OOIR: Observatory of International Research

Papers

(The median citation count of Journal of Musicological Research is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)

Article	Citations
The Communist Walküre: Eisenstein’s Vision for Marrying German Wagnerism with Soviet Communism	2
Creative Authorship and the Filipina Diva Atang de la Rama	2
Expressions of Modernity and Nationality in Matsudaira Yoritsune’s Prewar Work	1
Blacksound: Making Race and Popular Music in the United States	0
Review of Musicology Twitter	0
Intersections, Divergences, and Cross Sections: Eduard Steuermann, the Busoni-Schoenberg Nexus, and a Broadening of Compositional Procedures in the Twentieth Century	0
Popular Opera in Eighteenth-Century France: Music and Entertainment before the Revolution	0
The Easter Sonata of Fanny Mendelssohn (1828)	0
A Note from the Editor-in-Chief	0
Dreams and Intertextuality in Chopin’s A-Minor Prelude	0
Fantasy Aesthetic and Franz Schubert’s “Magical” Transitions in Sonata Forms	0
The “Gibson Les Paul” Guitar—Conception, Prototype and Production: A Study Through Counterfactuals	0
About the Authors	0
3D Digital Technologies for Studying Historical Musical Instruments	0
Don Giovanni Captured: Performance, Media, Myth; Opera Lab: Explorations in History, Technology, and Performance	0
Roundtable: Pedagogical Approaches to Music Encoding	0
The Songs of Fanny Hensel	0
“But I Have No Recollection…”: Representations of Posttraumatic Stress Disorder in Schoenberg’s A Survivor from Warsaw	0
Kauffman Prize, Journal of Musicological Research	0
Phantom Hands Will Live Forever: Reading the Player Piano Anew	0
From “Angelegenheit Großdeutschlands” to “Österreichische Abende”: Programming the 1945 Salzburg Festival	0
Pedagogy Captured in Print: Student-Teacher Duos in Banchieri’s Cartella musicale (1614)	0
Introduction: Dynamic Ontologies of the Eighteenth Century	0
The Cambridge Companion to Schubert’s Winterreise	0
About the Authors	0

Metamorphosis and the Beast Within	0
Quartet: How Four Women Changed the Musical World	0
Musical Instruments and Palimpsestic Identity	0
The Mahalia Jackson Reader	0
Bach against Modernity *Bach against Modernity* , by Michael Marissen, New York, NY, Oxford University Press, 2023, xvi, 184 pp., $34.95	0
The Logic of Filtering: How Noise Shapes the Sound of Recorded Music	0
Metamorphosis and the Taxonomy of Musical Instruments	0
Kauffman Prize Announcement	0
A Review of Public Musicology	0
Auenbruggers, Sensibility, and the Instrumental Bodies	0
About the Authors	0
Metamorphosis and Animation	0
Performing Commemoration: Musical Reenactment and the Politics of Trauma	0
The Big Parade: Meredith Willson’s Musicals from The Music Man to 1491	0
Mabel Daniels: an American Composer in Transition, by Maryann McCabe, London and New York, Routledge, 2018, xv, 300 pp., $160 (hardback), ISBN 9781472424518. Augusta Browne: Composer and Woman of Lett	0
About the Authors	0
The Boston Pops: An American Institution and Its European Roots	0
About the Authors	0
Sonic Overload: Alfred Schnittke, Valentin Silvestrov, and Polystylism in the Late USSR	0
Wild Sound: Maryanne Amacher and the Tenses of Audible Life	0
The Concept Album and the Early Music Revival	0
Lying in the Middle: Musical Theater and Belief at the Heart of America	0
The Cambridge Companion to Amy Beach	0
Gerald Finzi’s Letters, 1915-1956	0
Musical Instruments as Scriptive Things: Instrument-Body Interactions & Racial Play in the Brazilian Music Scene in Austin, Texas	0
Of Majesty, Mockery, and Misprints: The Coda of Shostakovich’s Fifth on Record	0
About the Authors	0
Metamorphosis and the Protean Performer	0
Gaita Zuliana’s Confrontation with Hugo Chávez in Venezuela: 1999-2003	0
Composing Anxious Voices: Aesthetic Distance, Empathy, and Musical Rhetoric in Two Ossian-Inspired Works by Louis Spohr and Carl Maria von Weber	0
Industry: Bang on a Can and New Music in the Marketplace	0
Metamorphosis and the Sirena	0
On Organology: Introduction to the Organology Special Issue	0
Play the Way You Feel: The Essential Guide to Jazz Stories on Film	0
Pop Masculinities: The Politics of Gender in Twenty-First Century Popular Music *Pop Masculinities: The Politics of Gender in Twenty-First Century Popular Music*	0
A Socioeconomic Approach to Studying Musical Instruments	0
The Meaning of Soul: Black Music and Resilience Since the 1960s	0
New York Klezmer in the Early Twentieth Century: The Music of Naftule Brandwein and Dave Tarras	0
About the Authors, volume 42, no. 1	0
Musical Solidarities: Political Action and Music in Late Twentieth-Century Poland	0
Correction	0
Kanon im Repertoire und in der musikalischen Praxis: Essays und Interviews	0
On Music Theory and Making Music More Welcoming for Everyone	0
“The Real Kazakh is a Dombyra”?: Musical Instruments and Nation Branding in 21 ^st -Century Kazakhstan	0
About the Authors	0
About the Authors	0
Soundworks: Race, Sound, and Poetry in Production	0
Response: Ovid, Haydn, and the Symbiosis of Music and Metamorphosis	0
Expanding Perspectives: Materializing Musical Instruments	0
Musik und Gesellschaft: Marktplätze, Kampfzonen, Elysium	0

Hercules, Vampires, and the Opera of Attractions	0
Reviewing the Book Review: A Roundtable	0
Singing and Speaking in Early Twentieth-Century Zarzuela: The Evidence from Early Recordings	0
Hound Dog	0
Beyond Fingal’s Cave: Ossian in the Musical Imagination	0
About the Authors	0
Music, Gender, and Sexuality Studies: A Teacher’s Guide	0
About the Authors	0
“The Wanderer: Public musicology and the logic of content creation”	0
Ecosystems and Sounding Lives: Musical Instrument Makers in Greater Central Asia	0
About the Authors	0
A Review of Podcasting: Time for a Musicology Podcasting Revolution?	0
Hugh Macdonald, Bizet in Italy: Letters and Journals, 1857–1860, The Boydell Press, Woodbridge UK, 2021, £45, $90 ISBN 978 1 78 327580 9	0
An English Composer and Her Opera: Harriet Wainewright’s Comàla (1792)	0