Style

Papers
(The median citation count of Style is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-03-01 to 2024-03-01.)
ArticleCitations
“Covert Progression” and Dual Narrative Dynamics5
Uncertain Ontologies in Twenty-First-Century Storyworlds3
Interpreting Fictionality and Ontological Blurrings in and between Lance Olsen's <em>Theories of Forgetting</em> and <em>there's no place like time</em>2
Markers of Ælfric's Style1
“How was I supposed to know what he was up to?”: On Cee's Mind-Reading Education in Toni Morrison's <em>Home</em>1
Stories and Emails and Response-Times: Poetics of Textual Gift-Exchange in Sally Rooney's <em>Normal People</em>1
Modeling Literary Criticism: How to Do It and How to Teach It to Humans and Machines1
One Focalization, Dual Progression, and Twofold Irony1
Debating and Extending “Covert Progression” and Dual Dynamics: Rejoinders to Scholars1
Laissez-Faire Storytelling: Fictionality, Post-Factuality, and the Filmic Voice in Joshua Oppenheimer’s Documentary The Act of Killing (2012)1
Dan Shen's Rhetorical Narratology and Umberto Eco's Semiotic Theory of Interpretation1
Poetical Siblings: Thomson’s Vignette of Celadon and Amelia Transformed1
Doing Hard Time: Narrative Order in Detective Fiction1
The Dark Inside the Prologue: Enactive Cognition and Eerie Ontology in Catherynne M. Valente's <em>Radiance</em>1
Covert Progression as Causal Complexity1
Fruitless Search for Coherence: A Transcultural Perspective on Netflix’s Adaptation of Empresses in the Palace1
99 Ways to Retell a Story: The Styles and Functions of Narrator Reconstrual0
Stylistics, Narratology, and Point of View: Partiality, Complementarity, and a New Definition0
Review0
And What If Overt Plot and Covert Progression <em>Are</em> Connected?0
Mediating a Western Classic in China: Woodcuts, Iconic Narrative, and the 1903 Chinese Translation of J. D. Wyss’s The Swiss Family Robinson0
“Radical” Jonathan Bate: A Search for the Roots0
Conrad’s Son0
Stage Directions and the Insistent Narrator in Brian Friel0
Between Science and Society: Charting the Space of Science Fiction0
Comparative/Historical Poetics in an Age of Cultural Studies0
Style and Reader Response. Minds, Media, Method0
Review0
Phraseology and Style in Subgenres of the Novel: A Synthesis of Corpus and Literary Perspectives0
A New Paradigm of Home-Mapping for Literary Cartography0
Dual Narrative Dynamics and the Critique of Privilege0
The Carceral Imaginary0
Philip Roth0
The Evasion of Literary History0
Review0
Review0
“the terror of sheer bigness”: Microplotting Immensity in Frank Norris's <em>The Octopus</em>0
A Note on Medium and Language in Narrative0
Warped Writing: The Ontography of Contemporary Fiction0
Review0
Joyce and Lawrence: Virtuous Immoralists0
Ontological Instability and the Place of the Subject in Contemporary Fiction0
From Theory to Data and Back Again: Authors’ Intentions, Characters’ Agency, and the Phenomenology of Writing Narrative0
Trauma, Mind Style, and Unreliable Narration in Toni Morrison’sHome0
The Case of Literary Journalism: Rethinking Fictionality, Narrativity, and Imagination0
Retelling Cinderella: Cultural and Creative Transformations0
Jackass, Ritual Clowning, and the Comic Themes of Universal Occurrence0
Surprised by Sound: Rhyme’s Inner Workings0
The Renaissance Revisited0
Virginia Woolf’s Mythical Method0
The Reading, Translation, and Rewriting of Shakespeare’s Sonnets in China0
The Fascination of Imitation: What Social Neuroscience Reveals about Do Androids Dream of Electric Sheep?0
The Victorian Cult of Shakespeare: Bardology in the Nineteenth Century0
Review0
British Formalist Aesthetics and Its Literary Writing Practice0
Editors' Note0
Language, Social Media and Ideologies: Translingual Englishes, Facebook and Authenticities0
A Graveyard Smash: Analyzing Embodied Memories in Lincoln in the Bardo0
Angus Fletcher. <em>Wonderworks. The 25 Most Powerful Inventions in the History of Literature</em>0
Criticism and Evaluation of Nie Zhenzhao's <em>Studies of Ethical Literary Criticism</em>0
Experiencing Poetry. A Guidebook to Psychopoetics0
Happenings and Story: A Response to Dan Shen's “Covert Progression”0
Spatial Literary Studies: Interdisciplinary Approaches to Space, Geography, and the Imagination0
Ontological Instability and Nonhuman Presence in Twenty-First-Century New York Fiction0
Dan Shen's Theory of Dual Narrative Dynamics Linked to Ian McEwan's <em>Atonement</em>0
Rewriting the Quixotic Novel in Charlotte Lennox’sThe Female Quixote0
Poetic Style and Innovation in Old English, Old Norse, and Old Saxon0
Response to Gerald Prince0
Review0
Front Matter0
Arts of Healing: Cultural Narratives of Trauma0
Review0
Metagenre in Paradise Lost and Paradise Regained: Its Relevance to Milton’s Presentation of the Son’s Self-Sacrificial Epic Heroism0
Reviewers for <em>Style</em>, Spring 2020 to Spring 20210
Structuralist Pedagogy, Style, and Composition Studies: Past Paradigms’ Unfinished Possibilities0
Establishing Time Criticism0
Categorization and Inference, or How do Museums Sort Their Stuff?0
Narrative Theory and Neuroscience: Why Human Nature Matters0
Narrative Dynamics and Narrative Theory0
Afterword: Earnest Ontology in the Year of the Flood0
The Pragmatics of Fiction: Literature, Stage and Screen Discourse0
Extended Remembering: Georges Perec and Writing as Thinking0
On the Verge of Verse: Charles Reznikoff’s Lineations in Holocaust0
Representational Intelligibility and the Confines of Framing the Self: Carmen Maria Machado’sIn the Dream House0
Aubrey de Vere’s Political Passions in His Sonnet on Milton Annotated by Landor0
Some Versions of Pastoral and Related Writings0
Excavating Stephen King: A Darwinist Hermeneutic Study of the Fiction0
Chinese Narrotologies0
Contemporary Fiction and Climate Uncertainty: Narrating Unstable Futures0
The Essay at the Limits: Poetics, Politics and Form0
“Popping into Your Mind’s Eye”: Covert Multimodality in David Foster Wallace’s “The Soul Is Not a Smithy”0
Probing Covert Progressions0
Stylistic Approaches to Pop Culture0
Essays in Narrative and Fictionality: Reassessing Nine Central Concepts0
Review0
Review0
Othered Temporalities and Possibilities: The Question of Narrative Synthesis in Paul Ricoeur’s Hermeneutics and Anthony Doerr’sAbout Grace0
Poet as Literary Cartographer: Literary Cartography in Elizabeth Bishop’s “The Map”0
Milton in China0
Narrative Retellings: Stylistic Approaches0
Review0
Thoughts on “Dual Narrative Dynamics”0
Metalepsis and Stevens’ Abstraction0
Listen to What the Body Says: Reading Unnatural Narratives in Light of Readers’ Affective Responses0
Dis/Appearance for Appeal: On Marianne Moore’s “Performing” Archive0
Review0
Theorizing Dual Progression: Some Questions for Dan Shen0
Thirty-Six Unpublished Letters from William Henry Davies to Edward Thomas0
Review0
Dan Shen's “Dual Dynamics” and Dual Audience of Literary Fairy Tales0
Response to Dan Shen0
Character: Three Inquiries in Literary Studies0
Binary Systems, Deeper Meanings, and “Correct” Pictures of Narratives: A Few Comments on Dan Shen's Analyses of Covert Progressions0
Front Matter0
Front Matter0
A Forgotten Anthology: Jacqueline Trotter's <em>Valour and Vision: Poems of the War 1914–1918</em>0
Reading Dual Progression: A View from <em>The Hilltop</em>0
Making Poetry from Prose: Robert Herrick’s Exercises in Paraphrase0
A Tale of Two Theories0
Review0
“It all feels too real”: Digital Storyworlds and “Ontological Resonance”0
Philip Roth, Mikhail Bakhtin, and the Dialogic Didactic0
New Directions in Cognitive Grammar and Style0
Front Matter0
The Undernarrated and the Overnarrated0
Human Evolution and Fantastic Victorian Fiction0
The Art of Being Philip Roth0
Ford Madox Ford0
Fictional Worlds Theory Problematized: Global Logical Impossibilities in Vladimir Nabokov’s Novels0
Creepiness and the Uncanny0
The Rhetoric of Solecisms0
The Contextual Model for Poem Translations and Criticisms: An Enlightenment from Wang Guowei’s Realm of Poetic World0
Extending Shen's “Covert Progression and Dual Dynamics” to Drama Analysis0
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