OOIR: Observatory of International Research

Papers

(The TQCC of Texas Studies in Literature and Language is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)

Article	Citations
Roles That Contain and Restrain: Kazuo Ishiguro’s The Remains of the Day, Klara and the Sun, and Living	1
Emotional Repression in Kazuo Ishiguro’s Klara and the Sun	1
The Critique of Reason and Biopolitics in William Blake’s The Four Zoas	1
Between Transgression and Conviviality: Everyday Urban Space and the Carnivalesque Strategies in The Lonely Londoners	1
Masculine Capital / Yuppie Patriarchy: Visualizing the Noir Commodity in American Psycho	1
The Wizard of Awe: An Introduction in Three Parts	0
Vampirism in the Ether: Radio’s Horrific Potential in Orson Welles’s “Dracula”	0
Myth, Historical Metaphor, and Figuration: Aaron the Moor in Titus Andronicus	0
A Man in Search of Family: Kinship and Decline in Michel Houellebecq’s Submission	0
A Rite of Finitude: Richard Wilbur’s Hermeneutic Ontology	0
The South/Western Gothic: White Capitalist Zombies in Katherine Anne Porter’s Noon Wine	0
Irony, Recusancy, and Repentance in Robert Southwell’s Saint Peter’s Complaint	0
García Márquez’s Literary Smuggling in The Story of a Shipwrecked Sailor	0
Speculative-Real Ethnoracial Spaces and the Formation of a Nepantlera Warrior	0
The Politics of the Poison Pen: Communism, Caricature, and Scapegoats in Ralph Ellison’s Invisible Man	0
Archive Notes: An Introduction to the Kazuo Ishiguro Papers	0
Ommateum and the Early Career of A. R. Ammons	0
The Other James: James Joyce, Henry James, and Seamus Deane’s Reading in the Dark	0
A Schoolhouse of Their Own: Economic Erotics in The Children’s Hour	0
The Latinx Fantastic: Robert Rodriguez and the Power of His Speculative Storytelling	0
Silence, Space, and Absence in Joseph Conrad’s African Fiction	0
About Our Cover Art	0
“The Moon Slides Down the Stair / To See Who’s There”: The Poetics of the Crossword and the Cross Words of Poetics	0
From Dawn Till Dusk: El Rey Network and the Evolution of Cable Television in the 2010s	0
Paradise Lost and the Genre of Disaster Films	0

What Is Aggro? Situationist Aesthetics in the Plays of Howard Brenton	0
Reading Pilgrim at Tinker Creek in the Digital Age: On Corpus Stylistics and “Intricacy”	0
Opium Smoking, Religion, and Commodity Culture in The Mystery of Edwin Drood	0
Miserable Communions: Sentimentality in Claudia Rankine’s Don’t Let Me Be Lonely: An American Lyric	0
Shakespeare the Formalist: Reading and Rewriting John Marston in the Poets’ War	0
The Politics of Black Domesticity in Martin R. Delany’s Blake, or the Huts of America	0
“No Sorcery”: Chess, Artistic Sensibility, and Subjective Development in The Queen’s Gambit	0
Jiujitsu of the Spirit: Trueblood, His Audience, and Lyrical Subversion in Ralph Ellison’s Invisible Man	0
Transnational Intimacy in Israel Potter	0
Charles d’Orléans’s “Fowle Langage”	0
Male Friendships and Betrayal in the Fiction of Graham Greene	0
Reading Post-slavery Subjectivities in Chris Ware’s Jimmy Corrigan: The Smartest Kid on Earth	0
The Unfinishedness & Untimeliness of A Raisin in the Sun	0
Howard Jacobson’s Shylock Is My Name and the Badiou-Agamben Debate on Paul the Apostle	0
Lautréamont, Anarchism, and the Origins of the Avant-Garde	0
The Daughter’s Paradox: Filial Piety and Rebellion in Three Chinese Mother-Daughter Narratives	0
Where Is HERE, When Is NOW? Literary “Presentism” after Romanticism	0
The Surprising Success of C. R. Maturin’s Bertram: A Collaboration with Scott, Byron, Kean, and Murray	0
The Dialectics of Barbarous Civilization: Black Transnational Modernism in Claude McKay’s Banjo	0
Narrative Closure in Kipling’s The Jungle Play	0
Reopening the Dan White Trial in Emily Mann’s Execution of Justice	0
Post-9/11-Disaster Katrina: Reenacting American Innocence in Dave Eggers’s Zeitoun	0
Out of the Closet and Into the Home: Gertrude Stein, Alice B. Toklas, and the Affordances of the Domestic Interior	0
Love as Subjectification in Kazuo Ishiguro’s Never Let Me Go	0
Teaching Pilgrim at Tinker Creek in Beijing	0
Negotiating the Politics of Chinese Fiction: The Case of Yan Lianke’s “Child”	0
Pilgrim Guide: Coming to Our Senses amid the Climate Crisis	0
“Observance of Civility”: Jewish Identity and Anxiety in Seinfeld and William Shakespeare’s The Merchant of Venice	0
Reimagining Community at the Open Marshland: Ecocritical Anti-Bildung in Kazuo Ishiguro’s Never Let Me Go	0
Romanticism and Consciousness, Revisited: A Roundtable Discussion	0
The Roots and Routes of Black Emancipation in Sutton Griggs’s Imperium in Imperio	0
Under the Sign of the Middle Passage: Black Solidarity Reimagined	0
End of the Road: Joan Didion, Hunter S. Thompson, and True Crime in the Auto-Apocalyptic West	0
Between Land and Settler Subjectivity: The Modernist Animal’s Territory in Katherine Mansfield’s “Prelude”	0
Creative Creatures	0
Introduction: Pilgrim at Tinker Creek at Fifty	0
“Why Am I a Girl?”: Gender Variance and the Racial Ideal in Frank Bidart’s “Ellen West”	0
Samuel Beckett’s Allusions to John Donne	0
“Understanding Each Other Perfectly”: The Desire for Unmediated Communion in Katherine Mansfield’s “Bliss”	0
“To Get a Feel for What This Means”: Annie Dillard’s Thought Experiments and the Quest to Understand Compassion	0
Paul Laurence Dunbar and the Naturalism/Dialect Poetry Divide	0
An Extremist’s Exercise: What We Can and Cannot Think and Say with Wallace Stevens	0
Lord Byron in Colonial Korea: Korean Intellectuals Pursuing National Freedom in the Spirit of Byron	0
Compromised Men and Aspiring Women: The Fatality of Romance in James M. Cain’s Depression-Era Novels	0
“You Are a Cortez!”: Robert Rodriguez’s Tejano Sensibility and Restorative Kinship in the Spy Kids Series	0
“The Surface on Which You Work”: Self-Alienation and the Culture of Narcissism in The Edible Woman	0
The Reading Closet	0
Nothing to See Here, Move On: A New Look at Humor in Aldous Huxley’s Mock-Dystopic Brave New World	0
Robert Rodriguez: Teaching Creativity	0
Owning a Sense of Perversity in Ellen Wood’s East Lynne	0

A Melting Glossary of Water: Seeping into Separations	0
Stevie as Revolutionary in Joseph Conrad’s The Secret Agent	0
Infinite Storms of Beauty: Hopkins, Dillard, and the Epistemology of Downturn, 1870s/1970s	0
The Importance of Being Earnest in The Importance of Being Earnest	0
Performing Race: Heterotopias in David Henry Hwang’s FOB and Bondage	0
Intratextual Ishiguro: Transitional Spaces and the Unmaking of Interpretative Communities	0
New Histories, Lost Causes, and “Alternative Facts”: Suzan-Lori Parks’s The America Play in the Age of Trump	0