OOIR: Observatory of International Research

Papers

(The TQCC of Historical Journal of Film Radio and Television is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-04-01 to 2024-04-01.)

Article	Citations
‘An Old Hullo Out of the Dark’: Radio Echoes between Samuel Beckett and Harold Pinter	3
The Eyes of Power: Intellectual Vision in Contemporary Chinese Local Film Censorship	2
Free Churches of the Air: the History of Community Radio in Sweden	2
Urban regeneration and stakeholder dynamics in the formation, growth and maintenance of the Sheffield International Documentary Festival in the 1990s	2
Introduction: Harold Pinter’s Transmedial Histories	2
Deben Bhattacharya at the BBC, 1949–79: Cultural entrepreneurism, precarity, and the business of post-war folklore collection	1
THE Anxiety of Authenticity: THE Historical Reception of Broken Blossoms (1919), Shanghai Express (1932) and The Good Earth (1937) in China	1
Luxurious cinemites and the great depression: labour, stardom and Stand-In (1937)	1
Animated Personalities: Cartoon Characters and Stardom in American Theatrical Shorts	1
When Puerto Rico Talked to the World: Pioneering Dubbing in the Caribbean	1
The Romance Promoter with A Deadline at 11: Rural Exhibitors, Urban Exchanges, and The Emerging Culture of Film Distribution in The United States, 1918–1925	1
Labouring on A Clockwork Orange (1971): finding the voices of creative, technical, and administrative workers in the Stanley Kubrick Archive	1
Bottling Pinter: the Making of the 2002 Pinter at the BBC Season	1
Film and the British Atomic Project	1
From Propaganda to Attraction: Reassessing the Role of the Public in the Newsreel Jornal Português (1938–1951)	1
The Juggler (1953) in Galilee: Hollywood's Progressives and the Establishment of Israel	1
Audio literature and the holocaust: a study based on the material of public radio stations –– polish radio in warsaw, radio łódź, and radio lublin, 1950–2020	1
Harold Pinter, Sound, Media, and Other Transmissions	1
‘Thrills Sweep Like Electric Currents through Multitudes’: Spectacle, Sociality, and Media Competition in Mid-Century America	1
Sensations of history: Animation and new media art	1
Traces of Dissent: The Journal Filmspiegel and Readership Responses to the Ban of Frank Beyer’s DEFA Film Spur der Steine (1965/66)	1
Pinter, Authorship and Entrepreneurship In 1960S British Cinema: The Economics of The Quiller Memorandum	1
Visioning, Contesting and Revisioning Trinidad’s 1970 Black Power Revolt in Independent Documentary Film	1
Pulses of Abstraction: Episodes from a History of Animation	1
Text/Author/Audience: Audience Reception of Ingmar Bergman and His Films	1

‘Most stories of this type’: genre, horror and mystery in the silent cinema	1
Branding the Oscarcast: The public relations strategies that established the Academy Awards ceremony as a media spectacle	1
Harold Pinter on Polish Radio and Television: Between Tradition and Innovation	1
The Distribution Front: Spain in Flames, Partisan Protest, and the Limits of Radical Documentary	1
Starring Tom Cruise	1
Bette Davis Black and White Bette Davis Black and White JULIA A. STERN, 2021Chicago and London, The University of Chicago Presspp. 266, illus., notes and index, $95 (clo	0
American Presidents and Oliver Stone: Kennedy, Nixon, and Bush between History and Cinema	0
British Cinema in a Divided Nation	0
Lightweight cameras and dissident filmmakers: seminal case studies from 1968 to 1980 Romania	0
The Rainbow’s Gravity: Colour, Materiality and British Modernity The Rainbow’s Gravity: Colour, Materiality and British Modernity KIRSTY SINCLAIR DOOTSON, 2023 New Haven	0
Her Stories: Daytime Soap Opera & US Television History ELANA LEVINE, 2020	0
Neorealist film culture 1945-1954. Rome, open cinema	0
For No Reason at All: The Changing Narrative of the First World War in American film	0
Chronology of the Birth of Cinema 1833-1896 Chronology of the Birth of Cinema 1833-1896 DEAC ROSSELL, 2022 Bloomington, IN, Indiana University Press pp. 200 + 300 illus.	0
Damsels and Divas: European Stardom in Silent Hollywood	0
Stanley Kubrick, the 1974 Finance Act, and the crisis of the British film industry: a case study of access, power and privilege in British media and politics	0
When Ships Don’t Come Ashore – a Yugoslav cinema club production’s dissent in-between the personal and the political	0
Bigger Than Life: The Close-Up and Scale in the Cinema Bigger Than Life: The Close-Up and Scale in the Cinema MARY ANN DOANE, 2021Durham, NC, Duke University Press pp. x	0
Meteorology and British film studios: an article of the London fog	0
Mapping Fairy-Tale Space: Pastiche and Metafiction in Borderless Tales	0
Hollis Frampton: Navigating the Infinite Cinema Hollis Frampton: Navigating the Infinite Cinema . MICHAEL ZRYD, 2023New York, NY, Columbia University Press pp. xiv + 279	0
‘Sadists and Readers of Horror Comics’: British Post-War Identity in Viewer Responses to the BBC’s Nineteen Eighty-Four (1954)	0
Film Noir and Los Angeles: Urban History and the Dark ImaginaryFilm Noir and Los Angeles: Urban History and the Dark ImaginarySEAN W. MAHER, 2022New York, Routledge Press pp. vi + 211 + index, $52.95	0
Hollywood in San Francisco: Location Shooting and the Aesthetics of Urban Decline	0
Frances Kavanaugh and B Westerns’ Women Writers	0
Movie Workers: The Women Who Made British Cinema	0
Making Images Move: Handmade Cinema and the Other Arts	0
From the Margins to the Mainstream: Women in Film and Television From the Margins to the Mainstream: Women in Film and Television MARIANNE KAC-VERGNE and JULIE ASSOULY (	0
Post-Fordist cinema: Hollywood auteurs and the corporate counterculture	0
‘Were Our Ideas of Maintaining Control Mythical?’: Film Policy at Hampton Court Palace, 1911–1989	0
Barriers down. How american power and Free-Flow policies shaped global media	0
The lost honour of katharina blum	0
From Alex to Riefenstahl: Nazism, propaganda, and Stanley Kubrick’s A Clockwork Orange (1971)	0
Requisitioning film studios in wartime Britain	0
Unacceptable Matters: The Hays Code, Family, Film Noir and RKO Radio Pictures	0
Star attractions: Twentieth-Century movie magazines and global fandom	0
Afterimages: on cinema, women and changing times	0
All ‘Shook’ up: Bob Hope, the USO, and How a Night in Greenland Changed Television	0
Bordering an Industry: KVOS-TV and Canawest Film Productions in the Pacific Northwest	0
Transnationalism and Imperialism: Endurance of the global Western film	0
Columbo: Paying Attention 24/7	0
Old West, New Audiences: Wildlife Documentaries, Non-Theatrical Exhibition, and the Us Wilderness Culture Industry, 1928–1930	0
The Ascent of the Nazis and the Downfall of the Catholic Company, Leo-Film AG	0
French cinema vs the bomb: Atomic science and a war of images circa 1950	0
Schools and Screens: A Watchful History Schools and Screens: A Watchful History VICTORIA CAIN, 2020 Cambridge, MA, The MIT Press pp. 1 + 272, $29.95 (hardback), $24.95 (	0
Gene Tierney: Star of Hollywood’s Home FrontGene Tierney: Star of Hollywood’s Home Front WILL SCHEIBEL, 2022 Detroit, Wayne State University Press pp. 267, illus., notes, selected bibliography and ind	0
Record cultures: the transformation of the U.S. recording industry	0
Early Cinema and Optical Media: An Index to Print Anthologies and Exhibition Catalogues – Part 1	0
The enforcers: how little-known trade reporters exposed the keating five and advanced business journalism	0
Dissent as responsibility: Manfred Durniok’s Central European coproductions Mephisto (1981), Taken for a Ride (1983) and Colonel Redl (1985)	0

Pinter as Performer	0
Reality, Magic, and Other Lies. Fairy-Tale Film Truths	0
Monstrous Youth: Transgressing the Boundaries of Childhood in the United States Monstrous Youth: Transgressing the Boundaries of Childhood in the United States SARA AUST	0
Practices of projection: Histories and technologies	0
Our Blessed Rebel Queen: Essays on Carrie Fisher and Princess LeiaOur Blessed Rebel Queen: Essays on Carrie Fisher and Princess LeiaLINDA MIZEJEWSKI and TANYA D. ZUK (eds.), 2021Detroit, Wayne State U	0
The Growth of the Turkish Film Industry and the Death of Suphi Kaner: Articulating a Star’s Suicide to the History of Labour in Cinema	0
The Kinematograph Theatre Arrives: Part III of the London County Council and the Cinematograph	0
Gender and media in the broadcast age: Women’s radio programming at the BBC, CBC, and ABC	0
The ‘Horror Serials’ of the 1910s: Episodes in the Construction of a Film Genre	0
Forecasting the Future Feature: How Film Industry Hierarchies Shaped Trailer Discourse, 1919–1959	0
Clocking Out: The Machinery of Life in 1960s Italian Cinema	0
Alluring Monsters: The Pontianak and Cinemas of Decolonization	0
TV Snapshots – An Archive of Everyday LifeTV Snapshots – An Archive of Everyday LifeLYNN SPIGEL, 2022Durham and London, Duke University Press pp. ix + 315, illus., $107.95 (cloth), $28.95 (paper)	0
Utopia Gone Wrong: Mirages of Communist Totalitarianism in the Clockwork Mirror	0
Recovering the past: the national archives of Zimbabwe and the Central African Film Unit (1948 to 1963)	0
Jia Zhangke on Jia Zhangke	0
Learning with Light and Shadows: Educational Lantern and Film Projection, 1860–1990 Learning with Light and Shadows: Educational Lantern and Film Projection, 1860–1990 ,	0
Hollywood imagines revolutionary Haiti: the forgotten film Lydia Bailey (1952)	0
Adapting Performance between Stage and Screen	0
PIRATE RADIO and ITS ROLE IN THE ESTABLISHMENT OF COMMUNITY RADIO. POLAND, AUSTRIA AND HUNGARY – A COMPARISON	0
Dreams of Flight: The Great Escape in American Film and Culture *Dreams of Flight: The Great Escape* in Am**	0
Experimental Filmmaking and Punk: Feminist Audio Visual Culture in the 1970s and 1980s	0
‘Use The Songs to Sell Your SHOW!’ Sam Goldwyn, The Eddie Cantor Musicals and the development of product-centred marketability	0
Sex, Politics, and Comedy: the Transnational Cinema of Ernst Lubitsch	0
Reginald rose and the journey of 12 angry men	0
Virginia Woolf, Science, Radio, and IdentityVirginia Woolf, Science, Radio, and Identity CATRIONA LIVINGSTONE, 2022 Cambridge, Cambridge University Press pp. x + 204, bibliography, index, $99.99 (hard	0
Fame amid the Ruins. Italian Film Stardom in the Age of Neorealism STEPHEN GUNDLE, 2020	0
Best actress: the history of Oscar-Winning women	0
Material Lives of Cold War Radio Pasts in India	0
The routledge companion to new cinema history	0
Ballymena, Bangor and Belfast: Hyper-Localism, Regional Decision-Making and Local Film Censorship in Northern Ireland	0
Miami Studios and Early Film Production in South Florida	0
The art of pure cinema: Hitchcock and his imitators	0
Buster Keaton: A Filmmaker’s Life	0
V.F. Perkins on Movies: Collected Shorter Film Criticism	0
Breaks in the Air: The Birth of Rap Radio in New York CityBreaks in the Air: The Birth of Rap Radio in New York CityJOHN KLAESS, 2022Durham, NC, Duke University Presspp. xiii + 218, $99.95 (hardcover)	0
Sixties British Cinema Reconsidered	0
Castan’s Panopticum: Ein Medium wird besichtigt	0
Revisiting the Weaver Years at NBC	0
Preserving the Imperial Project: Documenting Film Censorship Practices in the Gold Coast (Ghana)	0
SceneWriting: The Missing Manual for Screenwriters SceneWriting: The Missing Manual for Screenwriters CHRIS PERRY and ERIC HENRY SANDERS, 2022New York, NY, Bloomsbury Ac	0
From Prison to Censorship: Devil’s Island Films (1926–1940)	0
Screening dissent: the uprising of 17 June 1953 in East German film	0
Documentary Film and the Volga Famine: Save the Children Fund’S Famine (1922)	0
Structural Failure: The Steve Canyon Television Series (1958–59)	0
Radio’s Legacy in Popular Culture: The Sounds of British Broadcasting Over the Decades	0
The Cinema in Flux. The Evolution of Motion Picture Technology from the Magic Lantern to the Digital Era The Cinema in Flux. The Evolution of Motion Picture Technology from the Magic La	0
Kill the Documentary: A Letter to Filmmakers, Students, and Scholars Kill the Documentary: A Letter to Filmmakers, Students, and Scholars JILL GODMILOW, 2022New York, Co	0
Hitchcock’s Number Seventeen (1932) and the British Film Quota	0
A Transnational Communication Network Promoting Film Diplomacy: The case of Turkey and the USA, 1950–86	0
Seeing by Electricity: The Emergence of Television, 1878–1939	0
Women in the Irish film industry: Stories and storytellers	0
Chinese Film Classics, 1922–1949	0
Broadcasting the ‘Voice of Science’ on America’s Town Meeting of the Air: Public Education, Popular Entertainment, and Post-World War II Scientific Ambivalence	0
The Call of the Heart: John M Stahl and Hollywood Melodrama	0
Beyond The Movie Theater: Sites, Sponsors, Uses, Audiences Beyond The Movie Theater: Sites, Sponsors, Uses, Audiences GREGORY A. WALLER, 2023Oakland, California, Univers	0
Documenting syria: Film-making, video activism and revolution	0
Motor City Movie Culture, 1916–1925	0
Anton Walbrook: A Life of Masks and Mirrors	0
Bohemians in 1970s New York City: perspectives on Miloš Forman and Ivan Passer’s films	0
Provenance and Early Cinema	0
The contemporary russian cinema reader 2005-2016	0
Film Curatorship: Archives, Museums, and the Digital Marketplace, 2nd Edition	0
‘Of a Human Satellite’: Cassius Clay/Muhammad Ali in Cold War Finnish Television Culture, 1960–1965	0
Ready for their close-up: fan scenarists, Cecil B. DeMille, and the studio system	0
Robert Paul and the Origins of British Cinema IAN CHRISTIE, 2019	0
The Middle Ages and the Movies: Eight Key Films	0
Revisiting the Weaver Years at NBC	0
‘I Read My Dickens’: Agatha Christie’s Unproduced Film Adaptation of Bleak House	0
Empire’s Mistress: Starring Isabel Rosario Cooper	0
Revolution in Paradise: Veiled Representations of Jewish Characters in the Cinema of Occupied France	0
Picturegoing: A Critical Anthology of Eyewitness Experiences Picturegoing: A Critical Anthology of Eyewitness Experiences LUKE MCKERNAN, 2022Exeter, University of Exeter	0
Becoming: Genre, queerness, and transformation in NBC’s Hannibal	0
Before the Paris Fire: Projecting the Cinematograph in London from 1889-4 ^th May 1997, Part IV of the London County Council and the CinematographBefore the Paris Fir	0
The Big Picture: The Cold War on the Small Screen	0
Television history, the peabody archive, and cultural memory	0
The process genre: Cinema and the aesthetic of labor	0
Film Finances and Golden Rendezvous (1977): Financial Mismanagement, Personal Tensions and Political Scandal	0
The Battle of Neretva (1969): Production, Exhibition, Reception, Aesthetics, and Historiography	0
Everyday Movies: Portability and the Transformation of American Culture	0

The Politics of Industry and the Wave of Nationalism: Exploring the Shanghai Film Guild, 1927–1930	0
SHIN FILMS PRESENTS: THE ‘KOREAN-STYLE’ STUDIO SYSTEM AND THE MODERNIZATION OF THE FILM INDUSTRY In SOUTH KOREA, 1952–1975	0
Porridge: BFI Classics	0
Televising Restoration Spain: History and Fiction in Twenty-First-Century Costume Dramas	0
Where histories reside: India as filmed space	0
The Illustrated Cameraman: Labor, Industry, and Technological Change in the Cartoons of Glenn Kershner, A.S.C	0
The legacy of A Clockwork Orange in The Great Ecstasy of Robert Carmichael (Thomas Clay, 2005) and Bronson (Nicolas Winding Refn, 2009): ‘all form and no content’?	0
The Dark Interval: Film noir, Iconography and Affect The Dark Interval: Film Noir, Iconography and Affect PADRAIC KILLEEN, 2022New York, Bloomsbury pp. 271, $162.00 (clo	0
The aesthetics of nostalgia TV: Production design and the boomer era	0
Play Time: Jacques Tati and Comedic Modernism	0
Scenarios III	0
The Iamhist-Routledge Best Article Prizes for 2021	0
Hawaii Five-O	0
What Did the Haji Jawa See in Mecca? A film from 1928 as Primary Source	0
Hollywood Diplomacy: Film Regulation, Foreign Relations, and East Asian Representations	0
Screening the red army faction: Historical and cultural memory	0
Stars and silhouettes: the history of the cameo role in hollywood	0
Radio Empire: the BBC’s Eastern service and the emergence of the global anglophone novel	0
Philosophers on film from Bergson to Badiou	0
Documenting Africa on Film and Nkrumah’s Legacy in Pan-Africanist Africa	0
The New American War Film The New American War Film . ROBERT BURGOYNE, 2023. Minneapolis, University of Minnesota Press, pp. xxvii + 150, illus., notes, and index, $ 25.	0
The Cinematic Sublime: Negative Pleasures, Structuring Absences	0
Film as embodied art: Bodily meaning in the cinema of stanley kubrick	0
CONFLICT, COMMUNITY AND THE ‘NATIONAL’ AUDIENCE: REMEMBERING TURKISH CYPRIOT CINEMAGOING IN 1950s NICOSIA	0
Adventures of a jazz age lawyer. Nathan burkan and the making of American popular culture	0
Batman: the animated series	0
The origins of the film star system: Persona, publicity and economics in early cinema	0
Saving the Children: Humanitarianism, Internationalism, and Empire	0
Cinema of crisis. Film and contemporary Europe	0
Campbeltown Speaks: Small-Town Cinema and the Coming of Sound	0
The Divo and the Duce: Promoting Film Stardom and Political Leadership in 1920s America GIORGIO BERTELLINI, 2019	0
Von Bettlern, Waisenkindern und Dienstmädchen: Armutsdarstellungen im frühen Film und ihr Anteil an der Etablierung des Kinos in Deutschland.	0
Crime Scenery in Postwar Film and Photography	0
Art Bell’s Open Forum: Conspiracy Talk on Coast to Coast AM and its Legacy in the Internet Age	0
The Endless End of Cinema: A History of Crisis and Survival in Hollywood The Endless End of Cinema: a History of Crisis and Survival in Hollywood GIANLUCA SERGI and GARY	0
The Story of Tell England (1931) in Turkey: Transcultural Remakes and the Early Sound Era	0
‘View’ and ‘Process’: Early British Industrial Films and Visual Culture	0
Noir affect	0
Film, Hot War Traces and Cold War Spaces Film, Hot War Traces and Cold War Spaces MAURIZIO CINQUEGRANI, 2022Edinburgh, Edinburgh University Press pp. ix + 203, illus.,	0
Peace on the Small Screen: UNPROFOR’s Television Unit in 1994–5 and the ‘Media War’ in Former Yugoslavia	0
From Socialist Hero to Capitalist Icon: The Cultural Transfer of the East German Children’S Television Programme Unser Sandmännchen to Sweden in the Early 1970S	0
Southern Censorship against Hollywood in Better Films Committees and Local Censorship Boards: Film Control as a Woman’s Political Weapon	0
Judith Anderson: Australian star, first lady of the American stage	0
Singing a Different Tune: The Slavic Film Musical in a Transnational Context Singing a Different Tune: The Slavic Film Musical in a Transnational Context HELENA GOSCILO	0
American Cinema and Cultural Diplomacy. The Fragmented Kaleidoscope	0
The twilight zone	0
‘What happened to the four freedoms?’: John Huston, Richard Brooks, Humphrey Bogart and Key Largo (1948) as a parable of post-war Hollywood liberalism	0
A Trip Down Market Street: A Century of ‘Eureka’ Moments	0
When Life Imitates Art: Éric Rohmer’s Triple Agent (2004) As a Primer for Real-Life Politics	0
The Unknown War of the Eastern Front: the first American-Soviet television production and Détente’s World War II	0
Making Worlds: Affect and Collectivity in Contemporary European Cinema	0
The Victory Banner over the Reichstag: Film, Document, and Ritual in Russia’s Contested Memory of World War II	0
Harold Pinter’s Early BBC Roles: Between Tradition and Innovation	0
Cold war II: Hollywood’s Renewed Obsession with Russia	0
Scratches and Glitches: Observations on Preserving and Exhibiting Cinema in the Early 21st Century	0
Dr. No: The First James Bond Film	0
Voicing the cinema: Film music and the integrated soundtrack	0
The Cinema of Manoel de Oliveira. Modernity, Intermediality and the Uncanny	0
Interactive Documentary: Theory and Debate	0
The Routledge companion to urban media and communication	0
Abjection incorporated: Mediating the politics of pleasure and violenceAbjection Incorporated: Mediating the Politics of Pleasure and Violence	0
Werner Herzog: Ecstatic Truth and Other Useless Conquests	0
‘Zapata is Fighting the Enemy Here’: Defanging a Rebel in Pre-revolutionary Iran	0
‘Gumnut-flavoured’ British comedies and the representation of race, sexuality and suburb in Love Thy Neighbour in Australia	0
Celluloid Colony: Locating History and Ethnography in Early Dutch Colonial Films of Indonesia	0
Decline and Reimagination in Cinematic New York Decline and Reimagination in Cinematic New York CORTLAND RANKIN, 2023London and New York, Routledgepp. viii + 248, illus.	0
Billy Wilder: Dancing on the EdgeBilly Wilder: Dancing on the EdgeJOSEPH McBRIDE, 2021New York, Columbia University Press pp. 658, illus., filmography, notes, index, £35 (hardback)	0
Moulding and Mutilating: Newsreels, the British State, and Yugoslav ‘Exceptional’ Socialism, 1946–1961	0
Engineering the ‘Sense of Being There’: Electronovision and the Invention of the Stage Performance Documentary	0
Asta Nielsen, the Film Star System and the Introduction of the Long Feature Film Asta Nielsen, the Film Star System and the Introduction of the Long Feature Film. Specia	0
Ghastly Results: The Banning of Children of The Wasteland (1953) and The Stellar Rise and Demise of Its Maker The Boy Bishop	0
Paris in the Dark: Going to the Movies in the City of Light, 1930–1950 ERIC SMOODIN, 2020	0
‘Blind’ warfare: radio propaganda dynamics in South Africa during the Second World War	0
Bastard Theatres and Human Dregs: Cultures of Illegitimacy on 42 ^nd Street	0
PolyGram Filmed Entertainment and Working Title Films Part II: The Rise and Fall of a Film Studio	0
Cinema off screen: moviegoing in socialist China	0
Hidden in Plain Sight: Attending to Women’s Amateur Filmmaking Histories at the Irish Film Archive	0
A Clockwork Orange on stage	0
Mainstream Maverick: John Hughes and New Hollywood Cinema	0
Suzuki Seijun and Postwar Japanese Cinema	0
Suitcase of Soundscapes: The London Transcription Service and the Packaging of Wartime Sounds for the BBC’s Global Radio Audience	0
The socialist Yugoslav paradox: Documentary cinema exhibition opportunities and the meaning of ‘Dissent’	0
The Brothers Mankiewicz: Hope, Heartbreak, and Hollywood Classics	0
Offensive Screens: The Italy-China Diplomatic Agreement (1936–37) and the Transnational Censorship of Films	0
Soupy Sales and the Detroit Experience: Manufacturing a Television Personality Soupy Sales and the Detroit Experience: Manufacturing a Television Personality FRANCIS SHO	0
Rockstar Games and American History: Promotional Materials and the Construction of Authenticity	0
Eric rohmer’s film theory (1948-1953): from ‘école schérer’ to ‘politique des auteurs’	0
John Boorman’s the Lord of the Rings: A Case Study of an Unmade Film	0
Luchino visconti and the fabric of cinema	0
Fedor Bondarchuk: Stalingrad Fedor Bondarchuk: Stalingrad STEPHEN M. NORRIS, 2022 Bristol, UK, INTELLECT pp. 180, illus., bibliography, $30,35 (paperback)	0
The limits of political influence – the limits of creativity: the first 25 years of FAMU	0
Cinemagritte: René magritte within the frame of film history, theory, and practice	0
Dream Projects in Theatre, Novels and Films: the Works of Paul Claudel, Jean Genet, and Federico Fellini Dream Projects in Theatre, Novels and Films: the Works of Paul Claudel, Jean Gen	0
Persistent images: Encountering film history in contemporary cinema	0
Legion Condor - Karl ritter’s lost 1939 feature film	0