OOIR: Observatory of International Research

Papers

(The median citation count of Journal of Musicological Research is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-02-01 to 2025-02-01.)

Article	Citations
Sonic Overload: Alfred Schnittke, Valentin Silvestrov, and Polystylism in the Late USSR	2
Lying in the Middle: Musical Theater and Belief at the Heart of America	2
“But I Have No Recollection…”: Representations of Posttraumatic Stress Disorder in Schoenberg’s A Survivor from Warsaw	1
Gaita Zuliana’s Confrontation with Hugo Chávez in Venezuela: 1999-2003	0
The Meaning of Soul: Black Music and Resilience Since the 1960s	0
The Songs of Fanny Hensel	0
Of Majesty, Mockery, and Misprints: The Coda of Shostakovich’s Fifth on Record	0
Hugh Macdonald, Bizet in Italy: Letters and Journals, 1857–1860, The Boydell Press, Woodbridge UK, 2021, £45, $90 ISBN 978 1 78 327580 9	0
Key Constellations: Interpreting Tonality in Film	0
Response: Ovid, Haydn, and the Symbiosis of Music and Metamorphosis	0
Ecosystems and Sounding Lives: Musical Instrument Makers in Greater Central Asia	0
About the Authors	0
About the Authors	0
Pop Masculinities: The Politics of Gender in Twenty-First Century Popular Music *Pop Masculinities: The Politics of Gender in Twenty-First Century Popular Music*	0
Play the Way You Feel: The Essential Guide to Jazz Stories on Film	0
“To Make Chicago Wake Up to Its Duty”: Fortnightly Clubwomen, Patronage, and Operatic Boosterism in 1920s Chicago	0
Popular Opera in Eighteenth-Century France: Music and Entertainment before the Revolution	0
About the Authors	0
Musik und Gesellschaft: Marktplätze, Kampfzonen, Elysium	0
Gerald Finzi’s Letters, 1915-1956	0
Hercules, Vampires, and the Opera of Attractions	0
“The Real Kazakh is a Dombyra”?: Musical Instruments and Nation Branding in 21 ^st -Century Kazakhstan	0
About the Authors	0
Hound Dog	0
Performing Commemoration: Musical Reenactment and the Politics of Trauma	0

Industry: Bang on a Can and New Music in the Marketplace	0
Metamorphosis and the Taxonomy of Musical Instruments	0
Correction	0
Metamorphosis and Animation	0
“The Wanderer: Public musicology and the logic of content creation”	0
About the Authors	0
Musical Solidarities: Political Action and Music in Late Twentieth-Century Poland	0
Reviewing the Book Review: A Roundtable	0
A Socioeconomic Approach to Studying Musical Instruments	0
Review of Musicology Twitter	0
The Cambridge Companion to Schubert’s Winterreise	0
Bach against Modernity *Bach against Modernity* , by Michael Marissen, New York, NY, Oxford University Press, 2023, xvi, 184 pp., $34.95	0
Mabel Daniels: an American Composer in Transition, by Maryann McCabe, London and New York, Routledge, 2018, xv, 300 pp., $160 (hardback), ISBN 9781472424518. Augusta Browne: Composer and Woman of Lett	0
Kauffman Prize, Journal of Musicological Research	0
On Organology: Introduction to the Organology Special Issue	0
Fantasy Aesthetic and Franz Schubert’s “Magical” Transitions in Sonata Forms	0
3D Digital Technologies for Studying Historical Musical Instruments	0
A Review of Podcasting: Time for a Musicology Podcasting Revolution?	0
Metamorphosis and the Protean Performer	0
The Big Parade: Meredith Willson’s Musicals from The Music Man to 1491	0
The Mahalia Jackson Reader	0
Beyond Fingal’s Cave: Ossian in the Musical Imagination	0
An English Composer and Her Opera: Harriet Wainewright’s Comàla (1792)	0
Singing and Speaking in Early Twentieth-Century Zarzuela: The Evidence from Early Recordings	0
About the Authors, volume 42, no. 1	0
Metamorphosis and the Sirena	0
Wild Sound: Maryanne Amacher and the Tenses of Audible Life	0
Don Giovanni Captured: Performance, Media, Myth; Opera Lab: Explorations in History, Technology, and Performance	0
Kanon im Repertoire und in der musikalischen Praxis: Essays und Interviews	0
The Cambridge Companion to Amy Beach	0
Scènes à Faire : Genre Practice in Music Copyright Infringement Cases	0
Expanding Perspectives: Materializing Musical Instruments	0
About the Authors	0
Intersections, Divergences, and Cross Sections: Eduard Steuermann, the Busoni-Schoenberg Nexus, and a Broadening of Compositional Procedures in the Twentieth Century	0
The Easter Sonata of Fanny Mendelssohn (1828)	0
Composing Anxious Voices: Aesthetic Distance, Empathy, and Musical Rhetoric in Two Ossian-Inspired Works by Louis Spohr and Carl Maria von Weber	0
On Music Theory and Making Music More Welcoming for Everyone	0
The Communist Walküre: Eisenstein’s Vision for Marrying German Wagnerism with Soviet Communism	0
The Concept Album and the Early Music Revival	0
Musical Instruments as Scriptive Things: Instrument-Body Interactions & Racial Play in the Brazilian Music Scene in Austin, Texas	0
Metamorphosis and the Beast Within	0
About the Authors	0
The Logic of Filtering: How Noise Shapes the Sound of Recorded Music	0
About the Authors	0
Music, a Connected Art: Die Illusion der Absoluten Music. A Festschrift for Jürgen Thym on his 80th Birthday	0
Musical Instruments and Palimpsestic Identity	0
New York Klezmer in the Early Twentieth Century: The Music of Naftule Brandwein and Dave Tarras	0
The Boston Pops: An American Institution and Its European Roots	0
From Dixie to Rocky Top: Music and Meaning in Southeastern Conference Football	0
About the Authors	0

Introduction: Dynamic Ontologies of the Eighteenth Century	0
Dreams and Intertextuality in Chopin’s A-Minor Prelude	0
Expressions of Modernity and Nationality in Matsudaira Yoritsune’s Prewar Work	0
From “Angelegenheit Großdeutschlands” to “Österreichische Abende”: Programming the 1945 Salzburg Festival	0
Music, Gender, and Sexuality Studies: A Teacher’s Guide	0
Soundworks: Race, Sound, and Poetry in Production	0
Kauffman Prize Announcement	0
About the Authors	0
Roundtable: Pedagogical Approaches to Music Encoding	0
Auenbruggers, Sensibility, and the Instrumental Bodies	0
About the Authors	0
Pedagogy Captured in Print: Student-Teacher Duos in Banchieri’s Cartella musicale (1614)	0
The Possibility Machine: Music and Myth in Las Vegas	0
Felicita Vestvali: Rebellious Prima Donna, Charismatic Actor, and LGBTQ Icon	0
Quartet: How Four Women Changed the Musical World	0
The “Gibson Les Paul” Guitar—Conception, Prototype and Production: A Study Through Counterfactuals	0
Creative Authorship and the Filipina Diva Atang de la Rama	0
Phantom Hands Will Live Forever: Reading the Player Piano Anew	0
Blacksound: Making Race and Popular Music in the United States	0
A Review of Public Musicology	0