OOIR: Observatory of International Research

Papers

(The median citation count of Oxford Art Journal is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-03-01 to 2025-03-01.)

Article	Citations
Correction to: The Morbid Symptoms of Capitalist Culture: Stuart Brisley’s Placement with Hille & Co. Furniture Factory (1970–1972)	2
Notes on Contributors	1
Notes on Contributors	1
The Different Tenses of the Recent Past	1
Notes on Contributors	1
A Feminist Critique of Capitalism: Class, Gender, Work, and Unrest in Women’s Art after 2008	1
Knowing and Not Knowing: Addressing Chinese Objects in the Art Museum	1
Notes on Contributors	1
Wastelands: East End Bombsites in Postwar Photography	0
Complicities with the Camera: The Performance and Installation Art of Carlos Leppe	0
Notes on Contributors	0
Environment and Emotion – Dual Pathways to the Art History of the Subcontinent	0
Fernand Léger’s Cinema of Pictorial Equivalence (and the Return to Disorder)	0
Priests Come and Go…	0
Abstracts	0
Voracious Images, Forgotten Images: Notes on the Visual Culture of the Polish Solidarity Movement	0
Avant-Garde Co-option and the Phenomenological Opening of Possibilities	0
Abstracts	0
Adolph Menzel and the Site of Seeing in Nineteenth-Century Drawing	0
Museum Conversations	0
Man in the Middle: Ingres’s Portrait of Louis-François Bertin at the Salon of 1833 and the Problem of the Juste Milieu	0
Purpose, Power, and Possibility: A History of Museums Past and Present	0
Abstracts	0
Between Empathy and Antagonism: Subjective Imagination in the Situationist Drakabygget	0
Figino’s Efficacy: Portraits, Votives, and their Makers after Trent	0

Art and Insurance after the Era of Statistics	0
Ways of Seeing Impressionism circa 1968	0
Rock-Bound: Fitz Henry Lane in 1862	0
Anna of Denmark’s Pointed Elbow: Refiguring Rank and Gender in the Early Modern Court Portrait	0
Art and the Actuarial Imagination: Propositions	0
Oro en el río: Placer Mining, Abundance, and Sustainability in Early Modern Art and Thought	0
The Body as Axis of History: Raphael and Michelangelo at Santa Maria della Pace in Rome	0
White Skin, Silvered Plate: Encountering Jonathan Walker’s Branded Hand in Daguerreotype	0
‘Dogs of the World Unite’: Keith Haring and New York’s Canine Imaginary	0
Please Eat!	0
‘Infidelity, Imposture, and Bad Faith’: Reproducing an Insurance Bubble	0
Notes on Contributors	0
Why Does That Wolf Have Red On His Lips?	0
Notes on Contributors	0
Philip Guston Now	0
‘A Show Opened to All Artists’: The 1970 Liberated Venice Biennale and the Production of Dissent	0
Contemporary Art and Class: Reassessing an Analytical Category	0
Notes on Contributors	0
Naomi Mitchison, Sam J. Ntiro, and Modern African Art in Rural Scotland	0
Abstracts	0
The Great Escape: The Visibility of Class in Tracey Emin’s Margate	0
A Box of Alabaster	0
Tatlinism, or Dada’s Bluff	0
Mutable Bodies: Abstraction and Modern Dance in 1960s Argentina	0
‘With a Hem, Call Him In’: Human Authority and the Animal Gaze in the Flemish Trophy Piece	0
Notes on Contributors	0
Abstracts	0
Marcel Broodthaers, Poet in the Pop Trap. Archival Notes on an Artist’s Narrative	0
Stalin’s Collectivisation as Zombie Apocalypse: Images of the Undead in 1930s Russia	0
‘Here, in Her Hairs/The Painter Plays the Spider …’: Spider Metaphors in William Shakespeare and Nicholas Hilliard	0
A Fascist Tango in Argentina: Exhibiting Novecento Italiano in Buenos Aires, 1930	0
Modernity and Freedom: Lionello Venturi’s Impressionism	0
Abstracts	0
The Saint-Gobain Grande Glace: Transparency and Display Culture at the Exposition Universelle of 1855	0
City Seer: Alfred Stieglitz Circa 1900	0
The Shopkeeper’s Renaissance	0
Morris Hirshfield and Art History in the Making	0
Thomas Cole’s Double View of Mount Holyoke	0
Envisaging Dada: Facial Legibility and Illegibility in Sophie Taeuber’s Dada Head	0
Eloquence and Affect in Jacqueline Jung’s Eloquent Bodies	0
Between Equal Rights: Representing Class and Other Struggles in the Image Field	0
Correction to: Figino’s Efficacy: Portraits, Votives, and Their Makers after Trent	0
The Body Beyond	0
Meyer Schapiro on the ‘Content’ of Impressionism: The Standpoint of Subjective Freedom	0
Non-Aligned Visions	0
The Sun Is God: Turner, Angerstein, and Insurance	0
Abstracts	0
Emiria Sunassa’s Citational Paintings: ‘Like a Boil on a Virgin’s Lips’	0
Senga Nengudi, the Fetish, and the Urban Growth Machine in 1970s Los Angeles	0
Avant-Garde Co-Optation and the Phenomenological Opening of Possibilities	0

Concrete Violence – Wolf Vostell’s Disasters of War	0
Impressionism in the Land of the Bolsheviks: Questions of Art, Reality, and Ideology in the Interwar Soviet Union	0
Sites of Memory and Forgetting: Gyula Derkovits’s Woodcuts of the 1514 Peasant War	0
The Spectacle of Crime	0
Pick Your Picasso	0
Pulverized Regions of Time	0
The Worker as Monster: Images of Class and Radicalism in Operaismo and Autonomia	0
Joshua Reynolds and Deafness: Listening, Hearing, and Not Hearing in Eighteenth-Century Portraiture	0
American Monument: Racism and Class	0
Passionate Detachment	0
Review of Christopher Heuer Into the White	0
Photographic Power	0
Abstracts	0
Automatism and Autonomy in Postwar Rome: Alberto Burri and His Circle	0
Absolutism, the Royal Body, and the Origins of Mythologie Galante: Charles de La Fosse at the Trianon	0
Art histories of corporate imperialism and racial capitalism	0
Abstracts	0
Abstracts	0
Ars Longa, Vita Brevis: The Fine Art & General Insurance Company, Ltd	0
Colour Matters	0
Art Collectives, Progress, and Forgetting in European Art after WWII	0
Impressionism After Impressionism	0
Fuck You, Angels. Artworks as Allies in Care	0
Notes on Contributors	0
Salvage Brutalism: Class, Culture and Dispossession in the Victoria and Albert Museum’s Fragment of Robin Hood Gardens	0
Cultural Transfer and Its Discontents: Recent Scholarship on the Mobility of Early Modern Prints	0
Sculpting the ‘Idea of Insurance’: John Quincy Adams Ward’s Protection Group and the Rise of the American Life Sector	0
Placing the Visual in Participatory Art: Tele-Vecindario and the Chicago Grid at Street Level	0
Architecture as Enemy: Felice Beato’s Photographs of Lucknow	0
Impressionism and Post-Impressionism: The Controversial Reception in China (1910–1950)	0
A Feminist Queering	0
Abstracts	0
Migrant Mother: Histories and Mythologies	0
Make, Parade, Punish: The Life and Death of Effigies in Radical Politics in 1790s England	0
Notes on Contributors	0
Roland Betancourt - Byzantine Intersectionality: Sexuality, Gender, and Race in the Middle Ages	0
Corrigendum to: Voicing the Sociality of Sound from a Deaf Perspective: Christine Sun Kim's Plenitude of Silence	0
Never Still! Nonhuman Life in Charles Demuth’s Green Pears	0
Rescue Politics: Richard Mosse’s Thermal Imaging and the Containment of Migration	0
The Revolutionary Symbolism of Angelo Herndon: Photography, Race, and Communism in 1930s America	0
Hauntings: An Ink Painter and a Coal Mine in 1960s China	0
Crafting ‘Craft’ in Japan	0
The Unstable Lives of Monuments	0
Making a Scene	0
What Makes Mina Loy Modern?	0
Women Counted in Early Modern Bologna	0
Viewing Broken Things	0
Invisible enemies	0
Charles Meryon’s Graphic Risks	0
Stephen J. Campbell, The Endless Periphery. Toward a Geopolitics of Art in Lorenzo Lotto’s Italy	0
Print and the Early Modern Playing Card	0
The Morbid Symptoms of Capitalist Culture: Stuart Brisley’s Placement with Hille & Co. Furniture Factory (1970–1972)	0
Past and Present: Competing Ideologies of Impressionism in France, c. 1930–1950	0
A Microhistory of Heritage Creation Processes: The Impressionists Exhibited at the Orangerie (1930–1937)	0
Impotence and Incompetence: Edward Krasiński’s Art and Writing	0
Concealing and Revealing the Face of Charles the Martyr King	0
Beyond Rehearsed Positions	0
Beyond the Screen: Joan Jonas’s Television by Other Means	0
Body Talk	0
Against the Canon: The Unresolved Dispute between Carla Lonzi and Giulio Carlo Argan	0
On the Beaten Track	0
Queer-Feminist Hospitality: Ewa Partum’s Indifferent Body in the Public Sphere of Socialist Poland	0
Memory as an Ever-present Past: Photographic Representations of US Military Presence in South Korea	0