Italian Studies

Papers
(The median citation count of Italian Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)
ArticleCitations
‘Cultural Activities’ in Foreign Language Teaching: A Multimodal Perspective on Italian Language Textbooks5
Unfinished Italy4
Il linguaggio politico della sinistra e della destra extraparlamentari negli anni di piombo3
Dante and Video Games: The Unrealised Potential of the Virtual Commedia2
Italian Language Learning and Student Motivation at Australian Universities2
Potentiality and Adaptability: Neoliberalism and Italian Thought2
Potentiality and Uprisings: Georges Didi-Huberman in Dialogue with Giorgio Agamben and Antonio Negri2
Petrarch’s Deer in Rerum Vulgarium Fragmenta 190 and the Visio Beatifica1
Italian Theory and Feminist Materialism: A Reappraisal1
A ‘Whirlwind of Eloquence’: Sources for a Moral Reading of Ulysses’s ‘turbo’ (Inf. XXVI, 137)1
Introduction: Dante as Mediator and Dante’s Mediators1
Glossing Boethius Through Dante: Auctoritas and Philosophical Poetry in BML MS Plut. 78.20 and the Dante Commentary Tradition1
On Their Way to University? Understanding Tertiary Students’ Experience of Italian Language Study at Secondary School1
The Silent Victim: Rape and Sexuality in Giacinta and ‘Tortura’ by Luigi Capuana1
Introduction: Writing and Resisting Violence against Women1
Retrieving or Revising? Using Mythology in Contemporary Italian Literature against Femicide1
Agamben’s Impotentiality: Separation, Nonrelationality, and Destituent Potential in The Use of Bodies1
Dante, Peter of Trabibus, and the ‘Schools of the Religious Orders’ in Florence1
Roberto Esposito’s Critique of Personhood and the Neoliberalization of Potentiality1
Rewriting the Transnational Dimension of Italian Migration to Wales in the Time of COVID-191
L’epopea di Canale Mussolini e il romanzo familiare in Italia1
Leopardi’s Disaster1
Rappresentare la violenza di genere. Sguardi femministi tra critica, attivismo e scrittura0
Silence, Witnessing, and the Implicated Subject in Erri De Luca’s Il torto del soldato0
Eco and Gramsci: Unexplored Connections in Cultural Studies0
Animality in Contemporary Italian Philosophy0
‘I’d Like to See an Italian Film or TV Series in Which a Girl Moves Abroad’: Italian Girlhood and Nomadic Experiences0
Dante ‘davanti a la ruina’ (Inferno v, 34): Minos, the Ruins of Hell, and the Book of Nahum0
When the Serenissima is No Longer Serene: Staging Chaos in La Veniexiana0
Mediating Christ in Paradiso and in MS Vat.lat.47760
The Tax Return (1515) of Marin Sanudo: Fiscality, Family, and Language in Renaissance Venice0
Introduction0
Remembering the Queer Exiles of San Domino: In Italia sono tutti maschi (2008) and The Red Tree (2018)0
Gio Ponti, la collaborazione con le ditte Singer e Altamira e l’immagine postbellica del design italiano negli Stati Uniti0
The Power of Affiliation: Dynastic Blood, Artificial Kinship and Legitimation Strategies. The Case of the Della Rovere Dukes of Urbino*0
Figlie dell’alchimia. Donne e cultura scientifica nell’Italia della prima età moderna0
La scrittura desterrada di Cristina Trivulzio Belgiojoso: il caso delle ‘Letters of an Exile’0
Le prose poetiche di Roberto Rossi Precerutti: strutture e reversibilità dello sguardo nei Fatti di Caravaggio (2016)0
Nel mezzo: Roland Barthes’s Mediated Dante and Dantean Figures of Mediation0
Boccaccio and the Consolation of Literature0
Le città invisibili as Cybertext and Cyberspace: Italo Calvino, Ted Nelson, and Arata Isozaki0
Franca Rame Won the Nobel Prize: Approaching the Works of Dario Fo and Franca Rame as Collaboration0
Dante’s Multitudes: History, Philosophy, Method0
Tuscany Beyond Tuscany: Rethinking the City from the Periphery0
Angelenos? What’s That? Young Italians in Los Angeles in the Fiction of John Fante, Andrea De Carlo, and Chiara Barzini0
Grown Up Boyz and Girlz. Italian Graphic Novelists’ Trans-European Paths and Gendered Representations0
Donne interpreti della Bibbia nell’Italia della prima età moderna: Comunità ermeneutiche e riscritture0
(Bio)Graphic Novels: A Medium for Biographic Storytelling0
The Cross of Mars: Crusade Imagery and Theology in the Prologue to the Encounter with Cacciaguida ( Par . xiv–xv)0
‘Occhi Fissi’: Fixing the Gaze in Dante’s Commedia0
Mussolini, Architect: Propaganda and Urban Landscape in Fascist Italy0
Under Pinocchio’s Skin: The Uncanny Woodenness of a Permanent Body0
Italo Calvino’s Spatial Imagination: Between Intellectual Abstraction and Embodied Experience0
Fotografie ed ossa: testimonianza e sopravvivenza ne La nera novella di Alda Merini0
From Body of Order to Body of Disorder: Beatrice’s Ecstatic Metamorphosis in Matilde Serao’s Cuore infermo (1881)0
Una dissociazione atmosferica: Amelia Rosselli nell’era nucleare0
La carta veloce. Figure, temi e politiche del giornalismo italiano dell’Ottocento0
Perdere le radici. Appunti sulla modernità di Italo Calvino0
A Martyr for the Resistance and the New Republic: The Uses of Giacomo Matteotti’s Memory, 1943 to 19470
Pitying Antiochus: Italian Humanism and the Philology of Compassion0
The Cinema of Paolo Sorrentino: Commitment to Style0
Gli atlanti della letteratura Italiana dell’Ottocento: Una riflessione sul pensiero geografico nella storiografia letteraria italiana0
Neither Utopia nor Juvenile Transgression: Retracing the Link between the Movimento del ’77, Autonomy, and Literature0
Dante and Petrarch in the Garden of Language0
Profezia0
Fascist Modernism in Italy. Arts and Regimes0
Donna o Silhouette? Rappresentazioni transmediali della ballerina classica italiana tra anni Trenta e anni Cinquanta0
Italian Gothic. An Edinburgh Companion Italian Gothic. An Edinburgh Companion , edited by Marco Malvestio and Stefano Serafini, Edinburgh, Edinburgh University Press, 200
Onryō a Pavia: gotico padano, parapsicologia e Techno-Horror in un romanzo di Mino Milani0
Calvino and Japanese Gardens: A ‘Trajectivity’ between the Human and More-than-Human0
Deicide and the Drama of the Holocaust: Gian Paolo Callegari’s Cristo ha ucciso (1948)0
Like a Mass Image: Fellini’s Le tentazioni del Dottor Antonio, Advertising and Mimicry0
Violante, Violente, Violenta: la novella I. 42 di Matteo Bandello e le sue riscritture tra Francia, Inghilterra e Spagna0
Folklore, razza, fascismo0
Illuminating the Vita Nuova: Phoebe Anna Traquair, Evelyn Paul, and Medievalist Practices of Visual Mediation0
Giovani e abuso sessuale nella letteratura italiana (1902-2018)0
Vite nuove. Biografia e autobiografia di Dante0
Finding Ferrante. Authorship and the Politics of World Literature0
Le vite degli altri abitano la mia. La scrittura del sé nell’opera di Fabrizia Ramondino. Testimonianze di G. Cacciapuoti, A. Cirillo, G. Fofi, M. Liguori, T. Marrone, M. Martone, G. M. Scamardella, E0
Matera in posa : The Photographic Self-Portrait of a Southern-Italian City, 1900–19200
Narrative Strategies for Participation in Dante’s ‘Divine Comedy’ Narrative Strategies for Participation in Dante’s ‘Divine Comedy’ , by Katherine Powlesland, Oxford, Le0
Margins, Subjectivity, and Violence in Elena Ferrante’s Cronache del mal d’amore0
Between Resistance and Canonisation: A Critique of Italian Crime Criticism0
Im-mediated Dante: Rachel Owen’s Illustrations for the Commedia0
Spectacular Women: Recovering the Feminine in Elena Ferrante’s I giorni dell’abbandono0
Italian Chimeras: Narrating Italy through the Writing of Sebastiano Vassalli0
‘Il sospetto di un altro mondo’: appunti per una storia originaria (1936–1945)0
Apocryphal News and Apocryphal Truths in Early Modern Italy: Girolamo Gigli’s Gazzettino (1712–1713)0
Jewish Women in the Early Italian Women’s Movement, 1861–1945. Biographies, Discourses, and Transnational Networks0
Varieties of ‘Classicism’ in the 1920s: The Peculiar Case of Armando Spadini0
‘Il disagio di stare al mondo’: Coming of Age, Masculinity, and Maradona in Paolo Sorrentino’s È stata la mano di Dio0
The Ultimate Italian. Dante and a Nation’s Identity The Ultimate Italian. Dante and a Nation’s Identity , by Fulvio Conti, translated by Patrick John Barr, London and Ne0
Potentiality, Forms of Life, and Politics0
Italian Industrial Literature and Film. Perspectives on the Representation of Postwar Labor Italian Industrial Literature and Film. Perspectives on the Representation of Postwar Labor0
Dalla generazione all’individuo. Giovinezza, identità, impegno nell’opera di Pier Vittorio Tondelli0
Vite e carriere di pittori con sordità prelinguale attivi in Italia nel periodo 1590–17200
From Dutiful Name-Dropping to Warm Esteem: Dante’s Statius between De Vulgari Eloquentia, Convivio III and Convivio IV.XXV0
Un diavolo imitato: Edoardo Perino editore di Mario Rapisardi0
Bruno Munari: The Lightness of Art0
‘La tradizione è come il mare’: Giuseppe Pitrè’s Transnational Approach to Folk and Fairy Tales in the New Italy0
Claiming Social and Cultural Dignity: Isabella Andreini’s Rime0
Corporeità e natura in Leopardi0
L’universalizzazione epica di una problematica politica locale: la matrice estense della Gerusalemme liberata0
Visible and Invisible: Tokening the Memory of the Holocaust in Fascist Concentration Camps0
The Lives of Others and My Own Life. Reportage in Italian Comics Journalism0
Uno scrittore su più tavoli : il concetto di tragico nei capitoli XX e XXI dei Promessi sposi0
Pia Pera’s Poetics of the Planetary Garden0
Inventing a Language for Transnational Memory: An Interview with Sole Otero0
Kaleidoscopic Beatrice: Through the Theologians, as a Theologian0
Il romanzo neomodernista italiano. Dalla fine del neorealismo alla seconda metà degli anni Settanta0
Almarina di Valeria Parrella fra forma letteraria e rapporti sociali0
Travelling as Political Engagement Controvoglia : Alberto Moravia’s Voyages to China in 1937, 1967, and 19860
Una macchina mitologica del ’68. Nanni Balestrini e il rituale della Grande Rivolta0
The Poetic Logic of Panism: An Idealistic Reading of Gabriele D’Annunzio’s Alcyone0
The Author in Criticism: Italo Calvino’s Authorial Image in Italy, the United States, and the United Kingdom0
Coming of Age among Multiple Languages: Exploring the ‘Polyglot’ as an Intersectional Subject in Claudia Durastanti’s La Straniera (2019)0
Ruggiero, Melissa, and Effeminate Enchantment in the Garden of Alcina0
Negotiating Foreign Influence in Fascist Italy: Nicola Festa on Greek Learning in Renaissance Humanism0
Seeing Poems of Suffering and The Future of the Nation: On the Meaning of the Eyes in Italian Literature of the Great War, 1915–19350
Alienazione e irrealtà in Ottieri e Antonioni: Osservazioni sul ‘modo cinematografico’ ne L’impagliatore di sedie0
La nascita del modernismo italiano. Filosofie della crisi, storia e letterature, 1903-19220
Man as Memory and Metaphor of Matter: Italo Calvino’s ‘Priscilla’ and the Narration of (Bio)science0
100 Poems0
The Young Dante: Archetypes of His Early Intellectual Biography0
Tra ecologia letteraria ed ecocritica. Narrare la crisi ambientale nella letteratura e nel cinema italiani Tra ecologia letteraria ed ecocritica. Narrare la crisi ambientale nella lette0
Gadda. Interpreti a confronto0
Italian Neorealism: A Cultural History0
Representations of Eritrea in Italian Documentaries (1951 – 2015)0
‘Cupidone buggerone’, ovvero Gadda e la demistificazione dello stilnovismo0
Representing Women’s Displacement from the Margins in Liberal Italy: Vittorio Corcos’s Annunciazione (1904) and Sogni (1896)0
San Giacomo, la Speranza e i Salmi a Paradiso XXV0
Vicissitudes of a Dantean Collection: The 1527 ‘Giuntina delle rime’0
The Theater of Narration: From the Peripheries of History to the Main Stages of Italy0
Elena Ferrante. Poetiche e politiche della soggettività0
Mobilizing Cultural Identities in the First World War: History, Representations and Memory0
Professor Peter M. Brown (1926 –2022)0
Reflections on the ‘Trans’ in Jhumpa Lahiri’s In Other Words (In altre parole)0
Dante’s Christian Ethics: Purgatory and Its Moral Contexts0
Nostalgia dell’abisso. I romanzi di Enrico Pea degli anni Trenta0
Reading Dante and Proust by Analogy0
The Italian Legacy in Philadelphia. History, Culture, People and Ideas0
Elena Ferrante as World Literature0
Truth, as Only a Liar Can Tell It: Evolutions and Tensions of Self-Narratives in Comics, from Andrea Pazienza’s Gli ultimi giorni di Pompeo to Gipi’s LMVD0
Esuli: scrittori e scrittrici dall’antichità a oggi0
La sintassi marcata in Le menzogne della notte di Gesualdo Bufalino: eroi romantici, tono favoloso e colpi di scena del novellare0
Representation of Cultures in Local Italian Language Textbooks for Chinese Universities: A Diachronic Content Analysis0
Primi appunti sulla ricezione di Walter Scott nelle gazzette italiane del primo Ottocento0
Sexscapes of Pleasure: Women, Sexuality and the Whore Stigma in Italy0
Screening Religions in Italy: Contemporary Italian Cinema and Television in the Post-Secular Public Sphere0
Queer Bandits and Partisans: Reimagining Male Homosexuality in Early Post-War Italy0
We Will Set You Free: Representations of the ‘Antislavery Argument’ in British and Italian Missionary Films (1925–1939)0
Pagan Gods as Figures of Speech: Dante’s Use of Servius in the Vita Nova0
Tra memoria e resistenza: Una lettura spaziale delle Case della Vetra di Giovanni Raboni0
La lingua del padrone. Giovanni Giudici traduttore dall’inglese0
‘Una verità totale’: The Textual and Visual Encounter With the Other in Franco Fortini’s Asia Maggiore. Viaggio nella Cina0
Portraying the Nomadic Spirit of a Transnational Coming of Age0
The Lottery Fantasy and Social Mobility in Eighteenth-Century Venetian Literature: Carlo Goldoni, Pietro Chiari, and Giacomo Casanova0
Infinite or Indefinite? Leopardi’s Infinite through the Lens of Fyodor Dostoevsky0
In balìa di Dante e Pinocchio – Il viaggio di Pinocchio nell’aldilà dantesco0
Against the Avant-Garde: Pier Paolo Pasolini, Contemporary Art, and Neocapitalism0
Colonial Traces in Contemporary Italian Literature: The Cases of Giulia Caminito’s La Grande A (2016) and Mario Tobino’s Il deserto della Libia 0
Dante’s Masterplot and the Alternative Narrative Models in the Commedia0
In Memoriam: John Woodhouse (1937–2023)0
The Decameron Ninth Day in Perspective0
From Mater Dolorosa to Mater Degenerata : Sacrifice and Subversion in Deledda’s Cenere and Duse’s Film0
Rome, 16 October 1943. History, Memory, Literature0
A ‘New’ Woman in Verga and Pirandello: From Page to Stage0
Autobiography as Self-Ethnography in Italo Calvino’s ‘La poubelle agréée’0
Gendering Women’s Violence in the Quattrocento: The Case of Gregorio Correr’s Procne (c. 1429)0
Shaping and Reshaping Primo Levi: The Affiliative Postgeneration Biographic Novel0
(Extra)ordinary Sensation and Visionary Perception in Dante’s Purgatorio XV and XVII0
Self, Bodies, Memories. Women Graphic Novelists’ Autobiographical Coming of Age between Tradition and Innovation0
Queering Two Resistance Novels: Historical Trauma, Open Secrets, and Non-Genealogical Plot in Carlo Coccioli’s Il migliore e l’ultimo and Beppe Fenoglio’s Il libro di Johnny0
Chandra Livia Candiani’s Buddhism: Crossing Cultural and Species Boundaries to Become a Co-dividual0
‘And Now the Great Day Had Come, the 14th of May, 1865!’: Anna Vivanti-Lindau e il seicentenario dantesco *0
La Clitennestra di Dacia Maraini nel contesto teatrale e femminista: luci e ombre, sogni e deliri intorno alla ricezione del mito0
Atti di accusa. Testi teatrali e interviste sulla rappresentazione della violenza contro le donne0
Introduction: Italian Theory and the Problem of Potentiality0
Roberto L. Bruni (1945–2020)0
Calvino’s Animals: Anthropocene Stories0
The Political Portrait: Leadership, Image and Power0
Between Memory and Matter: Italy and the Transnational Dimensions of Public Art0
Italian Orientalism: Nationhood, Cosmopolitanism, and the Cultural Politics of Identity0
In Memoriam: Professor Michael Caesar (1945–2022)0
The Etruscan Inferno: A Spatial and Synaesthetic Reading by Gabriele D’Annunzio0
The Italian Diaspora in South Africa: Origins and Identity0
L’antichità «crudele». Etruschi e Italici nella letteratura italiana del Novecento0
Fame, inappetenza e disgusto: il cibo nei film e nei sogni di Fellini0
Fantascienza e ufologia nell’opera di Inisero Cremaschi, Gilda Musa e Giuseppe Pederiali, 1967–19780
L’altro Saba: L’omoerotismo nel Canzoniere0
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