Own Research”: Teaching Dance Histories with Popular Media	0
Notes from the Margin: Teaching Dance Histories from Colombia	0
Correction	0
Embodied Histories: Dancing War by Eiko Otake and Wen Hui	0
In Xōchitl In Cuīcatl (Flower and Song)	0
“Hold On to That Feeling”: Baker Rogers’s King of Hearts: Drag Kings in the American South	0
Usable for whom? Reflections on public, political art	0
Authenticities of K-pop Cover Dance Influencers in/from Bali, Indonesia	0
Close to Home The Jazz Continuum By LaTasha BarnesThe Kennedy Center, Eisenhower Theater, Washington, DC November 17-18, 2023	0
A Window into the Shaping of Dance across East, South, and Southeast Asia	0
Isso não é o Brasil: The Embodied Pedagogy of Ivan Bernardelli	0
Reconsidering Isadora Duncan’s Global Legacy: The Reception of Duncan’s Writing and Dance in China	0

To Change Is to Be Historically Grounded	0
Historicizing the Aesthetic of the Cool: Africanisms in Context	0
Introduction to issue 47.2	0
Dancing Through Questions: A Sociological Approach to Studying Choreography	0
Dancing Women: Navigating Uzbekistan's Cultural Crossroads	0
Crossing Cultures: The Transnational Career of Ram Gopal	0
Responsibility & Reciprocity in Dance Studies Dancing Indigenous Worlds: Choreographies of Relation By Jacqueline Shea Murphy. 408 pp. Illustrated. Minneapolis and L	0
Phoenix – The New Wisdom	0
Curricular Change as a Battle Strategy: Teaching Dance Historiographies Instead of Dance History	0
Falling Again and Again	0
Whose Suffering Matters? The Persistence of Abuse and Mistreatment	0
Dancing Face from Battle Moves to Music Videos	0
Cross-cultural Identities: An Interdisciplinary Analysis of the jota in The Three-Cornered Hat (1919)	0
The Pedagogical Possibilities of Process: A Conversation About Editing and Publishing in Dance Studies	0
James Baldwin’s Lean: Gratuitous Violence and Black Performativity in Take This Hammer	0
Dance as Radical Action: A Riveting Journey through Dance, Activism, and Global Politics	0
The Fate of La Feste : An Affective Reading of Maximilien Gardel’s Mirsa Ballets	0
Universalizing the Specific: Janet Collins’s Spirituals and Genesis	0
She Paradise: Embodying Afro-Barbadian Womanhood	0
Combatting Anti-Asian Violence Through Chinese Dance in Atlanta We Belong Here: Rising Against Asian Hate Atlanta Chinese Dance Compan	0
Danced by Invisible Forces	0
Frederick Ashton’s A Month in the Country : An Evocation of Feminist Practices	0
Ordering Movement, Ordering the Past Democracy Moving: Bill T. Jones, Contemporary American Performance, and the Racial Past By Ariel Nereson. 290pp. Illustrated. Ann A	0
From within the Shadows: Excavating the Underworld and Illuminating the Potentials of Queer Flamenco	0
Beyond the Stage: A Review of Dancing with the Revolution	0
The Geographies of Us Around Us: 53°31'26.4"N 113°31' 11.7"W	0
Halei Histories: Resistance through Cultural Specificity in the Qashqāi Dances of Iran	0
Folklore’s Ghosts: Haitian Folkloric Dance and the Hauntings of an Entangled History	0
Illuminating Perspectives: The Transnational, Transtemporal, and Transmedial Dynamics of Modern Dance in and beyond China	0
Introduction to Issue 47.3	0
Dancing with the Stars and Stripes: Sensation as Spectatorial Choreography in Pope.L’s Trinket	0
Reimagining Byzantine Dance XOPÓΣ: The Dance of Adam. The Making of Byzantine Chorography, The Anthropology of the Choir of Dance in Byzantium	0
Dancing as Connecting, to Our Inner Selves and Larger Communities	0
Dance as Cultural/Performance Text: Decoding the Cultural Labor of Purulia Chhau in India	0
Memory, Female Agency, and Geometry in African Caribbean Skirt Dances in Trinidad and Tobago	0
From Representation to Redistribution: Border Crossings Border Crossings: Exile and American Modern Dance Exhibition at the New York Public Library fo	0
How Histories and Pedagogies Intertwine: An Educator’s Purpose	0
Rooted Jazz Dance: A Path Forward	0
Introduction to Issue 48.2	0
Strolling from Jazz to Funk	0
Waltzing: The Development and Social Politics of Progressive Rotation	0