OOIR: Observatory of International Research

Papers

(The TQCC of Historical Journal of Film Radio and Television is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)

Article	Citations
The digital Double Blind: Change and stasis in the Middle East	4
Decontextualisations in German Überläufer Comedies: The Reception and Political Aesthetic of Die Fledermaus ( The Bat , 1946)	3
Chronology of the Birth of Cinema 1833-1896	2
Broadcasting the ‘Voice of Science’ on America’s Town Meeting of the Air: Public Education, Popular Entertainment, and Post-World War II Scientific Ambivalence	2
The Endless End of Cinema: A History of Crisis and Survival in Hollywood	2
John Feeney at the National Film Board of Canada: Scripting Inuit Modern Art	2
Preserving the Imperial Project: Documenting Film Censorship Practices in the Gold Coast (Ghana)	2
Southern Censorship against Hollywood in Better Films Committees and Local Censorship Boards: Film Control as a Woman’s Political Weapon	2
Lost in Translation	1
The History of German Literature on Film	1
Emergence of Colour Film Laboratories in Bombay: A Historical Narrative of Technological Dependence, Redesign and Inordinate Delay of Colour Cinema	1
Asta Nielsen, the Film Star System and the Introduction of the Long Feature Film	1
Offensive Screens: The Italy-China Diplomatic Agreement (1936–37) and the Transnational Censorship of Films	1
Correction	1
Material Lives of Cold War Radio Pasts in India	1
Video, Feminism and Television: A Trajectory of the Brazilian Feminist Collective Lilith Video, 1983–1988	1
‘A Difficult Film to Sell and a Difficult Film to Appreciate’: MGM’s Alfred the Great (1969) and the Challenges of Promoting Historical Epic in the Late-	1
Experimental Filmmaking and Punk: Feminist Audio Visual Culture in the 1970s and 1980s	1
The lost honour of katharina blum	1
Cuts and Controversy in Pre-Code Hollywood Horror: The Case of James Whale’s Frankenstein and The Bride of Frankenstein	1
Campbeltown Speaks: Small-Town Cinema and the Coming of Sound	1
‘I Read My Dickens’: Agatha Christie’s Unproduced Film Adaptation of Bleak House	1
Old West, New Audiences: Wildlife Documentaries, Non-Theatrical Exhibition, and the Us Wilderness Culture Industry, 1928–1930	1
Schools and Screens: A Watchful History	1
Play Time: Jacques Tati and Comedic Modernism	1

Scripting Empire: Broadcasting, the BBC, and the Black Atlantic	1
The English Hollywood that wasn’t: shadow history and Esher’s unbuilt film studios	0
MISSING LINKS: THE AFTERMATH of THE NAZI ERA IN GERMAN AND EUROPEAN FILM HISTORY	0
Black Mirror: Allegories for the Atomised	0
The Empire Symphony Film: Fascist Documentary, Infrastructure, and the Avant-Garde	0
The Films of Aleksandr Rou: Father of Soviet Fairy Tale Cinema	0
Requisitioning film studios in wartime Britain	0
Picturegoing: A Critical Anthology of Eyewitness Experiences Picturegoing: A Critical Anthology of Eyewitness Experiences LUKE MCKERNAN, 2022Exeter, University of Exeter	0
In Conversation with Women Practitioners	0
Reworking the Eastern European Past through Audiovisual Archival Practices	0
The Enchanting Kinora: Domesticating Moving Images in Edwardian Britain	0
Film Noir and Los Angeles: Urban History and the Dark ImaginaryFilm Noir and Los Angeles: Urban History and the Dark ImaginarySEAN W. MAHER, 2022New York, Routledge Press pp. vi + 211 + index, $52.95	0
Mavericks: Interviews with the world’s iconoclast filmmaker	0
Towards a Film Theory from Below: Archival Film and the Aesthetics of the Crack-Up	0
The Politics of Industry and the Wave of Nationalism: Exploring the Shanghai Film Guild, 1927–1930	0
Medium Wars: Adapting the Film Narrative of Star Wars for Radio	0
Cinema Memories: A People’s History of Cinema-Going in 1960s Britain Cinema Memories: A People’s History of Cinema-Going in 1960s Britain MELVYN STOKES, MATTHEW JONES an	0
Haunted by Vertigo: Hitchcock’s Masterpiece Then and Now	0
Ingmar Bergman Out of Focus: Film Cultures and International Reception	0
Rewind, Replay: Britain and the Video Boom, 1978–92 Rewind, Replay: Britain and the Video Boom, 1978–92 JOHNNY WALKER, 2022 Edinburgh, UK, Edinburgh University Press pp.	0
The Oxford Handbook of Radio and Podcasting	0
Bohemians in 1970s New York City: perspectives on Miloš Forman and Ivan Passer’s films	0
The Big Picture: The Cold War on the Small Screen	0
Slavery before Roots : Television, the Civil Rights Movement, and History TV in the 1960s	0
Scratches and Glitches: Observations on Preserving and Exhibiting Cinema in the Early 21st Century	0
Correction	0
Policing Show Business: J. Edgar Hoover, the Hollywood Blacklist, and Cold War Movies	0
Starmaker: David O. Selznick and the Production of Stars in the Hollywood Studio System	0
British Cinema in a Divided Nation	0
The Cinema of Manoel de Oliveira. Modernity, Intermediality and the Uncanny	0
Early Cinema and Optical Media: An Index to Print Anthologies and Exhibition Catalogues – Part 2	0
Crafting Contemporary Documentaries and Docuseries for Global Screens: Docu-mania	0
Correction	0
James Bond will return: Critical perspectives on the 007 film franchise	0
Murakami Haruki on Film	0
The Red Shoes	0
Imperial Interest, Regional Politics and British Film Quotas in Post-war Hong Kong and Singapore	0
The Popes on Air: The History of Vatican Radio from Its Origins to World War II	0
Polish Radio Art: The Case of Eugeninsz Rudnik and the Polish Radio Experimental Studio, 1959–2002	0
Reginald rose and the journey of 12 angry men	0
‘Our Film Orgy’: the Institute for Sex Research, Cinemages, Herman Weinberg, and George Eastman House, 1958–1963	0
Projecting Korea: Performance, Translation, and Mediation in a Cold War Film Lecture, This Is Korea	0
Love Wars: Television romantic comedy	0
Reality, Magic, and Other Lies. Fairy-Tale Film Truths	0
Announcement	0
Columbo: Paying Attention 24/7	0
Infrastructures of Influence: The British Federation of Film Societies and the Circulation of Soft Power, 1960–2000	0
My Place in the Sun: Life in the Golden Age of Hollywood and Washington My Place in the Sun: Life in the Golden Age of Hollywood and Washington GEORGE STEVENS,JR., 2022L	0
Shakespeare on the Radio: A Century of BBC Plays	0
Alien Invasion Films: Imperialism, Race and Gender in the American Security State 1950-2020	0

Hidden in Plain Sight: Attending to Women’s Amateur Filmmaking Histories at the Irish Film Archive	0
Trailblazing Women of Australian Public Broadcasting, 1945-1975	0
The Multimedia Show ‘Congorama’ at Expo 58: The Colonial as Spectacle, the Spectacle as Colonial	0
Esfir Shub: Pioneer of Documentary Filmmaking	0
Filming History from Below: Microhistorical Documentaries	0
Our Blessed Rebel Queen: Essays on Carrie Fisher and Princess LeiaOur Blessed Rebel Queen: Essays on Carrie Fisher and Princess LeiaLINDA MIZEJEWSKI and TANYA D. ZUK (eds.), 2021Detroit, Wayne State U	0
Kill the Documentary: A Letter to Filmmakers, Students, and Scholars Kill the Documentary: A Letter to Filmmakers, Students, and Scholars JILL GODMILOW, 2022New York, Co	0
Waves and Radiation: Television Sets and the Fear of Biological Harm in the Cold War	0
John Hamrick’s Blue Mouse Cinemas: Independent Exhibition and Influence in the Studio Era	0
‘Shrink to the Stars’: Exploring Therapeutic Broadcast Talk on BBC Radio 4’s In The Psychiatrist’s Chair	0
Music in Orbit: Satellite Radio in the Streaming Space Age	0
Transnational Television Caricature: The Global Spread of Spitting Image 1984–1994	0
Correction	0
Aesthetics of the In-Between: Traces of Transitional Times in Woman Overboard (W. Staudte, 1945–1952)	0
Rockstar Games and American History: Promotional Materials and the Construction of Authenticity	0
The Sentimental in Chinese Cinema The Sentimental in Chinese Cinema HUIMIAO, 2022Cham, Palgrave Macmillan pp. xvi + 210, $107 (cloth)	0
Gender and Genre in 1990s Hollywood: Challenging the Definitions of Sex, Women, and Femininity	0
TV Snapshots – An Archive of Everyday LifeTV Snapshots – An Archive of Everyday LifeLYNN SPIGEL, 2022Durham and London, Duke University Press pp. ix + 315, illus., $107.95 (cloth), $28.95 (paper)	0
For No Reason at All: The Changing Narrative of the First World War in American film	0
WOMEN’S TELEVISION HISTORIES: LOCATING WOMEN’S ROLE in EMERGING AND DEVELOPING INTERNATIONAL TELEVISION	0
Chinese Film: Realism and Convention from the Silent Era to the Digital Age	0
What Did the Haji Jawa See in Mecca? A film from 1928 as Primary Source	0
Black America and Hollywood’s Korean War: The Steel Helmet (1951) and Pork Chop Hill (1959)	0
Miami Studios and Early Film Production in South Florida	0
Bette Davis Black and White	0
Radio’s Legacy in Popular Culture: The Sounds of British Broadcasting Over the Decades	0
Breaks in the Air: The Birth of Rap Radio in New York City	0
Abandoned: Propaganda Films of the Third Reich	0
Hitler Youth Quex: A Guide for the English-Speaking Reader	0
Imitation of Life: Cross-Cultural Reception and Remakes in Turkish Cinema	0
Documentary Film and the Volga Famine: Save the Children Fund’S Famine (1922)	0
Bastard Theatres and Human Dregs: Cultures of Illegitimacy on 42 ^nd Street	0
Unspooled: How the Cassette Made Music Shareable	0
The Parallax View]	0
Cold War Children’s Television: Philadelphia as a Case Study	0
Hollywood Unions	0
Rated A: Soft-Porn Cinema and Mediations of Desire in India	0
The Passion of Pedro Almodóvar: A Self Portrait in Seven Films	0
Silent Film Performance: Dramatic Bodies on Screen	0
Interwar Romanies in the British Pathé (1922–1939)	0
The Story of British Propaganda Film	0
Ray Milland: Identity, Stardom, and the Long Climb to The Lost Weekend	0
WHEN in ROME: HOLLYWOOD RUNAWAY PRODUCTIONS, THE INTERNATIONAL FILM SERVICE, AND ROME ADVENTURE (1962)	0
Evading Censorship. Spanish Radio Disobedience During Late Francoism	0
From Private Films to Public Memories: Revisiting the History of the ‘Forgács Archive’	0
Revisiting the Weaver Years at NBC	0
Frequencies of Deceit: How Global Propaganda Wars Shaped the Middle East	0
Art Bell’s Open Forum: Conspiracy Talk on Coast to Coast AM and its Legacy in the Internet Age	0
Hitchcock’s Number Seventeen (1932) and the British Film Quota	0
St. Louis by Design in Escape from New York (1981)	0
A Trip Down Market Street: A Century of ‘Eureka’ Moments	0
The Oxford Handbook of Black Horror Film	0
‘A Brilliant Meteor Across the Filmic Heavens’: Brigitte Helm in British Film Culture, 1926–33	0
The Myth of Stalin and the Death of Hitler: André Bazin and The Fall of Berlin ’s Transnational Travels	0
Buster Keaton: A Filmmaker’s Life	0
‘Were Our Ideas of Maintaining Control Mythical?’: Film Policy at Hampton Court Palace, 1911–1989	0
The Art of the Observer: A Personal View of Documentary	0
It’s a Wonderful Life	0
Australian Radio Listeners and Television Viewers. Historical Perspectives	0
Women in the Work of Woody Allen	0
Exotic Cinema: Encounters with Cultural Difference in Contemporary Transnational film	0
Jia Zhangke on Jia Zhangke	0
Steven Spielberg’s Children	0
James Bond’s Socialist Rivals: Television Spy Heroes and Popular Culture in the Cold War East	0
Silent Film and the Formations of U.S. Literary Culture: Literature in Motion	0
Murder, She Wrote	0
New Perspectives on Early Cinema History: concepts, approaches, audiences	0
Contemporary Art Cinema Culture in China	0
Entertaining Ginnie: Visiting the Cinema and the Theatre, 1939–1945	0
The BBC’s Controversy Committee, 1928–1929	0
French Film History, 1895–1946	0
The Aesthetics of Early Sound Film: Media Change around 1930	0
Suitcase of Soundscapes: The London Transcription Service and the Packaging of Wartime Sounds for the BBC’s Global Radio Audience	0
Suzuki Seijun and Postwar Japanese Cinema	0
Clandestine Documentary Film V. Apartheid: Phela-Ndaba/End of The Dialogue (1970), Last Grave at Dimbaza (1974) and The South African Gove	0
‘No experiments’? Reprises and Remakes in 1950s West German Cinema	0
Broadcasting a Legend: The Canadian TV Miniseries The Arrow (1997)	0
Gaza on Screen	0
Provenance and Early Cinema	0
Forecasting the Future Feature: How Film Industry Hierarchies Shaped Trailer Discourse, 1919–1959	0

The Cinema of Extractions: Film Materials and Their Forms	0
Poetry FM: American Poetry and Radio Counterculture	0
‘Problems Which Do Not Exist in the Field of Sound Alone’: Policies Against ‘Free Advertisement’ on Early BBC Television	0
The Richard Dyer Reader	0
‘View’ and ‘Process’: Early British Industrial Films and Visual Culture	0
The Iamhist-Routledge Best Article Prizes for 2022	0
Josephine Baker’s Secret War: The African American Star Who Fought for France and Freedom	0
Eleanor Powell: Born to Dance	0
Beyond The Movie Theater: Sites, Sponsors, Uses, Audiences	0
Early Cinema and Optical Media: An Index to Print Anthologies and Exhibition Catalogues – Part 3	0
From Stage to Screen: The Legacy of Traditional Chinese Theatre in Chinese Martial Arts Cinema Soundtracks	0
Frances Kavanaugh and B Westerns’ Women Writers	0
Luchino visconti and the fabric of cinema	0
The Offline Maintenance of the First International Film Festival During COVID-19: Institutional Adjustments and Participants’ Response	0
Revisiting the financial interest & syndication rules: A discursive and industrial analysis of U.S. Television production, 1971–1990	0
Monstrous Youth: Transgressing the Boundaries of Childhood in the United States Monstrous Youth: Transgressing the Boundaries of Childhood in the United States SARA AUST	0
The Ascent of the Nazis and the Downfall of the Catholic Company, Leo-Film AG	0
Sergio Leone: Cinema as Political Fable	0
Studio Restructuring Without the Paramount Decree: Japanese Film Industry and Oligopoly after the 1960s	0
The City on Screen: Modern Strangers of Cinematic Istanbul	0
A risky venture: Typhoon Over Nagasaki and the particularity of Franco-Japanese cinematic co-production	0
Correction	0
It’s all in the Delivery: Pregnancy in American Film and Television Comedy	0
Film History and Screen Culture in and beyond Greater China	0
Miryam de Flores: The Woman of the Port. The Legacy of a Female TV Auteur From the Colombian Caribbean Region	0
Wire Exorcism: Radio Berlin Persian Service and the Making of Wireless Modernity in Iran	0
Nazi ‘black’ Propaganda to Britain: Secret Radio Stations and British Renegades	0
Motor City Movie Culture, 1916–1925	0
Shocking Cinema of the 70s	0
On the Phenomenology of Media in the 1930s: Blaustein On Cinema and Radio Experiences	0
In Tune with Changing Times: Radio’s Role in Colonisation and Decolonisation in British West Africa, 1935–1960	0
The Haunted Cinema of Pedro Costa	0
Filming in European Cities: The Labour of Location	0
The Cinematographic Activities of Charles Rider Noble and John Mackenzie in the Balkans	0
‘Unmitigated Cad’: The Dual Stardom of George Sanders ¹	0
The Shadow of Oru Palace: Contending narratives at a national monument site	0
Smartphone Filmmaking: Theory and Practice	0
The Role of Film Archives in Creating Canons of Eastern European Cinema	0
Saving the Children: Humanitarianism, Internationalism, and Empire	0
From Prison to Censorship: Devil’s Island Films (1926–1940)	0
Adult Themes: British Cinema and the X Certificate in the Long 1960 s	0
The Battle of Neretva (1969): Production, Exhibition, Reception, Aesthetics, and Historiography	0
Hawaii Five-O	0
Feeling Colour: Chromatic Embodiment in Film Culture (1950s–1960s)	0
The Biopic and Beyond: Celebrities as Characters in Screen Media	0
SceneWriting: The Missing Manual for Screenwriters SceneWriting: The Missing Manual for Screenwriters CHRIS PERRY and ERIC HENRY SANDERS, 2022New York, NY, Bloomsbury Ac	0
I’d just as soon kiss a wookiee: Uncovering racialized desire in the star wars galaxy	0
‘Gumnut-flavoured’ British comedies and the representation of race, sexuality and suburb in Love Thy Neighbour in Australia	0
Translating Radio Productions into Television Programmes: The Post-War Career of BBC Writer/Producer Nesta Pain	0
‘Anyone Can Put On Clothes, Right?’: Costume Design and Styling as Women’s Work in Dutch Media Production	0
The Last Bohemian: Brian Desmond Hurst, Irish Film, British Cinema	0
All the President’s Men	0
Film Curatorship: Archives, Museums, and the Digital Marketplace, 2nd Edition	0
The Media History and Local Practices of Early Amateur Cinema in China (1926–1937)	0
Cinematic Guerrillas: Propaganda, Projectionists, and Audiences in Socialist China	0
The British Trauma Film: Psychoanalysis and Popular British Cinema in the Immediate Aftermath of the Second World War	0
Unstaged Grief: Musicals and Mourning in Midcentury America	0
Public Ceremony: The Construction of Nationalism Through Mobile Film Screening Under Jiang Kai-shek’s CNP Government	0
Kubrick and race	0
The Screen Censorship Companion: Critical explorations in the control of film and screen media	0
Announcement	0
Mobilising Music in Wartime British Film	0
Ida Lupino: Multifaceted performer and cinematic pioneer	0
The Americans (TV Milestones) The Americans (TV Milestones) LINDA MIZEJEWSKI, 2022Detroit, Wayne State University Press pp. 124, bibliography, $19.95 (paperback)	0
Films that spill: The Cinema of Transgression	0
Fate in Film: A Deterministic Approach to Cinema	0
‘A Strange World of Fantasy’: The Radio Propaganda of the Rhodesian Broadcasting Corporation, 1964–1970. ¹	0
The Eyes of Power: Intellectual Vision in Contemporary Chinese Local Film Censorship	0
A Wonderful (After) Life: Public Domain Works and Television Discourse	0
The musicals of Cole Porter: Broadway, Hollywood, Television	0
Radiophilia	0
Dr. No: The First James Bond Film	0
Dark Matter: Independent Filmmaking in the 21st Century	0
SHIN FILMS PRESENTS: THE ‘KOREAN-STYLE’ STUDIO SYSTEM AND THE MODERNIZATION OF THE FILM INDUSTRY In SOUTH KOREA, 1952–1975	0
‘THE DELIGHT of REAL BOYS’: MALE ROLE MODELS IN THE SILENT-ERA BOYS’ CINEMA WEEKLY FAN PAPER	0
Domesticating the U.S. Communications Satellite System: Hawai’i and Television Synchronicity	0
Resurrecting the Black Body: Race and the Digital Afterlife	0
Remapping the Cold War in Asian Cinemas	0
June Mathis: The Rise and Fall of a Silent film Visionary	0
Socialist China’s Participation in the Asia-Africa Film Festival (1958–1964)	0
A history of India’s North-East Cinema: Deconstructing the Stereotype	0
Fighting Without Fighting: Kung Fu Cinema’s Journey to the West	0
Soupy Sales and the Detroit Experience: Manufacturing a Television Personality	0
The Dark Interval: Film noir, Iconography and Affect The Dark Interval: Film Noir, Iconography and Affect PADRAIC KILLEEN, 2022New York, Bloomsbury pp. 271, $162.00 (clo	0
‘Well they Weren’t Married!’: The Marriage Bar at Radio/Telefís Éireann 1962–72	0
Screen Workers and the Irish Film Industry	0
Russian TV Series in the Era of Transition: Genres, Technologies, Identities	0
Bigger Than Life: The Close-Up and Scale in the Cinema Bigger Than Life: The Close-Up and Scale in the Cinema MARY ANN DOANE, 2021Durham, NC, Duke University Press pp. x	0
Some Like It Hot	0
Film, Hot War Traces and Cold War Spaces Film, Hot War Traces and Cold War Spaces MAURIZIO CINQUEGRANI, 2022Edinburgh, Edinburgh University Press pp. ix + 203, illus.,	0
Perpetuating Fascism: Propaganda and the Temporality of Phonography	0
A Gathering Place for Outlaws: Fugitive Cinema’s Alternative Film Distribution	0
Feminism and the Cinema of Experience	0
Buñuel and Mexico: The Crisis of National Cinema	0
Market positioning and reception of Bad Education (Pedro Almodóvar, 2004) in Spain and the USA	0