OOIR: Observatory of International Research

Papers

(The TQCC of Dance Chronicle is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-04-01 to 2024-04-01.)

Article	Citations
The Pathology of Joker’s Dance: The Origins of Arthur Fleck’s Body Aesthetics in Todd Phillips’s 2019 Joker Film	7
Critical Reflection in Action, or Learning to Live Again, and Again	1
The Russian Artistic Genius through the Ages	1
How “modern” has German Modern Dance Remained?—The Case with the 2022 UNESCO Inscription	1
Forced Secularization and Postmodern Discourses within Contemporary Performance: Weaponizing Multicultural Rhetoric to Ratify Asymmetries among Dance Practitioners	1
Falling Again and Again	0
Resituating Noverre within Enlightenment Encyclopedias	0
Creative Critical Representation of the Choreographer’s Creation Process	0
Between Cloister and Court, Virtue and Virtuosity: Gestural Discourse in Medieval Monastic Literature and Early Modern Dance	0
Baladi and Beyond Popular Dance and Music in Modern Egypt By Sherifa Zuhur Jefferson, North Carolina: McFarland and Company, 2022. $45.00 paper. ISBN 9781476681993 (prin	0
The Fate of La Feste : An Affective Reading of Maximilien Gardel’s Mirsa Ballets	0
A Flashlight in the Dark: Shaping Dance Canons by Kate Mattingly Shaping Dance Canons: Criticism, Aesthetics, and Equity By Kate Mattingly	0
Muslim Youth in K-pop Dance Practices: Performative Responses against Islamic Norms in Malaysia	0
Ordering Movement, Ordering the Past Democracy Moving: Bill T. Jones, Contemporary American Performance, and the Racial Past By Ariel Nereson. 290pp. Illustrated. Ann A	0
Expanding Butoh Studies: Now We Have a ChronicleA *History of Butô* By Bruce Baird. 288 pp. Illustrated. New York: Oxford University Pre	0
Choreographing Appalachia as America: The Hazards of Nostalgia on the Concert Stage	0
Beth Dean: Aspects of the Work of an Australian “Ethnic Dancer”	0
“La Nijinska: Revealing and Constructing Legacy”	0
The Searing and Fleeting Improvisational World of Grand Union	0
Reimaging Human Bodies and Death with Vibrant (Dark) Matters and Puppetry	0
Theater Dance’s Material Underneath	0
Making the Museum Dance: Simone Forti’s Huddle (1961) and its Acquisition by the Museum of Modern Art	0
Aesthetic Form and the Political: Two Perspectives on Protest in the Choreography of William Forsythe and Kevin Iega Jeff	0
“My Walking is My Dancing”: The Relationship between Dance and Music in Anne Teresa De Keersmaeker’s Work	0
Choreographing Queer Social Bodies: Chinese Choreographer Hu Shenyuan’s Cross-Stage Practices	0

Dance as Radical Action: A Riveting Journey through Dance, Activism, and Global Politics	0
Accounting and Accountability: How the NEA Funded Dance	0
Interrogating Histories and Historicizing Dance Studies	0
Introduction to issue 47.2	0
Dynamic Frames for Site Dance	0
Dance Chronicle’s Past and Futures	0
Pluriversal Embodiment Tout-Moun by Héla Fattoumi and Éric Lamoureux/ViaDanse Tropiques Atrium, Fort de France, Martinique, October 7, 2023	0
Mondays with Merce: A Mercist Project of Space, Time, and Screen	0
Encounters, Exchanges, and Ruptures: An Exhibition Catalog of Global Artists	0
From Harming to Healing: Multifaceted Perspectives on Ballet	0
Cooperation, Communication, and Collaboration: The Sociality of a Corps de Ballet	0
Journeying Toward Center with the late Nancy Topf	0
Existence as Insistence: Dance Theatre of Harlem Chronicles an Organization’s Prescience	0
To Feel and to Move: Tracing the Borders of Dance Studies and Refugee Studies *Involuntary Motion: The Somatics of Refugee Performance*	0
Rooted Jazz Dance: A Path Forward	0
How Blackness Informs Global Filipino Corporeality: The Embodied and Racial Politics of Afro-Filipino Hip-Hop Dance	0
Dancing Noh and Kabuki in Japanese Shakespeare Productions	0
Global Dance Histories and Contemporary Pedagogies: Alternative Routes	0
Connections and Missed Connections: Russian Emigrés Bring Ballet to An American City (Chicago, 1924)	0
From Representation to Redistribution: Border Crossings Border Crossings: Exile and American Modern Dance Exhibition at the New York Public Library fo	0
James Baldwin’s Lean: Gratuitous Violence and Black Performativity in Take This Hammer	0
Reconsidering Isadora Duncan’s Global Legacy: The Reception of Duncan’s Writing and Dance in China	0
Combatting Anti-Asian Violence Through Chinese Dance in Atlanta *We Belong Here: Rising Against Asian Hate* Atlanta Chinese Dance Compan	0
Crip Aesthetics and a Choreographic Method of Leakiness	0
Broken Promises: Developing a Practice of Listening and Attuning to Feminists in Breaking	0
Medieval Dance: Transmissions and Traces	0
Florence Treadwell Boynton in Progressive Era Berkeley: Early Modern Dance and California’s Political Unconscious	0
The Unreconciled Dichotomy: Preservation and (Re)Creation of Dance Heritage in South Korea	0
Interdisciplinary Rewards and Challenges	0
Making Dance Work in West Africa: Women Artists in a Shifting Landscape of Institutional Patronage	0
Why Don’t Choreographers Copyright Their Works?	0
Dance Education from Different Perspectives	0
Ballet as Discourse: Environment, Diversity, and Colonialism in La Source	0
“Capoeira cannot be played alone”: Dancing Dialogues Around the World and on the Page Capoeira Connections: A Memoir in Motion By Katya Wesolowski. 280pp. Illustrated.	0
Kenneth MacMillan and the Visual Arts: A Case Study	0
More than Meets the Eye: Towards Critical Institutional Research in Dance Studies	0
Status and Salary: Hiring a Ballet Troupe for the Opera Il Farnaspe (Siena, 1750)	0
Methods and Models: A Compelling Anthology for Researchers and Educators Dance Research Methodologies: Ethics, Orientations, and Practices Edited by Rosemary Candelario	0
Eden in Sin City: Adapting for the Musical Theater Body in Takarazuka Revue’s Ocean’s 11	0
Mapping as Historiographic Practice: The Ballet Landscape in Interwar Greece	0
Social Ghosts and Collective Bodies in Rosemarie Roberts’ Baring Unbearable Sensualities: Hip Hop Dance, Bodies, Race, and Power	0
Ruth Page: An American Original Gets Her Due	0
Dancing with the Stars and Stripes: Sensation as Spectatorial Choreography in Pope.L’s Trinket	0
Robert Helpmann’s Many Roles: A Variegated Portrait	0
Sufi Dance, Trance, and Psychophysical Performance: Transcultural Elements in Jerzy Grotowski’s Theater	0
Becoming A Frame	0
Unlocking the Beauty of Screendance: A Journey through History, Curatorial Practice, and Personal Reflections Screendance from Film to Festival: Celebration and Curatorial Practice	0
Memoir as Tribute: Remembering Merce Cunningham	0
Finding Les Ballets Suédois	0
Diderot, Sedaine, Dauberval: La Fille mal gardée and Diderot’s Stage Tableau	0

Who Takes Ballet and Why? A History of Ballet Class for the Casual Dancer	0
Right to Refusal: Consent and Rejection in Social Swing Dancing	0
This Ass is Magic: The Black Feminist Power of Twerking	0
Reimagining Byzantine Dance XOPÓΣ: The Dance of Adam. The Making of Byzantine Chorography, The Anthropology of the Choir of Dance in Byzantium	0
Ariadne’s Thread: A Depth Psychology Exploration of Liminal Immanence in Dance/Movement	0
Visibility and Values: A Compelling Analysis of Dancing and Why It Matters *Dancing Women: Choreographing Corporeal Histories of Hindi Cinema*	0
Usable for whom? Reflections on public, political art	0
Post-Traumatic Expression in Western Contemporary Concert Dance Choreography: A Practice-Based Perspective	0
Embodying Flexibility: The Aesthetics and Politics of British South Asian Dance	0
Around the Mirror Ball: The Globalization and Glocalization of Disco	0
More Than We Think: A New Approach to Medieval Religious Dance	0
Founding Editors’ Awards, Honoring Richard Ralph in 2019–2020	0
Decentering and Centering East Asian Dance: Language and Location in Transnational Dance Research	0
Conjuring Lines of Flight in a World of Black Social Death	0
One Perspective, Many Voices	0
The Space of Memory: Bill T. Jones’s Analogy Trilogy	0
Methodologies and Missteps: Reflections on Research as a Generative Praxis *Dances of José Limón and Erick Hawkins* By James Moreno. 123	0
Tapping the Margins : Feminist Research in Tap Dance History	0
Dressage Performances as Infrastructural Critique: Mike Kelley and Yvonne Rainer’s Dancing Horses	0
Universalizing the Specific: Janet Collins’s Spirituals and Genesis	0
Queer Shadows of Balanchine’s Orpheus (1948)	0
Indian Dance Criticism as Decolonial Post-Performance Performative	0
In Memoriam: Naomi Mindlin (1948-2022)	0
Dance and the Twilight of Capitalism	0
Ballet Pedagogy and a “Hard Re-Set”: Perspectives on Equitable and Inclusive Teaching Practices	0
Rethinking Modernism and Modernity: A Dance Approach	0
Antonia Mercé La Argentina and the Moving Image: Attractions and Frictions between Cinema and Dance	0
Configuring Konfituerenburg: How Fixing the Nutcracker’s Trepak Helped Build the National Image	0