OOIR: Observatory of International Research

Papers

(The median citation count of New German Critique is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-02-01 to 2025-02-01.)

Article	Citations
August Winnig: From Proletariat to Workerdom, in the Name of the People	9
Guy Maddin’sCarefuland the Mountain Film: A Transnational Approach to German Film History	3
Epic Solutions of the “Goethe Problem” in Lukács and Moretti	2
We Can Come Very Close to Them: Solidarity and the Struggle for Liberation inThe Aesthetics of Resistance	2
“The Most Profound Confirmation of the Existence of a Dissonance”: Émile Boutroux, Georg Simmel, and Lukács’s Theory of the Novel, with an Outlook to History and Class Consciousness	2
Looking Away: On Théodore Géricault’s The Raft of the Medusa and the Narration of Political Pedagogy in The Aesthetics of Resistance	2
Decoding Aesop: Blumenberg’s Fabulistic Turn	1
Habermas’s Emancipation as Lifeworldization	1
Engels after Frankfurt: Nature and Enlightenment in Critical Theory	1
Franz Rosenzweig, Richard Wagner, and the Sacred Theater of the Day of Atonement	1
The Pleasure and Pain of Passing as (Dis)abled: Rudi Dutschke’s Exile in the United Kingdom (1968–1971) and the Ableism of the West German Student Movement	1
Criteria of Tragic Form: Toward a Reconstruction of Lukács’s Earliest Critical Theory	1
In Memoriam	1
Where Next for New German Critique?	1
Kant and Adorno on Mind and World: From Wild Beauties to Spiral Jetty	1
New Perspectives in German Studies: A View from the Margins	1
The Inversions of Walter Benjamin’s Anarchism	1
“Life of the Community”: Gustav Landauer Reads Friedrich Hölderlin	1
Introduction to “Peter Weiss and Hans Magnus Enzensberger: A Controversy”	1
Abject Eve: A Revolutionary Reading of Lasker-Schüler’s “Erkenntnis”	1
Social Suffering and the Autonomy of Art	1
What IsLeitkultur?	1
Choose Your Own Adventure	1
A Sympathy with Death: Weimar Politics from Heidegger to Mann	1
Adorno’s Magic Lantern: On Film, Semblance, and Aesthetic Heteronomy	1

World Literature and Socialist Internationalism in the Weimar Republic: Five Theses	1
No More Than Seeing: Hans Blumenberg’s Poetics of Spectatorship	1
Introduction: Hans Blumenberg at 101	1
Unfolding Political Emergence: The Knowledge of Visual Artworks in Peter Weiss’sThe Aesthetics of Resistance	1
For Future Reference: A Twenty-First-Century Reading of Peter Weiss’s Poetics of Parataxis and Scenes of Walking	1
We Cannot Say What the Human Is: The Problem of Anthropology in Adorno’s Philosophy of Art	1
Intermittent Legitimacy: Hans Blumenberg and Artificial Intelligence	1
Lukács’s Theory of Metabolism as a Foundation of Ecosocialist Realism	1
More Than an Old Love Affair: Media Art and Walter Benjamin	1
Love, Actually? Theodor Adorno, Erich Fromm, and the Possibility of Love in Capitalist Modernity	1
Longing for the Sonderweg	1
Teddie’sLandschaft	0
On the “Spiritual” in Aesthetic Experience; or, The “Nonfactual in Facticity”	0
Natural History and Aesthetic Truth inAesthetic Theory	0
Revolt against Time: Jean Améry on the Constitution of the Self	0
Introduction	0
The Sociability of Narrative: Freedom, Vulnerability, and Mediation in the Intercultural Novel	0
Totality Reconsidered: Lukács’sHistory and Class Consciousnessa Century On	0
German Media Studies: A Critical Update	0
Queer Spectrality and the Hope of Heterolingual Address	0
Another Language: The Relationship between War and Politics in Ernst Jünger’s Early Political Writings	0
Adorno’s Cosmopolitan Solidarity	0
Peter Weiss and Others	0
Did Bach Compose Musical Works? Thinking with Adorno through Paradigms of Possibility	0
Weber’s “Strange Intoxication”	0
Outline of the Psychophysical Educational Problem in the Work of Walter Benjamin	0
Working on the Myth of the Anthropocene: Blumenberg and the Need for Philosophical Anthropology	0
Occupation as Critique: Left-Wing Student Organizing in Frankfurt and San Diego, 1969	0
“The Primacy of the Object”: Adorno’s Aesthetic Theory and the Return of Form	0
Marxist and Formless: Uncanny Materialism in Peter Weiss’s The Aesthetics of Resistance	0
The Nature of Critique: Revisiting Adorno’s “Natural History” amid the Postcritique Debates	0
Preface to a Philosophy by Which No One Can Live	0
Alfred Andersch, the Cinéma des Auteurs, and the Poetics of Screenwriting	0
On Similarity in Contemporary German Jewish Literature	0
Odysseus and Adorno: A Note on Cunning and Dialectics	0
Continuity as Catastrophe: Origins of a Thesis in Walter Benjamin	0
Hans Blumenberg and Leonardo	0
Adorno’sAesthetic Theoryat Fifty: Introductory Remarks	0
A Well-Tempered Modernist	0
“My Program Is Still Broader Than the Sea”: Gershom Scholem’s Letters to Abraham Joshua Heschel, 1940–1953	0
Introduction: Peter Weiss and The Aesthetics of Resistance	0
Introduction: Aesthetic and Social Form after Lukács	0
The Permanent Exhibition in the Documentation Center of Austrian Resistance and Its Role in Austria’s Dealing with the Nazi Past and the Holocaust	0
Art in the First Screen Age: László Moholy-Nagy and the Affordances of Surfaces, Canvases, and Scrims	0
Joachim Bruhn’s Left-Wing Critique of Anti-Zionism and the Capitalist State in the 1990s: An Intellectual History of the Antideutsche	0
Singularly German in the Pluriverse	0
Secular Reason? A Minor Query about a Major Work	0
In Memory of Ernst Cassirer: Speech Delivered in Acceptance of the Kuno Fischer Prize of the University of Heidelberg, 1974	0
Adorno’s “Urbanism and Societal Order” and the State of Rebuilding West Germany, 1949	0
Trendy Monsters: The Nazis, the Perpetrator Turn, and Popular Culture	0

Nazism as Inhumanity: Carl Schmitt and Hannah Arendt on Race and Language	0
The Concert Hall as Agonistic Public Space: The Gewandhaus in Leipzig	0
“The 62 Members of the Mickey Mouse Club”: Yearbook Impressions	0
Postmetaphysical Conundrums: The Problematic Return to Metaphysics in Horkheimer’s Critique of Instrumental Reason	0
Reconsidering Photographic Temporality through Piotr Uklański’s Nazis	0
Polytheism as Political Form: Schmitt, Cassirer, Blumenberg	0
Renewing Resistance at Sea and on Isles: Peter Weiss’s The Aesthetics of Resistance, Volume 2, for the Twenty-First Century	0
The Institutionalization of Memory Politics in a Hybrid Political Regime: The Figure, Legacy, and Appropriation of György Lukács in Hungary between 2010 and 2020	0
Deutsche Rindergrammatik; or, The Once and Future Aurochs	0
Laocoön’s Scream; or, Lessing Redux	0
Ernst Jünger, Theodor Adorno, and the Idea of Natural History	0
Unburdening from the Absolute: In Memory of Hans Blumenberg	0
Pictorial Realism in Peter Weiss’sThe Aesthetics of Resistance	0
Days of the Cavemen? Adorno, Spengler, and the Anatomy of Caesarism	0
At the Door of the Theater: Kafka’s Oklahama Theater and the Nature Theater Movement	0
Coming to Terms with the Future	0
Enzensberger’s Illusions	0
A More Immanent Critique; or, Inside the House That Alexander Mitscherlich Built	0
Confounded Dwelling: Architectures of Association in W. G. Sebald’sAusterlitz	0
The Child in the Dark: On Child Abuse in Robert Walser	0
Decolonizing Reading Publics, Decompartmentalizing German Studies	0
The Woman with Scissors and Glue: Film Editing and Radical Montage in Weimar Cinema	0
The Ethos of Distance in Emotional Culture Critiques: Helmuth Plessner, Richard Sennett, Frank Furedi	0
The Call: Leo Strauss on Heidegger, Secularization, and Revelation	0
Adorno and the Role of Sublimation in Artistic Creativity and Cultural Redemption	0
Habermas the Freelance Journalist: The Relationship between Theory and Practice in Habermas’s Early Career	0
The Vanishing Reality of the State: On Hans Blumenberg’s Political Theory	0
Undisciplined Knowledge: Intersectional Black European Studies	0
Katja Petrowskaja’s Translational Poetics of Memory	0
Medea’s Violence: Apathy as a Politics of Withdrawal	0
“The Time of That Other Interpretation”: Gesture, Symptom, and Rilke’sThe Notebooks of Malte Laurids Brigge	0
Mabuse Returns: Fritz Lang, 1950s Berlin, and the Afterlife of Nazi Television	0
The Call to Political Geography	0
Presence as Absence: The Homely and the Unhomely in Jewish Photography under Nazism	0
On Anson Rabinbach’s Staging the Third Reich	0
Johannes Schaaf’s Tätowierung (Tattoo, 1967), West German Cinema around 1968, and the Joys of Violence; or, The Forgotten Case of the “Aesthetic Left”	0
Affordances of a New Language: Abbas Khider’s Claim to Community inGerman for Everyone	0
Stahlmann’s “Asian Eyes”: Jewish Identity in Peter Weiss’s The Aesthetics of Resistance, Volume 3	0
Benjamin and the Archive Today	0