OOIR: Observatory of International Research

Papers

(The median citation count of New German Critique is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)

Article	Citations
Laocoön’s Scream; or, Lessing Redux	9
The Call: Leo Strauss on Heidegger, Secularization, and Revelation	3
The Ends of (German) Film Criticism: On Recurring Doomsday Scenarios and the New Algorithmic Culture	2
Introduction: Hans Blumenberg at 101	2
Social Suffering and the Autonomy of Art	2
Natural History and Aesthetic Truth inAesthetic Theory	2
What IsLeitkultur?	2
Film Criticism in Germany Today: A Report on Practice	1
Trendy Monsters: The Nazis, the Perpetrator Turn, and Popular Culture	1
The Vanishing Reality of the State: On Hans Blumenberg’s Political Theory	1
We Cannot Say What the Human Is: The Problem of Anthropology in Adorno’s Philosophy of Art	1
A Sympathy with Death: Weimar Politics from Heidegger to Mann	1
Engels after Frankfurt: Nature and Enlightenment in Critical Theory	1
Looking Away: On Théodore Géricault’s The Raft of the Medusa and the Narration of Political Pedagogy in The Aesthetics of Resistance	1
“My Program Is Still Broader Than the Sea”: Gershom Scholem’s Letters to Abraham Joshua Heschel, 1940–1953	1
Unburdening from the Absolute: In Memory of Hans Blumenberg	1
Nazism as Inhumanity: Carl Schmitt and Hannah Arendt on Race and Language	1
Enzensberger’s Illusions	1
“The Primacy of the Object”: Adorno’s Aesthetic Theory and the Return of Form	1
Secular Reason? A Minor Query about a Major Work	1
The Pleasure and Pain of Passing as (Dis)abled: Rudi Dutschke’s Exile in the United Kingdom (1968–1971) and the Ableism of the West German Student Movement	1
Intermittent Legitimacy: Hans Blumenberg and Artificial Intelligence	1
On the Wannseeheim Youth Center	1
The Inversions of Walter Benjamin’s Anarchism	1
Guy Maddin’sCarefuland the Mountain Film: A Transnational Approach to German Film History	1

The Social Body of Béla Balázs	1
On the “Spiritual” in Aesthetic Experience; or, The “Nonfactual in Facticity”	1
Affordances of a New Language: Abbas Khider’s Claim to Community inGerman for Everyone	1
The Concert Hall as Agonistic Public Space: The Gewandhaus in Leipzig	1
Introduction: Peter Weiss and The Aesthetics of Resistance	1
Revolt against Time: Jean Améry on the Constitution of the Self	1
Peter Weiss and Others	1
Criteria of Tragic Form: Toward a Reconstruction of Lukács’s Earliest Critical Theory	1
Franz Rosenzweig, Richard Wagner, and the Sacred Theater of the Day of Atonement	1
Kant and Adorno on Mind and World: From Wild Beauties to Spiral Jetty	1
We Can Come Very Close to Them: Solidarity and the Struggle for Liberation inThe Aesthetics of Resistance	1
Introduction: Aesthetic and Social Form after Lukács	1
The Call to Political Geography	1
Postmetaphysical Conundrums: The Problematic Return to Metaphysics in Horkheimer’s Critique of Instrumental Reason	1
The Child in the Dark: On Child Abuse in Robert Walser	1
In Memoriam	0
Marxist and Formless: Uncanny Materialism in Peter Weiss’s The Aesthetics of Resistance	0
More Than an Old Love Affair: Media Art and Walter Benjamin	0
Katja Petrowskaja’s Translational Poetics of Memory	0
Unfolding Political Emergence: The Knowledge of Visual Artworks in Peter Weiss’sThe Aesthetics of Resistance	0
Benjamin and the Archive Today	0
The Ethos of Distance in Emotional Culture Critiques: Helmuth Plessner, Richard Sennett, Frank Furedi	0
Longing for the Sonderweg	0
Pictorial Realism in Peter Weiss’sThe Aesthetics of Resistance	0
Introduction	0
In Memoriam David Bathrick	0
A Well-Tempered Modernist	0
Decoding Aesop: Blumenberg’s Fabulistic Turn	0
Stahlmann’s “Asian Eyes”: Jewish Identity in Peter Weiss’s The Aesthetics of Resistance, Volume 3	0
Kakanian Flyspecks: Film Criticism in Austria since the 1990s	0
World Literature and Socialist Internationalism in the Weimar Republic: Five Theses	0
Queer Spectrality and the Hope of Heterolingual Address	0
August Winnig: From Proletariat to Workerdom, in the Name of the People	0
Alfred Andersch, the Cinéma des Auteurs, and the Poetics of Screenwriting	0
The Sociability of Narrative: Freedom, Vulnerability, and Mediation in the Intercultural Novel	0
Continuity as Catastrophe: Origins of a Thesis in Walter Benjamin	0
The Trail, the Archive, the Museum, and the Book: Confronting Materiality in Literary Studies	0
A Certain Tendency in German Film Criticism of the Postwall Era	0
The Permanent Exhibition in the Documentation Center of Austrian Resistance and Its Role in Austria’s Dealing with the Nazi Past and the Holocaust	0
Did Bach Compose Musical Works? Thinking with Adorno through Paradigms of Possibility	0
Abject Eve: A Revolutionary Reading of Lasker-Schüler’s “Erkenntnis”	0
Adorno and the Role of Sublimation in Artistic Creativity and Cultural Redemption	0
For Future Reference: A Twenty-First-Century Reading of Peter Weiss’s Poetics of Parataxis and Scenes of Walking	0
In Memory of Ernst Cassirer: Speech Delivered in Acceptance of the Kuno Fischer Prize of the University of Heidelberg, 1974	0
Where Next for New German Critique?	0
Weber’s “Strange Intoxication”	0
Adorno’s Magic Lantern: On Film, Semblance, and Aesthetic Heteronomy	0
Selected Film Criticism, 1923–1931	0
Singularly German in the Pluriverse	0
New Perspectives in German Studies: A View from the Margins	0

Days of the Cavemen? Adorno, Spengler, and the Anatomy of Caesarism	0
Polytheism as Political Form: Schmitt, Cassirer, Blumenberg	0
Confounded Dwelling: Architectures of Association in W. G. Sebald’sAusterlitz	0
Adorno’s “Urbanism and Societal Order” and the State of Rebuilding West Germany, 1949	0
Habermas’s Emancipation as Lifeworldization	0
Preface to a Philosophy by Which No One Can Live	0
Outline of the Psychophysical Educational Problem in the Work of Walter Benjamin	0
“The Most Profound Confirmation of the Existence of a Dissonance”: Émile Boutroux, Georg Simmel, and Lukács’s Theory of the Novel, with an Outlook to History and Class Consciousness	0
Decolonizing Reading Publics, Decompartmentalizing German Studies	0
Presence as Absence: The Homely and the Unhomely in Jewish Photography under Nazism	0
A More Immanent Critique; or, Inside the House That Alexander Mitscherlich Built	0
Working on the Myth of the Anthropocene: Blumenberg and the Need for Philosophical Anthropology	0
Art in the First Screen Age: László Moholy-Nagy and the Affordances of Surfaces, Canvases, and Scrims	0
Totality Reconsidered: Lukács’sHistory and Class Consciousnessa Century On	0
On Anson Rabinbach’s Staging the Third Reich	0
Another Language: The Relationship between War and Politics in Ernst Jünger’s Early Political Writings	0
Lukács’s Theory of Metabolism as a Foundation of Ecosocialist Realism	0
Renewing Resistance at Sea and on Isles: Peter Weiss’s The Aesthetics of Resistance, Volume 2, for the Twenty-First Century	0
Choose Your Own Adventure	0
Habermas the Freelance Journalist: The Relationship between Theory and Practice in Habermas’s Early Career	0
Introduction to “Peter Weiss and Hans Magnus Enzensberger: A Controversy”	0
Adorno’s Cosmopolitan Solidarity	0
Introduction: German-Language Film Criticism—History and Practice	0
Coming to Terms with the Future	0
German Media Studies: A Critical Update	0
Adorno’sAesthetic Theoryat Fifty: Introductory Remarks	0
At the Door of the Theater: Kafka’s Oklahama Theater and the Nature Theater Movement	0
No More Than Seeing: Hans Blumenberg’s Poetics of Spectatorship	0
Hans Blumenberg and Leonardo	0
Teddie’sLandschaft	0
“Life of the Community”: Gustav Landauer Reads Friedrich Hölderlin	0
The Institutionalization of Memory Politics in a Hybrid Political Regime: The Figure, Legacy, and Appropriation of György Lukács in Hungary between 2010 and 2020	0
Epic Solutions of the “Goethe Problem” in Lukács and Moretti	0
Deutsche Rindergrammatik; or, The Once and Future Aurochs	0
“The 62 Members of the Mickey Mouse Club”: Yearbook Impressions	0
“The Time of That Other Interpretation”: Gesture, Symptom, and Rilke’sThe Notebooks of Malte Laurids Brigge	0
On Similarity in Contemporary German Jewish Literature	0
The Last Dwelling before the Last: Siegfried Kracauer’s Critical Contribution to the Modernist Housing Debate in Weimar Germany	0
Reconsidering Photographic Temporality through Piotr Uklański’s Nazis	0
Undisciplined Knowledge: Intersectional Black European Studies	0
Mabuse Returns: Fritz Lang, 1950s Berlin, and the Afterlife of Nazi Television	0
The Woman with Scissors and Glue: Film Editing and Radical Montage in Weimar Cinema	0