OOIR: Observatory of International Research

Papers

(The TQCC of Texas Studies in Literature and Language is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-01-01 to 2026-01-01.)

Article	Citations
A Rite of Finitude: Richard Wilbur’s Hermeneutic Ontology	1
“Observance of Civility”: Jewish Identity and Anxiety in Seinfeld and William Shakespeare’s The Merchant of Venice	1
The Daughter’s Paradox: Filial Piety and Rebellion in Three Chinese Mother-Daughter Narratives	1
The Reading Closet	1
Between Land and Settler Subjectivity: The Modernist Animal’s Territory in Katherine Mansfield’s “Prelude”	1
Reading Pilgrim at Tinker Creek in the Digital Age: On Corpus Stylistics and “Intricacy”	1
Under the Sign of the Middle Passage: Black Solidarity Reimagined	1
“Why Am I a Girl?”: Gender Variance and the Racial Ideal in Frank Bidart’s “Ellen West”	1
Archive Notes: An Introduction to the Kazuo Ishiguro Papers	1
Roles That Contain and Restrain: Kazuo Ishiguro’s The Remains of the Day, Klara and the Sun, and Living	0
“Understanding Each Other Perfectly”: The Desire for Unmediated Communion in Katherine Mansfield’s “Bliss”	0
About Our Cover Art	0
Owning a Sense of Perversity in Ellen Wood’s East Lynne	0
Vampirism in the Ether: Radio’s Horrific Potential in Orson Welles’s “Dracula”	0
Reopening the Dan White Trial in Emily Mann’s Execution of Justice	0
García Márquez’s Literary Smuggling in The Story of a Shipwrecked Sailor	0
Performing Race: Heterotopias in David Henry Hwang’s FOB and Bondage	0
Introduction: Pilgrim at Tinker Creek at Fifty	0
Paul Laurence Dunbar and the Naturalism/Dialect Poetry Divide	0
A Melting Glossary of Water: Seeping into Separations	0
Stevie as Revolutionary in Joseph Conrad’s The Secret Agent	0
Paradise Lost and the Genre of Disaster Films	0
Jiujitsu of the Spirit: Trueblood, His Audience, and Lyrical Subversion in Ralph Ellison’s Invisible Man	0
The Importance of Being Earnest in The Importance of Being Earnest	0
Nothing to See Here, Move On: A New Look at Humor in Aldous Huxley’s Mock-Dystopic Brave New World	0

The South/Western Gothic: White Capitalist Zombies in Katherine Anne Porter’s Noon Wine	0
Romanticism and Consciousness, Revisited: A Roundtable Discussion	0
The Unfinishedness & Untimeliness of A Raisin in the Sun	0
Irony, Recusancy, and Repentance in Robert Southwell’s Saint Peter’s Complaint	0
End of the Road: Joan Didion, Hunter S. Thompson, and True Crime in the Auto-Apocalyptic West	0
Love as Subjectification in Kazuo Ishiguro’s Never Let Me Go	0
An Extremist’s Exercise: What We Can and Cannot Think and Say with Wallace Stevens	0
Howard Jacobson’s Shylock Is My Name and the Badiou-Agamben Debate on Paul the Apostle	0
“No Sorcery”: Chess, Artistic Sensibility, and Subjective Development in The Queen’s Gambit	0
Intratextual Ishiguro: Transitional Spaces and the Unmaking of Interpretative Communities	0
The Roots and Routes of Black Emancipation in Sutton Griggs’s Imperium in Imperio	0
Between Transgression and Conviviality: Everyday Urban Space and the Carnivalesque Strategies in The Lonely Londoners	0
Ommateum and the Early Career of A. R. Ammons	0
Where Is HERE, When Is NOW? Literary “Presentism” after Romanticism	0
Samuel Beckett’s Allusions to John Donne	0
Teaching Pilgrim at Tinker Creek in Beijing	0
The Politics of Black Domesticity in Martin R. Delany’s Blake, or the Huts of America	0
The Surprising Success of C. R. Maturin’s Bertram: A Collaboration with Scott, Byron, Kean, and Murray	0
Infinite Storms of Beauty: Hopkins, Dillard, and the Epistemology of Downturn, 1870s/1970s	0
Reading Post-slavery Subjectivities in Chris Ware’s Jimmy Corrigan: The Smartest Kid on Earth	0
“The Moon Slides Down the Stair / To See Who’s There”: The Poetics of the Crossword and the Cross Words of Poetics	0
Lord Byron in Colonial Korea: Korean Intellectuals Pursuing National Freedom in the Spirit of Byron	0
Pilgrim Guide: Coming to Our Senses amid the Climate Crisis	0
Transnational Intimacy in Israel Potter	0
Opium Smoking, Religion, and Commodity Culture in The Mystery of Edwin Drood	0
What Is Aggro? Situationist Aesthetics in the Plays of Howard Brenton	0
“To Get a Feel for What This Means”: Annie Dillard’s Thought Experiments and the Quest to Understand Compassion	0
The Other James: James Joyce, Henry James, and Seamus Deane’s Reading in the Dark	0
Reimagining Community at the Open Marshland: Ecocritical Anti-Bildung in Kazuo Ishiguro’s Never Let Me Go	0
Out of the Closet and Into the Home: Gertrude Stein, Alice B. Toklas, and the Affordances of the Domestic Interior	0
Emotional Repression in Kazuo Ishiguro’s Klara and the Sun	0