OOIR: Observatory of International Research

Papers

(The median citation count of Textile History is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-02-01 to 2025-02-01.)

Article	Citations
London’s Fashion Alphabet	4
‘Be sure to incorporate a little history’: Nostalgia and Stories of Place in Cape Breton Overshot Weaving	3
‘The Cloth that Changed the World: India’s Painted and Printed Cottons’. Royal Ontario Museum, Toronto, Canada, 12 September 2020–2 January 2022 / Cloth that Changed the World: The Art and Fashion of	3
Dressing Up: The Women Who Influenced French Fashion	1
Early Twentieth-Century Nottingham Lace Curtains: An Ideal Window Furnishing	1
Pasold Research Fund/Taylor & Francis Textile History Open Access First Publication Award	1
Women’s Dress and the Demise of the Tailoring Monopoly: Farthingale-Makers, Body-Makers and the Changing Textile Marketplace of Seventeenth-Century London	1
Kate Stephenson, A Cultural History of School Uniform	0
Editorial Note	0
‘Erica Wilson: A Life in Stitches’	0
Editorial Note	0
Textiles in Burman Culture	0
Fashioning Masculinities: The Art of Menswear	0
Why Early Modern English Clothiers Started Using Spanish Wool	0
‘Bags: Inside Out’. Victoria and Albert Museum, London, UK, 13 October 2021–6 January 2022	0
Redrafting Domestic Life: Women Textile Designers and New Professional Enterprises in Early 1970s Britain	0
Brenda M. King, The Wardle Family and its Circle: Textile Production in the Arts and Crafts Era	0
Queering the Subversive Stitch: Men and the Culture of Needlework	0
‘Zoom Into This Embroidered Panel for a Cabinet Door’	0
The Stocking Knitting Industry of Later Sixteenth-Century Norwich	0
Woven Tapestry: Guidelines for Conservation	0
Gendered Capitalism: Sewing Machines and Multinational Business in Spain and Mexico, 1850–1940	0
Editorial Note	0
‘150 Years of the Royal School of Needlework: Crown to Catwalk’. Fashion and Textile Museum, London, UK, 1 April 2022–4 September 2022	0
Concha Herrero Carretero, Álvaro Molina and Jesusa Vega, La Decoración ideada por François Grognard para los apartamento	0

Sea Change: Ottoman Textiles between the Mediterranean and the Indian Ocean	0
Gewebtes Gold: Eine Kleine Geschichte der Metallfadenweberei von der Antike bis um 1800	0
Estimating the Number of Cotton Handloom Weavers in England, c. 1780–1813: Women and Children Hiding in Plain Sight	0
The Production and Trade of Hand-Knitted Wool Stockings in Elizabethan and Early Jacobean England ( c. 1580– c. 1617)	0
‘Fashioning Masculinities: The Art of Menswear’. Victoria and Albert Museum, London, UK, 19 March 2022–6 November 2022	0
Articles of Interest, hosted by Avery Trufelman, https://99percentinvisible.org/aoi/ Handcut Radio, hosted by Aleks Cvetkovic<	0
Ingenious Trade: Women and Work in Seventeenth-Century London	0
Danielle C. Skeehan, The Fabric of Empire: Material and Literary Cultures of the Global Atlantic, 1650–1850	0
Maya Stanfield-Mazzi, Clothing the New World Church: Liturgical Textiles of Spanish America, 1520-1820	0
Check Shirts, Flannel Jackets, Canvas Trousers: The Trade in Slops from Eighteenth-Century Liverpool	0
The Art of Tapestry	0
Fibershed: Growing a Movement of Farmers, Fashion Activists, and Makers for a New Textile Economy	0
K. L. H. Wells, Weaving Modernism: Postwar Tapestry between Paris and New York	0
‘Artful Nature: Fashion and Theatricality 1770–1830’, Lewis Walpole Library, Farmington, USA, 6 February–13 March 2020	0
Sensing the Fit: Reflections on Wearing a Reconstructed Tailor-Made Seventeenth-Century Doublet	0
Stitching the Past: A Reconstruction of Four Italian Bobbin Lace Edgings, 1550–1650	0
Editorial Note	0
Weaving Histories: The Transformation of the Handloom Industry in South India, 1800-1960 / Weaving Hierarchies: Handloom Weavers in Early Twentieth Century United Provinces	0
Claire Wilcox, Patch Work — A Life Amongst Clothes	0
Steven Toms, Financing Cotton: British Industrial Growth and Decline, 1780–2000	0
Walls of Cloth: Tentergrounds and Cloth Production in Bruges, c. 1200–1600	0
Burgu Dogramaci, ed., Textile Modernism	0
Remaking Dress History: Applying Reconstruction Methods to Early Modern Textiles and Clothing	0
Engineering Brussels Tapestry: Development, Uses and Effects of the Privilege System, 1600–1700	0
Knitting History Through Reconstruction: The Making and Meaning of Early Modern Stockings	0
Tudor Textiles	0
Velvets of the Fifteenth Century	0
Behind the Seams: Global Circulations in a Group of Japanese-Inspired Cotton Nightgowns c. 1700	0
Reconstructing Fashion: The Mock-Velvet Doublet of a Seventeenth-Century Florentine Waterseller	0
Lorinda Cramer, Needlework & Women’s Identity in Colonial Australia	0
A Set of Liturgical Vestments and Textiles Made for the Requiem Mass in the Early Eighteenth Century	0
Clothing Goes to War: Creativity Inspired by Scarcity in World War II	0
Production of Uniform Cloth and Military Uniforms in Russia (1698–1762)	0
Megan Cifarelli, ed., Fashioned Selves: Dress and Identity in Antiquity	0
Serena Dyer and Chloe Wigston Smith, eds, Material Literacy in Eighteenth-Century Britain: A Nation of Makers	0
The Material Culture of Basketry: Practice, Skill and Embodied Knowledge	0
Women’s Ready-to-Wear Multiple Retailers 1860–1914: H. J. Nicoll and Alfred Stedall	0
Black Bodies, White Gold: Art, Cotton, and Commerce in the Atlantic World	0
Tailoring in 3D: A Digital Reconstruction of a Seventeenth-Century Doublet	0
Pika Ghosh, Making Kantha, Making Home: Women at Work in Colonial Bengal	0
Bracha Yaniv, Ceremonial Synagogue Textiles: From Ashkenazi, Sephardi, and Italian Communities	0
Weaving Connections: Sicilian Silk in the Medieval Mediterranean	0
Selbu Mittens: Discover the Rich History of a Norwegian Knitting Tradition with Over 500 Charts and 35 Classic Patterns; Selbu Patterns: Discover the Rich History of a Norwegian Knitting Tradition wit	0
Recognising the Co-dependence of Machine and Hand in the Scottish Knitwear Industry	0
Fashioning Spain: From Mantillas to Rosalía	0
‘Collecting Comme’, National Gallery of Victoria, Melbourne, Australia, 31 October 2019–15 March 2020 and 27 June–9 July 2020	0
Georgian Embroidery Patterns in the Lady’s Magazine (1770–1819)	0
‘Crown to Couture’	0
Textile Housekeeping, Circulation and Reuse: The Swedish Royal Wardrobe as a Material Resource, c . 1540–1560	0
‘Magdalena Abakanowicz: Every Tangle of Thread and Rope’	0

Sweet & Clean? Bodies & Clothes in Early Modern England.	0
Tanya Heinrich, ed., Lenore Tawney: Mirror of the Universe	0
Aboriginal Screen-Printed Textiles from Australia’s Top End	0