Studies in Conservation

Papers
(The median citation count of Studies in Conservation is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-02-01 to 2025-02-01.)
ArticleCitations
Finding a Temporary Adhesive for Securing Objects for Display in Earthquake-Prone Regions8
Polymer Matrix and Stone Powder Based Composite Mortar for the Restoration of Sille Stone Structures8
Before the Fire: Experiments on Fire-protecting Cover Materials7
Leeb Hardness Approach in the Determination of Strength after Accelerated Weathering Tests7
A Digital Study of the Morphological and Stability Issues of a Delicate Wax-based Artwork7
Environmental Conditions for Danish Storage Buildings: A Summary of 20 Years of Air Quality Surveys7
Trialling an Accessible Non-Contact Photogrammetric Monitoring Technique to Detect 3D Change on Wall Paintings5
The Nucleus of Color: Analysis of Hélio Oiticica’s Studio Materials5
Manufacturing Variations in ISO Blue Wool Fading Standards under Microfading Exposure Conditions5
An Example of Integrated Geological Survey of Geomaterials and their Weathering Forms: the Reggia di Caserta Main Façade5
Better Use of Showcases for Preservation and Sustainability5
A Critical Assessment of A-D Strips® Used in Degradation Studies of Artworks Made from Cellulose Acetate4
Interrogating Pollutants in Collecting Institutions During the Implementation of HVAC Energy-Saving Strategies: Lessons Learned and Practical Implications for Optimizing Sustainable Environmental Cont4
The Making of Mike Kelley’s The Wages of Sin’s Exhibition Copy: Replication as a Means of Preservation4
A Study of Protective Coatings for Archaeological Silver4
A Complete Methodology for Structural Finite Element Analysis of Terracotta Sculptures Based on a 3D Scanned Model: A Case Study on the Terracotta Warriors (China)4
A Cultural Threat: Gastrallus pubens Fairmaire (Coleoptera, Ptinidae) and Biodeterioration of Rare Books in Italy4
Greenwashing Revelations through Revision: Re-evaluating Sustainability Claims for Bioplastics4
The GREENART Project: Environmentally Friendly and Low Impact Materials for the Conservation of Cultural Heritage3
Conservators Delivering Change3
Protecting Three-Dimensional Museum Collections During Transport: Engineering and Evaluation of Transport Crates Featuring Wire-Rope Isolators for Improved Vibration Mitigation3
Variants of Concern: Authenticity, Conservation, and the Type-Token Distinction3
Giuseppe Torres’s ‘Byzantine House' in Venice: Building Materials and Deterioration Products of an Early 1900s Home in the Lagoon Environment3
Pleasing the Wrathful Deities: Ethical Approaches to the Care of Tibetan Skull Drums3
Looking Back to Move Forward: Continuing Community-centric Practices for Conservation and Collection Care of Pacific Collections in an Australian Museum3
In the Heat of the Moment: Testing Fire-Protective Covers for Mitigating Damage to Large Historic Inventories3
Research on the Corrosion Mechanism of Ancient Celadons from the Dalian Island No. 1 Shipwreck3
Collaborating with a Source Community to Conserve two Sámi Coffee Bags by Combining Established Conservation Treatments and Traditional Preservation Methods3
Dissociation and Loss: a Challenge for Sustainable and Inclusive Conservation3
Saving the Seat of Democracy: The Restoration of the Palace of Westminster3
Revolutionary Conservation and the Evolution of Conservatism: I. E. Grabar and the Design of Socialist Monument Protection Policy in the Russian Soviet Socialist Republic3
Conservation of Dong Minority Wooden Structures: In Situ Material Investigation of the Yashang Drum Tower in Hunan, China3
Reducing Energy Use Through Behavioural Change: Carbon Literacy Training for Archives in the UK2
Strengthening Training in the Conservation of Cultural Heritage Through Academic Collaboration2
A Multidisciplinary Approach to the Conservation of Salūt, Sultanate of Oman2
The Technical Analysis and Conservation of John La Farge’s Newport Congregational Church Mural Decorations (1880) in Newport, Rhode Island2
Fire Risk Assessment in Museums on the HERIe Web-based Decision-supporting Platform2
Sustainable Conservation Solutions in a Hostile Environment: The Historic Huts of Antarctica2
Risk Assessment and Monitoring of Termites in the Forbidden City under Global Warming2
The Positive Role of Trees in Protecting Outdoor Painted and Engraved Rock Sites2
Technical Analysis and Attribution of an Unknown Henryk Siemiradzki Nineteenth Century Painting The Feast of Dionysius I, Revealing a Hidden Composition2
Disruptive Conservation: Challenging Conservation Orthodoxy2
Materials Analysis of Two Nineteenth-century Brazilian Polychrome Sculptures to Reveal Their History and Significance2
Amplifying Indigenous Australian Voices in the Conservation and Management of Rock Art2
A Note of Caution on the Use of Calcium Nanoparticle Dispersions as Deacidifying Agents2
Analysis of the Impact Factor and JCR Rankings in Conservation Science Journals: Why JCR Should Have a Heritage Category2
Improving Sustainability for the Conservation of the Eravimangalam Subramanyaswamy Temple: Virtual Reconstruction and Greener Formulations as a Means of Involving the Community2
Towards a National Heritage Climate Change Risk Assessment2
UK Museums and Heritage Sustainable Packing Group: Exploring Sustainable Strategies for Soft Wrapping Paintings2
Selective Electrochemical Treatment of Naturally Aged Silver Alloy Artefacts2
Sustainable Cultural Preservation in Central Asia – Involving Local Communities as Caretakers of Archaeological Sites2
Mosaic Materials in an Art Deco Steel-framed Building2
Conserving Context and Community: Reconnecting an Illegally Excavated, Precolonial Dugout Canoe to its Community2
Construction Wisdom: Preserving Venice with Both Tradition and Innovation2
Defining Sustainable Priorities and Actions for Storage of a Public Archive: A UK Case Study2
A Case of Identity: A Technical Study of Victorian Wallpapers2
Distribution of In-plane Physical Properties of Handmade Xuan Paper: Revealing the Effects of the Sheet Forming Process and the Folded State on Handmade Xuan Paper2
International Cooperation between Korea and Cambodia to Conserve and Manage Angkor Stone Heritage using Non-destructive Technology2
Learning from the Past: Rediscovering Traditional Medieval Wood Tar Adhesives for Sustainable Stone Conservation and Built Heritage2
Knowledge-building in Open-air Rock Art Conservation: Sharing the History and Experiences with Levantine Rock Art2
Culture, Education and Conflict: The Relevance of Critical Conservation Pedagogies for Post-conflict Afghanistan2
Collaborative Development of Polymer-Based Collection Survey Methodology and Relational Data Model2
Collaborating for Sustainable Access to Digital Art: A Project Overview2
Double Trouble: Replicas in Contemporary Art and Their Impact in Conservation Decision-making2
Multi-analytical Study on the Tara Thangka at Daxingshan Temple in Xi'an, Shaanxi, China1
The Battle against Pests in a Victorian Home: A Case Study of the Effect of Diatomaceous Earth1
The Permeability of PET by Formic and Acetic Acid Vapors1
Revealing the Dye Components in 1250-Year-Old Japanese Textiles Via High-Performance Liquid Chromatography1
Application of Digital Technology to Chinese Traditional Furniture: A Review1
The Portrait of Elisabeth Braderic by Pieter Cristus: A Holistic Multidisciplinary Study1
Investigating Stitched Support Techniques for Tapestry Using Digital Image Correlation1
The Continuing Development of Display Recommendations at the National Galleries of Scotland: Exploring a Value-based Decision Strategy for Light Risk Mitigation1
Looking After the Rock Art of Kakadu National Park, Australia1
Applied Conservation Practice Within a Living Heritage Site1
Understanding the Manufacture of Hetian Administration Banknotes from Xinjiang Using Low- and High-resolution Analytical Methods1
Exploring Benzyl Alcohol Derivatives and Related Compounds in the Cleaning of Oil Paintings1
Causes of Silver Mirroring and Yellowing on a Nineteenth-century Photographic Gelatin Glass Plate Negative1
Biocides for the Control of Mosses on Stone Cultural Relics1
Conservators, Creativity, and Control1
Phosphorus, Tungsten, and Molybdenum – from Brilliant to Fanal®: Unusual Precipitation Methods of Triphenylmethane Dyes in the Early Twentieth Century1
The Use of Smalt in the Japanese Folk Paintings, Doro-e and Megane-e (Vue d'Optique)1
Connecting Stories: Investigations of a Seventeenth-century Mercator Hand-painted Map1
An Assessment of Integrated Pest Management Awareness in Heritage Institutions1
A Technical Examination of the Great Bronzes of the Museo Nazionale Romano1
Reconsidering Museums’ Climate and Seasonal Adjustment for Vulnerable Artifacts1
Guidelines for Conservation and Restoration of Historic Polychrome Plasterwork: the Church of St María la Blanca in Seville, Spain1
A Simple Method for Optimal DNA Extraction from Different Filamentous Fungi Species Growing on Earthen Walls of ‘Vale Histórico Paulista’, São Paulo, Brazil1
‘A Lost Chapter of Ancient Art’: Archaeometric Examinations of Panel Paintings from Roman Egypt1
Comparison of Color Changes in Paints Based on Ultramarine and Zinc White Resulting from Storage and Thermally Induced Aging1
Load Bearing Capacity and Failure Analysis of Fibrous Plaster Wads1
Collaboration as a Solution to the Challenge of Re-instating the Statue of Scott After the Canterbury Earthquake, New Zealand1
Conservation of Watts Towers: A Case Study1
How Different Analytical and Stylistics Investigations Can Help in Describing Artefacts Made of Non-coeval Parts: The Imago Pietatis in Breno1
Climate Change, Climate Action and Cultural Heritage Collections in Australia1
Trade in Artists’ Materials in Eighteenth- and Nineteenth-Century Canton1
Restoration of Doleshwar Mosque: Reviving Craft and Engaging Craftsmen of Lime- surkhi1
The Balpis Expansion of the Technical Part of the Hermeneia Painting Manual by Dionysius of Fourna1
The Quest for Improved Collection Care: Opportunities for Participatory Processes Involving Distant Source Communities1
Some Considerations on Recent Approaches to Cleaning, Conservation, and Display of Ancient Marble Sculptures from Historical Collections1
Imaging Analysis of Scratch Reduction in Poly (Methyl Methacrylate) (PMMA) Plastic with NOVUS Polishing Products1
Conservation as Cultural Practice: The Portrait Collection of Indigenous Delegates by Henry Inman1
Lichens and Fungi on Sandstone Tombs at the Historical Jewish Cemetery in Wrocław (Poland)1
The Icon Last Supper of the Iconostasis of the Russian Memorial Church in Leipzig: Technological Investigation as Basis for the Modelling and the Numerical Simulation of Historical Works of Art1
Assessment of Traffic - Induced Ground Vibrations and Effects on Masonry Monuments in Ayutthaya Historical Park, Thailand1
A Significant Japanese Coffer: A Multi-disciplinary Approach to Examining Late Sixteenth- — Early Seventeenth-Century ExportUrushiWare1
Are Nature-based Solutions for Built Heritage Conservation Resilient to Climate Change? The Response of Grass-based Soft Caps in Britain and Ireland to Future Climate Scenarios1
Linked Conservation Data: Driving Change in Documentation Practice1
Preserving the Ancient Human Trackways Site in the Willandra Lakes World Heritage Area1
Standardizing Collections Record Data for Increased Understanding of Glass Collections Across the Smithsonian Institution1
Three is the Magic Number: Techniques and Materials of the Prestigious Anne de Montmorency Bronze Virtues1
Lights, Camera, Conservation! Managing the Risks When Filming in Historic Locations: Adapting to Growth, a Pandemic and the Need for Sustainability1
A History of the Department of Conservation and Technology at the Courtauld Institute of Art1
Toxicity in 3D: XRF Analysis for the Presence of Heavy Metals in a Historical Stereograph Collection at Queen’s University Library, Canada1
Material Characterisation of William Burges’ Great Bookcase within the Disruption of a Global Pandemic1
Polycotton Canvases, Characterisation, and Mechanical Behaviour Before and After Artificial Ageing1
Calculating the Carbon Footprint of Interventive and Preventive Conservation at English Heritage, UK1
Mould Matters: Implementing a New Workflow for Managing Mould-affected Archival Documents and its Impact on Resources and Wellbeing1
Revealing the Fugitive Palette of the Early American South: A SERS Study of Eighteenth-century Oil Paintings1
Use of Analytical Methods in Revealing the Techniques of Ottoman Calligraphers: An Illuminated Manuscript from the Eighteenth Century1
An Investigation of Discoloured Oil-bound Copper Green Glazes in a Seventeenth-century Harpsichord Lid, With Reference to Reconstructions0
Exhibiting Loss: A Preliminary Study of the Presentation of Byzantine Icons in Greek Museums0
Decolonising Museum Conservation Practice: A View from the UK0
Mould on Magnetic Media: What Are the Current Preservation Practices by Audiovisual Conservation Practitioners?0
Technical Study and Re-treatment of a Renaissance Statue of Mars Forming Part of the Decoration of the Bučovice Château in Southern Moravia0
Evaluation of Chloride Extraction Rates from Copper Compounds Under Subcritical Conditions0
A Multi-Analytical Study on Characteristics and Formation Mechanisms of Corrosion on Bronze Sheets from the Chu Culture Tombs in Dangyang, China0
Evaluation of Degradation of Japanese Hanging Scrolls Using Relative Peak Area of Volatile Organic Compounds0
Study of Biodeterioration Potential of Microorganisms Isolated in the Paintings Storeroom of Mouze Makhsus Museum, Golestan Palace, Tehran0
Phenotypic Trait of Painting Cracks0
Preliminary Research into Education for Sustainability in Cultural Heritage Conservation0
State of the Art in Seismic Vulnerability and Protection Strategies for Museum Artifacts: Innovations and Insights0
Hygrothermal Performance of Enclosures in a Storage Room and Energy Efficiency in Environmental Control0
Conservation of the Shaft #1 Headgear at the Tsumeb Mine, Namibia: Corrosion Protection0
Time as a Key Factor in the Preservation of Built Heritage0
The Application of Remote Sensing in the Conservation of the Archaeological Site of Pachacamac (Second–Sixteenth Century, Peru)0
The Technical Development of Oil Painted Photographs on Canvas in the United Kingdom Between 1850 and 1890, with a Case Study of Paintings by Georg Koberwein from the Royal Collection0
Paraloid® B-72/B-48N 1:1 as an Adhesive for Use in Hot Climates: Literature Review, Laboratory Testing, and Observational Field Study0
Production of Hand-painted Magic Lantern Glass Slides: A Literature Review0
Data Collection for Cultural Heritage Risk Management: the Damage Map through Heritage Building Information Modeling (HBIM) Project Applied to the Façade of St Francis o0
Polyvinylamine Gel as a Cleaning Agent for Removing Mineral Crusts from Archaeologically Important Stone Artifacts0
Correction0
Orpiment on Seventeenth-Century Blue-Coloured Textblock Edges0
Conservation and Technical Evaluation of an Early Medieval Papyrus Codex0
Petrographic Analysis of Ancient High-Temperature Ceramic Glazes and Inorganic Restoration Materials0
Metallurgical Analysis and Conservation of Turbine Blades from Recovered Apollo F-1 Engines0
Hearts and Homes: The Potential of Conservation Laser Cleaning for Post-disaster Wellbeing and Waste Reduction0
Investigations of Painting Techniques: Edirne Süleyman Pasha Mosque Wall Paintings0
Pigments and Binders Used in Bark Paintings by Aboriginal Artists from Across the Northern Territory and the Kimberly Region in Western Australia0
Detecting Ethnocentricity in Conservation Practice: Javanese Wayang Kulit Collections in Museum Storage0
A Value-Chain Model for Research in Heritage Conservation: The Research Center for Heritage Conservation in Lima, Peru0
Introducing a Risk-, Value- and Collection Lifetime-Based Lighting Policy at the Victoria and Albert Museum in London0
The Behavior of Different Varnishes Applied to Graphic Artworks: Comparison Using a Methodological Protocol0
A Non-invasive Investigation of Egyptian Faience Using Long Wavelength Optical Coherence Tomography (OCT) at 2 μm0
Microstratigraphic Research of Altered Medieval Painted Plaster Fragments from the St John Monastery in Müstair (Grison Canton, Switzerland)0
Updating Environmental Guidance: the British Museum Approach0
A Long View of Change in Caring for Historic House Interiors: from Housekeeping to Preventive Conservation, Collections Care and Beyond0
A Comparative Study of Bond Strength, Reversibility, and Projected Long-Term Durability of Lining Techniques for the Structural Stabilisation of Canvas Paintings0
Research and Development of a Photogrammetric Condition Monitoring Workflow to Improve Change Detection in Wall Paintings0
The Evolution of Authenticity and the Integration of Philosophical Tools for its Determination0
Gino Severini in Switzerland: A Technical Study of the Wall Paintings of Saint Nicolas de Myre in Semsales0
APOYOnline: A Sustainable Approach to Heritage Preservation Across the Americas0
Hyperspectral Imaging Analyses of Cleaning Tests on Edvard Munch's Monumental Aula Paintings0
A Multi-Method Investigation of Ferruginous Concretions on Ceramics from Nan’ao No. I Shipwreck0
The Regulation of Lead White Paint in Conservation and Artistic Practice0
Korean Lacquerware from the Late Joseon Dynasty: Conservation and Analysis of Four Objects at the Asian Art Museum of San Francisco0
The White Glaze of Delft Blue: A Comparative Study of Historical Recipes for the White Tin Glaze Used in Delftware and Other Dutch Tin-glazed Earthenware During Their Heyday ( c. 0
Atmospheric Corrosion of Iron Artifacts in Museum Environments: Determination of Anions in Extraction Solutions Using Ion Chromatography0
Species Identification of Common Native Arctic Mammals in Inuit Fur Clothing Based on Hair Microscopy0
Correction0
Preventive Conservation, Treatment, and Technical Study of Plasticized Poly(vinyl chloride) Multiples by Joseph Beuys0
Dutch Boy Strikes Again!: Lead-Based Watercolors in Paint Books for Children0
The Anthropology of Forgery: New Themes for the Contemporary Archaeologist0
Green Alternatives for Archaeological Iron Stabilization0
Becoming Difference: On the Ethics of Conserving the In-Between0
The Collingwood Conservators’ Collective: Adaptive Practice and Entrepreneurship for a New Generation of Conservators in Australia0
Nothing Lasts Forever? Considering Lifespans in a Contemporary Collection0
Investigating Nineteenth Century Gel Mediums: From Historical Recipes to Model Systems0
Handling ‘Poison Books’: Dry Versus Wet Scenarios0
Making It Last: Training Conservators in Sustainable Solutions for Treating Outdoor Painted Sculpture0
Spectral Characterization of Argentine Postage Stamps Using Complementary In Situ and Non-invasive Techniques0
Transfer of Wall Paintings in India: A Review and Approach0
Conserving Animation Cels: Reattaching Loose Paint Without Adhesive0
Preserving ‘Neon' Light? – Reflections on the Art-Technological Examination of Construction-Bound Technical Installations with Gas Discharge Lamps in the Former GDR0
Study of Tung Oil Content in Ancient Lacquer by Noninvasive Quantitative Methods: Near Infrared and Chemometrics0
Manufacturing Techniques of the Mortar Excavated from the Tieguai Tomb of the Northern Song Dynasty in Nanling, Southern China0
More Reliable Dating of Japanese Silk Mounting Textiles for Conservation Decisions: Effects of Silk Processing on Silk Surface Morphology and Aspartic Acid Racemization0
Determination of Peach Gum in Ancient Chinese Paintings by Biotin–Streptavidin-Enzyme-Linked Immunosorbent Assay0
Evaluation of the Polyethylene Glycol Impregnation and Vacuum Freeze-Drying Method for Waterlogged Archaeological Wood: Conservation of the Yenikapı 1 Shipwreck0
Emergency Response Plan Workshops: The Value of an Interdisciplinary Collaborative Approach. An Innovative Methodology at the Service of the Collective0
Moisture Interactions Between Mosses and Their Underlying Stone Substrates0
Developing an Adaptive Climate Control Strategy and Programme Monitoring Micro-change in Wooden Heritage Objects0
Reverse-Engineering History: Re-presenting the Chichester Tablet Using Laser Scanning and 3D Printing0
Planning for Artefact Installation and the Challenges of Implementation: Behind the Scenes in the King Tutankhamun Gallery at the Grand Egyptian Museum0
Italian Influence in a Portuguese Mannerist Painting (Part I): A New Palette with Original Orange and Green Pigments0
Uplifting Community and Incorporating Reuse in Conservation Planning for the Noah Purifoy Outdoor Desert Art Museum of Assemblage Sculpture0
In it for the Long Haul: Collaboration and Adaptation in Conserving a Set of Sixteenth-century Tapestries over 25 Years0
A Robotic Storage Facility for the Dutch National Library Collections0
Plastics in Australian Archives: An Industry Survey Regarding Prevalence, Condition, and Preservation Strategies0
Evaluation of the Solubility and Colour Changes of Artificially and Naturally Aged Adhesives for the Conservation of Ceramics and Glass0
An Exploration of a 2500-Year-Old Monument: A Reappraisal of the Achaemenian Decorative Flooring Plasters in Persepolis World Heritage Site (ca. 550–330 BCE)0
Sustainable and Beneficial: Pollutant Absorption and Relative Humidity Control in Display Cases by Saturated Salt Solutions0
Authenticity and Originality, Objectivity and Subjectivity in Conservation Decision-making – or is it Just a Matter of Taste?0
Material Selection for the Hydrophobic Cushion Layer Applied to Earthen Sites in Northwest China0
Assessing Engineering Art Heritage: Historical Lifting Devices in Poland0
Can Artificial Intelligence Reconstruct Ancient Mosaics?0
Microscale Physical and Mechanical Analyses of Distemper Paint: A Case Study of Eidsborg Stave Church, Norway0
Treatment Case Studies in the Consolidation and Adhesion of Cellulose Nitrate0
Italian Influence in a Portuguese Mannerist Painting (Part II): A Matter of Image or a Matter of Technique?0
Sasanian Niello Inlay: Microanalytical Investigation of a Silver Oval Bowl with Tigers and Grapevines0
Degradation of Fourteenth-century Mordant Gilding Layers: Synchrotron-based Microfocus XRF, XRD, and XANES Analyses of Two Paintings by Pietro Lorenzetti0
Editorial Introduction to the ‘Bibliotoxicology’ Special Issue of Studies in Conservation0
Magnets in Conservation of Easel Paintings: Mechanical Forces between Magnets and a Thin Paint Layer0
Respect in Conservation Ethics: A Philosophical Inquiry0
Linking Teaching and Research in Conservation of the Built Environment: Case Studies from Courses of the University of Cyprus Graduate Programme on Conservation0
Larch as a Construction Material in Flemish Cabinetmaking of the Seventeenth Century: Dendrochronological Survey of a Larch Construction Panel of Flemish Metamorphoses Curio Cabinet RA 408 in the Stat0
The Material Complexity of Three Seventeenth-Century Cabinets Exported from the Far East0
The Madonna with the Wash-Basin by Giulio Romano: A Multidisciplinary Study of the Painting’s History0
From Lima to Canton and Beyond: Mobile and Digital Research Infrastructure for Closing the Gap Between Resource-rich and Resource-poor Organisations0
Changes in the Degree of Degradation with Position of Painting Papers in Japanese Hanging Scrolls by Accelerated Ageing Using Open and Sealed Tube Methods0
Chromatic Restoration of a Beech Marten Taxidermy Specimen to Resemble its Original Population: Analysing Painting Products and Colour Parameters0
Fotográfica en Red: A Working Group for Latin American Photographic Heritage0
Investigation of Weeping Glass Deterioration Under Controlled Relative Humidity Conditions0
The Effects of Natural Dye and Iron Gall Ink on Degradation Kinetics of Cellulose by Accelerated Ageing0
A Comparative Study of Invasive and Micro-Invasive Analytical Methods for the Detection and Identification of Historically Applied Pesticides to Archival Records0
Stories of the Life of Saint George : Materials and Techniques from a Barbelli Mural Painting0
Analyzing the Color on Ivory: Scientific Research on a Chinese Panel of the Eighteenth Century0
Improved Utilization of Radiographs of Ancient Metal Objects under Heterogeneous Image Blurring0
Adhesion Systems in New Supports for Mural Paintings: Reversibility Tests0
Lost and Found: Documentary Evidence and Scientific Examination of a Mid-Eighteenth Century Japanese Urushi Box0
Technical Study of Ethiopian Copper Alloy Processional Crosses Using Non-Destructive Analysis0
DluwangManuscripts from Royal Surakarta, Indonesia: Deterioration Phenomena and Care Practices0
Traditional and Conservation Interpretations of Pre- and Post-Collection Working Methods for Alaskan Yup’ik Masks0
Acoustic Emission Monitoring as a Non-invasive Tool to Assist the Conservator in the Reactivation and Maintenance of Historical Vehicle Engines0
Leadership: the Act of Making Way for Others0
The Potential of Clay Poultices as Sorbents for Medieval Plaster: A Comparative Study Using the Pressure Plate Method and Dye0
Safe Storage? An Assessment of Polyethylene for the Storage of Heritage Objects0
Conservation and the Ethics of Unintentional Forgery0
Characteristics of Sizing Materials Used in Persian Medieval Manuscripts: Physical, Optical, Spectral Imaging, and Fungicidal Properties0
Treating Smalt: A Preliminary SEM-EDX Study of the Effects of Aqueous-based Alkaline Conservation Treatments on Smalt in Wall Paintings0
Microfade Testing of Fourteen Natural Dyes on Wool: A Comparison of Five Mordants0
The Effect of a Plasma Treatment on the Aging Behavior of Selected Artist Colorants0
Conservation in the Performative Turn0
Stabilization of Iron Gall Ink Damaged Paper with Nanosized Magnesium Hydroxide and Antioxidants0
Resistance of Beeswax to Organic Solvents from a Conservator’s Perspective0
Salt Accumulation in Heritage Sandstones Under Continuous Wick Effect Conditions0
Rising Damp: The Rising of Moist Earth-Air in the Mogao Grottoes, China0
Salvaging Art Collections in the Face of Natural Disasters: Challenges and Outcomes0
Cupid, Canvas, Circle, Plane: Conservation and Conceptual Fine Art Practice0
Laboratory Modelling of Fire Effects on Monuments Built with Pyroclastic Rocks: Niğde Region, Turkey0
Conservation of Waterlogged Wooden Structures from the Late Bronze Age at İnönü Cave (Türkiye)0
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