Style

Papers
(The median citation count of Style is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-05-01 to 2025-05-01.)
ArticleCitations
Dis/Appearance for Appeal: On Marianne Moore’s “Performing” Archive2
Chinese Narrotologies2
Human Evolution and Fantastic Victorian Fiction2
Stylistics, Narratology, and Point of View: Partiality, Complementarity, and a New Definition1
Simulation, the Paradox of Fiction, and Rhetorical Reading: Saying “Yes, and” to Patrick Hogan1
Mediating a Western Classic in China: Woodcuts, Iconic Narrative, and the 1903 Chinese Translation of J. D. Wyss’s The Swiss Family Robinson1
Why Cognitive Literary Studies Cannot Do Without Culture1
Milton in China1
Response to Patrick Colm Hogan’s Article on Literary Universals and Culture1
Old Wine in a New Bottle? Literary Universal, Poetics, and Hermeneutics1
Narrative Theory and Neuroscience: Why Human Nature Matters1
Extending the Frontiers of Story Universals: The Spiritual Dimension1
Conrad’s Son0
The Problems of “Culture,” and the Future of Universals: A Rejoinder0
Metalepsis and Stevens’ Abstraction0
Comparative/Historical Poetics in an Age of Cultural Studies0
Conversations avec / with Dean Tavoularis0
Some Versions of Pastoral and Related Writings0
Poetry Lies: Poststructuralism and Robert Lowell’s Idea of Literary Representation0
Fruitless Search for Coherence: A Transcultural Perspective on Netflix’s Adaptation of Empresses in the Palace0
On the Verge of Verse: Charles Reznikoff’s Lineations in Holocaust0
Metagenre in Paradise Lost and Paradise Regained: Its Relevance to Milton’s Presentation of the Son’s Self-Sacrificial Epic Heroism0
Retelling Cinderella: Cultural and Creative Transformations0
The Case of Literary Journalism: Rethinking Fictionality, Narrativity, and Imagination0
A Review of Intimate Eating: Racialized Spaces and Radical Futures0
The Polysemic Comedy of Too Busy to Work0
Philip Roth0
Essays in Narrative and Fictionality: Reassessing Nine Central Concepts0
Narrative Retellings: Stylistic Approaches0
The Pragmatics of Fiction: Literature, Stage and Screen Discourse0
The Face of the Future: An Affective Mental Time Traveler in Saul Bellow’s “A Father-to-Be”0
EDITORS’ NOTE0
W. B. Yeats: An Unpublished Letter0
Ford Madox Ford0
The Undernarrated and the Overnarrated0
Surprised by Sound: Rhyme’s Inner Workings0
Response to Hogan0
From Theory to Data and Back Again: Authors’ Intentions, Characters’ Agency, and the Phenomenology of Writing Narrative0
Structuralist Pedagogy, Style, and Composition Studies: Past Paradigms’ Unfinished Possibilities0
Poetical Siblings: Thomson’s Vignette of Celadon and Amelia Transformed0
What Literary Universals Are and What Culture Is Not: The Example of Descriptive Ethics0
Contemporary Fiction and Climate Uncertainty: Narrating Unstable Futures0
Thirty-Six Unpublished Letters from William Henry Davies to Edward Thomas0
Poet as Literary Cartographer: Literary Cartography in Elizabeth Bishop’s “The Map”0
1948: A Critical and Creative Prequel to George Orwell’s 19840
Fictional Worlds Theory Problematized: Global Logical Impossibilities in Vladimir Nabokov’s Novels0
Falling Movements in Free Verse: Turning Back in Poems by William Carlos Williams and Sylvia Plath0
A Graveyard Smash: Analyzing Embodied Memories in Lincoln in the Bardo0
Between Science and Society: Charting the Space of Science Fiction0
Stylistic Approaches to Pop Culture0
Making Poetry from Prose: Robert Herrick’s Exercises in Paraphrase0
A Tale of Two Theories0
Character: Three Inquiries in Literary Studies0
Toward Embodied Defamiliarization: Immersion, Predictive Processing, and Anna Kavan’s Ice0
Establishing Time Criticism0
“What came is gone forever every time”: Embedded Pentameter and Loss in Allen Ginsberg’s “Kaddish”0
Style and Reader Response. Minds, Media, Method0
Three Conceptions of Culture0
A New Paradigm of Home-Mapping for Literary Cartography0
Nonnegligible Literary/Cultural Differences Beside Literary/Cultural Universals0
The Essay at the Limits: Poetics, Politics and Form0
Poetic Style and Innovation in Old English, Old Norse, and Old Saxon0
Eighteenth-Century Illustration and Literary Material Culture: Richardson, Thomson, Defoe0
REtrying: The Genre of Romance from the Round Table to Around the Pool0
“Life in death”: Decolonizing Trauma in Sinan Antoon’s The Corpse Washer0
Response to Hogan0
Laissez-Faire Storytelling: Fictionality, Post-Factuality, and the Filmic Voice in Joshua Oppenheimer’s Documentary The Act of Killing (2012)0
Stage Directions and the Insistent Narrator in Brian Friel0
Representational Intelligibility and the Confines of Framing the Self: Carmen Maria Machado’sIn the Dream House0
Beowulf: Translation and Commentary0
Jackass, Ritual Clowning, and the Comic Themes of Universal Occurrence0
British Formalist Aesthetics and Its Literary Writing Practice0
New Directions in Cognitive Grammar and Style0
Truths Universally Acknowledged: Memorable Opening Sentences in the Novel0
A Life with Poetry: The Development of Poetic Literacy0
Aubrey de Vere’s Political Passions in His Sonnet on Milton Annotated by Landor0
Plotting Against Plausibility: Toward a Poetics of the Improbable0
Rewriting the Quixotic Novel in Charlotte Lennox’sThe Female Quixote0
Excavating Stephen King: A Darwinist Hermeneutic Study of the Fiction0
The Fascination of Imitation: What Social Neuroscience Reveals about Do Androids Dream of Electric Sheep?0
Contemporary Narrative and the Spectrum of Materiality0
Trauma, Mind Style, and Unreliable Narration in Toni Morrison’sHome0
Spatial Literary Studies: Interdisciplinary Approaches to Space, Geography, and the Imagination0
Literary Universals and Their Implications for Literary Theory0
Phraseology and Style in Subgenres of the Novel: A Synthesis of Corpus and Literary Perspectives0
Literary Universals and Eco-Cosmopolitan Ethics0
Diaphanous Bodies: Ability, Disability, and Modernist Irish Literature0
The Evasion of Literary History0
Fail Better, Fail Worse0
The Rhetoric of Solecisms0
Victorian Women Writers and the Other Germany: Cross-Cultural Freedoms and Female Opportunity0
Partial Universals in Literature0
The Renaissance Revisited0
Linked Words, Linked Worlds: Metaphor(ic) Transformation as Intertextual Narrative Strategy in Rewrites of Shakespeare’s Plays0
What’s in a Name: Can “Universality” Be Resuscitated?0
Widespread Stories, Moral Shows0
Experiencing Poetry. A Guidebook to Psychopoetics0
Navigating Women’s Friendships in American Literature and Culture0
Emily Dickinson’s Poetic Art: A Cognitive Reading0
A Response to Hogan’s “What Literary Universals Are and What Culture Is Not: The Example of Descriptive Ethics”0
“Popping into Your Mind’s Eye”: Covert Multimodality in David Foster Wallace’s “The Soul Is Not a Smithy”0
Philip Roth, Mikhail Bakhtin, and the Dialogic Didactic0
Othered Temporalities and Possibilities: The Question of Narrative Synthesis in Paul Ricoeur’s Hermeneutics and Anthony Doerr’sAbout Grace0
The Victorian Cult of Shakespeare: Bardology in the Nineteenth Century0
The Contextual Model for Poem Translations and Criticisms: An Enlightenment from Wang Guowei’s Realm of Poetic World0
Virginia Woolf’s Mythical Method0
The Art of Being Philip Roth0
Shakespearean Genre: A Practice of Historical Poetics0
Listen to What the Body Says: Reading Unnatural Narratives in Light of Readers’ Affective Responses0
Diegetic Narrators and Narrations in Proust’s Recherche0
The Reading, Translation, and Rewriting of Shakespeare’s Sonnets in China0
99 Ways to Retell a Story: The Styles and Functions of Narrator Reconstrual0
Dual Narrative Dynamics0
One Focalization, Dual Progression, and Twofold Irony0
Arts of Healing: Cultural Narratives of Trauma0
Melville, Beauty, and American Literary Studies: An Aesthetics in All Things0
Yu Yan or Fable: The Earliest Introductions to The Canterbury Tales in China0
Language, Social Media and Ideologies: Translingual Englishes, Facebook and Authenticities0
Extended Remembering: Georges Perec and Writing as Thinking0
The Art and Thought of the Beowulf Poet0
Creepiness and the Uncanny0
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