OOIR: Observatory of International Research

Papers

(The TQCC of Historical Journal of Film Radio and Television is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-08-01 to 2026-08-01.)

Article	Citations
The digital Double Blind: Change and stasis in the Middle East	4
Decontextualisations in German Überläufer Comedies: The Reception and Political Aesthetic of Die Fledermaus ( The Bat , 1946)	3
Broadcasting the ‘Voice of Science’ on America’s Town Meeting of the Air: Public Education, Popular Entertainment, and Post-World War II Scientific Ambivalence	3
Preserving the Imperial Project: Documenting Film Censorship Practices in the Gold Coast (Ghana)	2
Southern Censorship against Hollywood in Better Films Committees and Local Censorship Boards: Film Control as a Woman’s Political Weapon	2
Correction	2
The Endless End of Cinema: A History of Crisis and Survival in Hollywood	2
Chronology of the Birth of Cinema 1833-1896	2
Play Time: Jacques Tati and Comedic Modernism	2
John Feeney at the National Film Board of Canada: Scripting Inuit Modern Art	2
Offensive Screens: The Italy-China Diplomatic Agreement (1936–37) and the Transnational Censorship of Films	2
Schools and Screens: A Watchful History	2
Material Lives of Cold War Radio Pasts in India	1
Cuts and Controversy in Pre-Code Hollywood Horror: The Case of James Whale’s Frankenstein and The Bride of Frankenstein	1
Campbeltown Speaks: Small-Town Cinema and the Coming of Sound	1
Video, Feminism and Television: A Trajectory of the Brazilian Feminist Collective Lilith Video, 1983–1988	1
Columbo: Make Me a Perfect Murder	1
Asta Nielsen, the Film Star System and the Introduction of the Long Feature Film	1
The Political Thriller in Contemporary American Cinema: Hollywood, D.C	1
Franchising a Classic: Stanley Kubrick, Arthur C. Clarke, MGM and the Exploitation of 2001: A Space Odyssey	1
Lost in Translation	1
Hollywood’s Unofficial Film Corps: American Jewish Moviemakers and the War Effort	1
Experimental Filmmaking and Punk: Feminist Audio Visual Culture in the 1970s and 1980s	1
Scripting Empire: Broadcasting, the BBC, and the Black Atlantic	1
Old West, New Audiences: Wildlife Documentaries, Non-Theatrical Exhibition, and the Us Wilderness Culture Industry, 1928–1930	1

The History of German Literature on Film	1
Emergence of Colour Film Laboratories in Bombay: A Historical Narrative of Technological Dependence, Redesign and Inordinate Delay of Colour Cinema	1
Gold Dust on the Air: Television Anthology Drama and Midcentury American Culture	1
St. Louis by Design in Escape from New York (1981)	0
STORM OVER ASIA (1928) and SÜKHBAATAR (1942): Soviet Imagining of Mongolia – From Orientalism to the Cult of Personality	0
The Eyes of Power: Intellectual Vision in Contemporary Chinese Local Film Censorship	0
Remapping the Cold War in Asian Cinemas	0
Policing Show Business: J. Edgar Hoover, the Hollywood Blacklist, and Cold War Movies	0
Correction	0
Rewind, Replay: Britain and the Video Boom, 1978–92 Rewind, Replay: Britain and the Video Boom, 1978–92 JOHNNY WALKER, 2022 Edinburgh, UK, Edinburgh University Press pp.	0
The Attraction of the Moving Image: Essays on History, Theory and the Avant-Garde	0
A New Genre for Television? Creativity in Historical Drama Documentary	0
John Hamrick’s Blue Mouse Cinemas: Independent Exhibition and Influence in the Studio Era	0
Contemporary Art Cinema Culture in China	0
The Ascent of the Nazis and the Downfall of the Catholic Company, Leo-Film AG	0
Resurrecting the Black Body: Race and the Digital Afterlife	0
Bigger Than Life: The Close-Up and Scale in the Cinema Bigger Than Life: The Close-Up and Scale in the Cinema MARY ANN DOANE, 2021Durham, NC, Duke University Press pp. x	0
Film Noir and Los Angeles: Urban History and the Dark ImaginaryFilm Noir and Los Angeles: Urban History and the Dark ImaginarySEAN W. MAHER, 2022New York, Routledge Press pp. vi + 211 + index, $52.95	0
From Stage to Screen: The Legacy of Traditional Chinese Theatre in Chinese Martial Arts Cinema Soundtracks	0
The First Movie Studio in Texas: Gaston Méliès’s Star Film Ranch	0
It’s all in the Delivery: Pregnancy in American Film and Television Comedy	0
Fighting Without Fighting: Kung Fu Cinema’s Journey to the West	0
‘Problems Which Do Not Exist in the Field of Sound Alone’: Policies Against ‘Free Advertisement’ on Early BBC Television	0
Hollywood Unions	0
The Shadow of Oru Palace: Contending narratives at a national monument site	0
Hitler Youth Quex: A Guide for the English-Speaking Reader	0
Film, Hot War Traces and Cold War Spaces Film, Hot War Traces and Cold War Spaces MAURIZIO CINQUEGRANI, 2022Edinburgh, Edinburgh University Press pp. ix + 203, illus.,	0
The Role of Film Archives in Creating Canons of Eastern European Cinema	0
Radiophilia	0
Beyond The Movie Theater: Sites, Sponsors, Uses, Audiences	0
The Battle of Neretva (1969): Production, Exhibition, Reception, Aesthetics, and Historiography	0
The Screen Censorship Companion: Critical explorations in the control of film and screen media	0
MISSING LINKS: THE AFTERMATH of THE NAZI ERA IN GERMAN AND EUROPEAN FILM HISTORY	0
Socialist China’s Participation in the Asia-Africa Film Festival (1958–1964)	0
Alien Invasion Films: Imperialism, Race and Gender in the American Security State 1950-2020	0
Monstrous Youth: Transgressing the Boundaries of Childhood in the United States Monstrous Youth: Transgressing the Boundaries of Childhood in the United States SARA AUST	0
Filming in European Cities: The Labour of Location	0
Picturegoing: A Critical Anthology of Eyewitness Experiences Picturegoing: A Critical Anthology of Eyewitness Experiences LUKE MCKERNAN, 2022Exeter, University of Exeter	0
Frequencies of Deceit: How Global Propaganda Wars Shaped the Middle East	0
The BBC’s Legacy in Africa: Continuities and Change	0
‘Anyone Can Put On Clothes, Right?’: Costume Design and Styling as Women’s Work in Dutch Media Production	0
Imitation of Life: Cross-Cultural Reception and Remakes in Turkish Cinema	0
Correction	0
Wartime Cinema, Englishness and Propaganda: Michael Powell and the ‘Pressburger Touch’	0
Revisiting the financial interest & syndication rules: A discursive and industrial analysis of U.S. Television production, 1971–1990	0
Buster Keaton: A Filmmaker’s Life	0
The Multimedia Show ‘Congorama’ at Expo 58: The Colonial as Spectacle, the Spectacle as Colonial	0
The Cinematographic Activities of Charles Rider Noble and John Mackenzie in the Balkans	0
The Myth of Stalin and the Death of Hitler: André Bazin and The Fall of Berlin ’s Transnational Travels	0
On the Phenomenology of Media in the 1930s: Blaustein On Cinema and Radio Experiences	0

SceneWriting: The Missing Manual for Screenwriters SceneWriting: The Missing Manual for Screenwriters CHRIS PERRY and ERIC HENRY SANDERS, 2022New York, NY, Bloomsbury Ac	0
Feeling Colour: Chromatic Embodiment in Film Culture (1950s–1960s)	0
Exotic Cinema: Encounters with Cultural Difference in Contemporary Transnational film	0
Mission unaccomplished: American War films in the twenty-first century	0
Fate in Film: A Deterministic Approach to Cinema	0
‘Shrink to the Stars’: Exploring Therapeutic Broadcast Talk on BBC Radio 4’s In The Psychiatrist’s Chair	0
The Intellect Handbook of Adult Film and Media	0
Film Curatorship: Archives, Museums, and the Digital Marketplace, 2nd Edition	0
The BBC’s Controversy Committee, 1928–1929	0
Bette Davis Black and White	0
A Wonderful (After) Life: Public Domain Works and Television Discourse	0
From Oral Storytelling to Serial Drama: Intermedial Continuities in Mid-20th-Century Egypt	0
Murder, She Wrote	0
Announcement	0
‘Grands Enfants’, or Potential Rebels? Newsreel Censorship in the Belgian Congo (1952–56)	0
Broadcasting a Legend: The Canadian TV Miniseries The Arrow (1997)	0
New Perspectives on Early Cinema History: concepts, approaches, audiences	0
Die Hard	0
Kubrick and race	0
Infrastructures of Influence: The British Federation of Film Societies and the Circulation of Soft Power, 1960–2000	0
It’s a Wonderful Life	0
Playing the Percentages: How Film Distribution Made the Hollywood Studio System	0
Aesthetics of the In-Between: Traces of Transitional Times in Woman Overboard (W. Staudte, 1945–1952)	0
I’d just as soon kiss a wookiee: Uncovering racialized desire in the star wars galaxy	0
Cold War Children’s Television: Philadelphia as a Case Study	0
The Art of the Observer: A Personal View of Documentary	0
Our Blessed Rebel Queen: Essays on Carrie Fisher and Princess LeiaOur Blessed Rebel Queen: Essays on Carrie Fisher and Princess LeiaLINDA MIZEJEWSKI and TANYA D. ZUK (eds.), 2021Detroit, Wayne State U	0
Reality, Magic, and Other Lies. Fairy-Tale Film Truths	0
Columbo: Paying Attention 24/7	0
The Passion of Pedro Almodóvar: A Self Portrait in Seven Films	0
James Bond will return: Critical perspectives on the 007 film franchise	0
The Politics of the Marvel Cinematic Universe, Volume 2: Into the Multiverse	0
Transnational Television Caricature: The Global Spread of Spitting Image 1984–1994	0
Screen Workers and the Irish Film Industry	0
The Dark Interval: Film noir, Iconography and Affect The Dark Interval: Film Noir, Iconography and Affect PADRAIC KILLEEN, 2022New York, Bloomsbury pp. 271, $162.00 (clo	0
Kill the Documentary: A Letter to Filmmakers, Students, and Scholars Kill the Documentary: A Letter to Filmmakers, Students, and Scholars JILL GODMILOW, 2022New York, Co	0
Rockstar Games and American History: Promotional Materials and the Construction of Authenticity	0
Outsider Cinema: Independent and Amateur Filmmaking in Northern Ireland, 1929-1989	0
Crafting Contemporary Documentaries and Docuseries for Global Screens: Docu-mania	0
The Enchanting Kinora: Domesticating Moving Images in Edwardian Britain	0
Feminism and the Cinema of Experience	0
Music in Orbit: Satellite Radio in the Streaming Space Age	0
What Did the Haji Jawa See in Mecca? A film from 1928 as Primary Source	0
French Film History, 1895–1946	0
Chinese Film: Realism and Convention from the Silent Era to the Digital Age	0
Collective Joy and Mild Rebellion: Children’s Matinees at the Odeon Cronulla	0
The Films of Aleksandr Rou: Father of Soviet Fairy Tale Cinema	0
Haunted by Vertigo: Hitchcock’s Masterpiece Then and Now	0
June Mathis: The Rise and Fall of a Silent film Visionary	0
Ingmar Bergman Out of Focus: Film Cultures and International Reception	0
Early Cinema and Optical Media: An Index to Print Anthologies and Exhibition Catalogues – Part 2	0
Miami Studios and Early Film Production in South Florida	0
Letters from the Pacific: Race in Silent Hollywood’s Transnational Reception	0
British Cinema in a Divided Nation	0
‘Well they Weren’t Married!’: The Marriage Bar at Radio/Telefís Éireann 1962–72	0
Wire Exorcism: Radio Berlin Persian Service and the Making of Wireless Modernity in Iran	0
Scratches and Glitches: Observations on Preserving and Exhibiting Cinema in the Early 21st Century	0
The Oxford Handbook of Radio and Podcasting	0
Documentary Film and the Volga Famine: Save the Children Fund’S Famine (1922)	0
‘A Brilliant Meteor Across the Filmic Heavens’: Brigitte Helm in British Film Culture, 1926–33	0
Evading Censorship. Spanish Radio Disobedience During Late Francoism	0
A Gathering Place for Outlaws: Fugitive Cinema’s Alternative Film Distribution	0
The Red Shoes	0
Translating Radio Productions into Television Programmes: The Post-War Career of BBC Writer/Producer Nesta Pain	0
Josephine Baker’s Secret War: The African American Star Who Fought for France and Freedom	0
Correction	0
Nazi ‘black’ Propaganda to Britain: Secret Radio Stations and British Renegades	0
The Empire Symphony Film: Fascist Documentary, Infrastructure, and the Avant-Garde	0
From Prison to Censorship: Devil’s Island Films (1926–1940)	0
Bastard Theatres and Human Dregs: Cultures of Illegitimacy on 42 ^nd Street	0
All the President’s Men	0
Silent Film and the Formations of U.S. Literary Culture: Literature in Motion	0
Cinema Memories: A People’s History of Cinema-Going in 1960s Britain Cinema Memories: A People’s History of Cinema-Going in 1960s Britain MELVYN STOKES, MATTHEW JONES an	0
Suitcase of Soundscapes: The London Transcription Service and the Packaging of Wartime Sounds for the BBC’s Global Radio Audience	0
Mavericks: Interviews with the world’s iconoclast filmmaker	0
The Cinema of Manoel de Oliveira. Modernity, Intermediality and the Uncanny	0
Trailblazing Women of Australian Public Broadcasting, 1945-1975	0
Black Mirror: Allegories for the Atomised	0
Unstaged Grief: Musicals and Mourning in Midcentury America	0
Polish Radio Art: The Case of Eugeninsz Rudnik and the Polish Radio Experimental Studio, 1959–2002	0

Reworking the Eastern European Past through Audiovisual Archival Practices	0
Women in the Work of Woody Allen	0
Smartphone Filmmaking: Theory and Practice	0
Global TV Series and the Political Imagination	0
‘A Strange World of Fantasy’: The Radio Propaganda of the Rhodesian Broadcasting Corporation, 1964–1970. ¹	0
A risky venture: Typhoon Over Nagasaki and the particularity of Franco-Japanese cinematic co-production	0
Provenance and Early Cinema	0
Imperial Interest, Regional Politics and British Film Quotas in Post-war Hong Kong and Singapore	0
Ida Lupino: Multifaceted performer and cinematic pioneer	0
Filming History from Below: Microhistorical Documentaries	0
TV Snapshots – An Archive of Everyday LifeTV Snapshots – An Archive of Everyday LifeLYNN SPIGEL, 2022Durham and London, Duke University Press pp. ix + 315, illus., $107.95 (cloth), $28.95 (paper)	0
SHIN FILMS PRESENTS: THE ‘KOREAN-STYLE’ STUDIO SYSTEM AND THE MODERNIZATION OF THE FILM INDUSTRY In SOUTH KOREA, 1952–1975	0
My Place in the Sun: Life in the Golden Age of Hollywood and Washington My Place in the Sun: Life in the Golden Age of Hollywood and Washington GEORGE STEVENS,JR., 2022L	0
Sitcoms and Culture	0
Love Wars: Television romantic comedy	0
Esfir Shub: Pioneer of Documentary Filmmaking	0
The Popes on Air: The History of Vatican Radio from Its Origins to World War II	0
Shakespeare on the Radio: A Century of BBC Plays	0
The Parallax View]	0
Steven Spielberg’s Children	0
Forecasting the Future Feature: How Film Industry Hierarchies Shaped Trailer Discourse, 1919–1959	0
Announcement	0
Poetry FM: American Poetry and Radio Counterculture	0
Replaying Communism: Trauma and Nostalgia in European Cultural Production	0
Clandestine Documentary Film V. Apartheid: Phela-Ndaba/End of The Dialogue (1970), Last Grave at Dimbaza (1974) and The South African Gove	0
‘No experiments’? Reprises and Remakes in 1950s West German Cinema	0
‘View’ and ‘Process’: Early British Industrial Films and Visual Culture	0
Gaza on Screen	0
Soupy Sales and the Detroit Experience: Manufacturing a Television Personality	0
WOMEN’S TELEVISION HISTORIES: LOCATING WOMEN’S ROLE in EMERGING AND DEVELOPING INTERNATIONAL TELEVISION	0
The Cinema of Extractions: Film Materials and Their Forms	0
Black America and Hollywood’s Korean War: The Steel Helmet (1951) and Pork Chop Hill (1959)	0
Frances Kavanaugh and B Westerns’ Women Writers	0
Shocking Cinema of the 70s	0
The Media History and Local Practices of Early Amateur Cinema in China (1926–1937)	0
The Documentary Audit: Listening and the Limits of Accountability	0
Breaks in the Air: The Birth of Rap Radio in New York City	0
The Iamhist-Routledge Best Article Prizes for 2022	0
In Conversation with Women Practitioners	0
Silent Film Performance: Dramatic Bodies on Screen	0
Sergio Leone: Cinema as Political Fable	0
The Offline Maintenance of the First International Film Festival During COVID-19: Institutional Adjustments and Participants’ Response	0
Waves and Radiation: Television Sets and the Fear of Biological Harm in the Cold War	0
The Americans (TV Milestones) The Americans (TV Milestones) LINDA MIZEJEWSKI, 2022Detroit, Wayne State University Press pp. 124, bibliography, $19.95 (paperback)	0
Correction	0
From Private Films to Public Memories: Revisiting the History of the ‘Forgács Archive’	0
Early Cinema and Optical Media: An Index to Print Anthologies and Exhibition Catalogues – Part 3	0
The City on Screen: Modern Strangers of Cinematic Istanbul	0
Settler Attachments and Asian Diasporic Film	0
Some Like It Hot	0
For No Reason at All: The Changing Narrative of the First World War in American film	0
Medium Wars: Adapting the Film Narrative of Star Wars for Radio	0
‘THE DELIGHT of REAL BOYS’: MALE ROLE MODELS IN THE SILENT-ERA BOYS’ CINEMA WEEKLY FAN PAPER	0
Market positioning and reception of Bad Education (Pedro Almodóvar, 2004) in Spain and the USA	0
Gender and Genre in 1990s Hollywood: Challenging the Definitions of Sex, Women, and Femininity	0
Cinematic Guerrillas: Propaganda, Projectionists, and Audiences in Socialist China	0
Studio Restructuring Without the Paramount Decree: Japanese Film Industry and Oligopoly after the 1960s	0
Radio’s Legacy in Popular Culture: The Sounds of British Broadcasting Over the Decades	0
WHEN in ROME: HOLLYWOOD RUNAWAY PRODUCTIONS, THE INTERNATIONAL FILM SERVICE, AND ROME ADVENTURE (1962)	0
Miryam de Flores: The Woman of the Port. The Legacy of a Female TV Auteur From the Colombian Caribbean Region	0
‘Unmitigated Cad’: The Dual Stardom of George Sanders ¹	0
Australian Radio Listeners and Television Viewers. Historical Perspectives	0
Rated A: Soft-Porn Cinema and Mediations of Desire in India	0
Starmaker: David O. Selznick and the Production of Stars in the Hollywood Studio System	0
Unspooled: How the Cassette Made Music Shareable	0
Hitchcock’s Number Seventeen (1932) and the British Film Quota	0
Julie Dash: Interviews	0
Murakami Haruki on Film	0
Mobilising Music in Wartime British Film	0
Adult Themes: British Cinema and the X Certificate in the Long 1960 s	0
The Last Bohemian: Brian Desmond Hurst, Irish Film, British Cinema	0
Interwar Romanies in the British Pathé (1922–1939)	0
‘Were Our Ideas of Maintaining Control Mythical?’: Film Policy at Hampton Court Palace, 1911–1989	0
Steve McQueen: Interviews (Conversations with Filmmakers Series)	0
Perpetuating Fascism: Propaganda and the Temporality of Phonography	0
The Aesthetics of Early Sound Film: Media Change around 1930	0
Slavery before Roots : Television, the Civil Rights Movement, and History TV in the 1960s	0
The British Trauma Film: Psychoanalysis and Popular British Cinema in the Immediate Aftermath of the Second World War	0
Revisiting the Weaver Years at NBC	0
Eleanor Powell: Born to Dance	0
Hidden in Plain Sight: Attending to Women’s Amateur Filmmaking Histories at the Irish Film Archive	0
‘Our Film Orgy’: the Institute for Sex Research, Cinemages, Herman Weinberg, and George Eastman House, 1958–1963	0
The Story of British Propaganda Film	0
The International Reception of Downfall (Der Untergang, 2004)	0
The musicals of Cole Porter: Broadway, Hollywood, Television	0
The Oxford Handbook of Black Horror Film	0
Films that spill: The Cinema of Transgression	0
The Richard Dyer Reader	0
The Sentimental in Chinese Cinema The Sentimental in Chinese Cinema HUIMIAO, 2022Cham, Palgrave Macmillan pp. xvi + 210, $107 (cloth)	0
Entertaining Ginnie: Visiting the Cinema and the Theatre, 1939–1945	0
Horror Film and Otherness: Film and Culture Horror Film and Otherness: Film and Culture ADAM LOWENSTEIN, 2022New York, NY, Columbia University Press pp. xiii + 229, illu	0
James Bond’s Socialist Rivals: Television Spy Heroes and Popular Culture in the Cold War East	0
Dr. No: The First James Bond Film	0
Towards a Film Theory from Below: Archival Film and the Aesthetics of the Crack-Up	0
In Tune with Changing Times: Radio’s Role in Colonisation and Decolonisation in British West Africa, 1935–1960	0