OOIR: Observatory of International Research

Papers

(The TQCC of Journal of Musicological Research is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)

Article	Citations
The Communist Walküre: Eisenstein’s Vision for Marrying German Wagnerism with Soviet Communism	2
Creative Authorship and the Filipina Diva Atang de la Rama	2
Expressions of Modernity and Nationality in Matsudaira Yoritsune’s Prewar Work	1
Dreams and Intertextuality in Chopin’s A-Minor Prelude	0
Fantasy Aesthetic and Franz Schubert’s “Magical” Transitions in Sonata Forms	0
Musical Instruments as Scriptive Things: Instrument-Body Interactions & Racial Play in the Brazilian Music Scene in Austin, Texas	0
The “Gibson Les Paul” Guitar—Conception, Prototype and Production: A Study Through Counterfactuals	0
About the Authors	0
3D Digital Technologies for Studying Historical Musical Instruments	0
Don Giovanni Captured: Performance, Media, Myth; Opera Lab: Explorations in History, Technology, and Performance	0
Roundtable: Pedagogical Approaches to Music Encoding	0
The Songs of Fanny Hensel	0
“But I Have No Recollection…”: Representations of Posttraumatic Stress Disorder in Schoenberg’s A Survivor from Warsaw	0
Kauffman Prize, Journal of Musicological Research	0
Phantom Hands Will Live Forever: Reading the Player Piano Anew	0
From “Angelegenheit Großdeutschlands” to “Österreichische Abende”: Programming the 1945 Salzburg Festival	0
The Cambridge Companion to Schubert’s Winterreise	0
Pedagogy Captured in Print: Student-Teacher Duos in Banchieri’s Cartella musicale (1614)	0
Introduction: Dynamic Ontologies of the Eighteenth Century	0
Metamorphosis and the Beast Within	0
About the Authors	0
Quartet: How Four Women Changed the Musical World	0
Musical Instruments and Palimpsestic Identity	0
The Mahalia Jackson Reader	0
Bach against Modernity *Bach against Modernity* , by Michael Marissen, New York, NY, Oxford University Press, 2023, xvi, 184 pp., $34.95	0

Metamorphosis and the Taxonomy of Musical Instruments	0
The Logic of Filtering: How Noise Shapes the Sound of Recorded Music	0
Auenbruggers, Sensibility, and the Instrumental Bodies	0
Kauffman Prize Announcement	0
A Review of Public Musicology	0
Performing Commemoration: Musical Reenactment and the Politics of Trauma	0
About the Authors	0
Metamorphosis and Animation	0
The Big Parade: Meredith Willson’s Musicals from The Music Man to 1491	0
Mabel Daniels: an American Composer in Transition, by Maryann McCabe, London and New York, Routledge, 2018, xv, 300 pp., $160 (hardback), ISBN 9781472424518. Augusta Browne: Composer and Woman of Lett	0
About the Authors	0
The Boston Pops: An American Institution and Its European Roots	0
About the Authors	0
Sonic Overload: Alfred Schnittke, Valentin Silvestrov, and Polystylism in the Late USSR	0
Wild Sound: Maryanne Amacher and the Tenses of Audible Life	0
The Concept Album and the Early Music Revival	0
Lying in the Middle: Musical Theater and Belief at the Heart of America	0
Of Majesty, Mockery, and Misprints: The Coda of Shostakovich’s Fifth on Record	0
The Cambridge Companion to Amy Beach	0
Gerald Finzi’s Letters, 1915-1956	0
Gaita Zuliana’s Confrontation with Hugo Chávez in Venezuela: 1999-2003	0
About the Authors	0
Metamorphosis and the Protean Performer	0
Industry: Bang on a Can and New Music in the Marketplace	0
Composing Anxious Voices: Aesthetic Distance, Empathy, and Musical Rhetoric in Two Ossian-Inspired Works by Louis Spohr and Carl Maria von Weber	0
Metamorphosis and the Sirena	0
On Organology: Introduction to the Organology Special Issue	0
Play the Way You Feel: The Essential Guide to Jazz Stories on Film	0
Pop Masculinities: The Politics of Gender in Twenty-First Century Popular Music *Pop Masculinities: The Politics of Gender in Twenty-First Century Popular Music*	0
New York Klezmer in the Early Twentieth Century: The Music of Naftule Brandwein and Dave Tarras	0
A Socioeconomic Approach to Studying Musical Instruments	0
The Meaning of Soul: Black Music and Resilience Since the 1960s	0
Correction	0
About the Authors, volume 42, no. 1	0
Musical Solidarities: Political Action and Music in Late Twentieth-Century Poland	0
Kanon im Repertoire und in der musikalischen Praxis: Essays und Interviews	0
On Music Theory and Making Music More Welcoming for Everyone	0
“The Real Kazakh is a Dombyra”?: Musical Instruments and Nation Branding in 21 ^st -Century Kazakhstan	0
About the Authors	0
About the Authors	0
Soundworks: Race, Sound, and Poetry in Production	0
Response: Ovid, Haydn, and the Symbiosis of Music and Metamorphosis	0
Expanding Perspectives: Materializing Musical Instruments	0
Musik und Gesellschaft: Marktplätze, Kampfzonen, Elysium	0
Hercules, Vampires, and the Opera of Attractions	0
Reviewing the Book Review: A Roundtable	0
Singing and Speaking in Early Twentieth-Century Zarzuela: The Evidence from Early Recordings	0
About the Authors	0
Hound Dog	0
Beyond Fingal’s Cave: Ossian in the Musical Imagination	0

About the Authors	0
Music, Gender, and Sexuality Studies: A Teacher’s Guide	0
“The Wanderer: Public musicology and the logic of content creation”	0
Ecosystems and Sounding Lives: Musical Instrument Makers in Greater Central Asia	0
About the Authors	0
A Review of Podcasting: Time for a Musicology Podcasting Revolution?	0
An English Composer and Her Opera: Harriet Wainewright’s Comàla (1792)	0
Hugh Macdonald, Bizet in Italy: Letters and Journals, 1857–1860, The Boydell Press, Woodbridge UK, 2021, £45, $90 ISBN 978 1 78 327580 9	0
Intersections, Divergences, and Cross Sections: Eduard Steuermann, the Busoni-Schoenberg Nexus, and a Broadening of Compositional Procedures in the Twentieth Century	0
Blacksound: Making Race and Popular Music in the United States	0
Review of Musicology Twitter	0
A Note from the Editor-in-Chief	0
Popular Opera in Eighteenth-Century France: Music and Entertainment before the Revolution	0
The Easter Sonata of Fanny Mendelssohn (1828)	0