Winterthur Portfolio-A Journal of American Material Culture

Papers
(The median citation count of Winterthur Portfolio-A Journal of American Material Culture is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-04-01 to 2024-04-01.)
ArticleCitations
Reflective Creatures1
Food for Fantasy1
Enslaved Labor and Cultural Capital1
Packed Sacks and Pieced Quilts1
Cover0
Bess Williamson. Accessible America: A History of Disability and Design. New York: New York University Press, 2019. vii+278 pp.; 57 black-and-white illustrations, notes, bibliography, index. $10
:Materials, Practices, and Politics of Shine in Modern Art and Popular Culture0
Teresa A. Goddu. Selling Antislavery: Abolition and Mass Media in Antebellum America. Philadelphia: University of Pennsylvania Press, 2020. 344 pp.; 78 black-and-white illustrations, notes, ind0
Jonathan Senchyne. The Intimacy of Paper in Early and Nineteenth-Century American Literature. Amherst: University of Massachusetts Press, 2020. xiv+194 pp.; 10 black-and-white illustrations, no0
Tanisha C. Ford. Dressed in Dreams: A Black Girl’s Love Letter to the Power of Fashion. New York: St. Martin’s Press, 2019. 256 pp.; 11 black-and-white illustrations. $27.99.0
The Isabella Stewart Gardner Museum0
Charles Dawson’s Dioramas, Conservation, and Racial Equity, 1940 to Present0
Sarah Wasserman. The Death of Things: Ephemera and the American Novel. Minneapolis: University of Minnesota Press, 2020. 296 pp.; 30 black-and-white photographs, notes, index. $27.00 (paper).0
Eco-Aesthetics as an Organizing Principle in Global Material Culture0
Catherine Croft and Susan Macdonald. Concrete: Case Studies in Conservation Practice. Los Angeles: Getty Conservation Institute, 2019. 207 pp.; 162 color and 21 black-and-white illustrations, g0
Teresa A. Toulouse and Barbara C. Ewell, eds. Sweet Spots: In-Between Spaces in New Orleans. Jackson: University Press of Mississippi, 2018. xx+299 pp.; 99 color illustrations, notes, index. $30
Editor’s Introduction0
Editor’s Introduction0
Brett & Toby0
Wendy A. Woloson. Crap: A History of Cheap Stuff in America. Chicago: University of Chicago Press, 2020. 388 pp.; 10 color plates and 92 halftones, notes, index. $29.99.0
Elizabeth Zanoni. Migrant Marketplaces: Food and Italians in North and South America. Champaign: University of Illinois Press, 2018. xii+273 pp.; 22 black-and-white illustrations, notes, biblio0
Cynthia Culver Prescott. Pioneer Mother Monuments: Constructing Cultural Memory. Norman: University of Oklahoma Press, 2019. xvi+389 pp.; 27 color and 50 black-and-white illustrations, 7 maps, 0
:Follies in America: A History of Garden and Park Architecture0
Kristina Wilson. Mid-Century Modernism and the American Body: Race, Gender, and the Politics of Power in Design. Princeton, NJ: Princeton University Press, 2021. 254 pp.; 77 color and 76 black-0
A Dazzling, Unusual Bit of Cloth0
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:Unraveled: The Life and Death of a Garment0
:Modelwork: The Material Culture of Making and Knowing0
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Deborah Willis. The Black Civil War Soldier: A Visual History of Conflict and Citizenship. NYU Series in Social and Cultural Analysis. New York: New York University Press, 2021. vii+243 pp.; 820
A Conversation about Catesby’s Natural History with a Winterthur Conservation Student0
:In the Midst of Things: The Social Lives of Objects in the Public Spaces of New York City0
:Designing Motherhood: Things That Make and Break Our Births0
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Editor’s Introduction0
Essence of Stillness0
Wendy Bellion. Iconoclasm in New York: Revolution to Reenactment. University Park: Penn State University Press, 2019. 272 pp.; 11 color and 51 black-and-white illustrations, notes, index, bibli0
James A. Delle and Elizabeth C. Clay, eds. Archaeology of Domestic Landscapes of the Enslaved in the Caribbean. Gainesville: University Press of Florida, 2019. 281 pp.; 75 black-and-white illus0
Books Received0
Books Received0
:Painting by Numbers: Data-Driven Histories of Nineteenth-Century Art0
:Stereophonica: Sound and Space in Science, Technology, and the Arts0
:The Anarchy of Nazi Memorabilia: From Things of Tyranny to Troubled Treasure0
:Elusive Archives: Material Culture in Formation0
Saidiya Hartman. Wayward Lives, Beautiful Experiments: Intimate Histories of Riotous Black Girls, Troublesome Women, and Queer Radicals. New York: W. W. Norton, 2019. 464 pp.; 348 black-and-whi0
Editor’s Introduction0
The Transformative Power of Spaces0
Margaret Sartor and Alex Harris, eds., with a foreword by Deborah Willis. Where We Find Ourselves: The Photographs of Hugh Mangum, 1897–1922. Durham: University of North Carolina Press and the 0
Michael Gaudio. Sound, Image, Silence: Art and the Aural Imagination in the Atlantic World. Minneapolis: University of Minnesota Press, 2019. 224 pp.; 16 color and 67 black-and-white illustrati0
Front Matter0
Rafia Zafar. Recipes for Respect: African American Meals and Meaning. Southern Foodways Alliance Studies in Culture, People, and Place. Athens: University of Georgia Press, 2019. 148 pp.; 13 bl0
William D. Moore. Shaker Fever: America’s Twentieth-Century Fascination with a Communitarian Sect. Amherst: University of Massachusetts Press, 2020. Public History in Historical Perspective. xi0
:Sex Dolls at Sea: Imagined Histories of Sexual Technologies0
Rachel Stephens. Selling Andrew Jackson: Ralph E. W. Earl and the Politics of Portraiture. Columbia: University of South Carolina Press, 2018. 243 pp.; 10 color and 56 black-and-white illustrat0
Books Received0
Dana Goodin, Jasmine Helm, and Joy Davis. Unravel: A Fashion Podcast. 2015–2020, Podcast audio. https://www.unravelpodcast.com/. April Calahan and Cassidy Zachary. Dressed: The History of Fa0
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Brandi Thompson Summers. Black in Place: The Spatial Aesthetics of Race in a Post-Chocolate City. Chapel Hill: University of North Carolina Press, 2019. 232 pp.; 16 halftones, 1 table, notes, b0
Joshua Klein. Hands Employed Aright: The Furniture Making of Jonathan Fisher (1768–1847). Fort Mitchell, KY: Lost Art Press, 2018. xii+269 pp.; color illustrations, bibliography, index. $57.00.0
:The Art of the Jewish Family: A History of Women in Early New York in Five Objects0
Front Matter0
A Conversation about Catesby’s Natural History with the Winterthur Library Director0
Susan Falls and Jessica R. Smith. Overshot: The Political Aesthetics of Woven Textiles from the Antebellum South and Beyond. Athens: University of Georgia Press, 2020. xvii+176 pp.; 38 black-an0
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Sarah Anne Carter. Object Lessons: How Nineteenth-Century Americans Learned to Make Sense of the Material World. New York: Oxford University Press, 2018. 202 pp.; 26 color illustrations and 30 0
Front Matter0
K. L. H. Wells. Weaving Modernism: Postwar Tapestry Between Paris and New York. New Haven, CT: Yale University Press, 2019. xi+268 pp.; 60 color and 45 black-and-white illustrations, notes, bib0
From the Collection0
:Seduced by Radium: How Industry Transformed Science in the American Marketplace0
Front Matter0
:American Furniture, 1650–1840: Highlights from the Philadelphia Museum of Art0
Bobbye Tigerman and Monica Obniski, eds. Scandinavian Design and the United States, 1890–1980. Munich: Los Angeles County Museum of Art and Prestel Verlag, 2020. 335 pp.; 220 color illustration0
:Borrowing from Our Foremothers: Reexamining the Women’s Movement through Material Culture, 1848–20170
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A Conversation about Catesby’s Natural History with the Plant-Loving Winterthur CEO0
Front Matter0
Jeffrey Hogrefe and Scott Ruff, with Carrie Eastman and Ashley Simone, eds. In Search of African American Space: Redressing Racism. Zurich: Lars Müller Publishers, 2020. 256 pp.; 129 color illu0
:Citizens and Rulers of the World: The American Child and the Cartographic Pedagogies of Empire0
M. Elizabeth Boone. “The Spanish Element in Our Nationality”: Spain and America at the World’s Fairs and Centennial Celebrations, 1876–1915. University Park: Penn State University Press, 2020. 0
Whitney Martinko. Historic Real Estate: Market Morality and the Politics of Preservation in the Early United States. Philadelphia: University of Pennsylvania Press, 2020. Early American Studies0
Front Matter0
A Gropius-Breuer House Like Notable Others0
Cosmopolitanism and Cultural Translation0
Books Received0
:Northern Cheyenne Ledger Art by Fort Robinson Breakout Survivors0
Cover0
Editor’s Introduction0
:The Material World of Eyre Hall: Four Centuries of Chesapeake History0
Ilisa Barbash, Molly Rogers, and Deborah Willis, eds. To Make Their Own Way in the World: The Enduring Legacy of the Zealy Daguerreotypes. With a foreword by Henry Louis Gates Jr. and photograp0
Swedish Migration, Naval Militarism, and Industrial Modernity0
Editor’s Introduction0
Complicit Material Culture0
Darby English. To Describe a Life: Notes from the Intersection of Art and Race Terror. New Haven, CT: Yale University Press with the Hutchins Center for African and African American Research, 20
:Black Designers in American Fashion0
A Protected Place0
Rebecca Zorach. Art for People’s Sake: Artists and Community in Black Chicago, 1965–1975. Durham, NC: Duke University Press, 2019. 395 pp.; 82 color and 43 black-and-white illustrations, notes,0
Books Received0
Naa Oyo A. Kwate. Burgers in Blackface: Anti-Black Restaurants Then and Now. Minneapolis: University of Minnesota Press, 2019. Forerunners: Ideas First 33. 87 pp.; 13 black-and-white images, no0
Decolonizing the Museum to Reclaim and Revitalize the Anishinaabe Strap Dress0
Leigh J. Kuwanwisiwma, T. J. Ferguson, and Chip Colwell, eds. Footprints of Hopi History: Hopihiniwtiput Kukveni’at. Tucson: University of Arizona Press, 2018. xiv+274 pp.; 66 black-and-white i0
Editor’s Introduction0
Abigail Joseph. Exquisite Materials: Episodes in the Queer History of Victorian Style. Newark: University of Delaware Press, 2019. xiii+308 pp.; 30 black-and-white illustrations, notes, referen0
Cover0
Books Received0
:Properties of Plastics: A Guide for Conservators0
Enslavement and Its Legacies: “May the points of our needles prick”0
Editor’s Introduction0
George W. Boudreau and Margaretta Markle Lovell, eds. A Material World: Culture, Society, and the Life of Things in Early Anglo-America. University Park: Penn State University Press, 2019. 344 0
:Intimate Eating: Racialized Spaces and Radical Futures0
:Image Objects: An Archaeology of Computer Graphics0
Map, Paper, Prints0
A More Perfect Atlantic World0
Editors’ Introduction0
:Eating While Black: Food Shaming and Race in America0
Enslavement and Its Legacies: “Constantly to look at me”0
Cover0
Zachary J. Violette. The Decorated Tenement: How Immigrant Builders and Architects Transformed the Slum in the Gilded Age. Minneapolis: University of Minnesota Press, 2019. 279 pp.; 22 color pl0
Two Photo Essays on Art and Cultural Exchange0
Joseph Manca. Shaker Vision: Seeing Beauty in Early America. Amherst: University of Massachusetts Press, 2019. vii–x+391 pp.; 72 color and 21 black-and-white illustrations, notes, index. $39.950
Lauren F. Klein. An Archive of Taste: Race and Eating in the Early United States. Minneapolis: University of Minnesota, 2020. 236 pp.; 20 black-and-white photographs, notes, bibliography, index0
Kyle Devine. Decomposed: The Political Ecology of Music. Cambridge, MA: MIT Press, 2019. xii+316 pp.; 16 black-and-white illustrations, notes, bibliography, index. $30.00 (paper).0
:The Architecture of Disability: Buildings, Cities, and Landscapes beyond Access0
:All That She Carried: The Journey of Ashley’s Sack, a Black Family Keepsake0
Books Received0
Thomas C. Hubka. How the Working-Class Home Became Modern, 1900–1940. Minneapolis: University of Minnesota Press, 2020. 320 pp.; 148 black-and-white illustrations, notes, index. $40.00 (paper).0
Ben Nicholson and Michaelangelo Sabatini, eds. Avant-Garde in the Cornfields: Architecture, Landscape and Preservation in New Harmony. Minneapolis: University of Minnesota Press, 2019. xxxiv+350
Editor’s Introduction0
:The People’s Porn: A History of Handmade Pornography in America0
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