OOIR: Observatory of International Research

Papers

(The median citation count of Texas Studies in Literature and Language is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)

Article	Citations
Emotional Repression in Kazuo Ishiguro’s Klara and the Sun	1
The Critique of Reason and Biopolitics in William Blake’s The Four Zoas	1
Between Transgression and Conviviality: Everyday Urban Space and the Carnivalesque Strategies in The Lonely Londoners	1
Masculine Capital / Yuppie Patriarchy: Visualizing the Noir Commodity in American Psycho	1
Roles That Contain and Restrain: Kazuo Ishiguro’s The Remains of the Day, Klara and the Sun, and Living	1
Ommateum and the Early Career of A. R. Ammons	0
The Other James: James Joyce, Henry James, and Seamus Deane’s Reading in the Dark	0
The Latinx Fantastic: Robert Rodriguez and the Power of His Speculative Storytelling	0
A Schoolhouse of Their Own: Economic Erotics in The Children’s Hour	0
About Our Cover Art	0
Silence, Space, and Absence in Joseph Conrad’s African Fiction	0
From Dawn Till Dusk: El Rey Network and the Evolution of Cable Television in the 2010s	0
“The Moon Slides Down the Stair / To See Who’s There”: The Poetics of the Crossword and the Cross Words of Poetics	0
Paradise Lost and the Genre of Disaster Films	0
What Is Aggro? Situationist Aesthetics in the Plays of Howard Brenton	0
Opium Smoking, Religion, and Commodity Culture in The Mystery of Edwin Drood	0
Miserable Communions: Sentimentality in Claudia Rankine’s Don’t Let Me Be Lonely: An American Lyric	0
Reading Pilgrim at Tinker Creek in the Digital Age: On Corpus Stylistics and “Intricacy”	0
The Politics of Black Domesticity in Martin R. Delany’s Blake, or the Huts of America	0
“No Sorcery”: Chess, Artistic Sensibility, and Subjective Development in The Queen’s Gambit	0
Shakespeare the Formalist: Reading and Rewriting John Marston in the Poets’ War	0
Transnational Intimacy in Israel Potter	0
Charles d’Orléans’s “Fowle Langage”	0
Jiujitsu of the Spirit: Trueblood, His Audience, and Lyrical Subversion in Ralph Ellison’s Invisible Man	0
Reading Post-slavery Subjectivities in Chris Ware’s Jimmy Corrigan: The Smartest Kid on Earth	0

The Unfinishedness & Untimeliness of A Raisin in the Sun	0
Male Friendships and Betrayal in the Fiction of Graham Greene	0
Howard Jacobson’s Shylock Is My Name and the Badiou-Agamben Debate on Paul the Apostle	0
Lautréamont, Anarchism, and the Origins of the Avant-Garde	0
The Daughter’s Paradox: Filial Piety and Rebellion in Three Chinese Mother-Daughter Narratives	0
Where Is HERE, When Is NOW? Literary “Presentism” after Romanticism	0
The Surprising Success of C. R. Maturin’s Bertram: A Collaboration with Scott, Byron, Kean, and Murray	0
Narrative Closure in Kipling’s The Jungle Play	0
The Dialectics of Barbarous Civilization: Black Transnational Modernism in Claude McKay’s Banjo	0
Post-9/11-Disaster Katrina: Reenacting American Innocence in Dave Eggers’s Zeitoun	0
Reopening the Dan White Trial in Emily Mann’s Execution of Justice	0
Love as Subjectification in Kazuo Ishiguro’s Never Let Me Go	0
Out of the Closet and Into the Home: Gertrude Stein, Alice B. Toklas, and the Affordances of the Domestic Interior	0
Negotiating the Politics of Chinese Fiction: The Case of Yan Lianke’s “Child”	0
Teaching Pilgrim at Tinker Creek in Beijing	0
Pilgrim Guide: Coming to Our Senses amid the Climate Crisis	0
“Observance of Civility”: Jewish Identity and Anxiety in Seinfeld and William Shakespeare’s The Merchant of Venice	0
Romanticism and Consciousness, Revisited: A Roundtable Discussion	0
The Roots and Routes of Black Emancipation in Sutton Griggs’s Imperium in Imperio	0
Reimagining Community at the Open Marshland: Ecocritical Anti-Bildung in Kazuo Ishiguro’s Never Let Me Go	0
End of the Road: Joan Didion, Hunter S. Thompson, and True Crime in the Auto-Apocalyptic West	0
Between Land and Settler Subjectivity: The Modernist Animal’s Territory in Katherine Mansfield’s “Prelude”	0
Under the Sign of the Middle Passage: Black Solidarity Reimagined	0
Introduction: Pilgrim at Tinker Creek at Fifty	0
“Why Am I a Girl?”: Gender Variance and the Racial Ideal in Frank Bidart’s “Ellen West”	0
Creative Creatures	0
“Understanding Each Other Perfectly”: The Desire for Unmediated Communion in Katherine Mansfield’s “Bliss”	0
“To Get a Feel for What This Means”: Annie Dillard’s Thought Experiments and the Quest to Understand Compassion	0
Samuel Beckett’s Allusions to John Donne	0
Paul Laurence Dunbar and the Naturalism/Dialect Poetry Divide	0
An Extremist’s Exercise: What We Can and Cannot Think and Say with Wallace Stevens	0
Lord Byron in Colonial Korea: Korean Intellectuals Pursuing National Freedom in the Spirit of Byron	0
Compromised Men and Aspiring Women: The Fatality of Romance in James M. Cain’s Depression-Era Novels	0
“The Surface on Which You Work”: Self-Alienation and the Culture of Narcissism in The Edible Woman	0
“You Are a Cortez!”: Robert Rodriguez’s Tejano Sensibility and Restorative Kinship in the Spy Kids Series	0
Nothing to See Here, Move On: A New Look at Humor in Aldous Huxley’s Mock-Dystopic Brave New World	0
The Reading Closet	0
Owning a Sense of Perversity in Ellen Wood’s East Lynne	0
Robert Rodriguez: Teaching Creativity	0
Stevie as Revolutionary in Joseph Conrad’s The Secret Agent	0
A Melting Glossary of Water: Seeping into Separations	0
The Importance of Being Earnest in The Importance of Being Earnest	0
Infinite Storms of Beauty: Hopkins, Dillard, and the Epistemology of Downturn, 1870s/1970s	0
Intratextual Ishiguro: Transitional Spaces and the Unmaking of Interpretative Communities	0
New Histories, Lost Causes, and “Alternative Facts”: Suzan-Lori Parks’s The America Play in the Age of Trump	0
Performing Race: Heterotopias in David Henry Hwang’s FOB and Bondage	0
Vampirism in the Ether: Radio’s Horrific Potential in Orson Welles’s “Dracula”	0
Myth, Historical Metaphor, and Figuration: Aaron the Moor in Titus Andronicus	0
The Wizard of Awe: An Introduction in Three Parts	0
A Rite of Finitude: Richard Wilbur’s Hermeneutic Ontology	0

The South/Western Gothic: White Capitalist Zombies in Katherine Anne Porter’s Noon Wine	0
A Man in Search of Family: Kinship and Decline in Michel Houellebecq’s Submission	0
Irony, Recusancy, and Repentance in Robert Southwell’s Saint Peter’s Complaint	0
García Márquez’s Literary Smuggling in The Story of a Shipwrecked Sailor	0
Speculative-Real Ethnoracial Spaces and the Formation of a Nepantlera Warrior	0
The Politics of the Poison Pen: Communism, Caricature, and Scapegoats in Ralph Ellison’s Invisible Man	0
Archive Notes: An Introduction to the Kazuo Ishiguro Papers	0