OOIR: Observatory of International Research

Papers

(The TQCC of Historical Journal of Film Radio and Television is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-06-01 to 2026-06-01.)

Article	Citations
The digital Double Blind: Change and stasis in the Middle East	4
Decontextualisations in German Überläufer Comedies: The Reception and Political Aesthetic of Die Fledermaus ( The Bat , 1946)	3
Southern Censorship against Hollywood in Better Films Committees and Local Censorship Boards: Film Control as a Woman’s Political Weapon	2
Preserving the Imperial Project: Documenting Film Censorship Practices in the Gold Coast (Ghana)	2
John Feeney at the National Film Board of Canada: Scripting Inuit Modern Art	2
Broadcasting the ‘Voice of Science’ on America’s Town Meeting of the Air: Public Education, Popular Entertainment, and Post-World War II Scientific Ambivalence	2
The Endless End of Cinema: A History of Crisis and Survival in Hollywood	2
Asta Nielsen, the Film Star System and the Introduction of the Long Feature Film	1
Correction	1
Chronology of the Birth of Cinema 1833-1896	1
The Political Thriller in Contemporary American Cinema: Hollywood, D.C	1
Material Lives of Cold War Radio Pasts in India	1
Video, Feminism and Television: A Trajectory of the Brazilian Feminist Collective Lilith Video, 1983–1988	1
Cuts and Controversy in Pre-Code Hollywood Horror: The Case of James Whale’s Frankenstein and The Bride of Frankenstein	1
Experimental Filmmaking and Punk: Feminist Audio Visual Culture in the 1970s and 1980s	1
Schools and Screens: A Watchful History	1
Scripting Empire: Broadcasting, the BBC, and the Black Atlantic	1
Lost in Translation	1
Campbeltown Speaks: Small-Town Cinema and the Coming of Sound	1
‘I Read My Dickens’: Agatha Christie’s Unproduced Film Adaptation of Bleak House	1
Play Time: Jacques Tati and Comedic Modernism	1
Offensive Screens: The Italy-China Diplomatic Agreement (1936–37) and the Transnational Censorship of Films	1
The lost honour of katharina blum	1
Old West, New Audiences: Wildlife Documentaries, Non-Theatrical Exhibition, and the Us Wilderness Culture Industry, 1928–1930	1
The History of German Literature on Film	1

Emergence of Colour Film Laboratories in Bombay: A Historical Narrative of Technological Dependence, Redesign and Inordinate Delay of Colour Cinema	1
Music in Orbit: Satellite Radio in the Streaming Space Age	0
June Mathis: The Rise and Fall of a Silent film Visionary	0
Reality, Magic, and Other Lies. Fairy-Tale Film Truths	0
STORM OVER ASIA (1928) and SÜKHBAATAR (1942): Soviet Imagining of Mongolia – From Orientalism to the Cult of Personality	0
Trailblazing Women of Australian Public Broadcasting, 1945-1975	0
‘A Brilliant Meteor Across the Filmic Heavens’: Brigitte Helm in British Film Culture, 1926–33	0
Gender and Genre in 1990s Hollywood: Challenging the Definitions of Sex, Women, and Femininity	0
John Ford at Work: Production Histories 1927–1939	0
‘Well they Weren’t Married!’: The Marriage Bar at Radio/Telefís Éireann 1962–72	0
Hidden in Plain Sight: Attending to Women’s Amateur Filmmaking Histories at the Irish Film Archive	0
Bigger Than Life: The Close-Up and Scale in the Cinema Bigger Than Life: The Close-Up and Scale in the Cinema MARY ANN DOANE, 2021Durham, NC, Duke University Press pp. x	0
The Media History and Local Practices of Early Amateur Cinema in China (1926–1937)	0
Mobilising Music in Wartime British Film	0
Miami Studios and Early Film Production in South Florida	0
Alien Invasion Films: Imperialism, Race and Gender in the American Security State 1950-2020	0
Monstrous Youth: Transgressing the Boundaries of Childhood in the United States Monstrous Youth: Transgressing the Boundaries of Childhood in the United States SARA AUST	0
Waves and Radiation: Television Sets and the Fear of Biological Harm in the Cold War	0
Film Curatorship: Archives, Museums, and the Digital Marketplace, 2nd Edition	0
Russian TV Series in the Era of Transition: Genres, Technologies, Identities	0
The Aesthetics of Early Sound Film: Media Change around 1930	0
Documentary Film and the Volga Famine: Save the Children Fund’S Famine (1922)	0
Saving the Children: Humanitarianism, Internationalism, and Empire	0
Correction	0
Aesthetics of the In-Between: Traces of Transitional Times in Woman Overboard (W. Staudte, 1945–1952)	0
WHEN in ROME: HOLLYWOOD RUNAWAY PRODUCTIONS, THE INTERNATIONAL FILM SERVICE, AND ROME ADVENTURE (1962)	0
Sergio Leone: Cinema as Political Fable	0
The BBC’s Legacy in Africa: Continuities and Change	0
Imitation of Life: Cross-Cultural Reception and Remakes in Turkish Cinema	0
On the Phenomenology of Media in the 1930s: Blaustein On Cinema and Radio Experiences	0
WOMEN’S TELEVISION HISTORIES: LOCATING WOMEN’S ROLE in EMERGING AND DEVELOPING INTERNATIONAL TELEVISION	0
The Big Picture: The Cold War on the Small Screen	0
Suzuki Seijun and Postwar Japanese Cinema	0
Luchino visconti and the fabric of cinema	0
Rated A: Soft-Porn Cinema and Mediations of Desire in India	0
TV Snapshots – An Archive of Everyday LifeTV Snapshots – An Archive of Everyday LifeLYNN SPIGEL, 2022Durham and London, Duke University Press pp. ix + 315, illus., $107.95 (cloth), $28.95 (paper)	0
The Biopic and Beyond: Celebrities as Characters in Screen Media	0
Smartphone Filmmaking: Theory and Practice	0
Breaks in the Air: The Birth of Rap Radio in New York City	0
The Cinema of Manoel de Oliveira. Modernity, Intermediality and the Uncanny	0
All the President’s Men	0
Adult Themes: British Cinema and the X Certificate in the Long 1960 s	0
Perpetuating Fascism: Propaganda and the Temporality of Phonography	0
‘Shrink to the Stars’: Exploring Therapeutic Broadcast Talk on BBC Radio 4’s In The Psychiatrist’s Chair	0
Announcement	0
Early Cinema and Optical Media: An Index to Print Anthologies and Exhibition Catalogues – Part 2	0
Black Women and the Changing Television Landscape	0
Unstaged Grief: Musicals and Mourning in Midcentury America	0
St. Louis by Design in Escape from New York (1981)	0
A risky venture: Typhoon Over Nagasaki and the particularity of Franco-Japanese cinematic co-production	0

Forecasting the Future Feature: How Film Industry Hierarchies Shaped Trailer Discourse, 1919–1959	0
Bastard Theatres and Human Dregs: Cultures of Illegitimacy on 42 ^nd Street	0
The Story of British Propaganda Film	0
Films that spill: The Cinema of Transgression	0
Love Wars: Television romantic comedy	0
Film Noir and Los Angeles: Urban History and the Dark ImaginaryFilm Noir and Los Angeles: Urban History and the Dark ImaginarySEAN W. MAHER, 2022New York, Routledge Press pp. vi + 211 + index, $52.95	0
Murder, She Wrote	0
New Perspectives on Early Cinema History: concepts, approaches, audiences	0
The International Reception of Downfall (Der Untergang, 2004)	0
Ingmar Bergman Out of Focus: Film Cultures and International Reception	0
The musicals of Cole Porter: Broadway, Hollywood, Television	0
Translating Radio Productions into Television Programmes: The Post-War Career of BBC Writer/Producer Nesta Pain	0
The Oxford Handbook of Radio and Podcasting	0
Shakespeare on the Radio: A Century of BBC Plays	0
Correction	0
The Passion of Pedro Almodóvar: A Self Portrait in Seven Films	0
A New Genre for Television? Creativity in Historical Drama Documentary	0
‘View’ and ‘Process’: Early British Industrial Films and Visual Culture	0
The Popes on Air: The History of Vatican Radio from Its Origins to World War II	0
Policing Show Business: J. Edgar Hoover, the Hollywood Blacklist, and Cold War Movies	0
Poetry FM: American Poetry and Radio Counterculture	0
The Cinema of Extractions: Film Materials and Their Forms	0
Kill the Documentary: A Letter to Filmmakers, Students, and Scholars Kill the Documentary: A Letter to Filmmakers, Students, and Scholars JILL GODMILOW, 2022New York, Co	0
Early Cinema and Optical Media: An Index to Print Anthologies and Exhibition Catalogues – Part 3	0
The Attraction of the Moving Image: Essays on History, Theory and the Avant-Garde	0
Picturegoing: A Critical Anthology of Eyewitness Experiences Picturegoing: A Critical Anthology of Eyewitness Experiences LUKE MCKERNAN, 2022Exeter, University of Exeter	0
Correction	0
Transnational Television Caricature: The Global Spread of Spitting Image 1984–1994	0
The Iamhist-Routledge Best Article Prizes for 2022	0
Correction	0
The BBC’s Controversy Committee, 1928–1929	0
Rockstar Games and American History: Promotional Materials and the Construction of Authenticity	0
Gaza on Screen	0
Polish Radio Art: The Case of Eugeninsz Rudnik and the Polish Radio Experimental Studio, 1959–2002	0
The Offline Maintenance of the First International Film Festival During COVID-19: Institutional Adjustments and Participants’ Response	0
Hawaii Five-O	0
Black America and Hollywood’s Korean War: The Steel Helmet (1951) and Pork Chop Hill (1959)	0
Broadcasting a Legend: The Canadian TV Miniseries The Arrow (1997)	0
What Did the Haji Jawa See in Mecca? A film from 1928 as Primary Source	0
Market positioning and reception of Bad Education (Pedro Almodóvar, 2004) in Spain and the USA	0
The Multimedia Show ‘Congorama’ at Expo 58: The Colonial as Spectacle, the Spectacle as Colonial	0
The City on Screen: Modern Strangers of Cinematic Istanbul	0
Studio Restructuring Without the Paramount Decree: Japanese Film Industry and Oligopoly after the 1960s	0
A Gathering Place for Outlaws: Fugitive Cinema’s Alternative Film Distribution	0
The Richard Dyer Reader	0
Hollywood Unions	0
Chinese Film: Realism and Convention from the Silent Era to the Digital Age	0
A Wonderful (After) Life: Public Domain Works and Television Discourse	0
Motor City Movie Culture, 1916–1925	0
Bohemians in 1970s New York City: perspectives on Miloš Forman and Ivan Passer’s films	0
The Empire Symphony Film: Fascist Documentary, Infrastructure, and the Avant-Garde	0
Towards a Film Theory from Below: Archival Film and the Aesthetics of the Crack-Up	0
Wire Exorcism: Radio Berlin Persian Service and the Making of Wireless Modernity in Iran	0
‘THE DELIGHT of REAL BOYS’: MALE ROLE MODELS IN THE SILENT-ERA BOYS’ CINEMA WEEKLY FAN PAPER	0
‘Unmitigated Cad’: The Dual Stardom of George Sanders ¹	0
Nazi ‘black’ Propaganda to Britain: Secret Radio Stations and British Renegades	0
Mavericks: Interviews with the world’s iconoclast filmmaker	0
The Ascent of the Nazis and the Downfall of the Catholic Company, Leo-Film AG	0
Hitchcock’s Number Seventeen (1932) and the British Film Quota	0
Projecting Korea: Performance, Translation, and Mediation in a Cold War Film Lecture, This Is Korea	0
British Cinema in a Divided Nation	0
The Cinematographic Activities of Charles Rider Noble and John Mackenzie in the Balkans	0
Revisiting the financial interest & syndication rules: A discursive and industrial analysis of U.S. Television production, 1971–1990	0
Starmaker: David O. Selznick and the Production of Stars in the Hollywood Studio System	0
Rewind, Replay: Britain and the Video Boom, 1978–92 Rewind, Replay: Britain and the Video Boom, 1978–92 JOHNNY WALKER, 2022 Edinburgh, UK, Edinburgh University Press pp.	0
It’s all in the Delivery: Pregnancy in American Film and Television Comedy	0
Medium Wars: Adapting the Film Narrative of Star Wars for Radio	0
Murakami Haruki on Film	0
Evading Censorship. Spanish Radio Disobedience During Late Francoism	0
Bette Davis Black and White	0
Suitcase of Soundscapes: The London Transcription Service and the Packaging of Wartime Sounds for the BBC’s Global Radio Audience	0
The Sentimental in Chinese Cinema The Sentimental in Chinese Cinema HUIMIAO, 2022Cham, Palgrave Macmillan pp. xvi + 210, $107 (cloth)	0
Socialist China’s Participation in the Asia-Africa Film Festival (1958–1964)	0
Jia Zhangke on Jia Zhangke	0
Imperial Interest, Regional Politics and British Film Quotas in Post-war Hong Kong and Singapore	0
Shocking Cinema of the 70s	0
The British Trauma Film: Psychoanalysis and Popular British Cinema in the Immediate Aftermath of the Second World War	0
In Tune with Changing Times: Radio’s Role in Colonisation and Decolonisation in British West Africa, 1935–1960	0
Clandestine Documentary Film V. Apartheid: Phela-Ndaba/End of The Dialogue (1970), Last Grave at Dimbaza (1974) and The South African Gove	0
Entertaining Ginnie: Visiting the Cinema and the Theatre, 1939–1945	0

Silent Film Performance: Dramatic Bodies on Screen	0
Infrastructures of Influence: The British Federation of Film Societies and the Circulation of Soft Power, 1960–2000	0
Miryam de Flores: The Woman of the Port. The Legacy of a Female TV Auteur From the Colombian Caribbean Region	0
The Americans (TV Milestones) The Americans (TV Milestones) LINDA MIZEJEWSKI, 2022Detroit, Wayne State University Press pp. 124, bibliography, $19.95 (paperback)	0
I’d just as soon kiss a wookiee: Uncovering racialized desire in the star wars galaxy	0
From Private Films to Public Memories: Revisiting the History of the ‘Forgács Archive’	0
The Last Bohemian: Brian Desmond Hurst, Irish Film, British Cinema	0
Crafting Contemporary Documentaries and Docuseries for Global Screens: Docu-mania	0
Frequencies of Deceit: How Global Propaganda Wars Shaped the Middle East	0
Dr. No: The First James Bond Film	0
Radiophilia	0
‘No experiments’? Reprises and Remakes in 1950s West German Cinema	0
Hitler Youth Quex: A Guide for the English-Speaking Reader	0
‘Were Our Ideas of Maintaining Control Mythical?’: Film Policy at Hampton Court Palace, 1911–1989	0
The Politics of the Marvel Cinematic Universe, Volume 2: Into the Multiverse	0
Cinematic Guerrillas: Propaganda, Projectionists, and Audiences in Socialist China	0
Remapping the Cold War in Asian Cinemas	0
Resurrecting the Black Body: Race and the Digital Afterlife	0
‘Problems Which Do Not Exist in the Field of Sound Alone’: Policies Against ‘Free Advertisement’ on Early BBC Television	0
The Role of Film Archives in Creating Canons of Eastern European Cinema	0
A history of India’s North-East Cinema: Deconstructing the Stereotype	0
Announcement	0
Australian Radio Listeners and Television Viewers. Historical Perspectives	0
The Enchanting Kinora: Domesticating Moving Images in Edwardian Britain	0
Fighting Without Fighting: Kung Fu Cinema’s Journey to the West	0
Beyond The Movie Theater: Sites, Sponsors, Uses, Audiences	0
‘A Strange World of Fantasy’: The Radio Propaganda of the Rhodesian Broadcasting Corporation, 1964–1970. ¹	0
Frances Kavanaugh and B Westerns’ Women Writers	0
John Hamrick’s Blue Mouse Cinemas: Independent Exhibition and Influence in the Studio Era	0
Silent Film and the Formations of U.S. Literary Culture: Literature in Motion	0
Film, Hot War Traces and Cold War Spaces Film, Hot War Traces and Cold War Spaces MAURIZIO CINQUEGRANI, 2022Edinburgh, Edinburgh University Press pp. ix + 203, illus.,	0
Some Like It Hot	0
For No Reason at All: The Changing Narrative of the First World War in American film	0
SHIN FILMS PRESENTS: THE ‘KOREAN-STYLE’ STUDIO SYSTEM AND THE MODERNIZATION OF THE FILM INDUSTRY In SOUTH KOREA, 1952–1975	0
In Conversation with Women Practitioners	0
From Stage to Screen: The Legacy of Traditional Chinese Theatre in Chinese Martial Arts Cinema Soundtracks	0
Columbo: Paying Attention 24/7	0
MISSING LINKS: THE AFTERMATH of THE NAZI ERA IN GERMAN AND EUROPEAN FILM HISTORY	0
The English Hollywood that wasn’t: shadow history and Esher’s unbuilt film studios	0
Radio’s Legacy in Popular Culture: The Sounds of British Broadcasting Over the Decades	0
Settler Attachments and Asian Diasporic Film	0
The Red Shoes	0
The Eyes of Power: Intellectual Vision in Contemporary Chinese Local Film Censorship	0
Provenance and Early Cinema	0
Soupy Sales and the Detroit Experience: Manufacturing a Television Personality	0
Unspooled: How the Cassette Made Music Shareable	0
Screen Workers and the Irish Film Industry	0
From Prison to Censorship: Devil’s Island Films (1926–1940)	0
Scratches and Glitches: Observations on Preserving and Exhibiting Cinema in the Early 21st Century	0
Haunted by Vertigo: Hitchcock’s Masterpiece Then and Now	0
Reworking the Eastern European Past through Audiovisual Archival Practices	0
The Dark Interval: Film noir, Iconography and Affect The Dark Interval: Film Noir, Iconography and Affect PADRAIC KILLEEN, 2022New York, Bloomsbury pp. 271, $162.00 (clo	0
Art Bell’s Open Forum: Conspiracy Talk on Coast to Coast AM and its Legacy in the Internet Age	0
Interwar Romanies in the British Pathé (1922–1939)	0
Feminism and the Cinema of Experience	0
SceneWriting: The Missing Manual for Screenwriters SceneWriting: The Missing Manual for Screenwriters CHRIS PERRY and ERIC HENRY SANDERS, 2022New York, NY, Bloomsbury Ac	0
Eleanor Powell: Born to Dance	0
Buster Keaton: A Filmmaker’s Life	0
Cinema Memories: A People’s History of Cinema-Going in 1960s Britain Cinema Memories: A People’s History of Cinema-Going in 1960s Britain MELVYN STOKES, MATTHEW JONES an	0
Black Mirror: Allegories for the Atomised	0
The Myth of Stalin and the Death of Hitler: André Bazin and The Fall of Berlin ’s Transnational Travels	0
Revisiting the Weaver Years at NBC	0
The Films of Aleksandr Rou: Father of Soviet Fairy Tale Cinema	0
Desktop Montage: Ethics of Holocaust Footage in the Online Space	0
Exotic Cinema: Encounters with Cultural Difference in Contemporary Transnational film	0
Fate in Film: A Deterministic Approach to Cinema	0
A Trip Down Market Street: A Century of ‘Eureka’ Moments	0
Women in the Work of Woody Allen	0
The Oxford Handbook of Black Horror Film	0
The Parallax View]	0
Contemporary Art Cinema Culture in China	0
Kubrick and race	0
‘Gumnut-flavoured’ British comedies and the representation of race, sexuality and suburb in Love Thy Neighbour in Australia	0
Reginald rose and the journey of 12 angry men	0
The Screen Censorship Companion: Critical explorations in the control of film and screen media	0
Playing the Percentages: How Film Distribution Made the Hollywood Studio System	0
‘Our Film Orgy’: the Institute for Sex Research, Cinemages, Herman Weinberg, and George Eastman House, 1958–1963	0
From Oral Storytelling to Serial Drama: Intermedial Continuities in Mid-20th-Century Egypt	0
The Shadow of Oru Palace: Contending narratives at a national monument site	0
Ida Lupino: Multifaceted performer and cinematic pioneer	0
French Film History, 1895–1946	0
My Place in the Sun: Life in the Golden Age of Hollywood and Washington My Place in the Sun: Life in the Golden Age of Hollywood and Washington GEORGE STEVENS,JR., 2022L	0
Slavery before Roots : Television, the Civil Rights Movement, and History TV in the 1960s	0
The Battle of Neretva (1969): Production, Exhibition, Reception, Aesthetics, and Historiography	0
The Haunted Cinema of Pedro Costa	0
It’s a Wonderful Life	0
Feeling Colour: Chromatic Embodiment in Film Culture (1950s–1960s)	0
Our Blessed Rebel Queen: Essays on Carrie Fisher and Princess LeiaOur Blessed Rebel Queen: Essays on Carrie Fisher and Princess LeiaLINDA MIZEJEWSKI and TANYA D. ZUK (eds.), 2021Detroit, Wayne State U	0
Filming History from Below: Microhistorical Documentaries	0
Dark Matter: Independent Filmmaking in the 21st Century	0
James Bond’s Socialist Rivals: Television Spy Heroes and Popular Culture in the Cold War East	0
The Politics of Industry and the Wave of Nationalism: Exploring the Shanghai Film Guild, 1927–1930	0
The Art of the Observer: A Personal View of Documentary	0
‘Anyone Can Put On Clothes, Right?’: Costume Design and Styling as Women’s Work in Dutch Media Production	0
Josephine Baker’s Secret War: The African American Star Who Fought for France and Freedom	0