Dance Chronicle

Article	Citations
Broken Promises: Developing a Practice of Listening and Attuning to Feminists in Breaking	2
Accounting and Accountability: How the NEA Funded Dance	2
Dramaturgies of the Moving Body: Musical Theatre Dancing	2
From Harming to Healing: Multifaceted Perspectives on Ballet	1
Incarnating Black Feminist Politics: Ronya-Lee Anderson’s Black Madonna and Miss Amerika	1
Illuminating Disdéri’s Cartes-de-Visites and Dancers’ Lives During the French Second Empire	1
Mondays with Merce: A Mercist Project of Space, Time, and Screen	1
To Feel and to Move: Tracing the Borders of Dance Studies and Refugee Studies Involuntary Motion: The Somatics of Refugee Performance	1
Sommerszene 2024: Changing Views	1
Journeying Toward Center with the late Nancy Topf	1
Can the Structuralist Subject Dance? Trisha Brown, Gilles Deleuze, and the Performative Structure-Object	1
Becoming A Frame	1
Folklore’s Ghosts: Haitian Folkloric Dance and the Hauntings of an Entangled History	0
How “modern” has German Modern Dance Remained?—The Case with the 2022 UNESCO Inscription	0
Indian Dance Criticism as Decolonial Post-Performance Performative	0
Dance and the Twilight of Capitalism	0
Dance Education from Different Perspectives	0
More Than We Think: A New Approach to Medieval Religious Dance	0
Coming in with the Rain: Celebrating Circum-Caribbean Dance	0
Interdisciplinary Rewards and Challenges	0
Unruly Choreographies and the Contradictions of Safety	0
Danced by Invisible Forces	0
Strolling from Jazz to Funk	0
Critical Hope, Ethics, and the Future of Performing Arts in Higher Ed	0
Friction, Fusion, and Fire Heat and Alterity in Contemporary Dance: South-South Choreographies By Ananya Chatterjea. 289 pp. Illustrated. London: Palgrave Macmillan, 202	0

Muslim Youth in K-pop Dance Practices: Performative Responses against Islamic Norms in Malaysia	0
Dressage Performances as Infrastructural Critique: Mike Kelley and Yvonne Rainer’s Dancing Horses	0
Witnessing Ailey’s Legacy at/of the Edges	0
Frederick Ashton’s A Month in the Country : An Evocation of Feminist Practices	0
Medieval Dance: Transmissions and Traces	0
Reconsidering Isadora Duncan’s Global Legacy: The Reception of Duncan’s Writing and Dance in China	0
In Xōchitl In Cuīcatl (Flower and Song)	0
The Double-Edged Sword of Popular Dance: Visibility and Disavowal Dance in US Popular Culture . Edited by Jennifer Atkins. 358 pp. Illustrated. Abingdon Oxon: Routledge,	0
Cumbia, Myths, and Resistance in Caribbean Colombia	0
A Flashlight in the Dark: Shaping Dance Canons by Kate Mattingly Shaping Dance Canons: Criticism, Aesthetics, and Equity By Kate Mattingly	0
Encounters, Exchanges, and Ruptures: An Exhibition Catalog of Global Artists	0
“La Nijinska: Revealing and Constructing Legacy”	0
Existence as Insistence: Dance Theatre of Harlem Chronicles an Organization’s Prescience	0
Participating in Competitions to Go to University: The Discourse of Ballet Competitions in South Korea	0
This Ass is Magic: The Black Feminist Power of Twerking	0
Right to Refusal: Consent and Rejection in Social Swing Dancing	0
Tribute to János Fügedi	0
Casting and Inclusivity in the Broadway Musical Broadway Bodies: A Critical History of Conformity By Ryan Donovan. 316 pp. Illustrated. New York: Oxford University Pres	0
Filippo Taglioni: A Major Figure of the Romantic Ballet in Transnational Context	0
Resituating Noverre within Enlightenment Encyclopedias	0
Letting Language Dance	0
Isso não é o Brasil: The Embodied Pedagogy of Ivan Bernardelli	0
Authenticities of K-pop Cover Dance Influencers in/from Bali, Indonesia	0
Ordering Movement, Ordering the Past Democracy Moving: Bill T. Jones, Contemporary American Performance, and the Racial Past By Ariel Nereson. 290pp. Illustrated. Ann A	0
Memory Transgressed by Female Bodies: Civil Historiography Contrasted with Official Historiography	0
More than Meets the Eye: Towards Critical Institutional Research in Dance Studies	0
Dancing Between Art and Empire: Materialist and Cultural Perspectives on Salomania and Performance	0
Mutually Reinforcing: Blackface Minstrelsy and Expropriation	0
Navigating Multiple Cultures: Tara Rodman on Ito Michio	0
Conjuring Lines of Flight in a World of Black Social Death	0
Dancing as Connecting, to Our Inner Selves and Larger Communities	0
The Geographies of Us Around Us: 53°31'26.4"N 113°31'11.7"W	0
The Fate of La Feste : An Affective Reading of Maximilien Gardel’s Mirsa Ballets	0
Rooted Jazz Dance: A Path Forward	0
Alvin Ailey and Korean Dance: Writing Afro-Asian Relations into Korean Dance History	0
Embodied Histories: Dancing War by Eiko Otake and Wen Hui	0
Queer Shadows of Balanchine’s Orpheus (1948)	0
Choreographing Queer Social Bodies: Chinese Choreographer Hu Shenyuan’s Cross-Stage Practices	0
In the Beginning, There Was Groove	0
Crip Time in Performance	0
From within the Shadows: Excavating the Underworld and Illuminating the Potentials of Queer Flamenco	0
Tapping the Margins : Feminist Research in Tap Dance History	0
Shaping Modern Chinese Dance in 1985: British and American Instructors of the First Choreography Majors at the Beijing Dance Academy	0
Dance as Radical Action: A Riveting Journey through Dance, Activism, and Global Politics	0
Politics at the Center of Israeli and Palestinian Dance Moving Through Conflict: Dance and Politics in Israel By Dina Roginsky and Henia Rottenberg. 192 pp. Illustrated.	0
A Window into the Shaping of Dance across East, South, and Southeast Asia	0
Whose Suffering Matters? The Persistence of Abuse and Mistreatment	0
Accenting Dance: A Pedagogical Approach to Caribbean Dance	0
Social Ghosts and Collective Bodies in Rosemarie Roberts’ Baring Unbearable Sensualities: Hip Hop Dance, Bodies, Race, and Power	0
Embodying Tradition, Imagining Home: Baakisimba Dance and the Ugandan Diaspora	0

Usable for whom? Reflections on public, political art	0
The Imperial Reach of Blackface (and) Minstrelsy	0
The Western Gaze in RRR ’s “Naatu Naatu” and the Global Appeal of Indian Musicals	0
An Old Look at the Classics: Five Ballets from Paris and St. Petersburg	0
Around the Mirror Ball: The Globalization and Glocalization of Disco	0
She Paradise: Embodying Afro-Barbadian Womanhood	0
A Game-Changer for Nineteenth-Century Ballet Studies Times of Change: Artistic Perspectives and Cultural Crossings in Nineteenth-Century Dance Edited by Irene Brandenbur	0
How Histories and Pedagogies Intertwine: An Educator’s Purpose	0
Antiracist Approaches for Ballet: Finding Pedagogical Commonalities for Change	0
From Representation to Redistribution: Border Crossings Border Crossings: Exile and American Modern Dance Exhibition at the New York Public Library fo	0
Status and Salary: Hiring a Ballet Troupe for the Opera Il Farnaspe (Siena, 1750)	0
Crip Aesthetics and a Choreographic Method of Leakiness	0
Global Viewers’ Votes and the Disciplined Body of Mediated Street Dance	0
James Baldwin’s Lean: Gratuitous Violence and Black Performativity in Take This Hammer	0
Layering Genealogies: Multiple Histories and Agents in Chinese Modern Dance	0
Theater Dance’s Material Underneath	0
Dancing Women: Navigating Uzbekistan's Cultural Crossroads	0
Baladi and Beyond Popular Dance and Music in Modern Egypt By Sherifa Zuhur Jefferson, North Carolina: McFarland and Company, 2022. $45.00 paper. ISBN 9781476681993 (prin	0
Illuminating Perspectives: The Transnational, Transtemporal, and Transmedial Dynamics of Modern Dance in and beyond China	0
Universalizing the Specific: Janet Collins’s Spirituals and Genesis	0
Beyond the Stage: A Review of Dancing with the Revolution	0
Pluriversal Embodiment Tout-Moun by Héla Fattoumi and Éric Lamoureux/ViaDanse Tropiques Atrium, Fort de France, Martinique, October 7, 2023	0
“Capoeira cannot be played alone”: Dancing Dialogues Around the World and on the Page Capoeira Connections: A Memoir in Motion By Katya Wesolowski. 280pp. Illustrated.	0
Making Dance Work in West Africa: Women Artists in a Shifting Landscape of Institutional Patronage	0
Lady and the Wolf: Origins of the Lead/Follow System in Social Partner Dancing	0
Introduction to Issue 48.2	0
“My Walking is My Dancing”: The Relationship between Dance and Music in Anne Teresa De Keersmaeker’s Work	0
The Unreconciled Dichotomy: Preservation and (Re)Creation of Dance Heritage in South Korea	0
Breaking Tropes: Rewriting Hip-Hop History	0
Sensation, Lesbian Feminism, and Downtown Dance: Jill Johnston on the Stage/Page	0
Ballet Pedagogy and a “Hard Re-Set”: Perspectives on Equitable and Inclusive Teaching Practices	0
Visibility and Values: A Compelling Analysis of Dancing and Why It Matters Dancing Women: Choreographing Corporeal Histories of Hindi Cinema	0
Phoenix – The New Wisdom	0
In Memoriam: Naomi Mindlin (1948-2022)	0
Responsibility & Reciprocity in Dance Studies Dancing Indigenous Worlds: Choreographies of Relation By Jacqueline Shea Murphy. 408 pp. Illustrated. Minneapolis and L	0
Nothing can ever repeat, it can only start again	0
The Power of Recollection: A Journey in the Footsteps of Amir Kolben's Via Dolorosa	0
Global Dance Histories and Contemporary Pedagogies: Alternative Routes	0
Dancing Face from Battle Moves to Music Videos	0
Ruth Page: An American Original Gets Her Due	0
Reimagining Byzantine Dance XOPÓΣ: The Dance of Adam. The Making of Byzantine Chorography, The Anthropology of the Choir of Dance in Byzantium	0
Crossing Cultures: The Transnational Career of Ram Gopal	0
Edinburgh Festivals’ Homogeneity Problems: When a 'Global Platform' Lacks Global Representation	0
Close to Home The Jazz Continuum By LaTasha BarnesThe Kennedy Center, Eisenhower Theater, Washington, DC November 17-18, 2023	0
Reclaiming Dance’s Interdisciplinary Knowledge and Intermediality in the Museum	0
Becoming Al-Sarab: A Dance Education Narrative	0
Methods and Models: A Compelling Anthology for Researchers and Educators Dance Research Methodologies: Ethics, Orientations, and Practices Edited by Rosemary Candelario	0
Making the Museum Dance: Simone Forti’s Huddle (1961) and its Acquisition by the Museum of Modern Art	0
Unlocking the Beauty of Screendance: A Journey through History, Curatorial Practice, and Personal Reflections Screendance from Film to Festival: Celebration and Curatorial Practice	0
A Rave Review Raving By McKenzie Wark. 136 pp. Illustrated. Durham : Duke University Pre	0
Essentializing Commercial Dance	0
Dancing Back to the Motherland	0
Steps and Strides: Voices of Dancing Mothers, Dominique Jones , Dancing Motherhood , By Ali Duffy. 188 pp. Illustrated. New York: Routledge, 2023. $22.95 (pbk). ISBN 9780367619275 (pbk), ISBN 97810031	0
Expanding Butoh Studies: Now We Have a ChronicleA History of Butô By Bruce Baird. 288 pp. Illustrated. New York: Oxford University Pre	0
Ariadne’s Thread: A Depth Psychology Exploration of Liminal Immanence in Dance/Movement	0
Forced Secularization and Postmodern Discourses within Contemporary Performance: Weaponizing Multicultural Rhetoric to Ratify Asymmetries among Dance Practitioners	0
Falling Again and Again	0
Dancing with the Stars and Stripes: Sensation as Spectatorial Choreography in Pope.L’s Trinket	0
Introduction Part 2: An Interview with George Dorris	0
Reflections on Narrative Techniques and Popularization in Contemporary China’s Main Melody Dance Dramas Only This Green (2021) By The Palace Museum, China Oriental Perfo	0
Remembering Margaret Williams: Experimentation and Legacy - A Conversation between Victoria Marks and Jingqiu Guan	0
Combatting Anti-Asian Violence Through Chinese Dance in Atlanta We Belong Here: Rising Against Asian Hate Atlanta Chinese Dance Compan	0
Stories, Strategies, and Provocations: NCCAkron Brings an Abundance	0
Transformative Global Expansions of Butoh Dance in BUTOH AMERICA	0
Christopher Rudd’s Lifted and Gia Kourlas’s Review: Turning a Mirror Towards the White Gaze Lifted By Christopher Rudd, October 29, 2022Da	0
Cross-cultural Identities: An Interdisciplinary Analysis of the jota in The Three-Cornered Hat (1919)	0
Introduction to issue 47.2	0
Edward Kamau Brathwaite’s Kinetics: A Poetics of Performance	0
From Margins to Memory: Reclaiming the Hidden Archives of (Post)Socialist Dance	0
Beth Dean: Aspects of the Work of an Australian “Ethnic Dancer”	0
Embodying Flexibility: The Aesthetics and Politics of British South Asian Dance	0
How Blackness Informs Global Filipino Corporeality: The Embodied and Racial Politics of Afro-Filipino Hip-Hop Dance	0
Memory, Female Agency, and Geometry in African Caribbean Skirt Dances in Trinidad and Tobago	0
Interrogating Histories and Historicizing Dance Studies	0
To Inhabit: Dancing Resistance in Puerto Rico	0
Why Don’t Choreographers Copyright Their Works?	0
Connections and Missed Connections: Russian Emigrés Bring Ballet to An American City (Chicago, 1924)	0
Introduction to Issue 47.3	0
“Hold On to That Feeling”: Baker Rogers’s King of Hearts: Drag Kings in the American South	0
Mapping as Historiographic Practice: The Ballet Landscape in Interwar Greece	0

Sufi Dance, Trance, and Psychophysical Performance: Transcultural Elements in Jerzy Grotowski’s Theater	0
Methodologies and Missteps: Reflections on Research as a Generative Praxis Dances of José Limón and Erick Hawkins By James Moreno. 123	0
Mr. Isaac and his Dances	0