New German Critique

Papers
(The TQCC of New German Critique is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)
ArticleCitations
Laocoön’s Scream; or, Lessing Redux9
The Call: Leo Strauss on Heidegger, Secularization, and Revelation3
The Ends of (German) Film Criticism: On Recurring Doomsday Scenarios and the New Algorithmic Culture2
Introduction: Hans Blumenberg at 1012
Social Suffering and the Autonomy of Art2
Natural History and Aesthetic Truth inAesthetic Theory2
What IsLeitkultur?2
Film Criticism in Germany Today: A Report on Practice1
Trendy Monsters: The Nazis, the Perpetrator Turn, and Popular Culture1
The Vanishing Reality of the State: On Hans Blumenberg’s Political Theory1
We Cannot Say What the Human Is: The Problem of Anthropology in Adorno’s Philosophy of Art1
A Sympathy with Death: Weimar Politics from Heidegger to Mann1
Engels after Frankfurt: Nature and Enlightenment in Critical Theory1
Looking Away: On Théodore Géricault’s The Raft of the Medusa and the Narration of Political Pedagogy in The Aesthetics of Resistance1
“My Program Is Still Broader Than the Sea”: Gershom Scholem’s Letters to Abraham Joshua Heschel, 1940–19531
Unburdening from the Absolute: In Memory of Hans Blumenberg1
Nazism as Inhumanity: Carl Schmitt and Hannah Arendt on Race and Language1
Enzensberger’s Illusions1
“The Primacy of the Object”: Adorno’s Aesthetic Theory and the Return of Form1
Secular Reason? A Minor Query about a Major Work1
The Pleasure and Pain of Passing as (Dis)abled: Rudi Dutschke’s Exile in the United Kingdom (1968–1971) and the Ableism of the West German Student Movement1
Intermittent Legitimacy: Hans Blumenberg and Artificial Intelligence1
On the Wannseeheim Youth Center1
The Inversions of Walter Benjamin’s Anarchism1
The Social Body of Béla Balázs1
Guy Maddin’sCarefuland the Mountain Film: A Transnational Approach to German Film History1
On the “Spiritual” in Aesthetic Experience; or, The “Nonfactual in Facticity”1
Affordances of a New Language: Abbas Khider’s Claim to Community inGerman for Everyone1
The Concert Hall as Agonistic Public Space: The Gewandhaus in Leipzig1
Introduction: Peter Weiss and The Aesthetics of Resistance1
Revolt against Time: Jean Améry on the Constitution of the Self1
Peter Weiss and Others1
Criteria of Tragic Form: Toward a Reconstruction of Lukács’s Earliest Critical Theory1
Franz Rosenzweig, Richard Wagner, and the Sacred Theater of the Day of Atonement1
Kant and Adorno on Mind and World: From Wild Beauties to Spiral Jetty1
We Can Come Very Close to Them: Solidarity and the Struggle for Liberation inThe Aesthetics of Resistance1
Introduction: Aesthetic and Social Form after Lukács1
The Call to Political Geography1
Postmetaphysical Conundrums: The Problematic Return to Metaphysics in Horkheimer’s Critique of Instrumental Reason1
The Child in the Dark: On Child Abuse in Robert Walser1
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