New German Critique

Papers
(The median citation count of New German Critique is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)
ArticleCitations
Looking Away: On Théodore Géricault’s The Raft of the Medusa and the Narration of Political Pedagogy in The Aesthetics of Resistance4
The Inversions of Walter Benjamin’s Anarchism3
New Perspectives in German Studies: A View from the Margins3
“After Frankfurt”: Sedimentations, Colonialism, and Critical Theory2
In Memoriam2
The Boulevard of Sunset: Adorno’s Lyric Subject2
More Than an Old Love Affair: Media Art and Walter Benjamin2
From Censors to Sex Cinemas: Exploiting Rainer Werner Fassbinder’s Wildwechsel2
Adorno’s “Urbanism and Societal Order” and the State of Rebuilding West Germany, 19491
“The 62 Members of the Mickey Mouse Club”: Yearbook Impressions1
Singularly German in the Pluriverse1
The Body Encyclopedic: Embodiment in Thomas Mann’s The Magic Mountain1
The Nature of Critique: Revisiting Adorno’s “Natural History” amid the Postcritique Debates1
“The Most Profound Confirmation of the Existence of a Dissonance”: Émile Boutroux, Georg Simmel, and Lukács’s Theory of the Novel, with an Outlook to History and Class Consciousness1
We Can Come Very Close to Them: Solidarity and the Struggle for Liberation inThe Aesthetics of Resistance1
Germany and the Imperception of Palestine1
Medea’s Violence: Apathy as a Politics of Withdrawal1
Hope in a Warming World: Rereading Adorno on Progress1
Johannes Schaaf’s Tätowierung (Tattoo, 1967), West German Cinema around 1968, and the Joys of Violence; or, The Forgotten Case of the “Aesthetic Left”1
Awakening: A Politico-Existential Understanding of Messianism; On Walter Benjamin’s Project for a New Humankind1
In Memoriam1
Introduction: Critical Theory after Frankfurt1
Totality Reconsidered: Lukács’sHistory and Class Consciousnessa Century On1
Death Writes: Franz Kafka, Tubercular Soundscapes, and the Place of Literature1
The Ethos of Distance in Emotional Culture Critiques: Helmuth Plessner, Richard Sennett, Frank Furedi1
Peter Weiss and Others1
“Life of the Community”: Gustav Landauer Reads Friedrich Hölderlin1
A Sympathy with Death: Weimar Politics from Heidegger to Mann1
Where Next for New German Critique?1
Two German Memory Regimes: Conflicts About the Past in a Globalizing World1
Marxist and Formless: Uncanny Materialism in Peter Weiss’s The Aesthetics of Resistance1
Guy Maddin’sCarefuland the Mountain Film: A Transnational Approach to German Film History0
The Woman with Scissors and Glue: Film Editing and Radical Montage in Weimar Cinema0
Jews in Germany and the German State from 1945 to Today0
Art in the First Screen Age: László Moholy-Nagy and the Affordances of Surfaces, Canvases, and Scrims0
Pictorial Realism in Peter Weiss’sThe Aesthetics of Resistance0
Criteria of Tragic Form: Toward a Reconstruction of Lukács’s Earliest Critical Theory0
Fassbinder’s Unrequited Love: In a Year with 13 Moons0
Presence as Absence: The Homely and the Unhomely in Jewish Photography under Nazism0
Stahlmann’s “Asian Eyes”: Jewish Identity in Peter Weiss’s The Aesthetics of Resistance, Volume 30
Introduction to “Peter Weiss and Hans Magnus Enzensberger: A Controversy”0
Outline of the Psychophysical Educational Problem in the Work of Walter Benjamin0
Nazism as Inhumanity: Carl Schmitt and Hannah Arendt on Race and Language0
Cynical Securities in Fassbinder’s Third Generation0
Weber’s “Strange Intoxication”0
Engels after Frankfurt: Nature and Enlightenment in Critical Theory0
Staatsräson as State Racism: Notes on the Authoritarian Turn in Contemporary Germany0
Occupation as Critique: Left-Wing Student Organizing in Frankfurt and San Diego, 19690
Unhappy End: Understanding Silence in Andreas Dresen’s Stilles Land0
Unfolding Political Emergence: The Knowledge of Visual Artworks in Peter Weiss’sThe Aesthetics of Resistance0
The Perils of Negative Exceptionalism: German Memory Culture from Model to McCarthyism0
Remigration, Reconquista, Regime Change: The Language of the New Right0
The Natural History of Disidentification: Critical Queerness after Adorno0
Odysseus and Adorno: A Note on Cunning and Dialectics0
A More Immanent Critique; or, Inside the House That Alexander Mitscherlich Built0
Renewing Resistance at Sea and on Isles: Peter Weiss’s The Aesthetics of Resistance, Volume 2, for the Twenty-First Century0
Undisciplined Knowledge: Intersectional Black European Studies0
Epic Solutions of the “Goethe Problem” in Lukács and Moretti0
Against False Universals and Identitarian Thought0
Habermas’s Emancipation as Lifeworldization0
Enzensberger’s Illusions0
For Future Reference: A Twenty-First-Century Reading of Peter Weiss’s Poetics of Parataxis and Scenes of Walking0
Between Formalism and Theatricality: Rereading Fassbinder’s Katzelmacher0
A “Campaign with a Genocidal Logic”: A Holocaust Historian on Israel’s Destruction of Gaza0
In Memory of Anson Rabinbach (1945–2025)0
Fassbinder’s Jews: Screening Jewish/German History in Berlin Alexanderplatz0
Lukács’s Theory of Metabolism as a Foundation of Ecosocialist Realism0
Alfred Andersch, the Cinéma des Auteurs, and the Poetics of Screenwriting0
Preface to a Philosophy by Which No One Can Live0
The Concert Hall as Agonistic Public Space: The Gewandhaus in Leipzig0
Franz Rosenzweig, Richard Wagner, and the Sacred Theater of the Day of Atonement0
On Similarity in Contemporary German Jewish Literature0
Benjamin and the Archive Today0
Introduction0
Introduction: Peter Weiss and The Aesthetics of Resistance0
Abject Eve: A Revolutionary Reading of Lasker-Schüler’s “Erkenntnis”0
Introduction: Aesthetic and Social Form after Lukács0
Polytheism as Political Form: Schmitt, Cassirer, Blumenberg0
The Fear of Fear of Fear0
Intellectuals, Philosophy, and Politics in Dark Times: Interview of Ágnes Heller by Waldemar Bulira0
Joachim Bruhn’s Left-Wing Critique of Anti-Zionism and the Capitalist State in the 1990s: An Intellectual History of the Antideutsche0
Katja Petrowskaja’s Translational Poetics of Memory0
Secular Reason? A Minor Query about a Major Work0
The Child in the Dark: On Child Abuse in Robert Walser0
Ernst Jünger, Theodor Adorno, and the Idea of Natural History0
Reconsidering Photographic Temporality through Piotr Uklański’s Nazis0
Surplus Fascism: Reflections on Current Tendencies of Abandonment in Germany and Beyond0
“My Program Is Still Broader Than the Sea”: Gershom Scholem’s Letters to Abraham Joshua Heschel, 1940–19530
The Crucible of the Transnational and National: The New Wave Anti-Fascist Production Trend and Fassbinder’s Despair0
Love, Actually? Theodor Adorno, Erich Fromm, and the Possibility of Love in Capitalist Modernity0
Continuity as Catastrophe: Origins of a Thesis in Walter Benjamin0
Jewish Revenge on the German Screen0
Adorno on Actually Existing Socialism0
Diva Time, Diva Space: Fassbinder and Veronika Voss0
German Media Studies: A Critical Update0
Erich Auerbach’s Figural Interpretation and the Uncanny Jew0
The Call to Political Geography0
Coming to Terms with the Future0
Choose Your Own Adventure0
The Comforts of Provincialism: The History and Future of Colonial Memory in Germany0
Mabuse Returns: Fritz Lang, 1950s Berlin, and the Afterlife of Nazi Television0
Never, Again: Holocaust Memory’s Restrictions and Replications0
Fassbinder’s Fascist Drag0
Deutsche Rindergrammatik; or, The Once and Future Aurochs0
Revolt against Time: Jean Améry on the Constitution of the Self0
Laudation for Seyla Benhabib: Introduction to the Adorno Prize Lecture—Frankfurt, September 11, 20240
The Permanent Exhibition in the Documentation Center of Austrian Resistance and Its Role in Austria’s Dealing with the Nazi Past and the Holocaust0
Adorno’s Cosmopolitan Solidarity0
Queer Spectrality and the Hope of Heterolingual Address0
Longing for the Sonderweg0
What Does Critical Theory Have to Do with Self-Emancipation?0
Another Language: The Relationship between War and Politics in Ernst Jünger’s Early Political Writings0
The Sociability of Narrative: Freedom, Vulnerability, and Mediation in the Intercultural Novel0
Habermas the Freelance Journalist: The Relationship between Theory and Practice in Habermas’s Early Career0
Decolonizing Reading Publics, Decompartmentalizing German Studies0
Desiring Politics: Herbert Marcuse, Raya Dunayevskaya, and the Political Economy of Exhaustion0
The Institutionalization of Memory Politics in a Hybrid Political Regime: The Figure, Legacy, and Appropriation of György Lukács in Hungary between 2010 and 20200
Gaza, Ukraine, and the Lessons of the Nazi Past0
Introduction0
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