Studies in Conservation

Papers
(The median citation count of Studies in Conservation is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)
ArticleCitations
Materials and Techniques for the Coating of Nineteenth-century Plaster Casts: A Review of Historical Sources12
Characterisation of Archaeological High-tin Bronze Corrosion Structures11
Raman Spectroscopic Investigation of Iron-Tannin Precipitates in Waterlogged Archaeological Oak9
The Dynamics of Collaboration in Heritage Science8
Architectural Terracruda Sculptures of the Silk Roads: New Conservation Insights Through a Diagnostic Approach Based on Non-Destructive X-ray Micro-Computed Tomography8
New Methods of Applying Rigid Agar Gels: From Tiny to Large-scale Surface Areas8
Investigation of Weeping Glass Deterioration Under Controlled Relative Humidity Conditions8
Unveil the Gold – Revealing Metal Threads and Decorative Materials of Early Twentieth Century Traditional Chinese Children's Hats7
Can Artificial Intelligence Reconstruct Ancient Mosaics?7
Disruptive Conservation: Challenging Conservation Orthodoxy7
Mapping Henry: Dendrochronological Analysis of a Sixteenth-Century Panel Painting Based Upon Synchrotron-Sourced X-ray Fluorescence Mapping7
Analysis of Construction Materials of Xiongnu Tongwan City, Built 1600 Years Ago7
Material Selection for the Hydrophobic Cushion Layer Applied to Earthen Sites in Northwest China7
Moisture Interactions Between Mosses and Their Underlying Stone Substrates7
A Colourful Past: A Re-examination of a Swedish Rococo Set of Furniture with a Focus on theUrushiComponents6
The Effects of Natural Dye and Iron Gall Ink on Degradation Kinetics of Cellulose by Accelerated Ageing5
Microscale Physical and Mechanical Analyses of Distemper Paint: A Case Study of Eidsborg Stave Church, Norway5
Treating Smalt: A Preliminary SEM-EDX Study of the Effects of Aqueous-based Alkaline Conservation Treatments on Smalt in Wall Paintings5
Guidelines for Conservation and Restoration of Historic Polychrome Plasterwork: the Church of St María la Blanca in Seville, Spain5
Hyperspectral Imaging Analyses of Cleaning Tests on Edvard Munch's Monumental Aula Paintings5
Effect of Lining Papers on the Permanence of Painting Papers in Japanese Scroll Paintings During Moist Heat Ageing4
Changeability, Variability, and Malleability: Sharing Perspectives on the Role of Change in Time-based Art and Utilitarian Machinery Conservation4
A Note of Caution on the Use of Calcium Nanoparticle Dispersions as Deacidifying Agents4
A Non-invasive Investigation of Egyptian Faience Using Long Wavelength Optical Coherence Tomography (OCT) at 2 μm4
Material Characterisation for Preserving Cultural Heritage: Evidence of the 1595 Fire at Pisa Cathedral4
Collaborative Development of Polymer-Based Collection Survey Methodology and Relational Data Model4
Gino Severini in Switzerland: A Technical Study of the Wall Paintings of Saint Nicolas de Myre in Semsales4
The Icon Last Supper of the Iconostasis of the Russian Memorial Church in Leipzig: Technological Investigation as Basis for the Modelling and the Numerical Simulation of Historical Works of Art4
Trialling an Accessible Non-Contact Photogrammetric Monitoring Technique to Detect 3D Change on Wall Paintings4
Salt Accumulation in Heritage Sandstones Under Continuous Wick Effect Conditions3
Biocides for the Control of Mosses on Stone Cultural Relics3
Paraloid® B-72/B-48N 1:1 as an Adhesive for Use in Hot Climates: Literature Review, Laboratory Testing, and Observational Field Study3
Changes in the Degree of Degradation with Position of Painting Papers in Japanese Hanging Scrolls by Accelerated Ageing Using Open and Sealed Tube Methods3
Analysis of Chromate-based Primers for Protection of Aluminium Alloys on Historical Aircraft3
Multi-analytical Study on the Tara Thangka at Daxingshan Temple in Xi'an, Shaanxi, China3
Risk Assessment and Monitoring of Termites in the Forbidden City under Global Warming3
Petrographic Analysis of Ancient High-Temperature Ceramic Glazes and Inorganic Restoration Materials3
Korean Lacquerware from the Late Joseon Dynasty: Conservation and Analysis of Four Objects at the Asian Art Museum of San Francisco3
Evaluation of the Solubility and Colour Changes of Artificially and Naturally Aged Adhesives for the Conservation of Ceramics and Glass3
Use of Analytical Methods in Revealing the Techniques of Ottoman Calligraphers: An Illuminated Manuscript from the Eighteenth Century3
Variants of Concern: Authenticity, Conservation, and the Type-Token Distinction3
Leadership: the Act of Making Way for Others3
A Methodology for Modelling Preservation, Access and Sustainability3
Becoming Difference: On the Ethics of Conserving the In-Between2
Defining Damage and Susceptibility, with Implications for Mineral Specimens and Objects: Introducing the Mineral Susceptibility Database2
The Survival of Maya Blue in Sixteenth-Century Mexican Colonial Mural Paintings2
Italian Influence in a Portuguese Mannerist Painting (Part II): A Matter of Image or a Matter of Technique?2
Provenance Determination and Condition Assessment of Archaeological Marble Statues from Gerasa Using Non-Destructive Ultrasonic Technique2
Phosphorus, Tungsten, and Molybdenum – from Brilliant to Fanal®: Unusual Precipitation Methods of Triphenylmethane Dyes in the Early Twentieth Century2
Applied Conservation Practice Within a Living Heritage Site2
The Making of Mike Kelley’s The Wages of Sin’s Exhibition Copy: Replication as a Means of Preservation2
An Exploration of a 2500-Year-Old Monument: A Reappraisal of the Achaemenian Decorative Flooring Plasters in Persepolis World Heritage Site (ca. 550–330 BCE)2
Preventive Conservation, Treatment, and Technical Study of Plasticized Poly(vinyl chloride) Multiples by Joseph Beuys2
Comparison of Degradation Behaviour of the Painting Paper in Japanese Scrolls for Moist Heat and Sealed Tube Ageing Methods2
Characterization of the Alteration of Debitus Grisailles2
Authenticity and Originality, Objectivity and Subjectivity in Conservation Decision-making – or is it Just a Matter of Taste?2
Respect in Conservation Ethics: A Philosophical Inquiry2
A Significant Japanese Coffer: A Multi-disciplinary Approach to Examining Late Sixteenth- — Early Seventeenth-Century ExportUrushiWare2
‘A Lost Chapter of Ancient Art’: Archaeometric Examinations of Panel Paintings from Roman Egypt2
Material Characterisation of William Burges’ Great Bookcase within the Disruption of a Global Pandemic2
Better Use of Showcases for Preservation and Sustainability2
Plastics in Australian Archives: An Industry Survey Regarding Prevalence, Condition, and Preservation Strategies2
Traditional and Conservation Interpretations of Pre- and Post-Collection Working Methods for Alaskan Yup’ik Masks2
Comprehensive Research on the Layered Corrosion of Archaeological Copper Wares: A Case Study from Qinghai, China2
Conservation of Tortoise Shell Using Hydroxyapatite/Collagen as a Consolidation Material2
Italian Influence in a Portuguese Mannerist Painting (Part I): A New Palette with Original Orange and Green Pigments2
Study of Biodeterioration Potential of Microorganisms Isolated in the Paintings Storeroom of Mouze Makhsus Museum, Golestan Palace, Tehran2
A Technical Examination of the Great Bronzes of the Museo Nazionale Romano2
Application of Digital Technology to Chinese Traditional Furniture: A Review2
Construction Wisdom: Preserving Venice with Both Tradition and Innovation2
The Nucleus of Color: Analysis of Hélio Oiticica’s Studio Materials2
Degradation of Fourteenth-century Mordant Gilding Layers: Synchrotron-based Microfocus XRF, XRD, and XANES Analyses of Two Paintings by Pietro Lorenzetti2
Decolonising Museum Conservation Practice: A View from the UK1
Study of the Best Methodology for Measuring Surface pH of Linen Canvas1
Hearts and Homes: The Potential of Conservation Laser Cleaning for Post-disaster Wellbeing and Waste Reduction1
Reconsidering Museums’ Climate and Seasonal Adjustment for Vulnerable Artifacts1
Combination of a Solvent-dispensing and Micro-aspiration Device for Removal of Varnishes on Painted Surfaces1
Understanding the Manufacture of Hetian Administration Banknotes from Xinjiang Using Low- and High-resolution Analytical Methods1
Preserving the Ancient Human Trackways Site in the Willandra Lakes World Heritage Area1
Study of Tung Oil Content in Ancient Lacquer by Noninvasive Quantitative Methods: Near Infrared and Chemometrics1
A Simple Method for Optimal DNA Extraction from Different Filamentous Fungi Species Growing on Earthen Walls of ‘Vale Histórico Paulista’, São Paulo, Brazil1
Knowledge-building in Open-air Rock Art Conservation: Sharing the History and Experiences with Levantine Rock Art1
The Technical Development of Oil Painted Photographs on Canvas in the United Kingdom Between 1850 and 1890, with a Case Study of Paintings by Georg Koberwein from the Royal Collection1
Load Bearing Capacity and Failure Analysis of Fibrous Plaster Wads1
Double Trouble: Replicas in Contemporary Art and Their Impact in Conservation Decision-making1
Developing an Adaptive Climate Control Strategy and Programme Monitoring Micro-change in Wooden Heritage Objects1
Conservators Delivering Change1
The Potential of Clay Poultices as Sorbents for Medieval Plaster: A Comparative Study Using the Pressure Plate Method and Dye1
Looking After the Rock Art of Kakadu National Park, Australia1
An Example of Integrated Geological Survey of Geomaterials and their Weathering Forms: the Reggia di Caserta Main Façade1
An Investigation of Discoloured Oil-bound Copper Green Glazes in a Seventeenth-century Harpsichord Lid, With Reference to Reconstructions1
Colourless Powdered Glass as a Drier for Red Lakes: On the Influence of Composition and Particle Size1
Change Comes from Within: Shared Efforts in Developing Conservation in Indonesia1
Safe Storage? An Assessment of Polyethylene for the Storage of Heritage Objects1
Preliminary Research into Education for Sustainability in Cultural Heritage Conservation1
Lost and Found: Documentary Evidence and Scientific Examination of a Mid-Eighteenth Century Japanese Urushi Box1
Calculating the Carbon Footprint of Interventive and Preventive Conservation at English Heritage, UK1
The Behavior of Different Varnishes Applied to Graphic Artworks: Comparison Using a Methodological Protocol1
Revealing the Fugitive Palette of the Early American South: A SERS Study of Eighteenth-century Oil Paintings1
The Cleaning of Silver Objects With a Basic  Solution of Sodium Glycinate: A Study on Artificially and Naturally Tarnished Silver1
Conservation of the Shaft #1 Headgear at the Tsumeb Mine, Namibia: Corrosion Protection1
Linked Conservation Data: Driving Change in Documentation Practice1
Technical Analysis and Attribution of an Unknown Henryk Siemiradzki Nineteenth Century Painting The Feast of Dionysius I, Revealing a Hidden Composition1
Conservation in the Performative Turn1
Conservation of Dong Minority Wooden Structures: In Situ Material Investigation of the Yashang Drum Tower in Hunan, China1
Planning for Artefact Installation and the Challenges of Implementation: Behind the Scenes in the King Tutankhamun Gallery at the Grand Egyptian Museum1
Selective Electrochemical Treatment of Naturally Aged Silver Alloy Artefacts1
A Critical Assessment of A-D Strips® Used in Degradation Studies of Artworks Made from Cellulose Acetate1
More Reliable Dating of Japanese Silk Mounting Textiles for Conservation Decisions: Effects of Silk Processing on Silk Surface Morphology and Aspartic Acid Racemization1
Exploring Benzyl Alcohol Derivatives and Related Compounds in the Cleaning of Oil Paintings1
Before the Fire: Experiments on Fire-protecting Cover Materials1
Evaluation of Degradation of Japanese Hanging Scrolls Using Relative Peak Area of Volatile Organic Compounds1
Influence of Anti-cracking Fiber on Properties of Traditional Sticky Rice-lime Mortar1
Exploring Authenticity Through Classical Art: Originals, Fakes and Copies1
The Anthropology of Forgery: New Themes for the Contemporary Archaeologist1
Species Identification of Common Native Arctic Mammals in Inuit Fur Clothing Based on Hair Microscopy1
Conservators, Creativity, and Control1
Transfer of Wall Paintings in India: A Review and Approach1
The Use of Smalt in the Japanese Folk Paintings, Doro-e and Megane-e (Vue d'Optique)1
Investigating Stitched Support Techniques for Tapestry Using Digital Image Correlation1
Evaluation of the Polyethylene Glycol Impregnation and Vacuum Freeze-Drying Method for Waterlogged Archaeological Wood: Conservation of the Yenikapı 1 Shipwreck1
Assessment of Traffic - Induced Ground Vibrations and Effects on Masonry Monuments in Ayutthaya Historical Park, Thailand1
Treatments for Lipid Oxidation in Taxidermy and Impact on DNA Recovery1
Investigating Nineteenth Century Gel Mediums: From Historical Recipes to Model Systems1
A History of the Department of Conservation and Technology at the Courtauld Institute of Art1
Conserving Context and Community: Reconnecting an Illegally Excavated, Precolonial Dugout Canoe to its Community1
Investigations of Painting Techniques: Edirne Süleyman Pasha Mosque Wall Paintings1
Revolutionary Conservation and the Evolution of Conservatism: I. E. Grabar and the Design of Socialist Monument Protection Policy in the Russian Soviet Socialist Republic1
Research and Development of a Photogrammetric Condition Monitoring Workflow to Improve Change Detection in Wall Paintings1
A Multidisciplinary Approach to the Conservation of Salūt, Sultanate of Oman1
A Complete Methodology for Structural Finite Element Analysis of Terracotta Sculptures Based on a 3D Scanned Model: A Case Study on the Terracotta Warriors (China)1
Atmospheric Corrosion of Iron Artifacts in Museum Environments: Determination of Anions in Extraction Solutions Using Ion Chromatography1
Finding a Temporary Adhesive for Securing Objects for Display in Earthquake-Prone Regions1
A Robotic Storage Facility for the Dutch National Library Collections1
Colors, Materials, and Techniques in Historical Buildings in Rome: Diagnostic Investigations and Case Studies1
Interrogating Pollutants in Collecting Institutions During the Implementation of HVAC Energy-Saving Strategies: Lessons Learned and Practical Implications for Optimizing Sustainable Environmental Cont0
Revealing the Dye Components in 1250-Year-Old Japanese Textiles Via High-Performance Liquid Chromatography0
Sustainable Cultural Preservation in Central Asia – Involving Local Communities as Caretakers of Archaeological Sites0
Sustainable Preservation of Photographs in a Hot and Humid Climate: Dry Cabinets and Metal–Organic Framework Paper Composites0
Manufacturing Variations in ISO Blue Wool Fading Standards under Microfading Exposure Conditions0
Conservation of Watts Towers: A Case Study0
International Cooperation between Korea and Cambodia to Conserve and Manage Angkor Stone Heritage using Non-destructive Technology0
Development of Starch Nanoparticles as a Green Consolidant for Paper-based Objects: Synthesis and Design0
Lichens and Fungi on Sandstone Tombs at the Historical Jewish Cemetery in Wrocław (Poland)0
Connecting Stories: Investigations of a Seventeenth-century Mercator Hand-painted Map0
Preserving ‘Neon' Light? – Reflections on the Art-Technological Examination of Construction-Bound Technical Installations with Gas Discharge Lamps in the Former GDR0
Collaborating for Sustainable Access to Digital Art: A Project Overview0
Lights, Camera, Conservation! Managing the Risks When Filming in Historic Locations: Adapting to Growth, a Pandemic and the Need for Sustainability0
Time as a Key Factor in the Preservation of Built Heritage0
Are Nature-based Solutions for Built Heritage Conservation Resilient to Climate Change? The Response of Grass-based Soft Caps in Britain and Ireland to Future Climate Scenarios0
Microfade Testing of Fourteen Natural Dyes on Wool: A Comparison of Five Mordants0
Three is the Magic Number: Techniques and Materials of the Prestigious Anne de Montmorency Bronze Virtues0
Adhesion Systems in New Supports for Mural Paintings: Reversibility Tests0
Distribution of In-plane Physical Properties of Handmade Xuan Paper: Revealing the Effects of the Sheet Forming Process and the Folded State on Handmade Xuan Paper0
Mould on Magnetic Media: What Are the Current Preservation Practices by Audiovisual Conservation Practitioners?0
The Impact of Accelerated Light Ageing on MS3 for Use as a Picture Varnish0
Analysis of the Impact Factor and JCR Rankings in Conservation Science Journals: Why JCR Should Have a Heritage Category0
Cupid, Canvas, Circle, Plane: Conservation and Conceptual Fine Art Practice0
Defining Sustainable Priorities and Actions for Storage of a Public Archive: A UK Case Study0
An Investigation of the Grounds in Nineteenth-Century Chinese Export Oil Paintings0
The Positive Role of Trees in Protecting Outdoor Painted and Engraved Rock Sites0
Climate Change, Climate Action and Cultural Heritage Collections in Australia0
Materials Analysis of Two Nineteenth-century Brazilian Polychrome Sculptures to Reveal Their History and Significance0
Editorial0
In the Heat of the Moment: Testing Fire-Protective Covers for Mitigating Damage to Large Historic Inventories0
Making It Last: Training Conservators in Sustainable Solutions for Treating Outdoor Painted Sculpture0
The End of Conservation?0
Saving the Seat of Democracy: The Restoration of the Palace of Westminster0
From Lima to Canton and Beyond: Mobile and Digital Research Infrastructure for Closing the Gap Between Resource-rich and Resource-poor Organisations0
Conserving Performance, Performing Conservation: Kim Kardashian x Marilyn Monroe0
Looking Back to Move Forward: Continuing Community-centric Practices for Conservation and Collection Care of Pacific Collections in an Australian Museum0
Fotográfica en Red: A Working Group for Latin American Photographic Heritage0
From Paper Fibers to Practical Conservation Experiences: The International Paper Conservation Seminars in Latin America0
The GREENART Project: Environmentally Friendly and Low Impact Materials for the Conservation of Cultural Heritage0
An Assessment of Integrated Pest Management Awareness in Heritage Institutions0
Greenwashing Revelations through Revision: Re-evaluating Sustainability Claims for Bioplastics0
Stories of the Life of Saint George : Materials and Techniques from a Barbelli Mural Painting0
Amplifying Indigenous Australian Voices in the Conservation and Management of Rock Art0
Fostering Inclusive Management and Community Participation: Lessons from the Field0
A Digital Study of the Morphological and Stability Issues of a Delicate Wax-based Artwork0
Evaluating Five Consolidants for Black-Dyed Māori Textile Artefacts0
Fire Risk Assessment in Museums on the HERIe Web-based Decision-supporting Platform0
Approaches to the Conservation of Two American Indian Warbonnet Headdresses in the USA and Italy0
Imaging Analysis of Scratch Reduction in Poly (Methyl Methacrylate) (PMMA) Plastic with NOVUS Polishing Products0
How Different Analytical and Stylistics Investigations Can Help in Describing Artefacts Made of Non-coeval Parts: The Imago Pietatis in Breno0
The Technical Examination of Nineteenth-Century Artists' Pigments from John Opie’s Paintbox0
Polymer Matrix and Stone Powder Based Composite Mortar for the Restoration of Sille Stone Structures0
Collaboration as a Solution to the Challenge of Re-instating the Statue of Scott After the Canterbury Earthquake, New Zealand0
Production of Hand-painted Magic Lantern Glass Slides: A Literature Review0
Trade in Artists’ Materials in Eighteenth- and Nineteenth-Century Canton0
Microstratigraphic Research of Altered Medieval Painted Plaster Fragments from the St John Monastery in Müstair (Grison Canton, Switzerland)0
The Madonna with the Wash-Basin by Giulio Romano: A Multidisciplinary Study of the Painting’s History0
The Quest for Improved Collection Care: Opportunities for Participatory Processes Involving Distant Source Communities0
The Evolution of Authenticity and the Integration of Philosophical Tools for its Determination0
Learning from the Past: Rediscovering Traditional Medieval Wood Tar Adhesives for Sustainable Stone Conservation and Built Heritage0
Ancient Marbles: Philosophical Reflections on the Restoration of Sculpture0
The Technical Analysis and Conservation of John La Farge’s Newport Congregational Church Mural Decorations (1880) in Newport, Rhode Island0
Exhibiting Loss: A Preliminary Study of the Presentation of Byzantine Icons in Greek Museums0
Strengthening Training in the Conservation of Cultural Heritage Through Academic Collaboration0
Consolidating Lime Mortar with Nanolime: The Effect of the Ethanol:Water Ratio0
Environmental Conditions for Danish Storage Buildings: A Summary of 20 Years of Air Quality Surveys0
Some Considerations on Recent Approaches to Cleaning, Conservation, and Display of Ancient Marble Sculptures from Historical Collections0
Case Study: the Application of Trichogramma Evanescens Westwood (Hymenoptera: Trichogrammatidae) as a Novel Integrated Pest Management Solution against Webbing Clothes M0
Giuseppe Torres’s ‘Byzantine House' in Venice: Building Materials and Deterioration Products of an Early 1900s Home in the Lagoon Environment0
Data Collection for Cultural Heritage Risk Management: the Damage Map through Heritage Building Information Modeling (HBIM) Project Applied to the Façade of St Francis o0
Study on the Feasibility of the TG Method for Maximum Water Content Measurement of Waterlogged Archaeological Wood0
Collaborating with a Source Community to Conserve two Sámi Coffee Bags by Combining Established Conservation Treatments and Traditional Preservation Methods0
Hygrothermal Performance of Enclosures in a Storage Room and Energy Efficiency in Environmental Control0
Implementing an Adaptive Climate Control Strategy: Collection Monitoring and Sustainability Outcomes0
Dissociation and Loss: a Challenge for Sustainable and Inclusive Conservation0
Conservation as Cultural Practice: The Portrait Collection of Indigenous Delegates by Henry Inman0
Building on Successful Mechanical and Passive Environmental Controls for Preventive Conservation Through Data Analysis at National Museum Cardiff, Wales0
A Study of Protective Coatings for Archaeological Silver0
Standardizing Collections Record Data for Increased Understanding of Glass Collections Across the Smithsonian Institution0
Improving Sustainability for the Conservation of the Eravimangalam Subramanyaswamy Temple: Virtual Reconstruction and Greener Formulations as a Means of Involving the Community0
A Cultural Threat: Gastrallus pubens Fairmaire (Coleoptera, Ptinidae) and Biodeterioration of Rare Books in Italy0
The Balpis Expansion of the Technical Part of the Hermeneia Painting Manual by Dionysius of Fourna0
UK Museums and Heritage Sustainable Packing Group: Exploring Sustainable Strategies for Soft Wrapping Paintings0
Sustainable and Collaborative Solutions for the Long-term Care of Heritage Earthen Sites in Seismic Areas in Peru0
Leeb Hardness Approach in the Determination of Strength after Accelerated Weathering Tests0
The Permeability of PET by Formic and Acetic Acid Vapors0
Towards a National Heritage Climate Change Risk Assessment0
A Comparative Study of Bond Strength, Reversibility, and Projected Long-Term Durability of Lining Techniques for the Structural Stabilisation of Canvas Paintings0
The Battle against Pests in a Victorian Home: A Case Study of the Effect of Diatomaceous Earth0
Restoration of Doleshwar Mosque: Reviving Craft and Engaging Craftsmen of Lime- surkhi0
A Value-Chain Model for Research in Heritage Conservation: The Research Center for Heritage Conservation in Lima, Peru0
The Continuing Development of Display Recommendations at the National Galleries of Scotland: Exploring a Value-based Decision Strategy for Light Risk Mitigation0
Conserving Animation Cels: Reattaching Loose Paint Without Adhesive0
Polycotton Canvases, Characterisation, and Mechanical Behaviour Before and After Artificial Ageing0
Scanning X-ray Fluorescence for the Re-examination of the Composition Underneath Paul Gauguin’s Nevermore in the Courtauld Gallery0
Stabilization of Iron Gall Ink Damaged Paper with Nanosized Magnesium Hydroxide and Antioxidants0
Mould Matters: Implementing a New Workflow for Managing Mould-affected Archival Documents and its Impact on Resources and Wellbeing0
The Material Complexity of Three Seventeenth-Century Cabinets Exported from the Far East0
Sustainable Conservation Solutions in a Hostile Environment: The Historic Huts of Antarctica0
The Conservation of Cloud Pattern-painted Boots (1800–1600 BP) Excavated in Yingpan, Xinjiang0
Culture, Education and Conflict: The Relevance of Critical Conservation Pedagogies for Post-conflict Afghanistan0
The White Glaze of Delft Blue: A Comparative Study of Historical Recipes for the White Tin Glaze Used in Delftware and Other Dutch Tin-glazed Earthenware During Their Heyday ( c. 0
Reducing Energy Use Through Behavioural Change: Carbon Literacy Training for Archives in the UK0
Metalworking Influence on the Corrosion Behaviour of Sterling Silver and Silver Plated Copper0
Research on the Corrosion Mechanism of Ancient Celadons from the Dalian Island No. 1 Shipwreck0
The Application of Remote Sensing in the Conservation of the Archaeological Site of Pachacamac (Second–Sixteenth Century, Peru)0
The Regulation of Lead White Paint in Conservation and Artistic Practice0
Mosaic Materials in an Art Deco Steel-framed Building0
Green Alternatives for Archaeological Iron Stabilization0
A Reply to ‘A Note of Caution on the Use of Calcium Nanoparticle Dispersions as Deacidifying Agents’0
Protecting Three-Dimensional Museum Collections During Transport: Engineering and Evaluation of Transport Crates Featuring Wire-Rope Isolators for Improved Vibration Mitigation0
Nothing Lasts Forever? Considering Lifespans in a Contemporary Collection0
Conservation as a Tool for Cultural Rights in the Democratic Republic of the Congo: The We have gaps Project0
Pleasing the Wrathful Deities: Ethical Approaches to the Care of Tibetan Skull Drums0
Comparison of Color Changes in Paints Based on Ultramarine and Zinc White Resulting from Storage and Thermally Induced Aging0
0.036099910736084