OOIR: Observatory of International Research

Papers

(The median citation count of New German Critique is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-04-01 to 2024-04-01.)

Article	Citations
Laocoön’s Scream; or, Lessing Redux	9
Otto Kirchheimer and the Frankfurt School: Failed Collaborations in the Search for a Critical Theory of Politics	7
Introduction: Hans Blumenberg at 101	2
Hannah Arendt’s Contribution to a Critique of Political Economy	2
The Call: Leo Strauss on Heidegger, Secularization, and Revelation	2
Hannah Arendt, Karl Jaspers, and World Citizenship Rethought	2
The Ends of (German) Film Criticism: On Recurring Doomsday Scenarios and the New Algorithmic Culture	2
What IsLeitkultur?	2
Reification and the Duty to Work Through the Past: On Critical Theory and Temporality	2
Natural History and Aesthetic Truth inAesthetic Theory	2
Nazism as Inhumanity: Carl Schmitt and Hannah Arendt on Race and Language	1
Revolt against Time: Jean Améry on the Constitution of the Self	1
Enzensberger’s Illusions	1
“The Primacy of the Object”: Adorno’s Aesthetic Theory and the Return of Form	1
Peter Weiss and Others	1
A Sympathy with Death: Weimar Politics from Heidegger to Mann	1
Social Suffering and the Autonomy of Art	1
The Inversions of Walter Benjamin’s Anarchism	1
Looking Away: On Théodore Géricault’s The Raft of the Medusa and the Narration of Political Pedagogy in The Aesthetics of Resistance	1
“My Program Is Still Broader Than the Sea”: Gershom Scholem’s Letters to Abraham Joshua Heschel, 1940–1953	1
Between Consequential Memory and Destruction: Karl Jaspers, Jean Améry, and the Intellectual History of Postwar West Germany	1
Postmetaphysical Conundrums: The Problematic Return to Metaphysics in Horkheimer’s Critique of Instrumental Reason	1
The Concert Hall as Agonistic Public Space: The Gewandhaus in Leipzig	1
Introduction: Peter Weiss and The Aesthetics of Resistance	1
Trendy Monsters: The Nazis, the Perpetrator Turn, and Popular Culture	1

Secular Reason? A Minor Query about a Major Work	1
Franz Rosenzweig, Richard Wagner, and the Sacred Theater of the Day of Atonement	1
The Pleasure and Pain of Passing as (Dis)abled: Rudi Dutschke’s Exile in the United Kingdom (1968–1971) and the Ableism of the West German Student Movement	1
Engels after Frankfurt: Nature and Enlightenment in Critical Theory	1
On the “Spiritual” in Aesthetic Experience; or, The “Nonfactual in Facticity”	1
Affordances of a New Language: Abbas Khider’s Claim to Community inGerman for Everyone	1
Traces of the Other: Adorno on Natural Beauty	1
The Child in the Dark: On Child Abuse in Robert Walser	1
Film Criticism in Germany Today: A Report on Practice	1
The Vanishing Reality of the State: On Hans Blumenberg’s Political Theory	1
Intermittent Legitimacy: Hans Blumenberg and Artificial Intelligence	1
On the Wannseeheim Youth Center	1
Guy Maddin’sCarefuland the Mountain Film: A Transnational Approach to German Film History	1
We Can Come Very Close to Them: Solidarity and the Struggle for Liberation inThe Aesthetics of Resistance	1
The Social Body of Béla Balázs	1
A More Immanent Critique; or, Inside the House That Alexander Mitscherlich Built	0
Working on the Myth of the Anthropocene: Blumenberg and the Need for Philosophical Anthropology	0
Unburdening from the Absolute: In Memory of Hans Blumenberg	0
The Institutionalization of Memory Politics in a Hybrid Political Regime: The Figure, Legacy, and Appropriation of György Lukács in Hungary between 2010 and 2020	0
Criteria of Tragic Form: Toward a Reconstruction of Lukács’s Earliest Critical Theory	0
Adorno and the Role of Sublimation in Artistic Creativity and Cultural Redemption	0
We Cannot Say What the Human Is: The Problem of Anthropology in Adorno’s Philosophy of Art	0
The Ethos of Distance in Emotional Culture Critiques: Helmuth Plessner, Richard Sennett, Frank Furedi	0
Days of the Cavemen? Adorno, Spengler, and the Anatomy of Caesarism	0
Where Next for New German Critique?	0
Introduction	0
Adorno’sAesthetic Theoryat Fifty: Introductory Remarks	0
Adorno’s Magic Lantern: On Film, Semblance, and Aesthetic Heteronomy	0
Teddie’sLandschaft	0
Introduction: Aesthetic and Social Form after Lukács	0
Longing for the Sonderweg	0
Art in the First Screen Age: László Moholy-Nagy and the Affordances of Surfaces, Canvases, and Scrims	0
Hans Blumenberg and Leonardo	0
Epic Solutions of the “Goethe Problem” in Lukács and Moretti	0
Outline of the Psychophysical Educational Problem in the Work of Walter Benjamin	0
Totality Reconsidered: Lukács’sHistory and Class Consciousnessa Century On	0
World Literature and Socialist Internationalism in the Weimar Republic: Five Theses	0
The “Enormous Freedom of the Breaking Wave”: The Experience of Tradition in Benjamin between the Talmud and Kant	0
Undisciplined Knowledge: Intersectional Black European Studies	0
Decolonizing Reading Publics, Decompartmentalizing German Studies	0
Marxist and Formless: Uncanny Materialism in Peter Weiss’s The Aesthetics of Resistance	0
The Last Dwelling before the Last: Siegfried Kracauer’s Critical Contribution to the Modernist Housing Debate in Weimar Germany	0
On Similarity in Contemporary German Jewish Literature	0
Mabuse Returns: Fritz Lang, 1950s Berlin, and the Afterlife of Nazi Television	0
Did Bach Compose Musical Works? Thinking with Adorno through Paradigms of Possibility	0
In Memoriam	0
In Memory of Ernst Cassirer: Speech Delivered in Acceptance of the Kuno Fischer Prize of the University of Heidelberg, 1974	0
Choose Your Own Adventure	0
Singularly German in the Pluriverse	0
Benjamin and the Archive Today	0

Introduction to “Peter Weiss and Hans Magnus Enzensberger: A Controversy”	0
At the Door of the Theater: Kafka’s Oklahama Theater and the Nature Theater Movement	0
In Memoriam David Bathrick	0
The Angels of Accumulated Suffering	0
The Metamorphic Temporality of Natural Beauty: Adorno’s Negation of Kantian Disinterested Contemplation	0
Stahlmann’s “Asian Eyes”: Jewish Identity in Peter Weiss’s The Aesthetics of Resistance, Volume 3	0
Decoding Aesop: Blumenberg’s Fabulistic Turn	0
Reconsidering Photographic Temporality through Piotr Uklański’s Nazis	0
Alfred Andersch, the Cinéma des Auteurs, and the Poetics of Screenwriting	0
“The Most Profound Confirmation of the Existence of a Dissonance”: Émile Boutroux, Georg Simmel, and Lukács’s Theory of the Novel, with an Outlook to History and Class Consciousness	0
The Trail, the Archive, the Museum, and the Book: Confronting Materiality in Literary Studies	0
Deutsche Rindergrammatik; or, The Once and Future Aurochs	0
No More Than Seeing: Hans Blumenberg’s Poetics of Spectatorship	0
Queer Spectrality and the Hope of Heterolingual Address	0
The Call to Political Geography	0
The Sociability of Narrative: Freedom, Vulnerability, and Mediation in the Intercultural Novel	0
Continuity as Catastrophe: Origins of a Thesis in Walter Benjamin	0
A Certain Tendency in German Film Criticism of the Postwall Era	0
On Anson Rabinbach’s Staging the Third Reich	0
Lukács’s Theory of Metabolism as a Foundation of Ecosocialist Realism	0
“The Time of That Other Interpretation”: Gesture, Symptom, and Rilke’sThe Notebooks of Malte Laurids Brigge	0
For Future Reference: A Twenty-First-Century Reading of Peter Weiss’s Poetics of Parataxis and Scenes of Walking	0
Adorno’s “Urbanism and Societal Order” and the State of Rebuilding West Germany, 1949	0
Adorno’s Cosmopolitan Solidarity	0
Confounded Dwelling: Architectures of Association in W. G. Sebald’sAusterlitz	0
More Than an Old Love Affair: Media Art and Walter Benjamin	0
German Media Studies: A Critical Update	0
Coming to Terms with the Future	0
Unfolding Political Emergence: The Knowledge of Visual Artworks in Peter Weiss’sThe Aesthetics of Resistance	0
A Well-Tempered Modernist	0
Selected Film Criticism, 1923–1931	0
New Perspectives in German Studies: A View from the Margins	0
Polytheism as Political Form: Schmitt, Cassirer, Blumenberg	0
Pictorial Realism in Peter Weiss’s The Aesthetics of Resistance	0
Introduction: German-Language Film Criticism—History and Practice	0
The Permanent Exhibition in the Documentation Center of Austrian Resistance and Its Role in Austria’s Dealing with the Nazi Past and the Holocaust	0
Presence as Absence: The Homely and the Unhomely in Jewish Photography under Nazism	0
Kant and Adorno on Mind and World: From Wild Beauties to Spiral Jetty	0
Kakanian Flyspecks: Film Criticism in Austria since the 1990s	0
Preface to a Philosophy by Which No One Can Live	0
August Winnig: From Proletariat to Workerdom, in the Name of the People	0
“The 62 Members of the Mickey Mouse Club”: Yearbook Impressions	0
Renewing Resistance at Sea and on Isles: Peter Weiss’s The Aesthetics of Resistance, Volume 2, for the Twenty-First Century	0