OOIR: Observatory of International Research

Papers

(The median citation count of Historical Journal of Film Radio and Television is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-06-01 to 2025-06-01.)

Article	Citations
All ‘Shook’ up: Bob Hope, the USO, and How a Night in Greenland Changed Television	4
The digital Double Blind: Change and stasis in the Middle East	3
John Feeney at the National Film Board of Canada: Scripting Inuit Modern Art	3
Decontextualisations in German Überläufer Comedies: The Reception and Political Aesthetic of Die Fledermaus ( The Bat , 1946)	2
Southern Censorship against Hollywood in Better Films Committees and Local Censorship Boards: Film Control as a Woman’s Political Weapon	2
Preserving the Imperial Project: Documenting Film Censorship Practices in the Gold Coast (Ghana)	1
Asta Nielsen, the Film Star System and the Introduction of the Long Feature Film	1
Video, Feminism and Television: A Trajectory of the Brazilian Feminist Collective Lilith Video, 1983–1988	1
Animated Personalities: Cartoon Characters and Stardom in American Theatrical Shorts	1
‘I Read My Dickens’: Agatha Christie’s Unproduced Film Adaptation of Bleak House	1
The lost honour of katharina blum	1
‘Of a Human Satellite’: Cassius Clay/Muhammad Ali in Cold War Finnish Television Culture, 1960–1965	1
Chronology of the Birth of Cinema 1833-1896	1
The Endless End of Cinema: A History of Crisis and Survival in Hollywood	1
Play Time: Jacques Tati and Comedic Modernism	1
Offensive Screens: The Italy-China Diplomatic Agreement (1936–37) and the Transnational Censorship of Films	1
Lost in Translation	1
Old West, New Audiences: Wildlife Documentaries, Non-Theatrical Exhibition, and the Us Wilderness Culture Industry, 1928–1930	1
Correction	1
Experimental Filmmaking and Punk: Feminist Audio Visual Culture in the 1970s and 1980s	1
Broadcasting the ‘Voice of Science’ on America’s Town Meeting of the Air: Public Education, Popular Entertainment, and Post-World War II Scientific Ambivalence	1
Scripting Empire: Broadcasting, the BBC, and the Black Atlantic	1
Sex, Politics, and Comedy: the Transnational Cinema of Ernst Lubitsch	1
The History of German Literature on Film	1
V.F. Perkins on Movies: Collected Shorter Film Criticism	1

Schools and Screens: A Watchful History	1
Ida Lupino, Filmmaker	0
Aesthetics of the In-Between: Traces of Transitional Times in Woman Overboard (W. Staudte, 1945–1952)	0
Clandestine Documentary Film V. Apartheid: Phela-Ndaba/End of The Dialogue (1970), Last Grave at Dimbaza (1974) and The South African Gove	0
The Kinematograph Theatre Arrives: Part III of the London County Council and the Cinematograph	0
Unspooled: How the Cassette Made Music Shareable	0
‘Gumnut-flavoured’ British comedies and the representation of race, sexuality and suburb in Love Thy Neighbour in Australia	0
Moulding and Mutilating: Newsreels, the British State, and Yugoslav ‘Exceptional’ Socialism, 1946–1961	0
Text/Author/Audience: Audience Reception of Ingmar Bergman and His Films	0
Luchino visconti and the fabric of cinema	0
The Cinema of Manoel de Oliveira. Modernity, Intermediality and the Uncanny	0
On the Phenomenology of Media in the 1930s: Blaustein On Cinema and Radio Experiences	0
Cinema off screen: moviegoing in socialist China	0
‘No experiments’? Reprises and Remakes in 1950s West German Cinema	0
Film Curatorship: Archives, Museums, and the Digital Marketplace, 2nd Edition	0
Peter weir interviews	0
The Middle Ages and the Movies: Eight Key Films	0
Harold Pinter’s Early BBC Roles: Between Tradition and Innovation	0
The ‘Horror Serials’ of the 1910s: Episodes in the Construction of a Film Genre	0
SHIN FILMS PRESENTS: THE ‘KOREAN-STYLE’ STUDIO SYSTEM AND THE MODERNIZATION OF THE FILM INDUSTRY In SOUTH KOREA, 1952–1975	0
Studio Restructuring Without the Paramount Decree: Japanese Film Industry and Oligopoly after the 1960s	0
Saving the Children: Humanitarianism, Internationalism, and Empire	0
Supporters or Saboteurs: Deviated Experiences of Maoist Film Propaganda in Rural China	0
Silent Film Performance: Dramatic Bodies on Screen	0
The limits of political influence – the limits of creativity: the first 25 years of FAMU	0
Women in the Work of Woody Allen	0
The Aesthetics of Early Sound Film: Media Change around 1930	0
Imitation of Life: Cross-Cultural Reception and Remakes in Turkish Cinema	0
‘“Perfect ladies” are seldom interesting’: locating modernity in Irene Dunne’s early stardom	0
The Sentimental in Chinese Cinema The Sentimental in Chinese Cinema HUIMIAO, 2022Cham, Palgrave Macmillan pp. xvi + 210, $107 (cloth)	0
Crime Scenery in Postwar Film and Photography	0
Documentary Film and the Volga Famine: Save the Children Fund’S Famine (1922)	0
The British Trauma Film: Psychoanalysis and Popular British Cinema in the Immediate Aftermath of the Second World War	0
Sergio Leone: Cinema as Political Fable	0
‘Unmitigated Cad’: The Dual Stardom of George Sanders ¹	0
Scratches and Glitches: Observations on Preserving and Exhibiting Cinema in the Early 21st Century	0
Early Cinema and Optical Media: An Index to Print Anthologies and Exhibition Catalogues – Part 4	0
Eleanor Powell: Born to Dance	0
Kill the Documentary: A Letter to Filmmakers, Students, and Scholars Kill the Documentary: A Letter to Filmmakers, Students, and Scholars JILL GODMILOW, 2022New York, Co	0
Shadow of a Doubt	0
Film and the British Atomic Project	0
From Blue Book to White Book: The Hutchins Commission and Llewellyn White’s The American Radio	0
The Art of the Observer: A Personal View of Documentary	0
Cinema against Doublethink: Ethical Encounters with the Lost Pasts of World History	0
Suzuki Seijun and Postwar Japanese Cinema	0
British Cinema in a Divided Nation	0
Castan’s Panopticum und Passage Panoptikum, Berlin. Eine Rekonstruktion aus Programm, Literatur und Wissenschaft	0
Cinematic Guerrillas: Propaganda, Projectionists, and Audiences in Socialist China	0
Imperial Interest, Regional Politics and British Film Quotas in Post-war Hong Kong and Singapore	0
Poetry FM: American Poetry and Radio Counterculture	0

Film Noir and Los Angeles: Urban History and the Dark ImaginaryFilm Noir and Los Angeles: Urban History and the Dark ImaginarySEAN W. MAHER, 2022New York, Routledge Press pp. vi + 211 + index, $52.95	0
Revisiting the Weaver Years at NBC	0
Hitler Youth Quex: A Guide for the English-Speaking Reader	0
Announcement	0
Maverick Movies: New Line Cinema and the Transformation of American Film	0
Polish Radio Art: The Case of Eugeninsz Rudnik and the Polish Radio Experimental Studio, 1959–2002	0
Entertaining Ginnie: Visiting the Cinema and the Theatre, 1939–1945	0
Soupy Sales and the Detroit Experience: Manufacturing a Television Personality	0
Picturegoing: A Critical Anthology of Eyewitness Experiences Picturegoing: A Critical Anthology of Eyewitness Experiences LUKE MCKERNAN, 2022Exeter, University of Exeter	0
Screens and Gender: Re(Visiting) the History of Ghana’s Film Industry	0
Reality, Magic, and Other Lies. Fairy-Tale Film Truths	0
‘Keep ‘em in the East’: Kazan, Kubrick, and the Postwar New York Film Renaissance	0
Frances Kavanaugh and B Westerns’ Women Writers	0
Columbo: Paying Attention 24/7	0
Introduction: 50 years of A Clockwork Orange (1971)	0
Race and Radio: Pioneering Black Broadcasters in New Orleans Race and Radio: Pioneering Black Broadcasters in New Orleans BALA JAMES BAPTIST, 2019Jackson, University Pre	0
The BBC’s Controversy Committee, 1928–1929	0
My Place in the Sun: Life in the Golden Age of Hollywood and Washington My Place in the Sun: Life in the Golden Age of Hollywood and Washington GEORGE STEVENS,JR., 2022L	0
What Did the Haji Jawa See in Mecca? A film from 1928 as Primary Source	0
‘Problems Which Do Not Exist in the Field of Sound Alone’: Policies Against ‘Free Advertisement’ on Early BBC Television	0
Kubrick’s clockwork psychopath	0
Gene Tierney: Star of Hollywood’s Home Front	0
Waves and Radiation: Television Sets and the Fear of Biological Harm in the Cold War	0
Radiophilia	0
The Iamhist-Routledge Best Article Prizes for 2021	0
Revisiting the Weaver Years at NBC	0
Translating Radio Productions into Television Programmes: The Post-War Career of BBC Writer/Producer Nesta Pain	0
Requisitioning film studios in wartime Britain	0
Hidden in Plain Sight: Attending to Women’s Amateur Filmmaking Histories at the Irish Film Archive	0
Haunted by Vertigo: Hitchcock’s Masterpiece Then and Now	0
A Clockwork Orange on stage	0
Sport in the French Television Magazine Programme Cinq Colonnes à la Une (1959–1968)	0
Shocking Cinema of the 70s	0
‘A Movie Paralysis’: Defining Cinema during the Polio Epidemic of 1916	0
Screen Workers and the Irish Film Industry	0
‘Well they Weren’t Married!’: The Marriage Bar at Radio/Telefís Éireann 1962–72	0
SceneWriting: The Missing Manual for Screenwriters SceneWriting: The Missing Manual for Screenwriters CHRIS PERRY and ERIC HENRY SANDERS, 2022New York, NY, Bloomsbury Ac	0
Rewind, Replay: Britain and the Video Boom, 1978–92 Rewind, Replay: Britain and the Video Boom, 1978–92 JOHNNY WALKER, 2022 Edinburgh, UK, Edinburgh University Press pp.	0
Empire’s Mistress: Starring Isabel Rosario Cooper	0
Evading Censorship. Spanish Radio Disobedience During Late Francoism	0
‘View’ and ‘Process’: Early British Industrial Films and Visual Culture	0
Smartphone Filmmaking: Theory and Practice	0
Unacceptable Matters: The Hays Code, Family, Film Noir and RKO Radio Pictures	0
Film, Hot War Traces and Cold War Spaces Film, Hot War Traces and Cold War Spaces MAURIZIO CINQUEGRANI, 2022Edinburgh, Edinburgh University Press pp. ix + 203, illus.,	0
Starmaker: David O. Selznick and the Production of Stars in the Hollywood Studio System	0
Socialist China’s Participation in the Asia-Africa Film Festival (1958–1964)	0
Ardmore Studios, film workers and the Irish state, 1962–1964	0
Everyday Movies: Portability and the Transformation of American Culture	0
Correction	0
Jia Zhangke on Jia Zhangke	0
The Offline Maintenance of the First International Film Festival During COVID-19: Institutional Adjustments and Participants’ Response	0
Suitcase of Soundscapes: The London Transcription Service and the Packaging of Wartime Sounds for the BBC’s Global Radio Audience	0
A Wonderful (After) Life: Public Domain Works and Television Discourse	0
Dissent and dissidents in central and eastern european film	0
Breaks in the Air: The Birth of Rap Radio in New York City	0
The Politics of Industry and the Wave of Nationalism: Exploring the Shanghai Film Guild, 1927–1930	0
Cold war II: Hollywood’s Renewed Obsession with Russia	0
Motor City Movie Culture, 1916–1925	0
Reginald rose and the journey of 12 angry men	0
From Propaganda to Attraction: Reassessing the Role of the Public in the Newsreel Jornal Português (1938–1951)	0
A Gathering Place for Outlaws: Fugitive Cinema’s Alternative Film Distribution	0
Dr. No: The First James Bond Film	0
A Trip Down Market Street: A Century of ‘Eureka’ Moments	0
Rockstar Games and American History: Promotional Materials and the Construction of Authenticity	0
The Dark Interval: Film noir, Iconography and Affect The Dark Interval: Film Noir, Iconography and Affect PADRAIC KILLEEN, 2022New York, Bloomsbury pp. 271, $162.00 (clo	0
Fighting Without Fighting: Kung Fu Cinema’s Journey to the West	0
Visioning, Contesting and Revisioning Trinidad’s 1970 Black Power Revolt in Independent Documentary Film	0
‘A Brilliant Meteor Across the Filmic Heavens’: Brigitte Helm in British Film Culture, 1926–33	0
The Cinematographic Activities of Charles Rider Noble and John Mackenzie in the Balkans	0
The Ascent of the Nazis and the Downfall of the Catholic Company, Leo-Film AG	0
Material Lives of Cold War Radio Pasts in India	0
The Screen Censorship Companion: Critical explorations in the control of film and screen media	0
Buster Keaton: A Filmmaker’s Life	0
Revisiting the Women’s Movement in India (1970s–80s) Through the Women’s Programme	0
Early Cinema and Optical Media: An Index to Print Anthologies and Exhibition Catalogues – Part 2	0
Adult Themes: British Cinema and the X Certificate in the Long 1960 s	0
Transnational Television Caricature: The Global Spread of Spitting Image 1984–1994	0
Miryam de Flores: The Woman of the Port. The Legacy of a Female TV Auteur From the Colombian Caribbean Region	0
Campbeltown Speaks: Small-Town Cinema and the Coming of Sound	0
When Ships Don’t Come Ashore – a Yugoslav cinema club production’s dissent in-between the personal and the political	0

Murakami Haruki on Film	0
Pictures of Poverty: The Works of George R. Sims and Their Screen Adaptations	0
Australian Radio Listeners and Television Viewers. Historical Perspectives	0
The Berlin–Tokyo Film Axis and a Troubled Co-Production: The Makers of New Earth/The Samurai’s Daughter (1937)	0
French cinema vs the bomb: Atomic science and a war of images circa 1950	0
Bastard Theatres and Human Dregs: Cultures of Illegitimacy on 42 ^nd Street	0
Pulses of Abstraction: Episodes from a History of Animation	0
Revolution in Paradise: Veiled Representations of Jewish Characters in the Cinema of Occupied France	0
Communicating Europe: Technologies, Information, Events	0
The Last Bohemian: Brian Desmond Hurst, Irish Film, British Cinema	0
Correction	0
Dark Matter: Independent Filmmaking in the 21st Century	0
Closures: Heterosexuality and the American Sitcom	0
‘A Strange World of Fantasy’: The Radio Propaganda of the Rhodesian Broadcasting Corporation, 1964–1970. ¹	0
Adapting Performance between Stage and Screen	0
In Conversation with Women Practitioners	0
For No Reason at All: The Changing Narrative of the First World War in American film	0
The Shared History of Stanley Kubrick’s A Clockwork Orange (1971) and Ken Russell’s The Devils (1971)	0
Learning with Light and Shadows: Educational Lantern and Film Projection, 1860–1990	0
Russian TV Series in the Era of Transition: Genres, Technologies, Identities	0
Correction	0
From Prison to Censorship: Devil’s Island Films (1926–1940)	0
Radio’s Legacy in Popular Culture: The Sounds of British Broadcasting Over the Decades	0
The Oxford Handbook of Radio and Podcasting	0
Man’ei film in China 1937–1945: The Ideological Weapon of Japanese Settler Colonialism	0
‘Zapata is Fighting the Enemy Here’: Defanging a Rebel in Pre-revolutionary Iran	0
New Perspectives on Early Cinema History: concepts, approaches, audiences	0
Art Bell’s Open Forum: Conspiracy Talk on Coast to Coast AM and its Legacy in the Internet Age	0
The Empire Symphony Film: Fascist Documentary, Infrastructure, and the Avant-Garde	0
When Life Imitates Art: Éric Rohmer’s Triple Agent (2004) As a Primer for Real-Life Politics	0
Alien Invasion Films: Imperialism, Race and Gender in the American Security State 1950-2020	0
‘Were Our Ideas of Maintaining Control Mythical?’: Film Policy at Hampton Court Palace, 1911–1989	0
Marketing the A Clockwork Orange myth	0
Hollis Frampton: Navigating the Infinite Cinema	0
The Americans (TV Milestones) The Americans (TV Milestones) LINDA MIZEJEWSKI, 2022Detroit, Wayne State University Press pp. 124, bibliography, $19.95 (paperback)	0
Bigger Than Life: The Close-Up and Scale in the Cinema Bigger Than Life: The Close-Up and Scale in the Cinema MARY ANN DOANE, 2021Durham, NC, Duke University Press pp. x	0
WOMEN’S TELEVISION HISTORIES: LOCATING WOMEN’S ROLE in EMERGING AND DEVELOPING INTERNATIONAL TELEVISION	0
Nazi ‘black’ Propaganda to Britain: Secret Radio Stations and British Renegades	0
Chinese Film Classics, 1922–1949	0
The stardom film: Creating the Hollywood fairy tale	0
Early Cinema and Optical Media: An Index to Print Anthologies and Exhibition Catalogues – Part 1	0
Peace on the Small Screen: UNPROFOR’s Television Unit in 1994–5 and the ‘Media War’ in Former Yugoslavia	0
The Biopic and Beyond: Celebrities as Characters in Screen Media	0
Broadcasting a Legend: The Canadian TV Miniseries The Arrow (1997)	0
The English Hollywood that wasn’t: shadow history and Esher’s unbuilt film studios	0
Hitchcock’s Number Seventeen (1932) and the British Film Quota	0
Hawaii Five-O	0
Labouring on A Clockwork Orange (1971): finding the voices of creative, technical, and administrative workers in the Stanley Kubrick Archive	0
Miami Studios and Early Film Production in South Florida	0
Forecasting the Future Feature: How Film Industry Hierarchies Shaped Trailer Discourse, 1919–1959	0
Chinese Film: Realism and Convention from the Silent Era to the Digital Age	0
American Cinema and Cultural Diplomacy. The Fragmented Kaleidoscope	0
The Battle of Neretva (1969): Production, Exhibition, Reception, Aesthetics, and Historiography	0
Screening dissent: the uprising of 17 June 1953 in East German film	0
Bette Davis Black and White	0
Structural Failure: The Steve Canyon Television Series (1958–59)	0
The Myth of Stalin and the Death of Hitler: André Bazin and The Fall of Berlin ’s Transnational Travels	0
Early Cinema and Optical Media: An Index to Print Anthologies and Exhibition Catalogues – Part 3	0
Rated A: Soft-Porn Cinema and Mediations of Desire in India	0
Our Blessed Rebel Queen: Essays on Carrie Fisher and Princess LeiaOur Blessed Rebel Queen: Essays on Carrie Fisher and Princess LeiaLINDA MIZEJEWSKI and TANYA D. ZUK (eds.), 2021Detroit, Wayne State U	0
Gaza on Screen	0
This Studio is Dangerous! Hazards of Working in British Film Studios in the 1930s and 1940s	0
TV Snapshots – An Archive of Everyday LifeTV Snapshots – An Archive of Everyday LifeLYNN SPIGEL, 2022Durham and London, Duke University Press pp. ix + 315, illus., $107.95 (cloth), $28.95 (paper)	0
The Iamhist-Routledge Best Article Prizes for 2022	0
Horror Film and Otherness: Film and Culture Horror Film and Otherness: Film and Culture ADAM LOWENSTEIN, 2022New York, NY, Columbia University Press pp. xiii + 229, illu	0
Resetting the Scene: Classical Hollywood Revisited	0
Cinema Memories: A People’s History of Cinema-Going in 1960s Britain Cinema Memories: A People’s History of Cinema-Going in 1960s Britain MELVYN STOKES, MATTHEW JONES an	0
Announcement	0
Porridge: BFI Classics	0
Trailblazing Women of Australian Public Broadcasting, 1945-1975	0
All the President’s Men	0
Cold War Children’s Television: Philadelphia as a Case Study	0
‘Anyone Can Put On Clothes, Right?’: Costume Design and Styling as Women’s Work in Dutch Media Production	0
Fate in Film: A Deterministic Approach to Cinema	0
Remapping the Cold War in Asian Cinemas	0
French Film History, 1895–1946	0
Emergence of Colour Film Laboratories in Bombay: A Historical Narrative of Technological Dependence, Redesign and Inordinate Delay of Colour Cinema	0
‘Blind’ warfare: radio propaganda dynamics in South Africa during the Second World War	0
‘Our Film Orgy’: the Institute for Sex Research, Cinemages, Herman Weinberg, and George Eastman House, 1958–1963	0
Esfir Shub: Pioneer of Documentary Filmmaking	0
Hollywood in San Francisco: Location Shooting and the Aesthetics of Urban Decline	0
Beyond The Movie Theater: Sites, Sponsors, Uses, Audiences	0
Making the Best Years of Our Lives: The Hollywood Classic that Inspired a Nation Making The Best Years of Our Lives: the Hollywood Classic that Inspired a Nation ALISON	0
The Romance Promoter with A Deadline at 11: Rural Exhibitors, Urban Exchanges, and The Emerging Culture of Film Distribution in The United States, 1918–1925	0
The BBC German Service during the Second World War: Broadcasting to the Enemy	0
Bohemians in 1970s New York City: perspectives on Miloš Forman and Ivan Passer’s films	0
The legacy of A Clockwork Orange in The Great Ecstasy of Robert Carmichael (Thomas Clay, 2005) and Bronson (Nicolas Winding Refn, 2009): ‘all form and no content’?	0
Black America and Hollywood’s Korean War: The Steel Helmet (1951) and Pork Chop Hill (1959)	0
The Eyes of Power: Intellectual Vision in Contemporary Chinese Local Film Censorship	0
Word, Sound and Music in Radio Drama	0
Provenance and Early Cinema	0
Filming History from Below: Microhistorical Documentaries	0
The Big Picture: The Cold War on the Small Screen	0
Monstrous Youth: Transgressing the Boundaries of Childhood in the United States Monstrous Youth: Transgressing the Boundaries of Childhood in the United States SARA AUST	0
From Stage to Screen: The Legacy of Traditional Chinese Theatre in Chinese Martial Arts Cinema Soundtracks	0