OOIR: Observatory of International Research

Papers

(The TQCC of Historical Journal of Film Radio and Television is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-09-01 to 2025-09-01.)

Article	Citations
John Feeney at the National Film Board of Canada: Scripting Inuit Modern Art	4
Southern Censorship against Hollywood in Better Films Committees and Local Censorship Boards: Film Control as a Woman’s Political Weapon	3
Broadcasting the ‘Voice of Science’ on America’s Town Meeting of the Air: Public Education, Popular Entertainment, and Post-World War II Scientific Ambivalence	3
Preserving the Imperial Project: Documenting Film Censorship Practices in the Gold Coast (Ghana)	2
The digital Double Blind: Change and stasis in the Middle East	2
The Endless End of Cinema: A History of Crisis and Survival in Hollywood	2
Experimental Filmmaking and Punk: Feminist Audio Visual Culture in the 1970s and 1980s	1
Correction	1
The lost honour of katharina blum	1
Animated Personalities: Cartoon Characters and Stardom in American Theatrical Shorts	1
Material Lives of Cold War Radio Pasts in India	1
Offensive Screens: The Italy-China Diplomatic Agreement (1936–37) and the Transnational Censorship of Films	1
Scripting Empire: Broadcasting, the BBC, and the Black Atlantic	1
Chronology of the Birth of Cinema 1833-1896	1
Asta Nielsen, the Film Star System and the Introduction of the Long Feature Film	1
Porridge: BFI Classics	1
‘I Read My Dickens’: Agatha Christie’s Unproduced Film Adaptation of Bleak House	1
Revisiting the Weaver Years at NBC	1
Play Time: Jacques Tati and Comedic Modernism	1
Schools and Screens: A Watchful History	1
Decontextualisations in German Überläufer Comedies: The Reception and Political Aesthetic of Die Fledermaus ( The Bat , 1946)	1
Sex, Politics, and Comedy: the Transnational Cinema of Ernst Lubitsch	1
Old West, New Audiences: Wildlife Documentaries, Non-Theatrical Exhibition, and the Us Wilderness Culture Industry, 1928–1930	1
Campbeltown Speaks: Small-Town Cinema and the Coming of Sound	1
Kubrick’s clockwork psychopath	0

Pulses of Abstraction: Episodes from a History of Animation	0
‘A Strange World of Fantasy’: The Radio Propaganda of the Rhodesian Broadcasting Corporation, 1964–1970. ¹	0
Radiophilia	0
Saving the Children: Humanitarianism, Internationalism, and Empire	0
The legacy of A Clockwork Orange in The Great Ecstasy of Robert Carmichael (Thomas Clay, 2005) and Bronson (Nicolas Winding Refn, 2009): ‘all form and no content’?	0
For No Reason at All: The Changing Narrative of the First World War in American film	0
The Oxford Handbook of Radio and Podcasting	0
The ‘Horror Serials’ of the 1910s: Episodes in the Construction of a Film Genre	0
Provenance and Early Cinema	0
Haunted by Vertigo: Hitchcock’s Masterpiece Then and Now	0
The Cinema of Manoel de Oliveira. Modernity, Intermediality and the Uncanny	0
Radio’s Legacy in Popular Culture: The Sounds of British Broadcasting Over the Decades	0
The Middle Ages and the Movies: Eight Key Films	0
The Biopic and Beyond: Celebrities as Characters in Screen Media	0
‘Zapata is Fighting the Enemy Here’: Defanging a Rebel in Pre-revolutionary Iran	0
British Cinema in a Divided Nation	0
‘Were Our Ideas of Maintaining Control Mythical?’: Film Policy at Hampton Court Palace, 1911–1989	0
Sport in the French Television Magazine Programme Cinq Colonnes à la Une (1959–1968)	0
Transcending the Iron Curtain: Foreign Film Weeks and Transnational Film Exchanges in the People’s Republic of China, 1949–1966	0
The British Trauma Film: Psychoanalysis and Popular British Cinema in the Immediate Aftermath of the Second World War	0
Breaks in the Air: The Birth of Rap Radio in New York City	0
‘No experiments’? Reprises and Remakes in 1950s West German Cinema	0
The Kinematograph Theatre Arrives: Part III of the London County Council and the Cinematograph	0
Rewind, Replay: Britain and the Video Boom, 1978–92 Rewind, Replay: Britain and the Video Boom, 1978–92 JOHNNY WALKER, 2022 Edinburgh, UK, Edinburgh University Press pp.	0
Labouring on A Clockwork Orange (1971): finding the voices of creative, technical, and administrative workers in the Stanley Kubrick Archive	0
Motor City Movie Culture, 1916–1925	0
Art Bell’s Open Forum: Conspiracy Talk on Coast to Coast AM and its Legacy in the Internet Age	0
Chinese Film: Realism and Convention from the Silent Era to the Digital Age	0
Studio Restructuring Without the Paramount Decree: Japanese Film Industry and Oligopoly after the 1960s	0
Hollis Frampton: Navigating the Infinite Cinema	0
Smartphone Filmmaking: Theory and Practice	0
The Aesthetics of Early Sound Film: Media Change around 1930	0
Rated A: Soft-Porn Cinema and Mediations of Desire in India	0
Our Blessed Rebel Queen: Essays on Carrie Fisher and Princess LeiaOur Blessed Rebel Queen: Essays on Carrie Fisher and Princess LeiaLINDA MIZEJEWSKI and TANYA D. ZUK (eds.), 2021Detroit, Wayne State U	0
Mavericks: Interviews with the world’s iconoclast filmmaker	0
Emergence of Colour Film Laboratories in Bombay: A Historical Narrative of Technological Dependence, Redesign and Inordinate Delay of Colour Cinema	0
Cold war II: Hollywood’s Renewed Obsession with Russia	0
Kill the Documentary: A Letter to Filmmakers, Students, and Scholars Kill the Documentary: A Letter to Filmmakers, Students, and Scholars JILL GODMILOW, 2022New York, Co	0
Visioning, Contesting and Revisioning Trinidad’s 1970 Black Power Revolt in Independent Documentary Film	0
Early Cinema and Optical Media: An Index to Print Anthologies and Exhibition Catalogues – Part 2	0
From Blue Book to White Book: The Hutchins Commission and Llewellyn White’s The American Radio	0
French cinema vs the bomb: Atomic science and a war of images circa 1950	0
Screen Workers and the Irish Film Industry	0
Lost in Translation	0
TV Snapshots – An Archive of Everyday LifeTV Snapshots – An Archive of Everyday LifeLYNN SPIGEL, 2022Durham and London, Duke University Press pp. ix + 315, illus., $107.95 (cloth), $28.95 (paper)	0
The Americans (TV Milestones) The Americans (TV Milestones) LINDA MIZEJEWSKI, 2022Detroit, Wayne State University Press pp. 124, bibliography, $19.95 (paperback)	0
Castan’s Panopticum und Passage Panoptikum, Berlin. Eine Rekonstruktion aus Programm, Literatur und Wissenschaft	0
Feeling Colour: Chromatic Embodiment in Film Culture (1950s–1960s)	0
Fate in Film: A Deterministic Approach to Cinema	0
‘Unmitigated Cad’: The Dual Stardom of George Sanders ¹	0

Announcement	0
Columbo: Make Me a Perfect Murder	0
‘Gumnut-flavoured’ British comedies and the representation of race, sexuality and suburb in Love Thy Neighbour in Australia	0
Murakami Haruki on Film	0
Shadow of a Doubt	0
Cinematic Guerrillas: Propaganda, Projectionists, and Audiences in Socialist China	0
The International Reception of Downfall (Der Untergang, 2004)	0
Miami Studios and Early Film Production in South Florida	0
The Eyes of Power: Intellectual Vision in Contemporary Chinese Local Film Censorship	0
Franchising a Classic: Stanley Kubrick, Arthur C. Clarke, MGM and the Exploitation of 2001: A Space Odyssey	0
Hitler Youth Quex: A Guide for the English-Speaking Reader	0
‘Our Film Orgy’: the Institute for Sex Research, Cinemages, Herman Weinberg, and George Eastman House, 1958–1963	0
Chinese Film Classics, 1922–1949	0
A Trip Down Market Street: A Century of ‘Eureka’ Moments	0
Requisitioning film studios in wartime Britain	0
The Story of British Propaganda Film	0
New Perspectives on Early Cinema History: concepts, approaches, audiences	0
When in Rome: Hollywood Runaway Productions, the International Film Service, and Rome Adventure (1962)	0
Correction	0
Black America and Hollywood’s Korean War: The Steel Helmet (1951) and Pork Chop Hill (1959)	0
Crafting Contemporary Documentaries and Docuseries for Global Screens: Docu-mania	0
Learning with Light and Shadows: Educational Lantern and Film Projection, 1860–1990	0
Hidden in Plain Sight: Attending to Women’s Amateur Filmmaking Histories at the Irish Film Archive	0
Filming History from Below: Microhistorical Documentaries	0
The Big Picture: The Cold War on the Small Screen	0
Hollywood in San Francisco: Location Shooting and the Aesthetics of Urban Decline	0
‘Well they Weren’t Married!’: The Marriage Bar at Radio/Telefís Éireann 1962–72	0
From Stage to Screen: The Legacy of Traditional Chinese Theatre in Chinese Martial Arts Cinema Soundtracks	0
The Screen Censorship Companion: Critical explorations in the control of film and screen media	0
‘We’ll Have No More Grapes of Wrath :’ The Origins, Rise and Impact of a Dubious Cinematic Anecdote	0
SHIN FILMS PRESENTS: THE ‘KOREAN-STYLE’ STUDIO SYSTEM AND THE MODERNIZATION OF THE FILM INDUSTRY In SOUTH KOREA, 1952–1975	0
The Cinema of Extractions: Film Materials and Their Forms	0
From Prison to Censorship: Devil’s Island Films (1926–1940)	0
Monstrous Youth: Transgressing the Boundaries of Childhood in the United States Monstrous Youth: Transgressing the Boundaries of Childhood in the United States SARA AUST	0
Scratches and Glitches: Observations on Preserving and Exhibiting Cinema in the Early 21st Century	0
The Myth of Stalin and the Death of Hitler: André Bazin and The Fall of Berlin ’s Transnational Travels	0
Aesthetics of the In-Between: Traces of Transitional Times in Woman Overboard (W. Staudte, 1945–1952)	0
The Iamhist-Routledge Best Article Prizes for 2022	0
Hitchcock’s Number Seventeen (1932) and the British Film Quota	0
The Empire Symphony Film: Fascist Documentary, Infrastructure, and the Avant-Garde	0
Unacceptable Matters: The Hays Code, Family, Film Noir and RKO Radio Pictures	0
Suitcase of Soundscapes: The London Transcription Service and the Packaging of Wartime Sounds for the BBC’s Global Radio Audience	0
Text/Author/Audience: Audience Reception of Ingmar Bergman and His Films	0
Alien Invasion Films: Imperialism, Race and Gender in the American Security State 1950-2020	0
Film Curatorship: Archives, Museums, and the Digital Marketplace, 2nd Edition	0
Correction	0
Jia Zhangke on Jia Zhangke	0
Reginald rose and the journey of 12 angry men	0
The Ascent of the Nazis and the Downfall of the Catholic Company, Leo-Film AG	0
Evading Censorship. Spanish Radio Disobedience During Late Francoism	0
Cinema off screen: moviegoing in socialist China	0
Marketing the A Clockwork Orange myth	0
Women in the Work of Woody Allen	0
Socialist China’s Participation in the Asia-Africa Film Festival (1958–1964)	0
The English Hollywood that wasn’t: shadow history and Esher’s unbuilt film studios	0
Clandestine Documentary Film V. Apartheid: Phela-Ndaba/End of The Dialogue (1970), Last Grave at Dimbaza (1974) and The South African Gove	0
The stardom film: Creating the Hollywood fairy tale	0
Crime Scenery in Postwar Film and Photography	0
MISSING LINKS: THE AFTERMATH of THE NAZI ERA IN GERMAN AND EUROPEAN FILM HISTORY	0
A Wonderful (After) Life: Public Domain Works and Television Discourse	0
The Berlin–Tokyo Film Axis and a Troubled Co-Production: The Makers of New Earth/The Samurai’s Daughter (1937)	0
Poetry FM: American Poetry and Radio Counterculture	0
Luchino visconti and the fabric of cinema	0
The History of German Literature on Film	0
Eleanor Powell: Born to Dance	0
Film, Hot War Traces and Cold War Spaces Film, Hot War Traces and Cold War Spaces MAURIZIO CINQUEGRANI, 2022Edinburgh, Edinburgh University Press pp. ix + 203, illus.,	0
Horror Film and Otherness: Film and Culture Horror Film and Otherness: Film and Culture ADAM LOWENSTEIN, 2022New York, NY, Columbia University Press pp. xiii + 229, illu	0
Early Cinema and Optical Media: An Index to Print Anthologies and Exhibition Catalogues – Part 3	0
Cinema Memories: A People’s History of Cinema-Going in 1960s Britain Cinema Memories: A People’s History of Cinema-Going in 1960s Britain MELVYN STOKES, MATTHEW JONES an	0
Remapping the Cold War in Asian Cinemas	0
The Art of the Observer: A Personal View of Documentary	0
Screens and Gender: Re(Visiting) the History of Ghana’s Film Industry	0
Shocking Cinema of the 70s	0
Communicating Europe: Technologies, Information, Events	0
Cold War Children’s Television: Philadelphia as a Case Study	0
‘A Brilliant Meteor Across the Filmic Heavens’: Brigitte Helm in British Film Culture, 1926–33	0
Entertaining Ginnie: Visiting the Cinema and the Theatre, 1939–1945	0
Harold Pinter’s Early BBC Roles: Between Tradition and Innovation	0
Picturegoing: A Critical Anthology of Eyewitness Experiences Picturegoing: A Critical Anthology of Eyewitness Experiences LUKE MCKERNAN, 2022Exeter, University of Exeter	0
Hollywood’s Unofficial Film Corps: American Jewish Moviemakers and the War Effort	0

Film Noir and Los Angeles: Urban History and the Dark ImaginaryFilm Noir and Los Angeles: Urban History and the Dark ImaginarySEAN W. MAHER, 2022New York, Routledge Press pp. vi + 211 + index, $52.95	0
All the President’s Men	0
Frances Kavanaugh and B Westerns’ Women Writers	0
Policing Show Business: J. Edgar Hoover, the Hollywood Blacklist, and Cold War Movies	0
Slavery before Roots : Television, the Civil Rights Movement, and History TV in the 1960s	0
Hawaii Five-O	0
Race and Radio: Pioneering Black Broadcasters in New Orleans Race and Radio: Pioneering Black Broadcasters in New Orleans BALA JAMES BAPTIST, 2019Jackson, University Pre	0
Miryam de Flores: The Woman of the Port. The Legacy of a Female TV Auteur From the Colombian Caribbean Region	0
‘Keep ‘em in the East’: Kazan, Kubrick, and the Postwar New York Film Renaissance	0
What Did the Haji Jawa See in Mecca? A film from 1928 as Primary Source	0
Translating Radio Productions into Television Programmes: The Post-War Career of BBC Writer/Producer Nesta Pain	0
Man’ei film in China 1937–1945: The Ideological Weapon of Japanese Settler Colonialism	0
‘Blind’ warfare: radio propaganda dynamics in South Africa during the Second World War	0
Fighting Without Fighting: Kung Fu Cinema’s Journey to the West	0
Medium Wars: Adapting the Film Narrative of Star Wars for Radio	0
Polish Radio Art: The Case of Eugeninsz Rudnik and the Polish Radio Experimental Studio, 1959–2002	0
Introduction: 50 years of A Clockwork Orange (1971)	0
It’s a Wonderful Life	0
Ida Lupino, Filmmaker	0
The BBC’s Controversy Committee, 1928–1929	0
Correction	0
The Iamhist-Routledge Best Article Prizes for 2021	0
Columbo: Paying Attention 24/7	0
‘Problems Which Do Not Exist in the Field of Sound Alone’: Policies Against ‘Free Advertisement’ on Early BBC Television	0
Russian TV Series in the Era of Transition: Genres, Technologies, Identities	0
Gaza on Screen	0
Bigger Than Life: The Close-Up and Scale in the Cinema Bigger Than Life: The Close-Up and Scale in the Cinema MARY ANN DOANE, 2021Durham, NC, Duke University Press pp. x	0
Broadcasting a Legend: The Canadian TV Miniseries The Arrow (1997)	0
Resurrecting the Black Body: Race and the Digital Afterlife	0
A Clockwork Orange on stage	0
Revisiting the Weaver Years at NBC	0
Ingmar Bergman Out of Focus: Film Cultures and International Reception	0
Starmaker: David O. Selznick and the Production of Stars in the Hollywood Studio System	0
The Richard Dyer Reader	0
Empire’s Mistress: Starring Isabel Rosario Cooper	0
SceneWriting: The Missing Manual for Screenwriters SceneWriting: The Missing Manual for Screenwriters CHRIS PERRY and ERIC HENRY SANDERS, 2022New York, NY, Bloomsbury Ac	0
On the Phenomenology of Media in the 1930s: Blaustein On Cinema and Radio Experiences	0
Early Cinema and Optical Media: An Index to Print Anthologies and Exhibition Catalogues – Part 1	0
Forecasting the Future Feature: How Film Industry Hierarchies Shaped Trailer Discourse, 1919–1959	0
WOMEN’S TELEVISION HISTORIES: LOCATING WOMEN’S ROLE in EMERGING AND DEVELOPING INTERNATIONAL TELEVISION	0
Correction	0
‘View’ and ‘Process’: Early British Industrial Films and Visual Culture	0
Unspooled: How the Cassette Made Music Shareable	0
Suzuki Seijun and Postwar Japanese Cinema	0
Documentary Film and the Volga Famine: Save the Children Fund’S Famine (1922)	0
The Last Bohemian: Brian Desmond Hurst, Irish Film, British Cinema	0
It’s all in the Delivery: Pregnancy in American Film and Television Comedy	0
Nazi ‘black’ Propaganda to Britain: Secret Radio Stations and British Renegades	0
From the BBC’s Shadows? Fledgling AIR Finding Its Feet	0
Peter weir interviews	0
Waves and Radiation: Television Sets and the Fear of Biological Harm in the Cold War	0
Imitation of Life: Cross-Cultural Reception and Remakes in Turkish Cinema	0
Dr. No: The First James Bond Film	0
Supporters or Saboteurs: Deviated Experiences of Maoist Film Propaganda in Rural China	0
The Battle of Neretva (1969): Production, Exhibition, Reception, Aesthetics, and Historiography	0
The City on Screen: Modern Strangers of Cinematic Istanbul	0
Esfir Shub: Pioneer of Documentary Filmmaking	0
From Propaganda to Attraction: Reassessing the Role of the Public in the Newsreel Jornal Português (1938–1951)	0
A Gathering Place for Outlaws: Fugitive Cinema’s Alternative Film Distribution	0
Soupy Sales and the Detroit Experience: Manufacturing a Television Personality	0
The Sentimental in Chinese Cinema The Sentimental in Chinese Cinema HUIMIAO, 2022Cham, Palgrave Macmillan pp. xvi + 210, $107 (cloth)	0
Video, Feminism and Television: A Trajectory of the Brazilian Feminist Collective Lilith Video, 1983–1988	0
The Dark Interval: Film noir, Iconography and Affect The Dark Interval: Film Noir, Iconography and Affect PADRAIC KILLEEN, 2022New York, Bloomsbury pp. 271, $162.00 (clo	0
Beyond The Movie Theater: Sites, Sponsors, Uses, Audiences	0
Maverick Movies: New Line Cinema and the Transformation of American Film	0
The Shared History of Stanley Kubrick’s A Clockwork Orange (1971) and Ken Russell’s The Devils (1971)	0
Imperial Interest, Regional Politics and British Film Quotas in Post-war Hong Kong and Singapore	0
Transnational Television Caricature: The Global Spread of Spitting Image 1984–1994	0
Trailblazing Women of Australian Public Broadcasting, 1945-1975	0
THOROLD DICKINSON and SECRET PEOPLE (1952): POPULAR FRONT TO COLD WAR AND AFTER	0
Silent Film Performance: Dramatic Bodies on Screen	0
Buster Keaton: A Filmmaker’s Life	0
Revisiting the Women’s Movement in India (1970s–80s) Through the Women’s Programme	0
Resetting the Scene: Classical Hollywood Revisited	0
Adult Themes: British Cinema and the X Certificate in the Long 1960 s	0
The Offline Maintenance of the First International Film Festival During COVID-19: Institutional Adjustments and Participants’ Response	0
Bastard Theatres and Human Dregs: Cultures of Illegitimacy on 42 ^nd Street	0
Buñuel and Mexico: The Crisis of National Cinema	0
Bette Davis Black and White	0
Announcement	0
Bohemians in 1970s New York City: perspectives on Miloš Forman and Ivan Passer’s films	0
The Cinematographic Activities of Charles Rider Noble and John Mackenzie in the Balkans	0
French Film History, 1895–1946	0
Closures: Heterosexuality and the American Sitcom	0
Sergio Leone: Cinema as Political Fable	0
The BBC German Service during the Second World War: Broadcasting to the Enemy	0
In Conversation with Women Practitioners	0
‘Anyone Can Put On Clothes, Right?’: Costume Design and Styling as Women’s Work in Dutch Media Production	0
‘The Delight of Real Boys’: Male Role Models in the Silent-Era Boys’ Cinema Weekly Fan Paper	0
Gene Tierney: Star of Hollywood’s Home Front	0
Reality, Magic, and Other Lies. Fairy-Tale Film Truths	0
My Place in the Sun: Life in the Golden Age of Hollywood and Washington My Place in the Sun: Life in the Golden Age of Hollywood and Washington GEORGE STEVENS,JR., 2022L	0
The Red Shoes	0
Australian Radio Listeners and Television Viewers. Historical Perspectives	0
Dark Matter: Independent Filmmaking in the 21st Century	0