OOIR: Observatory of International Research

Papers

(The median citation count of Oxford Art Journal is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)

Article	Citations
A Feminist Critique of Capitalism: Class, Gender, Work, and Unrest in Women’s Art after 2008	2
The Rhône and the Saône	1
A Box of Alabaster	1
Notes on Contributors	1
Carlos Cruz-Diez’s Ephemeral Painted Walkways and the Politics of Mobility in Mid-1970s Caracas	1
William Holman Hunt’s Fantastic Magic Lantern	1
Why Does That Wolf Have Red On His Lips?	1
Impressionism in the Land of the Bolsheviks: Questions of Art, Reality, and Ideology in the Interwar Soviet Union	1
Monet Remade	1
Getting Away and Going With	1
Charles Meryon’s Graphic Risks	1
Naomi Mitchison, Sam J. Ntiro, and Modern African Art in Rural Scotland	1
Notes on Contributors	1
Ars Longa, Vita Brevis: The Fine Art & General Insurance Company, Ltd	0
Avant-Garde Co-option and the Phenomenological Opening of Possibilities	0
A Feminist Queering	0
Modernity’s Children: Form as Authority in the Films and Photobooks of Helen Levitt	0
Oro en el río: Placer Mining, Abundance, and Sustainability in Early Modern Art and Thought	0
Notes on Contributors	0
Pick Your Picasso	0
Women Artists Together	0
Colour Matters	0
Coals for the Study: Reading Fire in William Westall’s Views of Australia	0
Priests Come and Go…	0
Millais and Yellow	0

Women Counted in Early Modern Bologna	0
Between Equal Rights: Representing Class and Other Struggles in the Image Field	0
Body Talk	0
Realist Pastoral and the Painting of Modern Life	0
Twists in Time: Apricots and Pomegranates by Albert Moore	0
Family Phantasmagoria: Antoine Claudet, Stereographs, and Middle-Class Dummies	0
Voracious Images, Forgotten Images: Notes on the Visual Culture of the Polish Solidarity Movement	0
Joshua Reynolds and Deafness: Listening, Hearing, and Not Hearing in Eighteenth-Century Portraiture	0
Museum Conversations	0
Beyond Revisionism	0
American Monument: Racism and Class	0
Abstracts	0
James Ensor, Animal Activist	0
Fuck You, Angels. Artworks as Allies in Care	0
The Unstable Lives of Monuments	0
Impotence and Incompetence: Edward Krasiński’s Art and Writing	0
Abstracts	0
New Spatial Visions: Hadi Bara’s Critique of Architecture Formes Couleur	0
Notes on Contributors	0
Contemporary Art and Class: Reassessing an Analytical Category	0
Beyond Rehearsed Positions	0
Notes on Contributors	0
Absolutism, the Royal Body, and the Origins of Mythologie Galante: Charles de La Fosse at the Trianon	0
Meyer Schapiro on the ‘Content’ of Impressionism: The Standpoint of Subjective Freedom	0
Photographic Power	0
Wastelands: East End Bombsites in Postwar Photography	0
Modernity and Freedom: Lionello Venturi’s Impressionism	0
Abstracts	0
Abstracts	0
Ruskin’s Double Plots	0
City Seer: Alfred Stieglitz Circa 1900	0
Viewing Broken Things	0
A Microhistory of Heritage Creation Processes: The Impressionists Exhibited at the Orangerie (1930–1937)	0
Morris Hirshfield and Art History in the Making	0
Monument to? Kara Walker’s Fons Americanus and the Commemorative Entanglements of the Present	0
Emiria Sunassa’s Citational Paintings: ‘Like a Boil on a Virgin’s Lips’	0
Notes on Contributors	0
Avant-Garde Co-Optation and the Phenomenological Opening of Possibilities	0
‘Dogs of the World Unite’: Keith Haring and New York’s Canine Imaginary	0
Retrospeculation: Tom Burr’s 42nd Street Structures	0
Abstracts	0
The Revolutionary Symbolism of Angelo Herndon: Photography, Race, and Communism in 1930s America	0
Abstracts	0
What Makes Mina Loy Modern?	0
Correction to: Impotence and Incompetence: Edward Krasiński's Art and Writing	0
Abstracts	0
Crafting ‘Craft’ in Japan	0
On the Beaten Track	0
HIV, the Country, and the City: Helen Chadwick’s Viral Landscapes	0
Morse’s Media	0

Impressionism and Post-Impressionism: The Controversial Reception in China (1910–1950)	0
Rescue Politics: Richard Mosse’s Thermal Imaging and the Containment of Migration	0
Memory as an Ever-present Past: Photographic Representations of US Military Presence in South Korea	0
Wonders: Guide Culture and Narrative Detail in Western Images Related to Pilgrimage in the Holy Land	0
Notes on Contributors	0
The Spectacle of Crime	0
Sites of Memory and Forgetting: Gyula Derkovits’s Woodcuts of the 1514 Peasant War	0
The Morbid Symptoms of Capitalist Culture: Stuart Brisley’s Placement with Hille & Co. Furniture Factory (1970–1972)	0
Against the Canon: The Unresolved Dispute between Carla Lonzi and Giulio Carlo Argan	0
The Sun Is God: Turner, Angerstein, and Insurance	0
Art and Insurance after the Era of Statistics	0
Abstracts	0
Please Eat!	0
The Materialist Imagination: Essays in Honour of Caroline Arscott	0
Purpose, Power, and Possibility: A History of Museums Past and Present	0
Notes on Contributors	0
Correction to: The Morbid Symptoms of Capitalist Culture: Stuart Brisley’s Placement with Hille & Co. Furniture Factory (1970–1972)	0
Rococo Rubbish: Ornament and Waste in the Eighteenth-Century Paris Street	0
Abstracts	0
Placing the Visual in Participatory Art: Tele-Vecindario and the Chicago Grid at Street Level	0
The Worker as Monster: Images of Class and Radicalism in Operaismo and Autonomia	0
Making It Function Differently: TV Sculpture	0
A Fascist Tango in Argentina: Exhibiting Novecento Italiano in Buenos Aires, 1930	0
Notes on Contributors	0
Between Empathy and Antagonism: Subjective Imagination in the Situationist Drakabygget	0
Impressionism After Impressionism	0
Tatlinism, or Dada’s Bluff	0
Automatism and Autonomy in Postwar Rome: Alberto Burri and His Circle	0
Art and the Actuarial Imagination: Propositions	0
Notes on Contributors	0
Notes on Contributors	0
Past and Present: Competing Ideologies of Impressionism in France, c. 1930–1950	0
Entangled Histories of Art and Medicine	0
Senga Nengudi, the Fetish, and the Urban Growth Machine in 1970s Los Angeles	0
Salvage Brutalism: Class, Culture and Dispossession in the Victoria and Albert Museum’s Fragment of Robin Hood Gardens	0
Vitality of Form in Ruskin and Pater on Michelangelo	0
Beyond the Screen: Joan Jonas’s Television by Other Means	0
Ways of Seeing Impressionism circa 1968	0
Surface Tension: Equations of Difference between Architecture and Sculpture	0
Cultural Transfer and Its Discontents: Recent Scholarship on the Mobility of Early Modern Prints	0
Concealing and Revealing the Face of Charles the Martyr King	0
Touching Stone: Rembrandt’s Aristotle with the Bust of Homer	0
‘Infidelity, Imposture, and Bad Faith’: Reproducing an Insurance Bubble	0
Abstracts	0
The Great Escape: The Visibility of Class in Tracey Emin’s Margate	0
Sculpting the ‘Idea of Insurance’: John Quincy Adams Ward’s Protection Group and the Rise of the American Life Sector	0