OOIR: Observatory of International Research

Papers

(The median citation count of Journal of Musicological Research is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-04-01 to 2024-04-01.)

Article	Citations
From Counterpoint to Heterophony and Back Again: Reading Edward Said’s Drafts for Culture and Imperialism	4
Beyond the Interpretation of Music	2
The Communist Walküre: Eisenstein’s Vision for Marrying German Wagnerism with Soviet Communism	2
The Guitar’s Apostle: Imaginaries and Narratives Surrounding Andrés Segovia’s Religious Redemption of the Classical Guitar	1
Expressions of Modernity and Nationality in Matsudaira Yoritsune’s Prewar Work	1
Review of Musicology Twitter	0
New York Klezmer in the Early Twentieth Century: The Music of Naftule Brandwein and Dave Tarras	0
Editorial	0
Broadway in the Box: Television’s Lasting Love Affair with the Musical	0
The Easter Sonata of Fanny Mendelssohn (1828)	0
Correction	0
Dreams and Intertextuality in Chopin’s A-Minor Prelude	0
Fantasy Aesthetic and Franz Schubert’s “Magical” Transitions in Sonata Forms	0
Don Giovanni Captured: Performance, Media, Myth; Opera Lab: Explorations in History, Technology, and Performance D	0
About the Authors	0
The Songs of Fanny Hensel	0
What Can Performance and Theory Teach Each Other?	0
Response: Ovid, Haydn, and the Symbiosis of Music and Metamorphosis	0
An Unexpected Presence, or the Master of Dance and the Master of Music in Portuguese Baroque Society	0
The Case of Beethoven: A Tie by Any Other Name...	0
About the Authors	0
Beyond Fingal’s Cave: Ossian in the Musical Imagination	0
About the Authors	0
“The Wanderer: Public musicology and the logic of content creation”	0
“But I Have No Recollection…”: Representations of Posttraumatic Stress Disorder in Schoenberg’s A Survivor from Warsaw	0

The Boston Pops: An American Institution and Its European Roots	0
Gaita Zuliana’s Confrontation with Hugo Chávez in Venezuela: 1999-2003	0
Should the End of a Phrase be Emphasized? An Essay in Musical Prosody	0
Wild Sound: Maryanne Amacher and the Tenses of Audible Life *Wild Sound: Maryanne Amacher and the Tenses of Audible Life* , by Amy Cimin	0
Industry: Bang on a Can and New Music in the Marketplace	0
Kesha’s Comeback and the Stakes of Live Performance: Connecting through Trauma at the 2018 Grammy Awards	0
Pop Masculinities: The Politics of Gender in Twenty-First Century Popular Music *Pop Masculinities: The Politics of Gender in Twenty-First Century Popular Music*	0
About the Authors	0
The Meaning of Soul: Black Music and Resilience Since the 1960s	0
Arrangement Practices in the Bach Tradition, Then and Now: Historical Precedent for Modern Practice	0
Musical Topoi in Brahms’s 7 Fantasien, Op. 116	0
Intersections, Divergences, and Cross Sections: Eduard Steuermann, the Busoni-Schoenberg Nexus, and a Broadening of Compositional Procedures in the Twentieth Century	0
Musical Solidarities: Political Action and Music in Late Twentieth-Century Poland	0
A Note from the Editor-in-Chief	0
Metamorphosis and Animation	0
Auenbruggers, Sensibility, and the Instrumental Bodies	0
The Big Parade: Meredith Willson’s Musicals from The Music Man to 1491	0
Mabel Daniels: an American Composer in Transition, by Maryann McCabe, London and New York, Routledge, 2018, xv, 300 pp., $160 (hardback), ISBN 9781472424518. Augusta Browne: Composer and Woman of Lett	0
Gerald Finzi’s Letters, 1915-1956	0
About the Authors	0
The Concept Album and the Early Music Revival	0
Singing and Speaking in Early Twentieth-Century Zarzuela: The Evidence from Early Recordings	0
Where Have All the Women Gone? On the Absence of Feminine Agency in Contemporary Productions of the Original Boris Godunov	0
From “Angelegenheit Großdeutschlands” to “Österreichische Abende”: Programming the 1945 Salzburg Festival	0
Kauffman Prize, Journal of Musicological Research	0
Composing Anxious Voices: Aesthetic Distance, Empathy, and Musical Rhetoric in Two Ossian-Inspired Works by Louis Spohr and Carl Maria von Weber	0
Introduction: Dynamic Ontologies of the Eighteenth Century	0
Musical Virtue, Professional Fortune, and Private Trauma in Eighteenth-Century Britain: A Feminist Biography of Elisabetta de Gambarini (1730–65)	0
Quartet: How Four Women Changed the Musical World *Quartet: How Four Women Changed the Musical World* , by Leah Broad, London, Faber &am	0
Lying in the Middle: Musical Theater and Belief at the Heart of America	0
Hercules, Vampires, and the Opera of Attractions	0
Popular Opera in Eighteenth-Century France: Music and Entertainment before the Revolution	0
An English Composer and Her Opera: Harriet Wainewright’s Comàla (1792)	0
A Review of Podcasting: Time for a Musicology Podcasting Revolution?	0
Introduction: Topics in Musical Interpretation	0
Hugh Macdonald, Bizet in Italy: Letters and Journals, 1857–1860, The Boydell Press, Woodbridge UK, 2021, £45, $90 ISBN 978 1 78 327580 9	0
The Mahalia Jackson Reader	0
Listening to Builders	0
Metamorphosis and the Taxonomy of Musical Instruments	0
About the Authors	0
Performing Commemoration: Musical Reenactment and the Politics of Trauma	0
Creative Authorship and the Filipina Diva Atang de la Rama	0
Transmedia Directors: Artistry, Industry and New Audiovisual Aesthetics	0
Kauffman Prize Announcement	0
Gould and Liberace, or the Fate of Nineteenth-Century Performance Culture	0
About the Authors	0
About the Authors	0
About the Authors	0
Soundworks: Race, Sound, and Poetry in Production	0
About the Authors, volume 42, no. 1	0

Musik und Gesellschaft: Marktplätze, Kampfzonen, Elysium	0
Do They Still Hate Horowitz? The “Last Romantic” Revisited	0
Reviewing the Book Review: A Roundtable	0
The Sonata in Restoration England: From Fantasia Suites to Early English Trio Sonatas	0
Of Majesty, Mockery, and Misprints: The Coda of Shostakovich’s Fifth on Record	0
Music, Gender, and Sexuality Studies: A Teacher’s Guide	0
Metamorphosis and the Protean Performer	0
The Cambridge Companion to Schubert’s Winterreise	0
About the Authors	0
Sonic Overload: Alfred Schnittke, Valentin Silvestrov, and Polystylism in the Late USSR	0
Roundtable: Pedagogical Approaches to Music Encoding	0
Metamorphosis and the Beast Within	0
The “Rashômon Effect” Effect: Post-Orientalism in the Era of #MeToo	0
Bach against Modernity *Bach against Modernity* , by Michael Marissen, New York, NY, Oxford University Press, 2023, xvi, 184 pp., $34.95	0
Metamorphosis and the Sirena	0
The Logic of Filtering: How Noise Shapes the Sound of Recorded Music	0
Play the Way You Feel: The Essential Guide to Jazz Stories on Film	0