OOIR: Observatory of International Research

Papers

(The median citation count of New German Critique is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-06-01 to 2026-06-01.)

Article	Citations
Looking Away: On Théodore Géricault’s The Raft of the Medusa and the Narration of Political Pedagogy in The Aesthetics of Resistance	4
The Inversions of Walter Benjamin’s Anarchism	3
New Perspectives in German Studies: A View from the Margins	3
More Than an Old Love Affair: Media Art and Walter Benjamin	2
From Censors to Sex Cinemas: Exploiting Rainer Werner Fassbinder’s Wildwechsel	2
Peter Weiss and Others	2
“After Frankfurt”: Sedimentations, Colonialism, and Critical Theory	2
In Memoriam	2
The Boulevard of Sunset: Adorno’s Lyric Subject	2
In Memoriam	1
The Nature of Critique: Revisiting Adorno’s “Natural History” amid the Postcritique Debates	1
Hope in a Warming World: Rereading Adorno on Progress	1
Adorno’s “Urbanism and Societal Order” and the State of Rebuilding West Germany, 1949	1
The Ethos of Distance in Emotional Culture Critiques: Helmuth Plessner, Richard Sennett, Frank Furedi	1
Awakening: A Politico-Existential Understanding of Messianism; On Walter Benjamin’s Project for a New Humankind	1
We Can Come Very Close to Them: Solidarity and the Struggle for Liberation inThe Aesthetics of Resistance	1
Outline of the Psychophysical Educational Problem in the Work of Walter Benjamin	1
A Sympathy with Death: Weimar Politics from Heidegger to Mann	1
“Life of the Community”: Gustav Landauer Reads Friedrich Hölderlin	1
Totality Reconsidered: Lukács’sHistory and Class Consciousnessa Century On	1
Singularly German in the Pluriverse	1
Medea’s Violence: Apathy as a Politics of Withdrawal	1
Germany and the Imperception of Palestine	1
Introduction: Critical Theory after Frankfurt	1
Choose Your Own Adventure	1

On Similarity in Contemporary German Jewish Literature	1
“The Most Profound Confirmation of the Existence of a Dissonance”: Émile Boutroux, Georg Simmel, and Lukács’s Theory of the Novel, with an Outlook to History and Class Consciousness	1
Johannes Schaaf’s Tätowierung (Tattoo, 1967), West German Cinema around 1968, and the Joys of Violence; or, The Forgotten Case of the “Aesthetic Left”	1
Marxist and Formless: Uncanny Materialism in Peter Weiss’s The Aesthetics of Resistance	1
Death Writes: Franz Kafka, Tubercular Soundscapes, and the Place of Literature	1
“The 62 Members of the Mickey Mouse Club”: Yearbook Impressions	1
The Body Encyclopedic: Embodiment in Thomas Mann’s The Magic Mountain	1
Two German Memory Regimes: Conflicts About the Past in a Globalizing World	1
Where Next for New German Critique?	1
Laudation for Seyla Benhabib: Introduction to the Adorno Prize Lecture—Frankfurt, September 11, 2024	0
Introduction: Aesthetic and Social Form after Lukács	0
The Comforts of Provincialism: The History and Future of Colonial Memory in Germany	0
The Natural History of Disidentification: Critical Queerness after Adorno	0
Katja Petrowskaja’s Translational Poetics of Memory	0
Intellectuals, Philosophy, and Politics in Dark Times: Interview of Ágnes Heller by Waldemar Bulira	0
Ernst Jünger, Theodor Adorno, and the Idea of Natural History	0
Secular Reason? A Minor Query about a Major Work	0
Renewing Resistance at Sea and on Isles: Peter Weiss’s The Aesthetics of Resistance, Volume 2, for the Twenty-First Century	0
Occupation as Critique: Left-Wing Student Organizing in Frankfurt and San Diego, 1969	0
Reconsidering Photographic Temporality through Piotr Uklański’s Nazis	0
Surplus Fascism: Reflections on Current Tendencies of Abandonment in Germany and Beyond	0
Love, Actually? Theodor Adorno, Erich Fromm, and the Possibility of Love in Capitalist Modernity	0
The Crucible of the Transnational and National: The New Wave Anti-Fascist Production Trend and Fassbinder’s Despair	0
Jewish Revenge on the German Screen	0
The Woman with Scissors and Glue: Film Editing and Radical Montage in Weimar Cinema	0
Staatsräson as State Racism: Notes on the Authoritarian Turn in Contemporary Germany	0
Adorno on Actually Existing Socialism	0
Queer Spectrality and the Hope of Heterolingual Address	0
The Permanent Exhibition in the Documentation Center of Austrian Resistance and Its Role in Austria’s Dealing with the Nazi Past and the Holocaust	0
German Media Studies: A Critical Update	0
Stahlmann’s “Asian Eyes”: Jewish Identity in Peter Weiss’s The Aesthetics of Resistance, Volume 3	0
Weber’s “Strange Intoxication”	0
Franz Rosenzweig, Richard Wagner, and the Sacred Theater of the Day of Atonement	0
Benjamin and the Archive Today	0
Erich Auerbach’s Figural Interpretation and the Uncanny Jew	0
Cynical Securities in Fassbinder’s Third Generation	0
Abject Eve: A Revolutionary Reading of Lasker-Schüler’s “Erkenntnis”	0
Presence as Absence: The Homely and the Unhomely in Jewish Photography under Nazism	0
A “Campaign with a Genocidal Logic”: A Holocaust Historian on Israel’s Destruction of Gaza	0
The Institutionalization of Memory Politics in a Hybrid Political Regime: The Figure, Legacy, and Appropriation of György Lukács in Hungary between 2010 and 2020	0
The Fear of Fear of Fear	0
Polytheism as Political Form: Schmitt, Cassirer, Blumenberg	0
The Child in the Dark: On Child Abuse in Robert Walser	0
Another Language: The Relationship between War and Politics in Ernst Jünger’s Early Political Writings	0
Longing for the Sonderweg	0
In Memory of Anson Rabinbach (1945–2025)	0
The Sociability of Narrative: Freedom, Vulnerability, and Mediation in the Intercultural Novel	0
Against False Universals and Identitarian Thought	0
“My Program Is Still Broader Than the Sea”: Gershom Scholem’s Letters to Abraham Joshua Heschel, 1940–1953	0
Desiring Politics: Herbert Marcuse, Raya Dunayevskaya, and the Political Economy of Exhaustion	0

What Does Critical Theory Have to Do with Self-Emancipation?	0
Guy Maddin’sCarefuland the Mountain Film: A Transnational Approach to German Film History	0
Introduction	0
Art in the First Screen Age: László Moholy-Nagy and the Affordances of Surfaces, Canvases, and Scrims	0
Between Formalism and Theatricality: Rereading Fassbinder’s Katzelmacher	0
Gaza, Ukraine, and the Lessons of the Nazi Past	0
Pictorial Realism in Peter Weiss’sThe Aesthetics of Resistance	0
Decolonizing Reading Publics, Decompartmentalizing German Studies	0
Preface to a Philosophy by Which No One Can Live	0
Epic Solutions of the “Goethe Problem” in Lukács and Moretti	0
Fassbinder’s Unrequited Love: In a Year with 13 Moons	0
Revolt against Time: Jean Améry on the Constitution of the Self	0
Mabuse Returns: Fritz Lang, 1950s Berlin, and the Afterlife of Nazi Television	0
Joachim Bruhn’s Left-Wing Critique of Anti-Zionism and the Capitalist State in the 1990s: An Intellectual History of the Antideutsche	0
Introduction: Peter Weiss and The Aesthetics of Resistance	0
Introduction	0
Unfolding Political Emergence: The Knowledge of Visual Artworks in Peter Weiss’sThe Aesthetics of Resistance	0
Coming to Terms with the Future	0
Fassbinder’s Fascist Drag	0
The Perils of Negative Exceptionalism: German Memory Culture from Model to McCarthyism	0
The Concert Hall as Agonistic Public Space: The Gewandhaus in Leipzig	0
Habermas the Freelance Journalist: The Relationship between Theory and Practice in Habermas’s Early Career	0
Odysseus and Adorno: A Note on Cunning and Dialectics	0
Remigration, Reconquista, Regime Change: The Language of the New Right	0
Undisciplined Knowledge: Intersectional Black European Studies	0
A More Immanent Critique; or, Inside the House That Alexander Mitscherlich Built	0
The Call to Political Geography	0
Habermas’s Emancipation as Lifeworldization	0
Unhappy End: Understanding Silence in Andreas Dresen’s Stilles Land	0
For Future Reference: A Twenty-First-Century Reading of Peter Weiss’s Poetics of Parataxis and Scenes of Walking	0
Alfred Andersch, the Cinéma des Auteurs, and the Poetics of Screenwriting	0
Diva Time, Diva Space: Fassbinder and Veronika Voss	0
Adorno’s Cosmopolitan Solidarity	0
Enzensberger’s Illusions	0
Fassbinder’s Jews: Screening Jewish/German History in Berlin Alexanderplatz	0
Never, Again: Holocaust Memory’s Restrictions and Replications	0
Introduction to “Peter Weiss and Hans Magnus Enzensberger: A Controversy”	0
Continuity as Catastrophe: Origins of a Thesis in Walter Benjamin	0
Nazism as Inhumanity: Carl Schmitt and Hannah Arendt on Race and Language	0
Jews in Germany and the German State from 1945 to Today	0
Lukács’s Theory of Metabolism as a Foundation of Ecosocialist Realism	0
Engels after Frankfurt: Nature and Enlightenment in Critical Theory	0
Deutsche Rindergrammatik; or, The Once and Future Aurochs	0
Criteria of Tragic Form: Toward a Reconstruction of Lukács’s Earliest Critical Theory	0