OOIR: Observatory of International Research

Papers

(The median citation count of Soundings is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-04-01 to 2024-04-01.)

Article	Citations
Financialization, Climate Change, and the Future of the Capitalist World-Ecology: On Kim Stanley Robinson’sNew York 2140	3
The Limits of the Ethnographic Turn	2
Building Bridges among Bridge-Destroyers: Post-Conflict Interfaith Dialogue after the Bosnian War	1
From Expansion to Network: Some Reflections on a New Geography in Eastern Europe	0
Kierkegaardian Inwardness and the Good Life in Jane Austen's Mansfield Park	0
Between Orders and Relationships: Autonomy and Conscientious Objection in Health Care	0
The Specter of the Amazon: FEMEN’s Utopian Reappropriation of the Female Breast	0
Unruly Audience: Folk Interventions in Popular Media	0
Racism Postrace	0
Moving Up Without Losing Your Way: The Ethical Costs of Upward Mobility	0
Efficacy and Efficiency in the World of Terry Gilliam’s Brazil	0
Memetic Witnessing: A Transhistorical Analysis of Reconstruction Testimony and #SayHerName	0
Resistance and Revolution in Society Exemplified in Film Noir and Science Fiction in the Baby Boomer and Millennial–GenZ Age	0
Front Matter	0
Sound Recording Technology and American Literature: From the Phonograph to the Remix	0
Editor's Introduction: The Arts and Humanities in a Democracy	0
Science-Fiction Films and “Love”: Toward a Critique of Regressive Social Relations	0
Introduction	0
Re-Visioning Caste in Indian Cinema	0
Introduction: On Learning, Freedom, and Democracy	0
Introduction	0
Rutgers University Press	0
Editor’s Introduction	0
Homer: The Very Idea	0
Introduction	0

“My Favorite Things” as Civil Disobedience: A Mingling Descant on Creativity and Contumacy	0
“It’s the World We Got to Deal With”: The Exasperated Ethics of Graham Greene’sBrighton Rock	0
Front Matter	0
Idiocy and Irony in Plato's Dialogues and Dostoevsky's The Idiot	0
“I could not bear to look”: The Just-World Hypothesis in Melville’s “The Piazza”	0
Tribalism and Compassion in the Age of a Pandemic	0
Ethics without the Will: Vernant, Heidegger, and Agamben on the Relation BetweenPraxisandPhronēsis	0
Strains of Attachment: John Bowlby's Theory and William Faulkner's Pylon	0
Hegemony: A Useful Concept in Times of Crisis	0
Equality Lost: John Locke and the United States 1986 Tax Reform	0
Competing Accountability Frameworks and the Role of Interdisciplinary Practice for Publicly Funded Scientists and Scientists within Government	0
A Theory of Public Higher Education	0
The Sociality of Despair: William James on the Making of Ethical Selves	0
Contact with Reality: Michael Polanyi’s Realism and Why It Matters	0
Editor’s Introduction	0
Front Matter	0
Identity Politics, Justice, and the Quest for Solidarity	0
Blueprint: The Evolutionary Origins of a Good Society	0
Two Cheers for Higher Education: Why American Universities Are Stronger Than Ever—and How to Meet the Challenges They Face	0
White Supremacy, Racism, and War: The American Mythological Nexus	0
Shards of the Shoah in R. B. Kitaj's Painting If Not, Not (1976)	0
Voicing Ineffability: Theological Modernism and the Expression(ism) of Faith in Schoenberg's Moses und Aron	0
Editor’s Introduction	0
Editor's Introduction	0
Interpreting Clues: Human Life and Narrative Identity in Dennis Potter’s The Singing Detective	0
Narrative in the Anthropocene	0
Gods, Games, and Globalization: New Perspectives on Religion and Sport	0
“But Could You Persuade Us, If We Won't Listen?”	0
The University and the Global Knowledge Society	0
Belonging in College: John William Miller on Liberal Education's Promise of Freedom	0
From Underrepresentation to “Dual Heritage” and Beyond: Contemporary African American Monument-Building	0
Facing the Responsibility of Parenthood in the Films of the Dardenne Brothers	0
The Wings of Atalanta: Essays Written along the Color Line	0
Neither Requiem, nor Stabat Mater: Anna Akhmatova’s Mother as a Figure of Collective Defiance in Requiem	0
Contemporary Women's Post-Apocalyptic Fiction	0
Postmodern Neo-Romanticism and The End of History in Margaret Atwood’s MaddAddam Trilogy	0
From Herland to #MeToo: Utopia or Dystopia?	0