OOIR: Observatory of International Research

Papers

(The median citation count of New German Critique is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-05-01 to 2025-05-01.)

Article	Citations
Looking Away: On Théodore Géricault’s The Raft of the Medusa and the Narration of Political Pedagogy in The Aesthetics of Resistance	3
The Inversions of Walter Benjamin’s Anarchism	2
New Perspectives in German Studies: A View from the Margins	2
“The 62 Members of the Mickey Mouse Club”: Yearbook Impressions	2
More Than an Old Love Affair: Media Art and Walter Benjamin	2
“Life of the Community”: Gustav Landauer Reads Friedrich Hölderlin	1
In Memoriam	1
The Call: Leo Strauss on Heidegger, Secularization, and Revelation	1
On Similarity in Contemporary German Jewish Literature	1
Social Suffering and the Autonomy of Art	1
The Pleasure and Pain of Passing as (Dis)abled: Rudi Dutschke’s Exile in the United Kingdom (1968–1971) and the Ableism of the West German Student Movement	1
The Body Encyclopedic: Embodiment in Thomas Mann’s The Magic Mountain	1
Totality Reconsidered: Lukács’sHistory and Class Consciousnessa Century On	1
Death Writes: Franz Kafka, Tubercular Soundscapes, and the Place of Literature	1
Medea’s Violence: Apathy as a Politics of Withdrawal	1
Marxist and Formless: Uncanny Materialism in Peter Weiss’s The Aesthetics of Resistance	1
No More Than Seeing: Hans Blumenberg’s Poetics of Spectatorship	1
Trendy Monsters: The Nazis, the Perpetrator Turn, and Popular Culture	1
The Nature of Critique: Revisiting Adorno’s “Natural History” amid the Postcritique Debates	1
Choose Your Own Adventure	1
We Can Come Very Close to Them: Solidarity and the Struggle for Liberation inThe Aesthetics of Resistance	1
Hope in a Warming World: Rereading Adorno on Progress	1
Adorno and the Role of Sublimation in Artistic Creativity and Cultural Redemption	1
The Ethos of Distance in Emotional Culture Critiques: Helmuth Plessner, Richard Sennett, Frank Furedi	1
Peter Weiss and Others	1

Decoding Aesop: Blumenberg’s Fabulistic Turn	1
Revolt against Time: Jean Améry on the Constitution of the Self	1
“The Most Profound Confirmation of the Existence of a Dissonance”: Émile Boutroux, Georg Simmel, and Lukács’s Theory of the Novel, with an Outlook to History and Class Consciousness	1
Outline of the Psychophysical Educational Problem in the Work of Walter Benjamin	1
Where Next for New German Critique?	1
A Sympathy with Death: Weimar Politics from Heidegger to Mann	1
Adorno’sAesthetic Theoryat Fifty: Introductory Remarks	1
Johannes Schaaf’s Tätowierung (Tattoo, 1967), West German Cinema around 1968, and the Joys of Violence; or, The Forgotten Case of the “Aesthetic Left”	1
Adorno’s “Urbanism and Societal Order” and the State of Rebuilding West Germany, 1949	1
Singularly German in the Pluriverse	1
Introduction	0
Guy Maddin’sCarefuland the Mountain Film: A Transnational Approach to German Film History	0
Deutsche Rindergrammatik; or, The Once and Future Aurochs	0
Renewing Resistance at Sea and on Isles: Peter Weiss’s The Aesthetics of Resistance, Volume 2, for the Twenty-First Century	0
Decolonizing Reading Publics, Decompartmentalizing German Studies	0
Days of the Cavemen? Adorno, Spengler, and the Anatomy of Caesarism	0
Introduction: Peter Weiss and The Aesthetics of Resistance	0
Franz Rosenzweig, Richard Wagner, and the Sacred Theater of the Day of Atonement	0
Adorno’s Cosmopolitan Solidarity	0
Criteria of Tragic Form: Toward a Reconstruction of Lukács’s Earliest Critical Theory	0
Nazism as Inhumanity: Carl Schmitt and Hannah Arendt on Race and Language	0
Jewish Revenge on the German Screen	0
The Concert Hall as Agonistic Public Space: The Gewandhaus in Leipzig	0
Longing for the Sonderweg	0
The Institutionalization of Memory Politics in a Hybrid Political Regime: The Figure, Legacy, and Appropriation of György Lukács in Hungary between 2010 and 2020	0
Pictorial Realism in Peter Weiss’sThe Aesthetics of Resistance	0
Intermittent Legitimacy: Hans Blumenberg and Artificial Intelligence	0
The Child in the Dark: On Child Abuse in Robert Walser	0
“The Primacy of the Object”: Adorno’s Aesthetic Theory and the Return of Form	0
A More Immanent Critique; or, Inside the House That Alexander Mitscherlich Built	0
Undisciplined Knowledge: Intersectional Black European Studies	0
German Media Studies: A Critical Update	0
The Permanent Exhibition in the Documentation Center of Austrian Resistance and Its Role in Austria’s Dealing with the Nazi Past and the Holocaust	0
Continuity as Catastrophe: Origins of a Thesis in Walter Benjamin	0
On the “Spiritual” in Aesthetic Experience; or, The “Nonfactual in Facticity”	0
The Vanishing Reality of the State: On Hans Blumenberg’s Political Theory	0
Habermas’s Emancipation as Lifeworldization	0
Stahlmann’s “Asian Eyes”: Jewish Identity in Peter Weiss’s The Aesthetics of Resistance, Volume 3	0
Unburdening from the Absolute: In Memory of Hans Blumenberg	0
Preface to a Philosophy by Which No One Can Live	0
On Anson Rabinbach’s Staging the Third Reich	0
Introduction: Hans Blumenberg at 101	0
The Call to Political Geography	0
Erich Auerbach’s Figural Interpretation and the Uncanny Jew	0
Adorno’s Magic Lantern: On Film, Semblance, and Aesthetic Heteronomy	0
Teddie’sLandschaft	0
Lukács’s Theory of Metabolism as a Foundation of Ecosocialist Realism	0
Joachim Bruhn’s Left-Wing Critique of Anti-Zionism and the Capitalist State in the 1990s: An Intellectual History of the Antideutsche	0
Katja Petrowskaja’s Translational Poetics of Memory	0
Unfolding Political Emergence: The Knowledge of Visual Artworks in Peter Weiss’sThe Aesthetics of Resistance	0

Unhappy End: Understanding Silence in Andreas Dresen’s Stilles Land	0
Habermas the Freelance Journalist: The Relationship between Theory and Practice in Habermas’s Early Career	0
Occupation as Critique: Left-Wing Student Organizing in Frankfurt and San Diego, 1969	0
Secular Reason? A Minor Query about a Major Work	0
Engels after Frankfurt: Nature and Enlightenment in Critical Theory	0
Polytheism as Political Form: Schmitt, Cassirer, Blumenberg	0
Reconsidering Photographic Temporality through Piotr Uklański’s Nazis	0
Another Language: The Relationship between War and Politics in Ernst Jünger’s Early Political Writings	0
Affordances of a New Language: Abbas Khider’s Claim to Community inGerman for Everyone	0
Ernst Jünger, Theodor Adorno, and the Idea of Natural History	0
“The Time of That Other Interpretation”: Gesture, Symptom, and Rilke’sThe Notebooks of Malte Laurids Brigge	0
Confounded Dwelling: Architectures of Association in W. G. Sebald’sAusterlitz	0
Introduction: Aesthetic and Social Form after Lukács	0
Love, Actually? Theodor Adorno, Erich Fromm, and the Possibility of Love in Capitalist Modernity	0
Presence as Absence: The Homely and the Unhomely in Jewish Photography under Nazism	0
Hans Blumenberg and Leonardo	0
For Future Reference: A Twenty-First-Century Reading of Peter Weiss’s Poetics of Parataxis and Scenes of Walking	0
Queer Spectrality and the Hope of Heterolingual Address	0
Weber’s “Strange Intoxication”	0
Introduction to “Peter Weiss and Hans Magnus Enzensberger: A Controversy”	0
Enzensberger’s Illusions	0
Postmetaphysical Conundrums: The Problematic Return to Metaphysics in Horkheimer’s Critique of Instrumental Reason	0
Mabuse Returns: Fritz Lang, 1950s Berlin, and the Afterlife of Nazi Television	0
Working on the Myth of the Anthropocene: Blumenberg and the Need for Philosophical Anthropology	0
Coming to Terms with the Future	0
Benjamin and the Archive Today	0
Art in the First Screen Age: László Moholy-Nagy and the Affordances of Surfaces, Canvases, and Scrims	0
Abject Eve: A Revolutionary Reading of Lasker-Schüler’s “Erkenntnis”	0
Intellectuals, Philosophy, and Politics in Dark Times: Interview of Ágnes Heller by Waldemar Bulira	0
Natural History and Aesthetic Truth inAesthetic Theory	0
A Well-Tempered Modernist	0
The Sociability of Narrative: Freedom, Vulnerability, and Mediation in the Intercultural Novel	0
In Memory of Ernst Cassirer: Speech Delivered in Acceptance of the Kuno Fischer Prize of the University of Heidelberg, 1974	0
Epic Solutions of the “Goethe Problem” in Lukács and Moretti	0
Odysseus and Adorno: A Note on Cunning and Dialectics	0
Alfred Andersch, the Cinéma des Auteurs, and the Poetics of Screenwriting	0
“My Program Is Still Broader Than the Sea”: Gershom Scholem’s Letters to Abraham Joshua Heschel, 1940–1953	0
The Woman with Scissors and Glue: Film Editing and Radical Montage in Weimar Cinema	0
Kant and Adorno on Mind and World: From Wild Beauties to Spiral Jetty	0