OOIR: Observatory of International Research

Papers

(The TQCC of Historical Journal of Film Radio and Television is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-05-01 to 2025-05-01.)

Article	Citations
Broadcasting the ‘Voice of Science’ on America’s Town Meeting of the Air: Public Education, Popular Entertainment, and Post-World War II Scientific Ambivalence	4
All ‘Shook’ up: Bob Hope, the USO, and How a Night in Greenland Changed Television	3
‘Of a Human Satellite’: Cassius Clay/Muhammad Ali in Cold War Finnish Television Culture, 1960–1965	2
The digital Double Blind: Change and stasis in the Middle East	2
The Endless End of Cinema: A History of Crisis and Survival in Hollywood	1
Offensive Screens: The Italy-China Diplomatic Agreement (1936–37) and the Transnational Censorship of Films	1
Experimental Filmmaking and Punk: Feminist Audio Visual Culture in the 1970s and 1980s	1
Correction	1
Sex, Politics, and Comedy: the Transnational Cinema of Ernst Lubitsch	1
Chronology of the Birth of Cinema 1833-1896	1
Play Time: Jacques Tati and Comedic Modernism	1
Southern Censorship against Hollywood in Better Films Committees and Local Censorship Boards: Film Control as a Woman’s Political Weapon	1
The lost honour of katharina blum	1
Animated Personalities: Cartoon Characters and Stardom in American Theatrical Shorts	1
Asta Nielsen, the Film Star System and the Introduction of the Long Feature Film	1
Lost in Translation	1
John Feeney at the National Film Board of Canada: Scripting Inuit Modern Art	1
Decontextualisations in German Überläufer Comedies: The Reception and Political Aesthetic of Die Fledermaus ( The Bat , 1946)	1
Preserving the Imperial Project: Documenting Film Censorship Practices in the Gold Coast (Ghana)	1
Schools and Screens: A Watchful History	1
Scripting Empire: Broadcasting, the BBC, and the Black Atlantic	1
The History of German Literature on Film	1
The Dark Interval: Film noir, Iconography and Affect The Dark Interval: Film Noir, Iconography and Affect PADRAIC KILLEEN, 2022New York, Bloomsbury pp. 271, $162.00 (clo	0
The Eyes of Power: Intellectual Vision in Contemporary Chinese Local Film Censorship	0
Porridge: BFI Classics	0

From Propaganda to Attraction: Reassessing the Role of the Public in the Newsreel Jornal Português (1938–1951)	0
Horror Film and Otherness: Film and Culture Horror Film and Otherness: Film and Culture ADAM LOWENSTEIN, 2022New York, NY, Columbia University Press pp. xiii + 229, illu	0
Hawaii Five-O	0
Cinema Memories: A People’s History of Cinema-Going in 1960s Britain Cinema Memories: A People’s History of Cinema-Going in 1960s Britain MELVYN STOKES, MATTHEW JONES an	0
Eleanor Powell: Born to Dance	0
Gaza on Screen	0
‘I Read My Dickens’: Agatha Christie’s Unproduced Film Adaptation of Bleak House	0
Australian Radio Listeners and Television Viewers. Historical Perspectives	0
Rockstar Games and American History: Promotional Materials and the Construction of Authenticity	0
Buster Keaton: A Filmmaker’s Life	0
Rated A: Soft-Porn Cinema and Mediations of Desire in India	0
Emergence of Colour Film Laboratories in Bombay: A Historical Narrative of Technological Dependence, Redesign and Inordinate Delay of Colour Cinema	0
‘A Brilliant Meteor Across the Filmic Heavens’: Brigitte Helm in British Film Culture, 1926–33	0
Frances Kavanaugh and B Westerns’ Women Writers	0
Clandestine Documentary Film V. Apartheid: Phela-Ndaba/End of The Dialogue (1970), Last Grave at Dimbaza (1974) and The South African Gove	0
Peter weir interviews	0
Early Cinema and Optical Media: An Index to Print Anthologies and Exhibition Catalogues – Part 2	0
Cinematic Guerrillas: Propaganda, Projectionists, and Audiences in Socialist China	0
In Conversation with Women Practitioners	0
The BBC German Service during the Second World War: Broadcasting to the Enemy	0
Black America and Hollywood’s Korean War: The Steel Helmet (1951) and Pork Chop Hill (1959)	0
The Aesthetics of Early Sound Film: Media Change around 1930	0
Race and Radio: Pioneering Black Broadcasters in New Orleans Race and Radio: Pioneering Black Broadcasters in New Orleans BALA JAMES BAPTIST, 2019Jackson, University Pre	0
When Ships Don’t Come Ashore – a Yugoslav cinema club production’s dissent in-between the personal and the political	0
‘View’ and ‘Process’: Early British Industrial Films and Visual Culture	0
The Sentimental in Chinese Cinema The Sentimental in Chinese Cinema HUIMIAO, 2022Cham, Palgrave Macmillan pp. xvi + 210, $107 (cloth)	0
Miryam de Flores: The Woman of the Port. The Legacy of a Female TV Auteur From the Colombian Caribbean Region	0
For No Reason at All: The Changing Narrative of the First World War in American film	0
‘Blind’ warfare: radio propaganda dynamics in South Africa during the Second World War	0
Gene Tierney: Star of Hollywood’s Home Front	0
A Clockwork Orange on stage	0
Early Cinema and Optical Media: An Index to Print Anthologies and Exhibition Catalogues – Part 1	0
Kubrick’s clockwork psychopath	0
Revisiting the Weaver Years at NBC	0
The Romance Promoter with A Deadline at 11: Rural Exhibitors, Urban Exchanges, and The Emerging Culture of Film Distribution in The United States, 1918–1925	0
Cold War Children’s Television: Philadelphia as a Case Study	0
Our Blessed Rebel Queen: Essays on Carrie Fisher and Princess LeiaOur Blessed Rebel Queen: Essays on Carrie Fisher and Princess LeiaLINDA MIZEJEWSKI and TANYA D. ZUK (eds.), 2021Detroit, Wayne State U	0
Hitchcock’s Number Seventeen (1932) and the British Film Quota	0
Kill the Documentary: A Letter to Filmmakers, Students, and Scholars Kill the Documentary: A Letter to Filmmakers, Students, and Scholars JILL GODMILOW, 2022New York, Co	0
Early Cinema and Optical Media: An Index to Print Anthologies and Exhibition Catalogues – Part 3	0
Correction	0
Meteorology and British film studios: an article of the London fog	0
Reginald rose and the journey of 12 angry men	0
The Iamhist-Routledge Best Article Prizes for 2022	0
Sport in the French Television Magazine Programme Cinq Colonnes à la Une (1959–1968)	0
Unacceptable Matters: The Hays Code, Family, Film Noir and RKO Radio Pictures	0
Rewind, Replay: Britain and the Video Boom, 1978–92 Rewind, Replay: Britain and the Video Boom, 1978–92 JOHNNY WALKER, 2022 Edinburgh, UK, Edinburgh University Press pp.	0
‘The Greatest Single Force of Our Day’: Father Charles Coughlin’s Audience and The Power of Radio	0
Hidden in Plain Sight: Attending to Women’s Amateur Filmmaking Histories at the Irish Film Archive	0
Forecasting the Future Feature: How Film Industry Hierarchies Shaped Trailer Discourse, 1919–1959	0

Motor City Movie Culture, 1916–1925	0
Chinese Film Classics, 1922–1949	0
Empire’s Mistress: Starring Isabel Rosario Cooper	0
Screen Workers and the Irish Film Industry	0
The Politics of Industry and the Wave of Nationalism: Exploring the Shanghai Film Guild, 1927–1930	0
The Ascent of the Nazis and the Downfall of the Catholic Company, Leo-Film AG	0
Women in the Work of Woody Allen	0
Film, Hot War Traces and Cold War Spaces Film, Hot War Traces and Cold War Spaces MAURIZIO CINQUEGRANI, 2022Edinburgh, Edinburgh University Press pp. ix + 203, illus.,	0
The Routledge Companion to Radio and Podcast Studies	0
Studio Restructuring Without the Paramount Decree: Japanese Film Industry and Oligopoly after the 1960s	0
Jia Zhangke on Jia Zhangke	0
Picturegoing: A Critical Anthology of Eyewitness Experiences Picturegoing: A Critical Anthology of Eyewitness Experiences LUKE MCKERNAN, 2022Exeter, University of Exeter	0
Interactive Documentary: Theory and Debate	0
‘A Strange World of Fantasy’: The Radio Propaganda of the Rhodesian Broadcasting Corporation, 1964–1970. ¹	0
‘We’ll Have No More Grapes of Wrath :’ The Origins, Rise and Impact of a Dubious Cinematic Anecdote	0
Remapping the Cold War in Asian Cinemas	0
Fighting Without Fighting: Kung Fu Cinema’s Journey to the West	0
Evading Censorship. Spanish Radio Disobedience During Late Francoism	0
Crime Scenery in Postwar Film and Photography	0
Scratches and Glitches: Observations on Preserving and Exhibiting Cinema in the Early 21st Century	0
Video, Feminism and Television: A Trajectory of the Brazilian Feminist Collective Lilith Video, 1983–1988	0
The Screen Censorship Companion: Critical explorations in the control of film and screen media	0
Visioning, Contesting and Revisioning Trinidad’s 1970 Black Power Revolt in Independent Documentary Film	0
Correction	0
The International Reception of Downfall (Der Untergang, 2004)	0
TV Snapshots – An Archive of Everyday LifeTV Snapshots – An Archive of Everyday LifeLYNN SPIGEL, 2022Durham and London, Duke University Press pp. ix + 315, illus., $107.95 (cloth), $28.95 (paper)	0
Text/Author/Audience: Audience Reception of Ingmar Bergman and His Films	0
Revisiting the Weaver Years at NBC	0
Hitler Youth Quex: A Guide for the English-Speaking Reader	0
Castan’s Panopticum und Passage Panoptikum, Berlin. Eine Rekonstruktion aus Programm, Literatur und Wissenschaft	0
Luchino visconti and the fabric of cinema	0
Imperial Interest, Regional Politics and British Film Quotas in Post-war Hong Kong and Singapore	0
‘Gumnut-flavoured’ British comedies and the representation of race, sexuality and suburb in Love Thy Neighbour in Australia	0
Translating Radio Productions into Television Programmes: The Post-War Career of BBC Writer/Producer Nesta Pain	0
Campbeltown Speaks: Small-Town Cinema and the Coming of Sound	0
Film and the British Atomic Project	0
Bohemians in 1970s New York City: perspectives on Miloš Forman and Ivan Passer’s films	0
All the President’s Men	0
Miami Studios and Early Film Production in South Florida	0
Resetting the Scene: Classical Hollywood Revisited	0
The ‘Horror Serials’ of the 1910s: Episodes in the Construction of a Film Genre	0
Murakami Haruki on Film	0
Beyond The Movie Theater: Sites, Sponsors, Uses, Audiences	0
Luxurious cinemites and the great depression: labour, stardom and Stand-In (1937)	0
Pulses of Abstraction: Episodes from a History of Animation	0
Correction	0
The Big Picture: The Cold War on the Small Screen	0
New Perspectives on Early Cinema History: concepts, approaches, audiences	0
‘Well they Weren’t Married!’: The Marriage Bar at Radio/Telefís Éireann 1962–72	0
A Wonderful (After) Life: Public Domain Works and Television Discourse	0
Moulding and Mutilating: Newsreels, the British State, and Yugoslav ‘Exceptional’ Socialism, 1946–1961	0
Everyday Movies: Portability and the Transformation of American Culture	0
Filming History from Below: Microhistorical Documentaries	0
Announcement	0
Monstrous Youth: Transgressing the Boundaries of Childhood in the United States Monstrous Youth: Transgressing the Boundaries of Childhood in the United States SARA AUST	0
Reality, Magic, and Other Lies. Fairy-Tale Film Truths	0
Learning with Light and Shadows: Educational Lantern and Film Projection, 1860–1990	0
‘Unmitigated Cad’: The Dual Stardom of George Sanders ¹	0
The Cinema of Manoel de Oliveira. Modernity, Intermediality and the Uncanny	0
Breaks in the Air: The Birth of Rap Radio in New York City	0
The Shared History of Stanley Kubrick’s A Clockwork Orange (1971) and Ken Russell’s The Devils (1971)	0
Unspooled: How the Cassette Made Music Shareable	0
The legacy of A Clockwork Orange in The Great Ecstasy of Robert Carmichael (Thomas Clay, 2005) and Bronson (Nicolas Winding Refn, 2009): ‘all form and no content’?	0
Dreams of Flight: The Great Escape in American Film and Culture	0
French cinema vs the bomb: Atomic science and a war of images circa 1950	0
SceneWriting: The Missing Manual for Screenwriters SceneWriting: The Missing Manual for Screenwriters CHRIS PERRY and ERIC HENRY SANDERS, 2022New York, NY, Bloomsbury Ac	0
Supporters or Saboteurs: Deviated Experiences of Maoist Film Propaganda in Rural China	0
Shocking Cinema of the 70s	0
The English Hollywood that wasn’t: shadow history and Esher’s unbuilt film studios	0
Media and the Constitution of the Political: South Asia and Beyond Media and The Constitution of the Political: South Asia and Beyond RAVI VASUDEVAN (ed.), 2022New Delhi	0
Waves and Radiation: Television Sets and the Fear of Biological Harm in the Cold War	0
The Myth of Stalin and the Death of Hitler: André Bazin and The Fall of Berlin ’s Transnational Travels	0
Transnational Television Caricature: The Global Spread of Spitting Image 1984–1994	0
Introduction: 50 years of A Clockwork Orange (1971)	0
When Life Imitates Art: Éric Rohmer’s Triple Agent (2004) As a Primer for Real-Life Politics	0
Marketing the A Clockwork Orange myth	0
Obsession in Distance: Interactive Participation with Hollywood Movie Periodicals in Republican China in the 1930s and 1940s	0
SHIN FILMS PRESENTS: THE ‘KOREAN-STYLE’ STUDIO SYSTEM AND THE MODERNIZATION OF THE FILM INDUSTRY In SOUTH KOREA, 1952–1975	0
Suitcase of Soundscapes: The London Transcription Service and the Packaging of Wartime Sounds for the BBC’s Global Radio Audience	0
Harold Pinter’s Early BBC Roles: Between Tradition and Innovation	0

The Kinematograph Theatre Arrives: Part III of the London County Council and the Cinematograph	0
Hollis Frampton: Navigating the Infinite Cinema	0
‘Our Film Orgy’: the Institute for Sex Research, Cinemages, Herman Weinberg, and George Eastman House, 1958–1963	0
Screening dissent: the uprising of 17 June 1953 in East German film	0
From Stage to Screen: The Legacy of Traditional Chinese Theatre in Chinese Martial Arts Cinema Soundtracks	0
Art Bell’s Open Forum: Conspiracy Talk on Coast to Coast AM and its Legacy in the Internet Age	0
Documentary Film and the Volga Famine: Save the Children Fund’S Famine (1922)	0
The Middle Ages and the Movies: Eight Key Films	0
Nazi ‘black’ Propaganda to Britain: Secret Radio Stations and British Renegades	0
‘Most stories of this type’: genre, horror and mystery in the silent cinema	0
Bastard Theatres and Human Dregs: Cultures of Illegitimacy on 42 ^nd Street	0
Woman Up: Invoking Feminism in Quality Television Woman Up: Invoking Feminism in Quality Television JULIA HAVAS, 2022Detroit, Wayne State University Presspp. viii + 269,	0
Hollywood in San Francisco: Location Shooting and the Aesthetics of Urban Decline	0
Shadow of a Doubt	0
The limits of political influence – the limits of creativity: the first 25 years of FAMU	0
The Americans (TV Milestones) The Americans (TV Milestones) LINDA MIZEJEWSKI, 2022Detroit, Wayne State University Press pp. 124, bibliography, $19.95 (paperback)	0
The Berlin–Tokyo Film Axis and a Troubled Co-Production: The Makers of New Earth/The Samurai’s Daughter (1937)	0
Cold war II: Hollywood’s Renewed Obsession with Russia	0
A Trip Down Market Street: A Century of ‘Eureka’ Moments	0
V.F. Perkins on Movies: Collected Shorter Film Criticism	0
Russian TV Series in the Era of Transition: Genres, Technologies, Identities	0
‘A Movie Paralysis’: Defining Cinema during the Polio Epidemic of 1916	0
WOMEN’S TELEVISION HISTORIES: LOCATING WOMEN’S ROLE in EMERGING AND DEVELOPING INTERNATIONAL TELEVISION	0
The Cinematographic Activities of Charles Rider Noble and John Mackenzie in the Balkans	0
Bette Davis Black and White	0
Silent Film Performance: Dramatic Bodies on Screen	0
Old West, New Audiences: Wildlife Documentaries, Non-Theatrical Exhibition, and the Us Wilderness Culture Industry, 1928–1930	0
Sergio Leone: Cinema as Political Fable	0
Pictures of Poverty: The Works of George R. Sims and Their Screen Adaptations	0
British Cinema in a Divided Nation	0
Fate in Film: A Deterministic Approach to Cinema	0
Word, Sound and Music in Radio Drama	0
Chinese Film: Realism and Convention from the Silent Era to the Digital Age	0
Saving the Children: Humanitarianism, Internationalism, and Empire	0
Announcement	0
Imitation of Life: Cross-Cultural Reception and Remakes in Turkish Cinema	0
Labouring on A Clockwork Orange (1971): finding the voices of creative, technical, and administrative workers in the Stanley Kubrick Archive	0
Polish Radio Art: The Case of Eugeninsz Rudnik and the Polish Radio Experimental Studio, 1959–2002	0
What Did the Haji Jawa See in Mecca? A film from 1928 as Primary Source	0
‘Keep ‘em in the East’: Kazan, Kubrick, and the Postwar New York Film Renaissance	0
Alien Invasion Films: Imperialism, Race and Gender in the American Security State 1950-2020	0
The Oxford Handbook of Radio and Podcasting	0
Requisitioning film studios in wartime Britain	0
‘Anyone Can Put On Clothes, Right?’: Costume Design and Styling as Women’s Work in Dutch Media Production	0
The Iamhist-Routledge Best Article Prizes for 2021	0
My Place in the Sun: Life in the Golden Age of Hollywood and Washington My Place in the Sun: Life in the Golden Age of Hollywood and Washington GEORGE STEVENS,JR., 2022L	0
French Film History, 1895–1946	0
‘Problems Which Do Not Exist in the Field of Sound Alone’: Policies Against ‘Free Advertisement’ on Early BBC Television	0
Socialist China’s Participation in the Asia-Africa Film Festival (1958–1964)	0
Closures: Heterosexuality and the American Sitcom	0
From Prison to Censorship: Devil’s Island Films (1926–1940)	0
Radiophilia	0
Trailblazing Women of Australian Public Broadcasting, 1945-1975	0
Smartphone Filmmaking: Theory and Practice	0
Revolution in Paradise: Veiled Representations of Jewish Characters in the Cinema of Occupied France	0
Material Lives of Cold War Radio Pasts in India	0
Dr. No: The First James Bond Film	0
Film Curatorship: Archives, Museums, and the Digital Marketplace, 2nd Edition	0
The Offline Maintenance of the First International Film Festival During COVID-19: Institutional Adjustments and Participants’ Response	0
The Art of the Observer: A Personal View of Documentary	0
The Empire Symphony Film: Fascist Documentary, Infrastructure, and the Avant-Garde	0
The BBC’s Controversy Committee, 1928–1929	0
Bigger Than Life: The Close-Up and Scale in the Cinema Bigger Than Life: The Close-Up and Scale in the Cinema MARY ANN DOANE, 2021Durham, NC, Duke University Press pp. x	0
Poetry FM: American Poetry and Radio Counterculture	0
Dark Matter: Independent Filmmaking in the 21st Century	0
Film Noir and Los Angeles: Urban History and the Dark ImaginaryFilm Noir and Los Angeles: Urban History and the Dark ImaginarySEAN W. MAHER, 2022New York, Routledge Press pp. vi + 211 + index, $52.95	0
Ardmore Studios, film workers and the Irish state, 1962–1964	0
A Queer Way of Feeling: Girl Fans and Personal Archives of Early Hollywood	0
Broadcasting a Legend: The Canadian TV Miniseries The Arrow (1997)	0
Starmaker: David O. Selznick and the Production of Stars in the Hollywood Studio System	0
Soupy Sales and the Detroit Experience: Manufacturing a Television Personality	0
‘Were Our Ideas of Maintaining Control Mythical?’: Film Policy at Hampton Court Palace, 1911–1989	0
A Gathering Place for Outlaws: Fugitive Cinema’s Alternative Film Distribution	0
Cinema off screen: moviegoing in socialist China	0
Radio’s Legacy in Popular Culture: The Sounds of British Broadcasting Over the Decades	0
The Victory Banner over the Reichstag: Film, Document, and Ritual in Russia’s Contested Memory of World War II	0
Aesthetics of the In-Between: Traces of Transitional Times in Woman Overboard (W. Staudte, 1945–1952)	0
The Biopic and Beyond: Celebrities as Characters in Screen Media	0
Structural Failure: The Steve Canyon Television Series (1958–59)	0
American Cinema and Cultural Diplomacy. The Fragmented Kaleidoscope	0
Urban regeneration and stakeholder dynamics in the formation, growth and maintenance of the Sheffield International Documentary Festival in the 1990s	0
‘Zapata is Fighting the Enemy Here’: Defanging a Rebel in Pre-revolutionary Iran	0
Hollywood and the Spanish Civil War: The Hidden Anti-Fascist Ideology of Love Under Fire (1937)	0
Provenance and Early Cinema	0
The British Trauma Film: Psychoanalysis and Popular British Cinema in the Immediate Aftermath of the Second World War	0
Peace on the Small Screen: UNPROFOR’s Television Unit in 1994–5 and the ‘Media War’ in Former Yugoslavia	0
Communicating Europe: Technologies, Information, Events	0
The stardom film: Creating the Hollywood fairy tale	0
Suzuki Seijun and Postwar Japanese Cinema	0
The Battle of Neretva (1969): Production, Exhibition, Reception, Aesthetics, and Historiography	0
Ida Lupino, Filmmaker	0
Columbo: Paying Attention 24/7	0
Esfir Shub: Pioneer of Documentary Filmmaking	0
Haunted by Vertigo: Hitchcock’s Masterpiece Then and Now	0
From Blue Book to White Book: The Hutchins Commission and Llewellyn White’s The American Radio	0