Art History

Article	Citations
Painting Historicity: William Dunlap's Engagement with the Circumstances of Time and Place	10
Unchanging Form	9
Mit dem Kreidestift und Farben: Revolutionizing Grünewald in the German Democratic Republic	3
Detours Through the Black Country: On Al‐An deSouza's Expeditionary Under‐Writings	3
That Monster Over There: Silvia Kolbowski, Trump, and Allegory	2
A Medium Finds its Moment	2
Vong Phaophanit and Claire Oboussier: Three Decades, Four Moments	2
All that Glitters Is Not Gold	2
Introduction: Political Ecologies of Paper in Early Modern Art, 1500–1800	2
Identity/Alterity Re‐De‐Constructed in Repetition and Difference	2
Writing to Barnett Newman: F. N. Souza and the End of Modernism	1
Nineteenth-Century Intersex Bodies and the ‘Appearance of a Double Sex’: Nadar’s Medical Anti-Illustration	1
Doves and Machetes: Rina Lazo's Portable Mural Venceremos (1959) in Guatemala, North Korea, and Beyond	1
Collecting, Sketching, Printing and Painting: Mark Catesby's Observations of the Natural World	1
Errata	1
Transmission and Transfer: Plantation Imagery and Medical Management in the British Empire	1
Art History and the Landscape of Crisis	1
Courbet’s Substance	1
Baya in Vogue: From Oriental Textile to Transcultural Tissage	1
The Form of Memory: Delacroix and the Sketchbook	1
	1
Striking sparks against our ruin: Re‐enchanting Art History	1
The Multi‐Dimensional Modernity of Cézanne's Art	0
Abstracts & Authors' Biographies	0
‘The New Life’: Mozambican Art Students in the USSR, and the Aesthetic Epistemologies of Anti‐Colonial Solidarity	0

Index to Volume 44	0
Validating Viewer Response at the Nineteenth-Century Salon	0
Please Walk on This: Gutai and the Emergence of Walkable Art	0
Abstracts & Authors' Biographies	0
Patterns of Dissension	0
Guercino's Saint Petronilla: Saintly Body, Michelangelo, and New St Peter's	0
Printed Design Proposals as Salvaged Remainders of the Goldsmith’s Workshop	0
From Rome to Rabat: Carla Accardi’s Encounters with Moroccan Modernism	0
Imaging Authority, Authorship and Mortality in Late Medieval and Early Modern Europe	0
A Woman’s Work	0
Abstracts & Authors’ Biographies	0
Land Art Submerged: Betty Beaumont’s Ocean Landmark and Art History Beyond Proximity	0
Abstracts & Authors’ Biographies	0
Paper as Artistic Medium at the Ottoman Court	0
Benedetta: Futurist Sacred Art ‘in, of, and from the Feminine’	0
An Ecology of Picture‐Rhythms (Tālamālā) in Western India, circa 1800	0
Ecology, Pathology, and the Life of Paper	0
How to Teach Manet's Olympia after Transgender Studies	0
‘The Breath of Every Living Thing’: Zoocephali and the Language of Difference on the Medieval Hebrew Page	0
Prussian Blue: Chemistry, Commerce, and Colour in Eighteenth‐Century Paris	0
	0
Beyond the Face: Double-Sided Renaissance Portraits and the Craft of Thought	0
Demateriality and Photography in Conceptual Art	0
Surviving the Afterlife	0
The Conditions and Limits of ‘Chineseness’ in Contemporary Performance and Video Art	0
Queer Ecologies and Anti-Colonial Abundance in Lionel Wendt's Ceylon	0
Iqbal Geoffrey v. The Museum of Modern Art	0
Ecstatic Forms: Air and the Apsarā  during the Second Sino-Japanese War (1937–1945)	0
Physics, Psychical Research, and the Self: Evelyn De Morgan's Spiritualist Portraits	0
Happening as Insurrection	0
Mandan Dandies: Trade, Intimacy and Ornamental Excess in a Destroyed 1832 Portrait by George Catlin	0
Historicising the Monstrous: Georges Bataille’s ‘Les écarts de la nature’ (1930), Pronatalism and French Eugenics in the Interwar Period	0
Who Is Photography For?	0
Animating Internationalism: David Alfaro Siqueiros and Antifascist Art in the 1930s	0
George Gabb and ‘Le Cabinet de M. Le Clerc’: Art, Science, and the Visual Production of Knowledge	0
The Past in the Present: Eleanor Antin, Jewish Art and 1990s America	0
New Light on Seventeenth‐Century Woodcarving: A Resurrection for the Carved Arts	0
Artists, Institutions, and Agitators in Midcentury Japan	0
European Manipulations of Egypt	0
The Ghost and the Rock: Albert Renger‐Patzsch and the Shape of Time	0
The Not-So-Global Field of Global Art History	0
Ripples in the Historiography: Harlem Studio Photographer James Van Der Zee and Cecil Beaton’s New York, 1938	0
Art History as Black Study	0
Abstracts & Authors’ Biographies	0
Abstracts & Authors' Biographies	0
‘Ornament’ Reconsidered	0
Image‐Intensity Complex, or Art History	0
New Names for the Old Sacristy of the Siena Hospital: Pseudo‐Scripts, Hidden Signatures, and the Ludic Self	0
A Special Kind of Hell: On the Embodied and Emotional Experience of Byzantine Images of the Last Judgement	0
Fra Angelico's The Miracle of the Black Leg: Skin Colour and the Perception of Ethiopians in Florence before 1450	0

Elected Affinities	0
Fragments: An Exploration of Everyday Black Creativity and Its Relationship to Political Change	0
Permindar Kaur: Locating a ‘Black’ Artist in Narratives of British Art in the 1990s	0
Art History's Turn to Health	0
	0
Notes on a Fragment: Zarina’s Dividing Line	0
On Art History as Environmental Knowledge	0
Staging Grounds: Loutherbourg and Warley	0
Archiving the Archive Art Phenomenon	0
Index	0
The Aesthetic Redemption of the Black Body in Eighteenth-Century France	0
	0
Octopodal Pictoriality: The Self-Reflexivity of the Octopus in Graeco-Roman Art	0
Reckoning with Empire in French Modern Visual Culture	0
Introduction: Making Room for Misfits	0
Abstracts & Authors' Biographies	0
Constituting the Body of State: Paper, Parchment, and Political Thought in the Age of the American Revolution	0
Environmental Threats: Sigmar Polke Paints the End of Nature	0
Cover Story	0
The Photographs of Kim Lim: A Visual Essay	0
Multiple Versions, Multiple Markets, Multiple Meanings: Worldwide Trade in British Autograph Replicas	0
Myths of Modernism: Austrian Art after 1918	0
A Timeless, Eternal World Realized in Humble Materials	0
Cultural Workers of the World, Unite!	0
	0
	0
Photography as Relation in Africa	0
Copyright in the Expanded Field	0
Constructing a Human World: Denis Williams's Place in British Modernism of the 1950s	0
Modernism, Non‐Central	0
Masculine and Feminine	0
The Violence of Hair	0
Baroque Transfixions	0
Candace Hill‐Montgomery, Against Containment	0
Colesworthy Grant's Portraits of Colonial Society in India: Lithography, Liberalism, and the Global Making of Middle‐Class Culture, c. 1833–57	0
In the Flesh: John Singleton Copley's Royall Portraits and Whiteness	0
Unearthing Wu Daozi (c. 686 to c. 760): The Concept of Authorship in Tang Painting	0
Art for Coexistence	0
Beyond the Monograph	0
Figure, Ground and the Logic of Painting	0
Connecting Worlds: Aby Warburg and Anthropology	0
‘Un oubli généreux du passé’: Art, Politics and Oblivion, and the Salon of 1814	0
Imaginary Identities	0
Between Two Easts: Picturing a Global Socialism in Albanian Post‐War Art, 1959–69	0
Palpable Privilege and Performative Stones	0
An Exhibition in Negative: Nigel Henderson, Parallel of Life and Art and the Photographic Image	0
Industrial Productions	0
Indigenous Dispossession and Settler Colonial Art Galleries: Anguish at the National Gallery of Victoria	0
Abstracts & Authors' Biographies	0
Althea McNish: Designs without Borders	0
On Islam and Portraiture: Lithography, Glass Painting, and Photography in Senegal	0
Laissez-Passer: Papering over the French Revolutionary Past	0
Breaking the Dam: Sámi Art Histories	0
Gavin Jantjes's Korabra Series (1986): Reworking Museum Interpretation	0
Unstable Maps, Volatile Bodies	0
Utopia: Rhetoric and Reality	0
Imagined Solidarities: Cairo‐Moscow and the Struggle for Realist Art	0
An Inside Look at Yüksel Arslan's Outsider Practice, 1955–64	0
Queer Ecologies of Art History	0
Thinking with Heraldry on the Eve of the Reformation: A Drawing by Niklaus Manuel Deutsch	0
Exchange Value	0
Feminism is for Todes: Art History and Feminist Interventions in Spanish‐Speaking Latin America	0
Synaptic Visualizations: Reading ‘the Global’ in and through the Work of Sutapa Biswas	0
Sonia Delaunay, ‘Living Profoundly’	0
‘She engages us with a steady, cool look’: Creating the Field of Southeast Asian Art	0
Riley in Cairo: British Art and Egypt in the 1980s	0
Unearthing the Mundane	0
‘Kind of Goya‐esque or Something’: Charles Ray's Early Works	0
Working Carefully	0
Call and Response	0
‘Aesthetics of Revolution’ and Generative Spaces	0
Beyond the Brush: Mediums and Methods in Modern Chinese Painting	0
Expressionist Women Before and After the Blue Rider	0
Queering Needlework?	0
Moscow's Outreach to Hanoi: Artistic Ties between the Soviet Union and Vietnam	0
The Art of Assemblage at La Venta	0
The Unfolding of Photography in India	0
What is ‘Islamic’ Art?	0
Doubled Abstraction: Ruth Asawa's Stamp and Its Afterlife	0
Framing the Fragment	0

	0
The Back of Her Head: The Fashionable Wartime Ruins of Cecil Beaton	0
Abstracts & Authors' Biographies	0
The Diaristic Mode in Contemporary Art after Barthes	0
May Morris, Egypt, and Coptic Textiles	0
‘The Centre is Nowhere’: British Art and the Global	0
Both/And: Howardena Pindell and Lorraine O'Grady in Focus	0
Against Plantation Futures	0
Die Schönheit des Mittelmenschen: Stephan Balkenhol’s ‘Everyday Beauty’	0
	0
The Avian Sense for Beauty: A Posthumanist Perspective on the Bowerbird	0
Index to Volume 45	0
Mercury Rising: US–Mexican Conflict in Alexander Edouart's Blessing of the Enrequita Mine	0
Art History and Racial Capitalism	0
Goya’s Critical Witnessing	0
When Art History Meets Artificial Intelligence	0
Duchamp Effects	0
Lavinia Fontana's Freedom	0
Domestic Slavery, Skin Colour, and Image Dialectic in Thirteenth‐Century Arabic Manuscripts	0
Abstracts & Authors' Biographies	0
Divine Nature: Feathered Microcarvings in the Early Modern World	0
Learning to Speak the New Language of the Artworld	0
On the Home Front: Italian Art, 1944–1973, and the Hidden Abode of Cultural Reproduction	0
Community as Gesamtkunstwerk: Dick Ket’s Self-Portraiture and the Debt of Epic Film	0
Queer Abstractions and Formal Revisions	0
Abstracts & Authors' Biographies	0
Turning Inwards and Outwards in the Global Eighteenth Century	0
Infrastructure, Nation, and Excess	0
	0
The Invisible Sainthood of Mariana de Jesús Paredes y Flores	0
Worlds Collide	0
Remaking Art Histories	0
Errata	0
Sugar Spoils: Marie‐Antoine Carême and the Gastronomic Architecture of Napoleonic Empire	0
The Longest Journey: Black Diaspora Artists in Britain	0
Material Masquerade: Porcelain, Sugar, and Race on the Eighteenth-Century French Dining Table	0
The AIA 1951 Lithographs: Contesting National Identity in Intermodern Prints	0
Twentieth-Century Italian Art and the Politics of Display	0
Dearly Beloved or Unrequited? To Be ‘Black’ in Art's Histories	0
Abstracts & Authors' Biographies	0
To Let You Understand: Franki Raffles, Photography and Feminist Solidarity	0
Pressing Buttons: Kodak, Advertising Psychotechnics, and the Politics of Graphic Design, c. 1915	0
Abstracts & Authors' Biographies	0
‘Corps a corps’: Martyrs, Models, and Myths in Harriet Hosmer's Beatrice Cenci	0
Eastern Encounters: Ilia Repin's Orientalist Aesthetics Abroad and at Home	0
Crossing the Line: Cristóbal de Villalpando and the Surplus of Script	0
Countercultural Misunderstandings: Alternative Art and Cold War Politics	0
Scale of the Nation: Alberto Giacometti's Miniature Monument	0
	0
Gilbert and George's 1980 Pictures and the Spectre of Nationalism in Postcolonial Britain	0
The Curse of Nation, or the Dark Underside of French Modernity	0
‘Dreaming Has a Share in History’: Biding Time in the Work of Lubaina Himid	0
Portrait of a Collector	0
The Modern Press: Politics, Passion and Provocation in Early Twentieth‐Century Publishing	0
Voicing the Queer Self: Listening to Portraits with Vernon Lee	0
Reinventing Form between the Classroom and the Cinema	0
Guerilla Art, Risk and Direct Action from 1962–1987	0
Crunching the Canon	0
Where is the Muranów Lily? Unearthing Traces of Queer Jewishness in Contemporary Warsaw	0
Chalk and Cheese	0
Precarious Futures? Reading and Recovering the Archives of Artists for Democracy (1974–77) and Artists Call (1984–85)	0
Polar Art and Aesthetics: Past and Present	0
	0
Rethinking Strawberry Hill	0
Abstracts & Authors' Biographies	0
Post‐Impressionism: Universal, British, Global	0
A Totalising, Political Environment: How Art History Understands Media	0
Telling Stories	0
Travelling Knick-Knacks and Picturesque Points of View: Reverend James Plumptre’s Narrative of a Pedestrian Journey […] to the Highlands of Scotland […] in the Summer of the Year 1799	0
Voices of Resistance: Unveiling Feminist Art in Latin America	0
Paper and Textile Encounters in the Pacific	0
Out of Sync in Havana: Two Socialist Visions of Global Contemporary Art	0
Clocking Mai: A Study of Time in Reynolds’ Polynesian Portrait	0
Reflecting (on) Objects	0
Abstracts & Authors' Biographies	0
Bovine Reproductions: Animal Husbandry and Acclimatization in the Cattle Paintings and Prints of Rosa Bonheur	0
Séances, Art and Embodied Affordances	0
United by AIDS?	0
Crafting Friendship	0
High, Low, and Beyond: The Question of Popular Art in Peru	0
Abstracts & Authors' Biographies	0
The ‘Spectral Others’ of Bauhaus Rationalism: Experiments in Mysticism, Spirituality, Sexuality, and Politics	0
The Artist Works: An Imperfective Reading of Mladen Stilinović’s Artist at Work	0
Beautiful Trouble	0
Bernini’s Braids and the Intimacies of Stone	0
Moods, Monsoons, and the Art of Place-Making	0
Eros, Inc.: Cupid, Capital, and the Crash of 1720	0
Looking Beyond Jerusalem: A Fifteenth-Century Exercise in Image Comparison	0
	0
Architecture in Anticipation: Building Socialist Friendship between Hungary and North Korea in the 1950s	0
Rethinking Rubens: Baroque Painter, Diplomat, and Women's Ally?	0
Monumental Ephemera: British Sculpture in the Arctic, Icebergs in London, an Inuit Map	0
Discernment or Devotion: Egypt and Sculptural Politics in Eighteenth‐Century France	0
Maternities: Dorothea Tanning's Aesthetics of Touch	0
Queer Failures	0