OOIR: Observatory of International Research

Papers

(The TQCC of Style is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)

Article	Citations
“Covert Progression” and Dual Narrative Dynamics	5
Interpreting Fictionality and Ontological Blurrings in and between Lance Olsen's <em>Theories of Forgetting</em> and <em>there's no place like time</em>	4
Uncertain Ontologies in Twenty-First-Century Storyworlds	3
One Focalization, Dual Progression, and Twofold Irony	2
“It all feels too real”: Digital Storyworlds and “Ontological Resonance”	2
Stories and Emails and Response-Times: Poetics of Textual Gift-Exchange in Sally Rooney's <em>Normal People</em>	1
Covert Progression as Causal Complexity	1
Fruitless Search for Coherence: A Transcultural Perspective on Netflix’s Adaptation of Empresses in the Palace	1
Rewriting the Quixotic Novel in Charlotte Lennox’sThe Female Quixote	1
“How was I supposed to know what he was up to?”: On Cee's Mind-Reading Education in Toni Morrison's <em>Home</em>	1
Mediating a Western Classic in China: Woodcuts, Iconic Narrative, and the 1903 Chinese Translation of J. D. Wyss’s The Swiss Family Robinson	1
Ontological Instability and the Place of the Subject in Contemporary Fiction	1
Modeling Literary Criticism: How to Do It and How to Teach It to Humans and Machines	1
Extending Shen's “Covert Progression and Dual Dynamics” to Drama Analysis	1
Markers of Ælfric's Style	1
Laissez-Faire Storytelling: Fictionality, Post-Factuality, and the Filmic Voice in Joshua Oppenheimer’s Documentary The Act of Killing (2012)	1
Representational Intelligibility and the Confines of Framing the Self: Carmen Maria Machado’sIn the Dream House	1
The Dark Inside the Prologue: Enactive Cognition and Eerie Ontology in Catherynne M. Valente's <em>Radiance</em>	1
Dan Shen's Rhetorical Narratology and Umberto Eco's Semiotic Theory of Interpretation	1
Poetical Siblings: Thomson’s Vignette of Celadon and Amelia Transformed	1
Debating and Extending “Covert Progression” and Dual Dynamics: Rejoinders to Scholars	1
Doing Hard Time: Narrative Order in Detective Fiction	1
Jackass, Ritual Clowning, and the Comic Themes of Universal Occurrence	1
The Undernarrated and the Overnarrated	0
The Art of Being Philip Roth	0

Response to Dan Shen	0
Aubrey de Vere’s Political Passions in His Sonnet on Milton Annotated by Landor	0
Ford Madox Ford	0
The Rhetoric of Solecisms	0
Metagenre in Paradise Lost and Paradise Regained: Its Relevance to Milton’s Presentation of the Son’s Self-Sacrificial Epic Heroism	0
Diaphanous Bodies: Ability, Disability, and Modernist Irish Literature	0
Conversations avec / with Dean Tavoularis	0
The Polysemic Comedy of Too Busy to Work	0
Navigating Women’s Friendships in American Literature and Culture	0
“Popping into Your Mind’s Eye”: Covert Multimodality in David Foster Wallace’s “The Soul Is Not a Smithy”	0
Victorian Women Writers and the Other Germany: Cross-Cultural Freedoms and Female Opportunity	0
A Forgotten Anthology: Jacqueline Trotter's <em>Valour and Vision: Poems of the War 1914–1918</em>	0
British Formalist Aesthetics and Its Literary Writing Practice	0
99 Ways to Retell a Story: The Styles and Functions of Narrator Reconstrual	0
The Pragmatics of Fiction: Literature, Stage and Screen Discourse	0
Fictional Worlds Theory Problematized: Global Logical Impossibilities in Vladimir Nabokov’s Novels	0
Creepiness and the Uncanny	0
Review	0
Poetry Lies: Poststructuralism and Robert Lowell’s Idea of Literary Representation	0
Criticism and Evaluation of Nie Zhenzhao's <em>Studies of Ethical Literary Criticism</em>	0
Language, Social Media and Ideologies: Translingual Englishes, Facebook and Authenticities	0
Narrative Retellings: Stylistic Approaches	0
Milton in China	0
Dis/Appearance for Appeal: On Marianne Moore’s “Performing” Archive	0
Happenings and Story: A Response to Dan Shen's “Covert Progression”	0
Review	0
Metalepsis and Stevens’ Abstraction	0
Dan Shen's “Dual Dynamics” and Dual Audience of Literary Fairy Tales	0
Dual Narrative Dynamics and the Critique of Privilege	0
Emily Dickinson’s Poetic Art: A Cognitive Reading	0
Listen to What the Body Says: Reading Unnatural Narratives in Light of Readers’ Affective Responses	0
Review	0
Reading Dual Progression: A View from <em>The Hilltop</em>	0
“What came is gone forever every time”: Embedded Pentameter and Loss in Allen Ginsberg’s “Kaddish”	0
Editors' Note	0
“the terror of sheer bigness”: Microplotting Immensity in Frank Norris's <em>The Octopus</em>	0
Narrative Dynamics and Narrative Theory	0
On the Verge of Verse: Charles Reznikoff’s Lineations in Holocaust	0
Experiencing Poetry. A Guidebook to Psychopoetics	0
Reviewers for <em>Style</em>, Spring 2020 to Spring 2021	0
Establishing Time Criticism	0
Retelling Cinderella: Cultural and Creative Transformations	0
A New Paradigm of Home-Mapping for Literary Cartography	0
Between Science and Society: Charting the Space of Science Fiction	0
Melville, Beauty, and American Literary Studies: An Aesthetics in All Things	0
The Renaissance Revisited	0
Philip Roth	0
Human Evolution and Fantastic Victorian Fiction	0
1948: A Critical and Creative Prequel to George Orwell’s 1984	0
The Victorian Cult of Shakespeare: Bardology in the Nineteenth Century	0

Front Matter	0
Extended Remembering: Georges Perec and Writing as Thinking	0
The Face of the Future: An Affective Mental Time Traveler in Saul Bellow’s “A Father-to-Be”	0
Eighteenth-Century Illustration and Literary Material Culture: Richardson, Thomson, Defoe	0
Falling Movements in Free Verse: Turning Back in Poems by William Carlos Williams and Sylvia Plath	0
The Contextual Model for Poem Translations and Criticisms: An Enlightenment from Wang Guowei’s Realm of Poetic World	0
Stylistics, Narratology, and Point of View: Partiality, Complementarity, and a New Definition	0
A Note on Medium and Language in Narrative	0
Surprised by Sound: Rhyme’s Inner Workings	0
Toward Embodied Defamiliarization: Immersion, Predictive Processing, and Anna Kavan’s Ice	0
Philip Roth, Mikhail Bakhtin, and the Dialogic Didactic	0
Review	0
The Fascination of Imitation: What Social Neuroscience Reveals about Do Androids Dream of Electric Sheep?	0
Review	0
The Art and Thought of the Beowulf Poet	0
Review	0
Contemporary Fiction and Climate Uncertainty: Narrating Unstable Futures	0
Yu Yan or Fable: The Earliest Introductions to The Canterbury Tales in China	0
Conrad’s Son	0
Phraseology and Style in Subgenres of the Novel: A Synthesis of Corpus and Literary Perspectives	0
Thoughts on “Dual Narrative Dynamics”	0
Stage Directions and the Insistent Narrator in Brian Friel	0
Style and Reader Response. Minds, Media, Method	0
Arts of Healing: Cultural Narratives of Trauma	0
A Tale of Two Theories	0
Response to Gerald Prince	0
Thirty-Six Unpublished Letters from William Henry Davies to Edward Thomas	0
Warped Writing: The Ontography of Contemporary Fiction	0
Afterword: Earnest Ontology in the Year of the Flood	0
Structuralist Pedagogy, Style, and Composition Studies: Past Paradigms’ Unfinished Possibilities	0
Binary Systems, Deeper Meanings, and “Correct” Pictures of Narratives: A Few Comments on Dan Shen's Analyses of Covert Progressions	0
Review	0
Narrative Theory and Neuroscience: Why Human Nature Matters	0
“Life in death”: Decolonizing Trauma in Sinan Antoon’s The Corpse Washer	0
Categorization and Inference, or How do Museums Sort Their Stuff?	0
Joyce and Lawrence: Virtuous Immoralists	0
Some Versions of Pastoral and Related Writings	0
Front Matter	0
The Case of Literary Journalism: Rethinking Fictionality, Narrativity, and Imagination	0
Excavating Stephen King: A Darwinist Hermeneutic Study of the Fiction	0
The Essay at the Limits: Poetics, Politics and Form	0
Othered Temporalities and Possibilities: The Question of Narrative Synthesis in Paul Ricoeur’s Hermeneutics and Anthony Doerr’sAbout Grace	0
The Reading, Translation, and Rewriting of Shakespeare’s Sonnets in China	0
Virginia Woolf’s Mythical Method	0
Essays in Narrative and Fictionality: Reassessing Nine Central Concepts	0
Review	0
New Directions in Cognitive Grammar and Style	0
Plotting Against Plausibility: Toward a Poetics of the Improbable	0
Dual Narrative Dynamics	0
Probing Covert Progressions	0
Review	0
A Graveyard Smash: Analyzing Embodied Memories in Lincoln in the Bardo	0
Chinese Narrotologies	0
Stylistic Approaches to Pop Culture	0
Trauma, Mind Style, and Unreliable Narration in Toni Morrison’sHome	0
And What If Overt Plot and Covert Progression <em>Are</em> Connected?	0
Comparative/Historical Poetics in an Age of Cultural Studies	0
Angus Fletcher. <em>Wonderworks. The 25 Most Powerful Inventions in the History of Literature</em>	0
The Carceral Imaginary	0
Dan Shen's Theory of Dual Narrative Dynamics Linked to Ian McEwan's <em>Atonement</em>	0
“Radical” Jonathan Bate: A Search for the Roots	0
W. B. Yeats: An Unpublished Letter	0
Spatial Literary Studies: Interdisciplinary Approaches to Space, Geography, and the Imagination	0
Review	0
Theorizing Dual Progression: Some Questions for Dan Shen	0
Ontological Instability and Nonhuman Presence in Twenty-First-Century New York Fiction	0
Poetic Style and Innovation in Old English, Old Norse, and Old Saxon	0
Character: Three Inquiries in Literary Studies	0
Review	0
Review	0
Front Matter	0
Poet as Literary Cartographer: Literary Cartography in Elizabeth Bishop’s “The Map”	0
From Theory to Data and Back Again: Authors’ Intentions, Characters’ Agency, and the Phenomenology of Writing Narrative	0
A Life with Poetry: The Development of Poetic Literacy	0
Review	0
The Evasion of Literary History	0
Front Matter	0
Review	0
Making Poetry from Prose: Robert Herrick’s Exercises in Paraphrase	0