OOIR: Observatory of International Research

Papers

(The median citation count of Historical Journal of Film Radio and Television is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)

Article	Citations
Free Churches of the Air: the History of Community Radio in Sweden	3
Audio literature and the holocaust: a study based on the material of public radio stations –– polish radio in warsaw, radio łódź, and radio lublin, 1950–2020	3
From Propaganda to Attraction: Reassessing the Role of the Public in the Newsreel Jornal Português (1938–1951)	2
The Eyes of Power: Intellectual Vision in Contemporary Chinese Local Film Censorship	2
Urban regeneration and stakeholder dynamics in the formation, growth and maintenance of the Sheffield International Documentary Festival in the 1990s	2
Deben Bhattacharya at the BBC, 1949–79: Cultural entrepreneurism, precarity, and the business of post-war folklore collection	1
Introduction: 50 years of A Clockwork Orange (1971)	1
From Socialist Hero to Capitalist Icon: The Cultural Transfer of the East German Children’S Television Programme Unser Sandmännchen to Sweden in the Early 1970S	1
Lightweight cameras and dissident filmmakers: seminal case studies from 1968 to 1980 Romania	1
‘Most stories of this type’: genre, horror and mystery in the silent cinema	1
‘Thrills Sweep Like Electric Currents through Multitudes’: Spectacle, Sociality, and Media Competition in Mid-Century America	1
The Romance Promoter with A Deadline at 11: Rural Exhibitors, Urban Exchanges, and The Emerging Culture of Film Distribution in The United States, 1918–1925	1
Film and the British Atomic Project	1
Visioning, Contesting and Revisioning Trinidad’s 1970 Black Power Revolt in Independent Documentary Film	1
Pulses of Abstraction: Episodes from a History of Animation	1
Animated Personalities: Cartoon Characters and Stardom in American Theatrical Shorts	1
Meteorology and British film studios: an article of the London fog	1
Branding the Oscarcast: The public relations strategies that established the Academy Awards ceremony as a media spectacle	1
Screening dissent: the uprising of 17 June 1953 in East German film	1
Polish Radio Art: The Case of Eugeninsz Rudnik and the Polish Radio Experimental Studio, 1959–2002	1
Starring Tom Cruise	1
THE Anxiety of Authenticity: THE Historical Reception of Broken Blossoms (1919), Shanghai Express (1932) and The Good Earth (1937) in China	1
Luxurious cinemites and the great depression: labour, stardom and Stand-In (1937)	1
Text/Author/Audience: Audience Reception of Ingmar Bergman and His Films	1
Sensations of history: Animation and new media art	1

Labouring on A Clockwork Orange (1971): finding the voices of creative, technical, and administrative workers in the Stanley Kubrick Archive	1
The Distribution Front: Spain in Flames, Partisan Protest, and the Limits of Radical Documentary	1
Judith Anderson: Australian star, first lady of the American stage	0
Black America and Hollywood’s Korean War: The Steel Helmet (1951) and Pork Chop Hill (1959)	0
Motor City Movie Culture, 1916–1925	0
Our Blessed Rebel Queen: Essays on Carrie Fisher and Princess LeiaOur Blessed Rebel Queen: Essays on Carrie Fisher and Princess LeiaLINDA MIZEJEWSKI and TANYA D. ZUK (eds.), 2021Detroit, Wayne State U	0
Mainstream Maverick: John Hughes and New Hollywood Cinema	0
Buster Keaton: A Filmmaker’s Life	0
Revisiting the Weaver Years at NBC	0
‘Were Our Ideas of Maintaining Control Mythical?’: Film Policy at Hampton Court Palace, 1911–1989	0
Ready for their close-up: fan scenarists, Cecil B. DeMille, and the studio system	0
Alluring Monsters: The Pontianak and Cinemas of Decolonization	0
‘Well they Weren’t Married!’: The Marriage Bar at Radio/Telefís Éireann 1962–72	0
Picturegoing: A Critical Anthology of Eyewitness Experiences Picturegoing: A Critical Anthology of Eyewitness Experiences LUKE MCKERNAN, 2022Exeter, University of Exeter	0
The Big Picture: The Cold War on the Small Screen	0
Crime Scenery in Postwar Film and Photography	0
Alien Invasion Films: Imperialism, Race and Gender in the American Security State 1950-2020	0
Film Finances and Golden Rendezvous (1977): Financial Mismanagement, Personal Tensions and Political Scandal	0
Documenting Africa on Film and Nkrumah’s Legacy in Pan-Africanist Africa	0
Dissent as responsibility: Manfred Durniok’s Central European coproductions Mephisto (1981), Taken for a Ride (1983) and Colonel Redl (1985)	0
Revisiting the Weaver Years at NBC	0
Shocking Cinema of the 70s	0
Where histories reside: India as filmed space	0
Ballymena, Bangor and Belfast: Hyper-Localism, Regional Decision-Making and Local Film Censorship in Northern Ireland	0
The Kinematograph Theatre Arrives: Part III of the London County Council and the Cinematograph	0
Radio’s Legacy in Popular Culture: The Sounds of British Broadcasting Over the Decades	0
Bette Davis Black and White	0
Movie Workers: The Women Who Made British Cinema	0
Beyond The Movie Theater: Sites, Sponsors, Uses, Audiences Beyond The Movie Theater: Sites, Sponsors, Uses, Audiences GREGORY A. WALLER, 2023, Oakland, California, Unive	0
Play Time: Jacques Tati and Comedic Modernism	0
Sixties British Cinema Reconsidered	0
The Art of the Observer: A Personal View of Documentary	0
Utopia Gone Wrong: Mirages of Communist Totalitarianism in the Clockwork Mirror	0
A Trip Down Market Street: A Century of ‘Eureka’ Moments	0
The New American War Film	0
From Alex to Riefenstahl: Nazism, propaganda, and Stanley Kubrick’s A Clockwork Orange (1971)	0
Screening the red army faction: Historical and cultural memory	0
Noir affect	0
Gene Tierney: Star of Hollywood’s Home Front	0
The Story of Tell England (1931) in Turkey: Transcultural Remakes and the Early Sound Era	0
Scratches and Glitches: Observations on Preserving and Exhibiting Cinema in the Early 21st Century	0
Schools and Screens: A Watchful History	0
A Wonderful (After) Life: Public Domain Works and Television Discourse	0
Emergence of Colour Film Laboratories in Bombay: A Historical Narrative of Technological Dependence, Redesign and Inordinate Delay of Colour Cinema	0
Documentary Film and the Volga Famine: Save the Children Fund’S Famine (1922)	0
Adapting Performance between Stage and Screen	0
Learning with Light and Shadows: Educational Lantern and Film Projection, 1860–1990	0
SceneWriting: The Missing Manual for Screenwriters SceneWriting: The Missing Manual for Screenwriters CHRIS PERRY and ERIC HENRY SANDERS, 2022New York, NY, Bloomsbury Ac	0
Abjection incorporated: Mediating the politics of pleasure and violenceAbjection Incorporated: Mediating the Politics of Pleasure and Violence	0
The DJ Who “Brought Down” The USSR: The Life and Legacy of Seva NovgorodsevThe DJ Who “Brought Down” The USSR: The Life and Legacy of Seva Novgorodsev MICHELLE S. DANIEL, 2023 Boston, Academic Studies	0

The Cinema in Flux. The Evolution of Motion Picture Technology from the Magic Lantern to the Digital Era	0
The Ascent of the Nazis and the Downfall of the Catholic Company, Leo-Film AG	0
Preserving the Imperial Project: Documenting Film Censorship Practices in the Gold Coast (Ghana)	0
Announcement	0
The Iamhist-Routledge Best Article Prizes for 2021	0
The Myth of Stalin and the Death of Hitler: André Bazin and The Fall of Berlin ’s Transnational Travels	0
Asta Nielsen, the Film Star System and the Introduction of the Long Feature Film	0
Broadcasting the ‘Voice of Science’ on America’s Town Meeting of the Air: Public Education, Popular Entertainment, and Post-World War II Scientific Ambivalence	0
Seeing by Electricity: The Emergence of Television, 1878–1939	0
Race and Radio: Pioneering Black Broadcasters in New Orleans Race and Radio: Pioneering Black Broadcasters in New Orleans BALA JAMES BAPTIST, 2019Jackson, University Pre	0
V.F. Perkins on Movies: Collected Shorter Film Criticism	0
Everyday Movies: Portability and the Transformation of American Culture	0
The Dark Interval: Film noir, Iconography and Affect The Dark Interval: Film Noir, Iconography and Affect PADRAIC KILLEEN, 2022New York, Bloomsbury pp. 271, $162.00 (clo	0
Provenance and Early Cinema	0
The Cinematic Sublime: Negative Pleasures, Structuring Absences	0
Interactive Documentary: Theory and Debate	0
Scenarios III	0
From Prison to Censorship: Devil’s Island Films (1926–1940)	0
Luchino visconti and the fabric of cinema	0
What Did the Haji Jawa See in Mecca? A film from 1928 as Primary Source	0
The Middle Ages and the Movies: Eight Key Films	0
Celluloid Colony: Locating History and Ethnography in Early Dutch Colonial Films of Indonesia	0
Film as embodied art: Bodily meaning in the cinema of stanley kubrick	0
Damsels and Divas: European Stardom in Silent Hollywood	0
Persistent images: Encountering film history in contemporary cinema	0
The twilight zone	0
Before the Paris Fire: Projecting the Cinematograph in London from 1889-4 ^th May 1997, Part IV of the London County Council and the CinematographBefore the Paris Fir	0
From the Margins to the Mainstream: Women in Film and Television From the Margins to the Mainstream: Women in Film and Television MARIANNE KAC-VERGNE and JULIE ASSOULY (	0
Voicing the cinema: Film music and the integrated soundtrack	0
Breaks in the Air: The Birth of Rap Radio in New York City	0
Harold Pinter’s Early BBC Roles: Between Tradition and Innovation	0
The Politics of Industry and the Wave of Nationalism: Exploring the Shanghai Film Guild, 1927–1930	0
Recovering the past: the national archives of Zimbabwe and the Central African Film Unit (1948 to 1963)	0
Saving the Children: Humanitarianism, Internationalism, and Empire	0
‘Zapata is Fighting the Enemy Here’: Defanging a Rebel in Pre-revolutionary Iran	0
Hitchcock’s Number Seventeen (1932) and the British Film Quota	0
Revolution in Paradise: Veiled Representations of Jewish Characters in the Cinema of Occupied France	0
The legacy of A Clockwork Orange in The Great Ecstasy of Robert Carmichael (Thomas Clay, 2005) and Bronson (Nicolas Winding Refn, 2009): ‘all form and no content’?	0
Dream Projects in Theatre, Novels and Films: the Works of Paul Claudel, Jean Genet, and Federico Fellini	0
Billy Wilder: Dancing on the EdgeBilly Wilder: Dancing on the EdgeJOSEPH McBRIDE, 2021New York, Columbia University Press pp. 658, illus., filmography, notes, index, £35 (hardback)	0
‘A Strange World of Fantasy’: The Radio Propaganda of the Rhodesian Broadcasting Corporation, 1964–1970. ¹	0
Structural Failure: The Steve Canyon Television Series (1958–59)	0
A Single Wooden House Standing in Stalingrad: Alexander Werth’s ‘Russian Commentary’ on the BBC during the Second World War	0
‘Blind’ warfare: radio propaganda dynamics in South Africa during the Second World War	0
Hollis Frampton: Navigating the Infinite Cinema	0
Film Curatorship: Archives, Museums, and the Digital Marketplace, 2nd Edition	0
Art Bell’s Open Forum: Conspiracy Talk on Coast to Coast AM and its Legacy in the Internet Age	0
Video, Feminism and Television: A Trajectory of the Brazilian Feminist Collective Lilith Video, 1983–1988	0
Suzuki Seijun and Postwar Japanese Cinema	0
Batman: the animated series	0
Porridge: BFI Classics	0
Making Images Move: Handmade Cinema and the Other Arts	0
Virginia Woolf, Science, Radio, and Identity	0
Women in the Irish film industry: Stories and storytellers	0
Rockstar Games and American History: Promotional Materials and the Construction of Authenticity	0
The Divo and the Duce: Promoting Film Stardom and Political Leadership in 1920s America GIORGIO BERTELLINI, 2019	0
The British Trauma Film: Psychoanalysis and Popular British Cinema in the Immediate Aftermath of the Second World War	0
The socialist Yugoslav paradox: Documentary cinema exhibition opportunities and the meaning of ‘Dissent’	0
Requisitioning film studios in wartime Britain	0
Decline and Reimagination in Cinematic New York	0
Anton Walbrook: A Life of Masks and Mirrors	0
Silent Film Performance: Dramatic Bodies on Screen	0
The limits of political influence – the limits of creativity: the first 25 years of FAMU	0
Hollywood in San Francisco: Location Shooting and the Aesthetics of Urban Decline	0
Starmaker: David O. Selznick and the Production of Stars in the Hollywood Studio System	0
‘Sadists and Readers of Horror Comics’: British Post-War Identity in Viewer Responses to the BBC’s Nineteen Eighty-Four (1954)	0
Transnationalism and Imperialism: Endurance of the global Western film	0
Miami Studios and Early Film Production in South Florida	0
Socialist China’s Participation in the Asia-Africa Film Festival (1958–1964)	0
Campbeltown Speaks: Small-Town Cinema and the Coming of Sound	0
Film, Hot War Traces and Cold War Spaces Film, Hot War Traces and Cold War Spaces MAURIZIO CINQUEGRANI, 2022Edinburgh, Edinburgh University Press pp. ix + 203, illus.,	0
American Cinema and Cultural Diplomacy. The Fragmented Kaleidoscope	0
Forecasting the Future Feature: How Film Industry Hierarchies Shaped Trailer Discourse, 1919–1959	0
Television history, the peabody archive, and cultural memory	0
Record cultures: the transformation of the U.S. recording industry	0
Bette Davis Black and White Bette Davis Black and White JULIA A. STERN, 2021 Chicago and London, The University of Chicago Press pp. 266, illus., notes and index, $95 (c	0
Soupy Sales and the Detroit Experience: Manufacturing a Television Personality	0
‘I Read My Dickens’: Agatha Christie’s Unproduced Film Adaptation of Bleak House	0
Correction	0
John Boorman’s the Lord of the Rings: A Case Study of an Unmade Film	0

Moulding and Mutilating: Newsreels, the British State, and Yugoslav ‘Exceptional’ Socialism, 1946–1961	0
The Offline Maintenance of the First International Film Festival During COVID-19: Institutional Adjustments and Participants’ Response	0
When Life Imitates Art: Éric Rohmer’s Triple Agent (2004) As a Primer for Real-Life Politics	0
The art of pure cinema: Hitchcock and his imitators	0
All ‘Shook’ up: Bob Hope, the USO, and How a Night in Greenland Changed Television	0
The Battle of Neretva (1969): Production, Exhibition, Reception, Aesthetics, and Historiography	0
Cinema of crisis. Film and contemporary Europe	0
Clocking Out: The Machinery of Life in 1960s Italian Cinema	0
Offensive Screens: The Italy-China Diplomatic Agreement (1936–37) and the Transnational Censorship of Films	0
Dr. No: The First James Bond Film	0
American Presidents and Oliver Stone: Kennedy, Nixon, and Bush between History and Cinema	0
French cinema vs the bomb: Atomic science and a war of images circa 1950	0
Stars and silhouettes: the history of the cameo role in hollywood	0
‘View’ and ‘Process’: Early British Industrial Films and Visual Culture	0
Reginald rose and the journey of 12 angry men	0
Fedor Bondarchuk: Stalingrad Fedor Bondarchuk: Stalingrad STEPHEN M. NORRIS, 2022 Bristol, UK, INTELLECT pp. 180, illus., bibliography, $30,35 (paperback)	0
Werner Herzog: Ecstatic Truth and Other Useless Conquests	0
The process genre: Cinema and the aesthetic of labor	0
Radio Empire: the BBC’s Eastern service and the emergence of the global anglophone novel	0
Adventures of a jazz age lawyer. Nathan burkan and the making of American popular culture	0
The lost honour of katharina blum	0
Engineering the ‘Sense of Being There’: Electronovision and the Invention of the Stage Performance Documentary	0
Gender and media in the broadcast age: Women’s radio programming at the BBC, CBC, and ABC	0
British Cinema in a Divided Nation	0
Old West, New Audiences: Wildlife Documentaries, Non-Theatrical Exhibition, and the Us Wilderness Culture Industry, 1928–1930	0
The Rainbow’s Gravity: Colour, Materiality and British Modernity	0
Bordering an Industry: KVOS-TV and Canawest Film Productions in the Pacific Northwest	0
Cinema off screen: moviegoing in socialist China	0
For No Reason at All: The Changing Narrative of the First World War in American film	0
The enforcers: how little-known trade reporters exposed the keating five and advanced business journalism	0
Castan’s Panopticum: Ein Medium wird besichtigt	0
Singing a Different Tune: The Slavic Film Musical in a Transnational Context	0
Reality, Magic, and Other Lies. Fairy-Tale Film Truths	0
The Brothers Mankiewicz: Hope, Heartbreak, and Hollywood Classics	0
Material Lives of Cold War Radio Pasts in India	0
Monstrous Youth: Transgressing the Boundaries of Childhood in the United States Monstrous Youth: Transgressing the Boundaries of Childhood in the United States SARA AUST	0
Peace on the Small Screen: UNPROFOR’s Television Unit in 1994–5 and the ‘Media War’ in Former Yugoslavia	0
Beyond The Movie Theater: Sites, Sponsors, Uses, Audiences	0
The ‘Horror Serials’ of the 1910s: Episodes in the Construction of a Film Genre	0
The Endless End of Cinema: A History of Crisis and Survival in Hollywood	0
The Cinema of Manoel de Oliveira. Modernity, Intermediality and the Uncanny	0
Mapping Fairy-Tale Space: Pastiche and Metafiction in Borderless Tales	0
Broadcasting a Legend: The Canadian TV Miniseries The Arrow (1997)	0
Lost in Translation	0
Jia Zhangke on Jia Zhangke	0
Her Stories: Daytime Soap Opera & US Television History ELANA LEVINE, 2020	0
All the President’s Men	0
A Clockwork Orange on stage	0
Chinese Film Classics, 1922–1949	0
Hidden in Plain Sight: Attending to Women’s Amateur Filmmaking Histories at the Irish Film Archive	0
‘What happened to the four freedoms?’: John Huston, Richard Brooks, Humphrey Bogart and Key Largo (1948) as a parable of post-war Hollywood liberalism	0
Experimental Filmmaking and Punk: Feminist Audio Visual Culture in the 1970s and 1980s	0
When Ships Don’t Come Ashore – a Yugoslav cinema club production’s dissent in-between the personal and the political	0
Suitcase of Soundscapes: The London Transcription Service and the Packaging of Wartime Sounds for the BBC’s Global Radio Audience	0
The Unknown War of the Eastern Front: the first American-Soviet television production and Détente’s World War II	0
Bohemians in 1970s New York City: perspectives on Miloš Forman and Ivan Passer’s films	0
SHIN FILMS PRESENTS: THE ‘KOREAN-STYLE’ STUDIO SYSTEM AND THE MODERNIZATION OF THE FILM INDUSTRY In SOUTH KOREA, 1952–1975	0
Cold war II: Hollywood’s Renewed Obsession with Russia	0
The History of German Literature on Film	0
Bigger Than Life: The Close-Up and Scale in the Cinema Bigger Than Life: The Close-Up and Scale in the Cinema MARY ANN DOANE, 2021Durham, NC, Duke University Press pp. x	0
A Transnational Communication Network Promoting Film Diplomacy: The case of Turkey and the USA, 1950–86	0
The Man Who Invented Motion Pictures. A True Tale of Obsession, Murder and the Movies	0
Kill the Documentary: A Letter to Filmmakers, Students, and Scholars Kill the Documentary: A Letter to Filmmakers, Students, and Scholars JILL GODMILOW, 2022New York, Co	0
Robert Paul and the Origins of British Cinema IAN CHRISTIE, 2019	0
Chronology of the Birth of Cinema 1833-1896	0
Dreams of Flight: The Great Escape in American Film and Culture	0
Stanley Kubrick, the 1974 Finance Act, and the crisis of the British film industry: a case study of access, power and privilege in British media and politics	0
Frances Kavanaugh and B Westerns’ Women Writers	0
The Victory Banner over the Reichstag: Film, Document, and Ritual in Russia’s Contested Memory of World War II	0
Ida Lupino, Filmmaker	0
Hollywood imagines revolutionary Haiti: the forgotten film Lydia Bailey (1952)	0
Becoming: Genre, queerness, and transformation in NBC’s Hannibal	0
Correction	0
Southern Censorship against Hollywood in Better Films Committees and Local Censorship Boards: Film Control as a Woman’s Political Weapon	0
‘Gumnut-flavoured’ British comedies and the representation of race, sexuality and suburb in Love Thy Neighbour in Australia	0
French Film History, 1895–1946French Film History, 1895–1946Richard Neupert, 2022Madison, University of Wisconsin Press pp. xvi + 378, illus., bibliography and index, $42.95 (casebound)	0
Sex, Politics, and Comedy: the Transnational Cinema of Ernst Lubitsch	0
Practices of projection: Histories and technologies	0
TV Snapshots – An Archive of Everyday LifeTV Snapshots – An Archive of Everyday LifeLYNN SPIGEL, 2022Durham and London, Duke University Press pp. ix + 315, illus., $107.95 (cloth), $28.95 (paper)	0
Unacceptable Matters: The Hays Code, Family, Film Noir and RKO Radio Pictures	0
Fame amid the Ruins. Italian Film Stardom in the Age of Neorealism STEPHEN GUNDLE, 2020	0
‘Of a Human Satellite’: Cassius Clay/Muhammad Ali in Cold War Finnish Television Culture, 1960–1965	0
Bastard Theatres and Human Dregs: Cultures of Illegitimacy on 42 ^nd Street	0
Making Worlds: Affect and Collectivity in Contemporary European Cinema	0
Hawaii Five-O	0
PIRATE RADIO and ITS ROLE IN THE ESTABLISHMENT OF COMMUNITY RADIO. POLAND, AUSTRIA AND HUNGARY – A COMPARISON	0
Columbo: Paying Attention 24/7	0
Neorealist film culture 1945-1954. Rome, open cinema	0
Empire’s Mistress: Starring Isabel Rosario Cooper	0
Cinemagritte: René magritte within the frame of film history, theory, and practice	0
Film Noir and Los Angeles: Urban History and the Dark ImaginaryFilm Noir and Los Angeles: Urban History and the Dark ImaginarySEAN W. MAHER, 2022New York, Routledge Press pp. vi + 211 + index, $52.95	0
Philosophers on film from Bergson to Badiou	0
The Growth of the Turkish Film Industry and the Death of Suphi Kaner: Articulating a Star’s Suicide to the History of Labour in Cinema	0
Early Cinema and Optical Media: An Index to Print Anthologies and Exhibition Catalogues – Part 1	0
Paris in the Dark: Going to the Movies in the City of Light, 1930–1950 ERIC SMOODIN, 2020	0