Shakespeare Quarterly

Papers
(The TQCC of Shakespeare Quarterly is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)
ArticleCitations
Shakespearean Magnitudes4
Theater, Revision, and The Merry Wives of Windsor2
Playhouse Markings and the Revision of Hamlet1
“Distinguished by the Letter C”: Edmond Malone and Edward Capell as Rival Editors of Shake-speares Sonnets1
¿Shakespeare para todos?1
Racial Disgust in Early Modern England: The Case of Othello1
“This bastard graff shall never come to growth”: Conception and Consent in Shakespeare’s Lucrece1
John Shakespeare’s “Spiritual Testament” Is Not John Shakespeare’s1
“Circle Worcke”: Atmospheres on the Early Modern Stage1
Bad Humor: Race and Religious Essentialism in Early Modern England. By Kimberly Anne Coles0
Shakespeare Jungle Fever: National-Imperial Re-Visions of Race, Rape, and Sacrifice. By Arthur L. Little, Jr0
Books of the Unlearned: Shakespearean Iconicity and Black Atlantic Critique0
Contributors0
Illyria in Shakespeare’s England. By Lea Puljcan Juric0
Shame and Solidarity in the Sonnets0
Race and Rhetoric in the Renaissance: Barbarian Errors. By Ian Smith0
Shakespeare, Violence and Early Modern Europe. By Andrew Hiscock0
Contributors0
Beholding Disability in Renaissance England. By Allison P. Hobgood0
Shakespeare and East Asia. By Alexa Alice Joubin0
Manuscript Precedents for Editorial Practices in John Benson’s Poems: Written by Wil. Shake-Speare. Gent0
Thinking Through Place on the Early Modern English Stage. By Andrew Bozio0
Publishing the History Play in the Time of Shakespeare: Stationers Shaping a Genre. By Amy Lidster0
Sounding Otherness in Early Modern Drama and Travel: Uncanny Vibrations in the English Archive. By Jennifer Linhart Wood0
“King Lear”: A New Variorum Edition of Shakespeare. Edited by Richard Knowles0
Contributors0
Shakespeare and London: A Dictionary, Arden Shakespeare. By Sarah Dustagheer0
Passion’s Fictions from Shakespeare to Richardson: Literature and the Sciences of Soul and Mind. By Benedict S. Robinson0
Shakespeare’s White Others. By David Sterling Brown0
The Battle of the Bard: Shakespeare on U.S. Radio in 1937. By Michael P. Jensen0
The Afterlife of Shakespeare’s Sonnets, By Jane Kingsley-Smith0
Shakespeare and the Fall of the Roman Republic: Selfhood, Stoicism, and Civil War. By Patrick Gray0
Who Rpinted Shakespeare’s Fourth Folio?0
Gaming the Stage: Playable Media and the Rise of English Commercial Theater. By Gina Bloom0
Shakespeare’s Body Parts: Figuring Sovereignty in the History Plays. By Huw Griffiths0
“And golden vizards on their faces”: Theatrical Awakening in All Is True0
Hunger: The Jamestown Context of Shakespeare’s The Tempest0
Othello, Oserō, Washirō: Reflecting (on) Hegemony through Global Shakespeares0
Sweet Fooling: Ethical Humor in King Lear and Levinas0
Honour Killing in Shakespeare. By Loraine Fletcher0
The Bible on the Shakespearean Stage: Cultures of Interpretation in Reformation England. Edited by Thomas Fulton and Kristen Poole0
Mixed Faith and Shared Feeling: Theater in Post-Reformation London. By Musa Gurnis0
Encomium0
The First Folio at 400: Editing Roundtable0
“Strange roots”: Rereading Food Scarcity in Sir Thomas More0
The Private Life of William Shakespeare. By Lena Cowen Orlin0
Shakespeare, Technicity, Theatre. By W. B. Worthen0
Contributors0
Contributors0
Contributors0
Rogue Sexuality in Early Modern English Literature: Desire, Status, Biopolitics. By Ari Friedlander0
Shakespeare and Emotion. Edited by Katherine A. Craik0
Contributors0
Shakespeare, Objects and Phenomenology: Daggers of the Mind. By Susan Sachon0
Arden of Faversham: A Critical Reader. Arden Shakespeare. Edited by Peter Kirwan and Duncan Salkeld0
Contributors0
Contributors0
“Baggage Bookes” and the Shakespeare First Folio: Towards a Critical Historiography of the Book0
1623–2023: The First Folio Unbound0
Shakespeare in the Theatre: Sir William Davenant and the Duke’s Company. Arden Shakespeare. By Amanda Eubanks Winkler and Richard Schoch Performing Re0
Shakespeare’s Law. By Mark Fortier0
“Ninny’s Tomb” in A Midsummer Night’s Dream0
Contributors0
The 1623 Folio and Collection(s): Beyond Shakespeare0
Shakespeare and Queer Representation. By Stephen Guy-Bray0
Shakespeare’s Chair: Material Culture and Literary Phantasms0
Forked Animals: King Lear’s Cornuted Anthropology0
White People in Shakespeare: Essays on Race, Culture and the Elite, Arden Shakespeare. Edited by Arthur L. Little, Jr0
From the Editor0
Shakespeare and Happiness. By Kathleen French0
Believing in Shakespeare: Studies in Longing. By Claire McEachern0
Shakespearean Intersections: Language, Contexts, Critical Keywords. By Patricia Parker0
Memory and Affect in Shakespeare’s England. Edited by Jonathan Baldo and Isabel Karremann0
John Shakespeare’s Muckhill: Ecologies, Economies, and Biographies of Communal Waste in Stratford-upon-Avon, circa 1550–16000
The Shakespearean Forest. By Anne Barton0
Crying “Hem” on Shakespeare’s Stage0
The Commonplacing of Professional Plays Revisited: Print, Theater, and Early Modern Institutional Exchange0
Phantasmatic Shakespeare: Imagination in the Age of Early Modern Science. By Suparna Roychoudhury0
Contributors0
Shakespeare and Lost Plays: Reimagining Drama in Early Modern England. By David McInnis0
Things of Darkness: Economies of Race and Gender in Early Modern England. By Kim F. Hall0
Shakespeare, Steevens, and the Fleeting Moon: Glossing and Reading in Antony and Cleopatra0
Shakespeare and the Political Way. By Elizabeth Frazer0
Shakespeare and the Play Scripts of Private Prayer. By Ceri Sullivan0
Watermarks and the Print Run of the Shakespeare First Folio0
Comrade Rutland: Anti-Stratfordian Conversations in Early Soviet Russia0
Performing Gods in Classical Antiquity and the Age of Shakespeare. By Dustin W. Dixon and John S. Garrison0
Zuan Bianco and Othello: The Afro-European Military Commander in Life and Art0
Scripts of Blackness: Early Modern Performance Culture and the Making of Race. By NoÉmie Ndiaye0
Contributors0
Screening Gender in Shakespeare’s Comedies: Film and Television Adaptations in the Twenty-First Century. By Magdalena Cieślak0
Shakespeare’s Syndicate: The First Folio, Its Publishers, and the Early Modern Book Trade. By Ben Higgins0
Shakespeare and Virtual Reality. Edited by Stephen Wittek and David McInnis0
Catastrophizing: Materialism and the Making of Disaster. By Gerard Passannante0
Typographies of Performance in Early Modern England. By Claire M. L. Bourne0
Fictions of Credit in the Age of Shakespeare. By Laura Kolb The Loss of the “Trades Increase”: An Early Modern Maritime Catastrophe. By Richmond Barbour0
Shakespeare in the World: Cross-Cultural Adaptation in Europe and Colonial India, 1850–1900. By Suddhaseel Sen0
“Do it not with poison”: Iago and the Killing of Desdemona0
Encomium0
Segregated Shakespeare0
Shakespeare’s Mad Men: A Crisis of Authority. By Richard van Oort0
Feeling Faint: Affect and Consciousness in the Renaissance. By Giulio J. Pertile0
The Shakespeare Ark of America0
Latinx Shakespeares: Staging U. S. Intracultural Theater. By Carla Della Gatta0
Contributors0
Women and Shakespeare’s Cuckoldry Plays: Shifting Narrative of Marital Betrayal. By Cristina León Alfar0
“King Lear”: A New Variorum Edition of Shakespeare. Edited by Richard Knowles0
Shakespeare and Digital Pedagogy: Case Studies and Strategies. Arden Shakespeare. Edited by Diana E. Henderson and Kyle Sebastian Vitale0
Shakespeare’s ‘Lady Editors’: A New History of the Shakespearean Text. By Molly G. Yarn0
Shakespeare / Sex: Contemporary Readings in Gender and Sexuality. Arden Shakespeare. Edited by Jennifer Drouin0
Teaching Social Justice Through Shakespeare: Why Renaissance Literature Matters Now. Edited by Hillary Eklund and Wendy Beth Hyman0
Literature’s Stake: Economy, Law, and Aesthetics in The Merchant of Venice0
Hamlet, Volume 1. Shakespeare: The Critical Tradition. Arden Shakespeare. Edited by Hardin Aasand Hamlet: The State of Play. Edited by Sonia Massai0
Introduction: The Patchwork Folio0
Shakespeare and the Romantics. By David Fuller0
Praising the Negative: Value, Quantity, and the Nature of “No” in Shakespeare’s Sonnets0
Impressive Shakespeare: Identity, Authority and the Imprint in Shakespearean Drama.By Harry Newman0
Recovering Shakespeare’s Racial Genealogies: Slavery, Barbarism, and Whiteness in Hamlet and its Sources0
The Auckland First Folio: A Living Document0
Drowning the First Folio: Co-laboring and the Value of Knowledge in The Tempest0
John Fletcher’s Rome: Questioning the Classics. By Domenico Lovascio0
Shakespeare’s Accents: Voicing Identity in Performance. By Sonia Massai0
The Names of the Actors: The First Folio and Theater History0
“A Moniment, without a tombe”: Institution, Instruction, and Succession in Shakespeare’s First Folio0
What Happened to Edwin Forrest’s Burned First Folio? The Power of Cataloguing and the Logic of Discovery0
Shakespeare and the 99%: Literary Studies, the Profession, and the Production of Inequity. Edited by Sharon O’Dair and Timothy Francisco0
Shakespeare from the Bottom: Transnationalism, Unfounded Whiteness, and the First Folio0
King Lear and Blessing0
Conscience-Caught: Historicizing the Religious and Legal Traditions of Conscience in Hamlet0
Playbooks and Their Readers in Early Modern England. By Hannah August0
From the Editor0
Shakespeare and the Cultivation of Difference: Race and Conduct in the Early Modern World. By Patricia Akhimie0
Reenacting Shakespeare in the Shakespeare Aftermath: The Intermedial Turn and Turn to Embodiment. By Thomas Cartelli0
Encomium0
A Refusal to Celebrate the First Folio’s Last Centenary0
Blood, Virtue, and Romance in Cymbeline0
“A Strange, Hollow, and Confused Noise”: Prospero’s “Start” and Early Modern Magical Practices0
Perilous Networks: Risk and Maritime News in The Merchant of Venice0
Shakespeare’s Rare Words and Chronology0
Shakespeare on the Arabian Peninsula. By Katherine Hennessey0
Shakespeare, Spectatorship and the Technologies of Performance. By Pascale Aebischer0
Immateriality and Early Modern English Literature: Shakespeare, Donne, Herbert. By James A. Knapp0
On Shakespeare’s Legacy, Critical Race, and Collective Futures0
Ovid and the Liberty of Speech in Shakespeare’s England. By Heather James0
This Is Shakespeare. by Emma Smith0
Early Modern German Shakespeare: “Hamlet” and “Romeo and Juliet” / “Der Bestrafte Brudermord” and “Romio und Julieta” in Translation. Edited by Lukas Erne and Kareen Seidler0
In Defense of Caliban: The Tempest and the Myth of the Black Rapist0
All the Sonnets of Shakespeare. Edited by Paul Edmondson and Stanley Wells0
Fictions of Consent: Slavery, Servitude, and Free Service in Early Modern England. By Urvashi Chakravarty0
The Shakespeare Multiverse: Fandom as Literary Praxis. By Valerie M. Fazel and Louise Geddes0
Vital Strife: Sleep, Insomnia, and the Early Modern Ethics of Care. By Benjamin C. Parris0
Shakespeare’s Domestic Tragedies: Violence in the Early Modern Home. By Emma, Whipday0
Error in Shakespeare: Shakespeare in Error. By Alice Leonard0
Othello and the Grammar of Evil0
Tasting Difference: Food, Race, and Cultural Encounters in Early Modern Literature. By Gitanjali G. Shahani0
Cormorant Shylock0
Early Modern Theatre and the Figure of Disability. By Genevieve Love0
Dissent and Authority in Early Modern Ireland: The English Problem from Bale to Shakespeare. By Jane Yeang Chui Wong0
The Complexions of Shakespeare’s Voices0
Shakespeare and Stratford. Edited by Katherine Scheil0
Constructing Collective Response: Julius Caesar, Theatrical Phenomenology, and the Cultivation of Political Discernment in the Globe0
King Lear “After” Auschwitz: Shakespeare, Appropriation and Theatres of Catastrophe in Post-War British Drama. By Richard Ashby0
Dreams, Sleep, and Shakespeare’s Genres. By Claude Fretz0
The Power of 0: Computing and Modeling Silence in Shakespeare’s Drama0
Cures for Chance: Adoptive Relations in Shakespeare and Middleton. By Erin Ellerbeck0
Adapting “Macbeth”: A Cultural History. Arden Shakespeare. By William C. Carroll0
Prop Culture: The Shakespearean Clown and His Marotte0
Performances at Court in the Age of Shakespeare. Edited by Sophie Chiari and John Mucciolo.0
Shakespeare Beyond the Green World: Drama and Ecopolitics in Jacobean Britain. By Todd Andrew Borlik0
Pericles’s Humming Waters: Nonhuman Agency, Textual Criticism, and the Practice of Material Ecocriticism0
Shakespeare and the Grace of Words: Language, Theology, Metaphysics. By Valentin Gerlier0
Of Scamels and Such0
Early Shakespeare, 1588–1594. Edited by Rory Loughnane and Andrew J. Power0
Through the First Folio, Darkly: When is a “Perfect” Copy Perfect?0
The Anachronic Shakespeare 1623 Folio0
Transgender Reassessments of the Cross-Dressed Page in Shakespeare, Philaster, and The Honest Man’s Fortune0
Shakespeare Without a Life. By Margreta de Grazia0
Of Human Kindness: What Shakespeare Teaches Us About Empathy. By Paula Marantz Cohen0
Shakespeare in the Theatre: Sarah Siddons and John Philip Kemble. Arden Shakespeare. By Fiona Ritchie0
“Whither are you bound”: The Publication and Shaping of Shakespeare in 1623 and 19230
Impossible Desire and the Limits of Knowledge in Renaissance Poetry. By Wendy Beth Hyman0
The Diva’s Gift to the Shakespearean Stage: Agency, Theatricality, and the Innamorata. By Pamela Allen Brown Boy Actors in Early Modern England: Skill and Stagec0
Contributors0
The First Folio in the Web of Readers and Collectors0
Passing Strange: Shakespeare, Race, and Contemporary America. By Ayanna Thompson0
0.9192841053009