OOIR: Observatory of International Research

Papers

(The TQCC of Historical Journal of Film Radio and Television is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-08-01 to 2025-08-01.)

Article	Citations
All ‘Shook’ up: Bob Hope, the USO, and How a Night in Greenland Changed Television	4
John Feeney at the National Film Board of Canada: Scripting Inuit Modern Art	3
The digital Double Blind: Change and stasis in the Middle East	3
Decontextualisations in German Überläufer Comedies: The Reception and Political Aesthetic of Die Fledermaus ( The Bat , 1946)	2
Southern Censorship against Hollywood in Better Films Committees and Local Censorship Boards: Film Control as a Woman’s Political Weapon	2
Chronology of the Birth of Cinema 1833-1896	1
Broadcasting the ‘Voice of Science’ on America’s Town Meeting of the Air: Public Education, Popular Entertainment, and Post-World War II Scientific Ambivalence	1
Play Time: Jacques Tati and Comedic Modernism	1
Offensive Screens: The Italy-China Diplomatic Agreement (1936–37) and the Transnational Censorship of Films	1
Old West, New Audiences: Wildlife Documentaries, Non-Theatrical Exhibition, and the Us Wilderness Culture Industry, 1928–1930	1
Revisiting the Weaver Years at NBC	1
Correction	1
Experimental Filmmaking and Punk: Feminist Audio Visual Culture in the 1970s and 1980s	1
Preserving the Imperial Project: Documenting Film Censorship Practices in the Gold Coast (Ghana)	1
Scripting Empire: Broadcasting, the BBC, and the Black Atlantic	1
Sex, Politics, and Comedy: the Transnational Cinema of Ernst Lubitsch	1
Material Lives of Cold War Radio Pasts in India	1
Campbeltown Speaks: Small-Town Cinema and the Coming of Sound	1
Schools and Screens: A Watchful History	1
The Endless End of Cinema: A History of Crisis and Survival in Hollywood	1
Asta Nielsen, the Film Star System and the Introduction of the Long Feature Film	1
‘I Read My Dickens’: Agatha Christie’s Unproduced Film Adaptation of Bleak House	1
Animated Personalities: Cartoon Characters and Stardom in American Theatrical Shorts	1
Porridge: BFI Classics	1
The lost honour of katharina blum	1

The Cinematographic Activities of Charles Rider Noble and John Mackenzie in the Balkans	0
The Screen Censorship Companion: Critical explorations in the control of film and screen media	0
This Studio is Dangerous! Hazards of Working in British Film Studios in the 1930s and 1940s	0
A Trip Down Market Street: A Century of ‘Eureka’ Moments	0
Provenance and Early Cinema	0
The Last Bohemian: Brian Desmond Hurst, Irish Film, British Cinema	0
Announcement	0
Dark Matter: Independent Filmmaking in the 21st Century	0
Scratches and Glitches: Observations on Preserving and Exhibiting Cinema in the Early 21st Century	0
Gene Tierney: Star of Hollywood’s Home Front	0
It’s a Wonderful Life	0
Hidden in Plain Sight: Attending to Women’s Amateur Filmmaking Histories at the Irish Film Archive	0
In Conversation with Women Practitioners	0
‘Keep ‘em in the East’: Kazan, Kubrick, and the Postwar New York Film Renaissance	0
For No Reason at All: The Changing Narrative of the First World War in American film	0
Unacceptable Matters: The Hays Code, Family, Film Noir and RKO Radio Pictures	0
Word, Sound and Music in Radio Drama	0
From Stage to Screen: The Legacy of Traditional Chinese Theatre in Chinese Martial Arts Cinema Soundtracks	0
Text/Author/Audience: Audience Reception of Ingmar Bergman and His Films	0
The Iamhist-Routledge Best Article Prizes for 2021	0
The Sentimental in Chinese Cinema The Sentimental in Chinese Cinema HUIMIAO, 2022Cham, Palgrave Macmillan pp. xvi + 210, $107 (cloth)	0
Race and Radio: Pioneering Black Broadcasters in New Orleans Race and Radio: Pioneering Black Broadcasters in New Orleans BALA JAMES BAPTIST, 2019Jackson, University Pre	0
Broadcasting a Legend: The Canadian TV Miniseries The Arrow (1997)	0
Art Bell’s Open Forum: Conspiracy Talk on Coast to Coast AM and its Legacy in the Internet Age	0
Radiophilia	0
Radio’s Legacy in Popular Culture: The Sounds of British Broadcasting Over the Decades	0
Jia Zhangke on Jia Zhangke	0
The Red Shoes	0
The Aesthetics of Early Sound Film: Media Change around 1930	0
SceneWriting: The Missing Manual for Screenwriters SceneWriting: The Missing Manual for Screenwriters CHRIS PERRY and ERIC HENRY SANDERS, 2022New York, NY, Bloomsbury Ac	0
Hawaii Five-O	0
The Empire Symphony Film: Fascist Documentary, Infrastructure, and the Avant-Garde	0
The Battle of Neretva (1969): Production, Exhibition, Reception, Aesthetics, and Historiography	0
The Biopic and Beyond: Celebrities as Characters in Screen Media	0
From Propaganda to Attraction: Reassessing the Role of the Public in the Newsreel Jornal Português (1938–1951)	0
Soupy Sales and the Detroit Experience: Manufacturing a Television Personality	0
‘View’ and ‘Process’: Early British Industrial Films and Visual Culture	0
‘No experiments’? Reprises and Remakes in 1950s West German Cinema	0
Marketing the A Clockwork Orange myth	0
TV Snapshots – An Archive of Everyday LifeTV Snapshots – An Archive of Everyday LifeLYNN SPIGEL, 2022Durham and London, Duke University Press pp. ix + 315, illus., $107.95 (cloth), $28.95 (paper)	0
The British Trauma Film: Psychoanalysis and Popular British Cinema in the Immediate Aftermath of the Second World War	0
The Shared History of Stanley Kubrick’s A Clockwork Orange (1971) and Ken Russell’s The Devils (1971)	0
The Offline Maintenance of the First International Film Festival During COVID-19: Institutional Adjustments and Participants’ Response	0
The Cinema of Manoel de Oliveira. Modernity, Intermediality and the Uncanny	0
Studio Restructuring Without the Paramount Decree: Japanese Film Industry and Oligopoly after the 1960s	0
The stardom film: Creating the Hollywood fairy tale	0
Shocking Cinema of the 70s	0
Motor City Movie Culture, 1916–1925	0
Hollis Frampton: Navigating the Infinite Cinema	0
Rated A: Soft-Porn Cinema and Mediations of Desire in India	0

Channel 4 and the South Series (1991-93): from the Third World to the Global South	0
The Ascent of the Nazis and the Downfall of the Catholic Company, Leo-Film AG	0
Cold war II: Hollywood’s Renewed Obsession with Russia	0
The Myth of Stalin and the Death of Hitler: André Bazin and The Fall of Berlin ’s Transnational Travels	0
Cinematic Guerrillas: Propaganda, Projectionists, and Audiences in Socialist China	0
Beyond The Movie Theater: Sites, Sponsors, Uses, Audiences	0
‘Unmitigated Cad’: The Dual Stardom of George Sanders ¹	0
From Blue Book to White Book: The Hutchins Commission and Llewellyn White’s The American Radio	0
Making the Best Years of Our Lives: The Hollywood Classic that Inspired a Nation Making The Best Years of Our Lives: the Hollywood Classic that Inspired a Nation ALISON	0
Gaza on Screen	0
Chinese Film: Realism and Convention from the Silent Era to the Digital Age	0
Castan’s Panopticum und Passage Panoptikum, Berlin. Eine Rekonstruktion aus Programm, Literatur und Wissenschaft	0
Correction	0
Poetry FM: American Poetry and Radio Counterculture	0
Fate in Film: A Deterministic Approach to Cinema	0
Columbo: Make Me a Perfect Murder	0
Announcement	0
Reality, Magic, and Other Lies. Fairy-Tale Film Truths	0
‘We’ll Have No More Grapes of Wrath :’ The Origins, Rise and Impact of a Dubious Cinematic Anecdote	0
Hollywood in San Francisco: Location Shooting and the Aesthetics of Urban Decline	0
Luchino visconti and the fabric of cinema	0
Communicating Europe: Technologies, Information, Events	0
Adult Themes: British Cinema and the X Certificate in the Long 1960 s	0
Video, Feminism and Television: A Trajectory of the Brazilian Feminist Collective Lilith Video, 1983–1988	0
Breaks in the Air: The Birth of Rap Radio in New York City	0
‘A Strange World of Fantasy’: The Radio Propaganda of the Rhodesian Broadcasting Corporation, 1964–1970. ¹	0
Visioning, Contesting and Revisioning Trinidad’s 1970 Black Power Revolt in Independent Documentary Film	0
All the President’s Men	0
Black America and Hollywood’s Korean War: The Steel Helmet (1951) and Pork Chop Hill (1959)	0
French Film History, 1895–1946	0
Pulses of Abstraction: Episodes from a History of Animation	0
Miryam de Flores: The Woman of the Port. The Legacy of a Female TV Auteur From the Colombian Caribbean Region	0
SHIN FILMS PRESENTS: THE ‘KOREAN-STYLE’ STUDIO SYSTEM AND THE MODERNIZATION OF THE FILM INDUSTRY In SOUTH KOREA, 1952–1975	0
Bohemians in 1970s New York City: perspectives on Miloš Forman and Ivan Passer’s films	0
‘Our Film Orgy’: the Institute for Sex Research, Cinemages, Herman Weinberg, and George Eastman House, 1958–1963	0
Correction	0
Film Noir and Los Angeles: Urban History and the Dark ImaginaryFilm Noir and Los Angeles: Urban History and the Dark ImaginarySEAN W. MAHER, 2022New York, Routledge Press pp. vi + 211 + index, $52.95	0
Learning with Light and Shadows: Educational Lantern and Film Projection, 1860–1990	0
‘The Delight of Real Boys’: Male Role Models in the Silent-Era Boys’ Cinema Weekly Fan Paper	0
The Richard Dyer Reader	0
When in Rome: Hollywood Runaway Productions, the International Film Service, and Rome Adventure (1962)	0
Empire’s Mistress: Starring Isabel Rosario Cooper	0
Requisitioning film studios in wartime Britain	0
Screen Workers and the Irish Film Industry	0
From Prison to Censorship: Devil’s Island Films (1926–1940)	0
Filming History from Below: Microhistorical Documentaries	0
Monstrous Youth: Transgressing the Boundaries of Childhood in the United States Monstrous Youth: Transgressing the Boundaries of Childhood in the United States SARA AUST	0
Early Cinema and Optical Media: An Index to Print Anthologies and Exhibition Catalogues – Part 1	0
Speech-To-Local Data: Exploring ASR Files of Archived Television News (2004–2018) on the 1986 Chernobyl Nuclear Disaster	0
Socialist China’s Participation in the Asia-Africa Film Festival (1958–1964)	0
A Clockwork Orange on stage	0
The Cinema of Extractions: Film Materials and Their Forms	0
Unspooled: How the Cassette Made Music Shareable	0
Suzuki Seijun and Postwar Japanese Cinema	0
Starmaker: David O. Selznick and the Production of Stars in the Hollywood Studio System	0
A Wonderful (After) Life: Public Domain Works and Television Discourse	0
‘Were Our Ideas of Maintaining Control Mythical?’: Film Policy at Hampton Court Palace, 1911–1989	0
Alien Invasion Films: Imperialism, Race and Gender in the American Security State 1950-2020	0
Correction	0
Crime Scenery in Postwar Film and Photography	0
Suitcase of Soundscapes: The London Transcription Service and the Packaging of Wartime Sounds for the BBC’s Global Radio Audience	0
Early Cinema and Optical Media: An Index to Print Anthologies and Exhibition Catalogues – Part 2	0
Harold Pinter’s Early BBC Roles: Between Tradition and Innovation	0
Chinese Film Classics, 1922–1949	0
Evading Censorship. Spanish Radio Disobedience During Late Francoism	0
Peter weir interviews	0
Bette Davis Black and White	0
‘A Brilliant Meteor Across the Filmic Heavens’: Brigitte Helm in British Film Culture, 1926–33	0
Miami Studios and Early Film Production in South Florida	0
Cinema off screen: moviegoing in socialist China	0
The English Hollywood that wasn’t: shadow history and Esher’s unbuilt film studios	0
Supporters or Saboteurs: Deviated Experiences of Maoist Film Propaganda in Rural China	0
Silent Film Performance: Dramatic Bodies on Screen	0
Reginald rose and the journey of 12 angry men	0
Kill the Documentary: A Letter to Filmmakers, Students, and Scholars Kill the Documentary: A Letter to Filmmakers, Students, and Scholars JILL GODMILOW, 2022New York, Co	0
Fighting Without Fighting: Kung Fu Cinema’s Journey to the West	0
The Berlin–Tokyo Film Axis and a Troubled Co-Production: The Makers of New Earth/The Samurai’s Daughter (1937)	0
Frances Kavanaugh and B Westerns’ Women Writers	0
New Perspectives on Early Cinema History: concepts, approaches, audiences	0
Russian TV Series in the Era of Transition: Genres, Technologies, Identities	0

Esfir Shub: Pioneer of Documentary Filmmaking	0
Feeling Colour: Chromatic Embodiment in Film Culture (1950s–1960s)	0
The Iamhist-Routledge Best Article Prizes for 2022	0
Dr. No: The First James Bond Film	0
Cinema Memories: A People’s History of Cinema-Going in 1960s Britain Cinema Memories: A People’s History of Cinema-Going in 1960s Britain MELVYN STOKES, MATTHEW JONES an	0
Emergence of Colour Film Laboratories in Bombay: A Historical Narrative of Technological Dependence, Redesign and Inordinate Delay of Colour Cinema	0
The Art of the Observer: A Personal View of Documentary	0
The Story of British Propaganda Film	0
Maverick Movies: New Line Cinema and the Transformation of American Film	0
Polish Radio Art: The Case of Eugeninsz Rudnik and the Polish Radio Experimental Studio, 1959–2002	0
Transnational Television Caricature: The Global Spread of Spitting Image 1984–1994	0
Entertaining Ginnie: Visiting the Cinema and the Theatre, 1939–1945	0
Hollywood’s Unofficial Film Corps: American Jewish Moviemakers and the War Effort	0
Picturegoing: A Critical Anthology of Eyewitness Experiences Picturegoing: A Critical Anthology of Eyewitness Experiences LUKE MCKERNAN, 2022Exeter, University of Exeter	0
The Romance Promoter with A Deadline at 11: Rural Exhibitors, Urban Exchanges, and The Emerging Culture of Film Distribution in The United States, 1918–1925	0
‘A Movie Paralysis’: Defining Cinema during the Polio Epidemic of 1916	0
Columbo: Paying Attention 24/7	0
British Cinema in a Divided Nation	0
The International Reception of Downfall (Der Untergang, 2004)	0
The Oxford Handbook of Radio and Podcasting	0
Lost in Translation	0
Crafting Contemporary Documentaries and Docuseries for Global Screens: Docu-mania	0
Waves and Radiation: Television Sets and the Fear of Biological Harm in the Cold War	0
What Did the Haji Jawa See in Mecca? A film from 1928 as Primary Source	0
Murakami Haruki on Film	0
Introduction: 50 years of A Clockwork Orange (1971)	0
Policing Show Business: J. Edgar Hoover, the Hollywood Blacklist, and Cold War Movies	0
Closures: Heterosexuality and the American Sitcom	0
Translating Radio Productions into Television Programmes: The Post-War Career of BBC Writer/Producer Nesta Pain	0
Hitler Youth Quex: A Guide for the English-Speaking Reader	0
Medium Wars: Adapting the Film Narrative of Star Wars for Radio	0
Haunted by Vertigo: Hitchcock’s Masterpiece Then and Now	0
‘Well they Weren’t Married!’: The Marriage Bar at Radio/Telefís Éireann 1962–72	0
The Middle Ages and the Movies: Eight Key Films	0
Ida Lupino, Filmmaker	0
Kubrick’s clockwork psychopath	0
‘Zapata is Fighting the Enemy Here’: Defanging a Rebel in Pre-revolutionary Iran	0
The Big Picture: The Cold War on the Small Screen	0
My Place in the Sun: Life in the Golden Age of Hollywood and Washington My Place in the Sun: Life in the Golden Age of Hollywood and Washington GEORGE STEVENS,JR., 2022L	0
Man’ei film in China 1937–1945: The Ideological Weapon of Japanese Settler Colonialism	0
WOMEN’S TELEVISION HISTORIES: LOCATING WOMEN’S ROLE in EMERGING AND DEVELOPING INTERNATIONAL TELEVISION	0
The Kinematograph Theatre Arrives: Part III of the London County Council and the Cinematograph	0
Correction	0
Revisiting the Weaver Years at NBC	0
Transcending the Iron Curtain: Foreign Film Weeks and Transnational Film Exchanges in the People’s Republic of China, 1949–1966	0
The ‘Horror Serials’ of the 1910s: Episodes in the Construction of a Film Genre	0
Aesthetics of the In-Between: Traces of Transitional Times in Woman Overboard (W. Staudte, 1945–1952)	0
Hitchcock’s Number Seventeen (1932) and the British Film Quota	0
The BBC German Service during the Second World War: Broadcasting to the Enemy	0
Sport in the French Television Magazine Programme Cinq Colonnes à la Une (1959–1968)	0
Labouring on A Clockwork Orange (1971): finding the voices of creative, technical, and administrative workers in the Stanley Kubrick Archive	0
Women in the Work of Woody Allen	0
Sergio Leone: Cinema as Political Fable	0
Film Curatorship: Archives, Museums, and the Digital Marketplace, 2nd Edition	0
‘Problems Which Do Not Exist in the Field of Sound Alone’: Policies Against ‘Free Advertisement’ on Early BBC Television	0
Rewind, Replay: Britain and the Video Boom, 1978–92 Rewind, Replay: Britain and the Video Boom, 1978–92 JOHNNY WALKER, 2022 Edinburgh, UK, Edinburgh University Press pp.	0
The Dark Interval: Film noir, Iconography and Affect The Dark Interval: Film Noir, Iconography and Affect PADRAIC KILLEEN, 2022New York, Bloomsbury pp. 271, $162.00 (clo	0
Forecasting the Future Feature: How Film Industry Hierarchies Shaped Trailer Discourse, 1919–1959	0
Early Cinema and Optical Media: An Index to Print Anthologies and Exhibition Catalogues – Part 3	0
Film, Hot War Traces and Cold War Spaces Film, Hot War Traces and Cold War Spaces MAURIZIO CINQUEGRANI, 2022Edinburgh, Edinburgh University Press pp. ix + 203, illus.,	0
Saving the Children: Humanitarianism, Internationalism, and Empire	0
Nazi ‘black’ Propaganda to Britain: Secret Radio Stations and British Renegades	0
Smartphone Filmmaking: Theory and Practice	0
Eleanor Powell: Born to Dance	0
Documentary Film and the Volga Famine: Save the Children Fund’S Famine (1922)	0
The Routledge Companion to Radio and Podcast Studies	0
Imitation of Life: Cross-Cultural Reception and Remakes in Turkish Cinema	0
On the Phenomenology of Media in the 1930s: Blaustein On Cinema and Radio Experiences	0
‘Gumnut-flavoured’ British comedies and the representation of race, sexuality and suburb in Love Thy Neighbour in Australia	0
Shadow of a Doubt	0
Resetting the Scene: Classical Hollywood Revisited	0
French cinema vs the bomb: Atomic science and a war of images circa 1950	0
The Americans (TV Milestones) The Americans (TV Milestones) LINDA MIZEJEWSKI, 2022Detroit, Wayne State University Press pp. 124, bibliography, $19.95 (paperback)	0
A Gathering Place for Outlaws: Fugitive Cinema’s Alternative Film Distribution	0
Framing contagious images	0
It’s all in the Delivery: Pregnancy in American Film and Television Comedy	0
The Eyes of Power: Intellectual Vision in Contemporary Chinese Local Film Censorship	0
Horror Film and Otherness: Film and Culture Horror Film and Otherness: Film and Culture ADAM LOWENSTEIN, 2022New York, NY, Columbia University Press pp. xiii + 229, illu	0
‘Anyone Can Put On Clothes, Right?’: Costume Design and Styling as Women’s Work in Dutch Media Production	0
Our Blessed Rebel Queen: Essays on Carrie Fisher and Princess LeiaOur Blessed Rebel Queen: Essays on Carrie Fisher and Princess LeiaLINDA MIZEJEWSKI and TANYA D. ZUK (eds.), 2021Detroit, Wayne State U	0
Imperial Interest, Regional Politics and British Film Quotas in Post-war Hong Kong and Singapore	0
Screens and Gender: Re(Visiting) the History of Ghana’s Film Industry	0
Trailblazing Women of Australian Public Broadcasting, 1945-1975	0
‘Blind’ warfare: radio propaganda dynamics in South Africa during the Second World War	0
Pictures of Poverty: The Works of George R. Sims and Their Screen Adaptations	0
Australian Radio Listeners and Television Viewers. Historical Perspectives	0
Clandestine Documentary Film V. Apartheid: Phela-Ndaba/End of The Dialogue (1970), Last Grave at Dimbaza (1974) and The South African Gove	0
Remapping the Cold War in Asian Cinemas	0
Slavery before Roots : Television, the Civil Rights Movement, and History TV in the 1960s	0
The History of German Literature on Film	0
Bastard Theatres and Human Dregs: Cultures of Illegitimacy on 42 ^nd Street	0
The BBC’s Controversy Committee, 1928–1929	0
Cold War Children’s Television: Philadelphia as a Case Study	0
The legacy of A Clockwork Orange in The Great Ecstasy of Robert Carmichael (Thomas Clay, 2005) and Bronson (Nicolas Winding Refn, 2009): ‘all form and no content’?	0
Buster Keaton: A Filmmaker’s Life	0